103-689: The Oregon Symphony is an American symphony orchestra based in Portland, Oregon , United States. Founded as the "Portland Symphony Society" in 1896, it is the sixth oldest orchestra in the United States, and oldest in the Western United States. Its home venue is the Arlene Schnitzer Concert Hall in downtown Portland 's Cultural District. The precursor ensemble to the orchestra gave its first concert at
206-519: A musical score , which contains all the instrument parts. The conductor uses the score to study the symphony before rehearsals and decide on their interpretation (e.g., tempos, articulation, phrasing, etc.), and to follow the music during rehearsals and concerts, while leading the ensemble. Orchestral musicians play from parts containing just the notated music for their instrument. A small number of symphonies also contain vocal parts (e.g., Beethoven 's Ninth Symphony ). Orchestras also perform overtures ,
309-797: A Juilliard Fellowship and the Rome Prize from the American Academy in Rome for his tone poem for large orchestra in a jazz idiom New Year's Eve in New York . That composition received its premiere from the Rochester Philharmonic Orchestra conducted by Howard Hanson on May 8, 1929. In 1930, it was performed by the Cleveland Orchestra conducted by Nikolai Sokoloff , and was recorded in 1929 by
412-413: A conductor, although early orchestras did not have one, giving this role to the concertmaster or the harpsichordist playing the continuo . Some modern orchestras also do without conductors , particularly smaller orchestras and those specializing in historically accurate (so-called "period") performances of baroque and earlier music. The most frequently performed repertoire for a symphony orchestra
515-522: A consensus that faking may be acceptable when a part is not written well for the instrument, but faking "just because you haven't practised" the music is not acceptable. With the advent of the early music movement, smaller orchestras where players worked on execution of works in styles derived from the study of older treatises on playing became common. These include the Orchestra of the Age of Enlightenment ,
618-460: A fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments , and guitars . A full-size Western orchestra may sometimes be called a symphony orchestra or philharmonic orchestra (from Greek phil- , "loving", and "harmony"). The number of musicians employed in a given performance may vary from seventy to over one hundred, depending on
721-642: A high school, or a university, and community orchestras; typically they are made up of amateur musicians from a particular city or region. The term orchestra derives from the Greek ὀρχήστρα ( orchestra ), the name for the area in front of a stage in ancient Greek theatre reserved for the Greek chorus . In the Baroque era, the size and composition of an orchestra were not standardised. There were large differences in size, instrumentation and playing styles—and therefore in orchestral soundscapes and palettes — between
824-571: A hundred, but the actual number of musicians employed in a particular performance may vary according to the work being played and the size of the venue. A chamber orchestra is usually a smaller ensemble; a major chamber orchestra might employ as many as fifty musicians, but some are much smaller. Concert orchestra is an alternative term, as in the BBC Concert Orchestra and the RTÉ Concert Orchestra . Apart from
927-415: A live performance, could be heard by critics. As recording technologies improved over the 20th and 21st centuries, eventually small errors in a recording could be "fixed" by audio editing or overdubbing . Some older conductors and composers could remember a time when simply "getting through" the music as well as possible was the standard. Combined with the wider audience made possible by recording, this led to
1030-879: A modified member of the horn family, appears in Richard Wagner 's cycle Der Ring des Nibelungen and several other works by Strauss, Igor Stravinsky (as featured in The Rite of Spring ), Béla Bartók , and others; it also has a notably prominent role in Anton Bruckner 's Symphony No. 7 in E ;Major . Cornets appear in Pyotr Ilyich Tchaikovsky 's ballet Swan Lake , Claude Debussy 's La Mer , and several orchestral works by Hector Berlioz . Unless these instruments are played by members "doubling" on another instrument (for example,
1133-550: A new four-year contract was negotiated before the end of September. The orchestra's first Grammy nomination came in 2003. Principal percussionist Niel DePonte was nominated for best instrumental soloist performance with orchestra for Oregon composer Tomas Svoboda 's "Concerto for Marimba and Orchestra", recorded by Albany Records in January 2000. A 90-minute television special from CBS affiliate KOIN Channel 6, produced by John Ray and directed by Richard Hammerstrom, in honor of
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#17327661783261236-624: A permanent member who is sick. A professional musician who is hired to perform for a single concert is sometimes called a "sub". Some contract musicians may be hired to replace permanent members for the period that the permanent member is on parental leave or disability leave. Historically, major professional orchestras have been mostly or entirely composed of men. The first women members hired in professional orchestras have been harpists . The Vienna Philharmonic , for example, did not accept women to permanent membership until 1997, far later than comparable orchestras (the other orchestras ranked among
1339-460: A power and influence in the symphony and concert affairs of this country without equal then or at any other time." Shilkret says that "Werner Janssen tells, in his unpublished autobiography (referenced as 'Janssen, Werner and D. Bruce Lockerbee, ca 1980, While the Music Lasts , unpublished, 261 double-spaced typed pages'), of unintentionally bypassing Judson and later being forced to pay Judson
1442-953: A pupil of Franz Liszt . Janssen entered the US military (infantry) in World War I . After the war he returned to his studies and earned a bachelor's degree in music at Dartmouth College in 1921. He began to compose jazz songs for Tin Pan Alley . He made recordings as a pianist of two of his popular songs in 1920. He composed for the Ziegfeld Follies of 1925 and 1926 and wrote several songs which became national hits. This helped finance his conducting studies with Felix Weingartner in Basel , Switzerland (1920–21) and with Hermann Scherchen in Strasbourg , France (1921–25). He also received
1545-405: A range of different employment arrangements. The most sought-after positions are permanent, tenured positions in the orchestra. Orchestras also hire musicians on contracts, ranging in length from a single concert to a full season or more. Contract performers may be hired for individual concerts when the orchestra is doing an exceptionally large late-Romantic era orchestral work, or to substitute for
1648-412: A renewed focus on particular star conductors and on a high standard of orchestral execution. The typical symphony orchestra consists of four groups of related musical instruments called the woodwinds , brass , percussion , and strings . Other instruments such as the piano, accordion , and celesta may sometimes be grouped into a fifth section such as a keyboard section or may stand alone, as may
1751-497: A rival organization to the Los Angeles Philharmonic and a forum for contemporary music until 1952. Compositions for this were commissioned from American composers. This group performed and recorded film music, musical theater works, and contemporary musical scores. Numerous recordings were made by Janssen and this orchestra for Capitol Records . Janssen formed a partnership with producer David L. Loew to produce
1854-437: A term originally applied to the instrumental introduction to an opera. During the early Romantic era, composers such as Beethoven and Mendelssohn began to use the term to refer to independent, self-existing instrumental, programmatic works that presaged genres such as the symphonic poem , a form devised by Franz Liszt in several works that began as dramatic overtures. These were "at first undoubtedly intended to be played at
1957-458: A trend toward donors finding other social causes more compelling. While government funding is less central to American than European orchestras, cuts in such funding are still significant for American ensembles. Finally, the drastic drop in revenues from recording, related to changes in the recording industry itself, began a period of change that has yet to reach its conclusion. U.S. orchestras that have gone into Chapter 11 bankruptcy include
2060-461: A trombone player changing to euphonium or a bassoon player switching to contrabassoon for a certain passage), orchestras typically hire freelance musicians to augment their regular ensemble. The 20th century orchestra was far more flexible than its predecessors. In Beethoven's and Felix Mendelssohn 's time, the orchestra was composed of a fairly standard core of instruments, which was very rarely modified by composers. As time progressed, and as
2163-495: A variety of amateur orchestras: Orchestras play a wide range of repertoire ranging from 17th-century dance suites , 18th century divertimentos to 20th-century film scores and 21st-century symphonies. Orchestras have become synonymous with the symphony , an extended musical composition in Western classical music that typically contains multiple movements which provide contrasting keys and tempos. Symphonies are notated in
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#17327661783262266-400: Is Western classical music or opera. However, orchestras are used sometimes in popular music (e.g., to accompany a rock or pop band in a concert), extensively in film music , and increasingly often in video game music . Orchestras are also used in the symphonic metal genre. The term "orchestra" can also be applied to a jazz ensemble, for example in the performance of big-band music. In
2369-417: Is called for in a string section, the section leader invariably plays that part. The section leader (or principal) of a string section is also responsible for determining the bowings, often based on the bowings set out by the concertmaster. In some cases, the principal of a string section may use a slightly different bowing than the concertmaster, to accommodate the requirements of playing their instrument (e.g.,
2472-604: The "Eroica" Symphony arrives to provide not only some harmonic flexibility but also the effect of "choral" brass in the Trio movement. Piccolo , contrabassoon , and trombones add to the triumphal finale of his Symphony No. 5 . A piccolo and a pair of trombones help deliver the effect of storm and sunshine in the Sixth , also known as the Pastoral Symphony . The Ninth asks for a second pair of horns, for reasons similar to
2575-731: The Belgrade Philharmonic Orchestra , the Vienna State Opera Orchestra (1959–61) and the Vienna Volksoper . Recordings with the latter included Karl-Birger Blomdahl 's opera, Aniara ; and Sergei Prokofiev ’s opera War and Peace . He returned to the U.S. in the early 1970s. Shilkret, described Arthur Judson as being the leading person for choosing symphony conductors, and he quotes Crawford as quoting Hart: "All agree that from 1915 to 1956, at least, Arthur Judson exercised
2678-852: The Koch and Albany labels. Sixteen compact discs were issued through 2005. In November 2011, the orchestra released Music for a Time of War , on the Pentatone label. Recorded at the Arlene Schnitzer Concert Hall in Portland, Oregon, with Carlos Kalmar conducting, the album features the program played at the orchestra's May 2011 Spring into Music Festival concert at Carnegie Hall . December 5, 2012, this album received two Grammy nominations: one for Best Engineered Album, Classical; and one for Best Orchestral Performance. Subsequent recordings were This England (2012), Spirit of
2781-582: The London Classical Players under the direction of Sir Roger Norrington and the Academy of Ancient Music under Christopher Hogwood , among others. In the United States, the late 20th century saw a crisis of funding and support for orchestras. The size and cost of a symphony orchestra, compared to the size of the base of supporters, became an issue that struck at the core of the institution. Few orchestras could fill auditoriums, and
2884-838: The Musicolor series of classic musical shorts, including Toccata and Fugue (1946) and Enchanted Lake (1947), both filmed in Cinecolor . He was the music director of the Utah Symphony 1946–47, the Oregon Symphony 1947–49, and the San Diego Philharmonic (1952–54). He also had positions at the NBC Symphony Orchestra ("Symphony of the Air") (1956), Toronto Symphony Orchestra (1956–57),
2987-586: The New York Philharmonic for the 1934–35 season, and on November 8, 1934, became the first American-born conductor to lead the orchestra. He was conductor of the Baltimore Symphony Orchestra from 1937 through 1939. While Janssen filled roles as guest conductor, he was also contracted to write film music. His first credited film score was for The General Died at Dawn (1936), which was nominated for an Academy Award ,
3090-1113: The Philadelphia Orchestra (April 2011), and the Louisville Orchestra (December 2010); orchestras that have gone into Chapter 7 bankruptcy and have ceased operations include the Northwest Chamber Orchestra in 2006, the Honolulu Orchestra in March ;2011, the New Mexico Symphony Orchestra in April 2011, and the Syracuse Symphony in June ;2011. The Festival of Orchestras in Orlando, Florida, ceased operations at
3193-592: The Victor Symphony Orchestra , conducted by Nathaniel Shilkret . Shilkret and Janssen were later (1945) to exchange roles, with Janssen and his Symphony Orchestra of Los Angeles conducting the Genesis Suite , which was conceived and coauthored by Shilkret. In 1927, he was hired by NBC to conduct symphony concerts over the radio but was dismissed early on. He was engaged in 1929 by Samuel Roxy Rothapfel to conduct at his Roxy Theater but
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3296-477: The bassline ), played an important role; the second is a typical classical period orchestra (e.g., early Beethoven along with Mozart and Haydn ), which used a smaller group of performers than a Romantic music orchestra and a fairly standardized instrumentation; the third is typical of an early/mid-Romantic era (e.g., Schubert , Berlioz , Schumann , Brahms ); the fourth is a late-Romantic/early 20th-century orchestra (e.g., Wagner , Mahler , Stravinsky ), to
3399-440: The concert harp and electric and electronic instruments. The orchestra, depending on the size, contains almost all of the standard instruments in each group. In the history of the orchestra, its instrumentation has been expanded over time, often agreed to have been standardized by the classical period and Ludwig van Beethoven 's influence on the classical model. In the 20th and 21st century, new repertory demands expanded
3502-751: The concertmaster – also plays an important role in leading the musicians. In the Baroque music era (1600–1750), orchestras were often led by the concertmaster, or by a chord-playing musician performing the basso continuo parts on a harpsichord or pipe organ , a tradition that some 20th-century and 21st-century early music ensembles continue. Orchestras play a wide range of repertoire, including symphonies, opera and ballet overtures , concertos for solo instruments, and pit ensembles for operas, ballets, and some types of musical theatre (e.g., Gilbert and Sullivan operettas ). Amateur orchestras include youth orchestras made up of students from an elementary school,
3605-414: The symphonies of Ludwig van Beethoven and Johannes Brahms . The typical orchestra grew in size throughout the 18th and 19th centuries, reaching a peak with the large orchestras of as many as 120 players called for in the works of Richard Wagner and later Gustav Mahler . Orchestras are usually led by a conductor who directs the performance with movements of the hands and arms, often made easier for
3708-426: The "Eroica" (four horns has since become standard); Beethoven's use of piccolo, contrabassoon, trombones, and untuned percussion—plus chorus and vocal soloists—in his finale, are his earliest suggestion that the timbral boundaries of the symphony might be expanded. For several decades after his death, symphonic instrumentation was faithful to Beethoven's well-established model, with few exceptions. The invention of
3811-469: The "great unmentionable [topics] of orchestral playing" is " faking ", the process by which an orchestral musician gives the false "... impression of playing every note as written", typically for a very challenging passage that is very high or very fast, while not actually playing the notes that are in the printed music part. An article in The Strad states that all orchestral musicians, even those in
3914-617: The 19th century is generally attributed to the forces called for by Beethoven after Haydn and Mozart. Beethoven's instrumentation almost always included paired flutes , oboes, clarinets, bassoons, horns and trumpets. The exceptions are his Symphony No. 4 , Violin Concerto , and Piano Concerto No. 4 , which each specify a single flute. Beethoven carefully calculated the expansion of this particular timbral "palette" in Symphonies 3, 5, 6, and 9 for an innovative effect. The third horn in
4017-406: The 2000s, all tenured members of a professional orchestra normally audition for positions in the ensemble. Performers typically play one or more solo pieces of the auditionee's choice, such as a movement of a concerto, a solo Bach movement, and a variety of excerpts from the orchestral literature that are advertised in the audition poster (so the auditionees can prepare). The excerpts are typically
4120-526: The American Range (2015), Haydn Symphonies (2017), and Aspects of America (2018). Orchestra An orchestra ( / ˈ ɔːr k ɪ s t r ə / ; OR -ki-strə ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: Other instruments such as the piano , harpsichord , pipe organ , and celesta may sometimes appear in
4223-687: The Classical era, as composers increasingly sought out financial support from the general public, orchestra concerts were increasingly held in public concert halls , where music lovers could buy tickets to hear the orchestra. Aristocratic patronage of orchestras continued during the Classical era, but this went on alongside public concerts. In the 20th and 21st century, orchestras found a new patron: governments. Many orchestras in North America and Europe receive part of their funding from national, regional level governments (e.g., state governments in
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4326-680: The Janssen Hof Brau Haus on Broadway. The family lived in Great Neck on King's Point Road next door to musician George M. Cohan . It was Cohan who encouraged young Werner to continue to play piano and explore his passion for music. Cohan described the interplay of the families as he states, "I'll hold to my dying day that Werner became a musician because his dad made him practice the piano all day to keep me awake, just to get even with me for playing all night and keeping him awake." Werner recounted that his first two music students were
4429-476: The Marquam Grand Theatre on October 30, 1896, with W.H. Kinross conducting 33 performers. Included on the first program was Joseph Haydn 's Surprise Symphony . By 1899, the orchestra was performing an annual concert series (with occasional lulls). In 1902, the orchestra made its first tour of the state. Orchestra members shared ticket revenues as a cooperative, and elected their conductors in
4532-598: The Pacific Northwest was made in September 1992, to the Hollywood Bowl at the invitation of the Los Angeles Philharmonic . Although there were labor disagreements and brief lockouts by management in 1986 and 1989, in September 1996, the 86 musicians voted unanimously to strike for the first time. Money was the issue in negotiating a new contract. Five rehearsals and six concerts were canceled before
4635-503: The Portland Philharmonic, with 40 musicians provided by the federal music project, held its debut concert on January 16, 1940, with Hodge conducting. Hodge announced his resignation in September 1940 and Charles Lautrop succeeded him as conductor. Directors suspended operation of this orchestra on December 30, 1940. The Portland Symphony orchestra was reorganized in 1947 as a permanent professional group. Werner Janssen
4738-522: The Romantic period saw changes in accepted modification with composers such as Berlioz and Mahler; some composers used multiple harps and sound effect such as the wind machine . During the 20th century, the modern orchestra was generally standardized with the modern instrumentation listed below. Nevertheless, by the mid- to late 20th century, with the development of contemporary classical music , instrumentation could practically be hand-picked by
4841-528: The Symphony's centennial featured DePreist and the orchestra in a performance of Rachmaninoff's Symphony No. 2, and was awarded a Northwest Regional Emmy in June 1997. DePreist remained as music director for 23 years, until 2003. His tenure saw the growth of the orchestra from a small, part-time group into a full-time nationally recognized orchestra. During his tenure, the orchestra released 17 recordings. After
4944-472: The U.S.) or city governments. These government subsidies make up part of orchestra revenue, along with ticket sales, charitable donations (if the orchestra is registered as a charity) and other fundraising activities. With the invention of successive technologies, including sound recording , radio broadcasting , television broadcasting and Internet-based streaming and downloading of concert videos, orchestras have been able to find new revenue sources. One of
5047-736: The VPO now uses completely screened blind auditions . In 2013, an article in Mother Jones stated that while "[m]any prestigious orchestras have significant female membership — women outnumber men in the New York Philharmonic 's violin section — and several renowned ensembles, including the National Symphony Orchestra , the Detroit Symphony , and the Minnesota Symphony, are led by women violinists",
5150-410: The case of the first violins, an assistant concertmaster, who often plays a tutti part in addition to replacing the principal in their absence. A section string player plays in unison with the rest of the section, except in the case of divided ( divisi ) parts, where upper and lower parts in the music are often assigned to "outside" (nearer the audience) and "inside" seated players. Where a solo part
5253-416: The classical era, the orchestra became more standardized with a small to medium-sized string section and a core wind section consisting of pairs of oboes, flutes, bassoons and horns, sometimes supplemented by percussion and pairs of clarinets and trumpets. The so-called "standard complement" of doubled winds and brass in the orchestra pioneered in the late 18th century and consolidated during the first half of
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#17327661783265356-591: The close of the 2020–2021 season. In 2018, David Danzmayr first guest-conducted the orchestra. He returned in 2019 for an additional guest-conducting appearance. In February 2021, the orchestra announced the appointment of Danzmayr as its next music director, effective with the 2021–2022 season. The Oregon Symphony began recording for the Delos label in 1987. A collection entitled Bravura , includes works by Witold Lutosławski , Ottorino Respighi , and Richard Strauss . Recordings have continued, with releases also on
5459-498: The common complement of a 2010-era modern orchestra (e.g., Adams , Barber , Aaron Copland , Glass , Penderecki ). Among the instrument groups and within each group of instruments, there is a generally accepted hierarchy. Every instrumental group (or section) has a principal who is generally responsible for leading the group and playing orchestral solos. The violins are divided into two groups, first violin and second violin, with
5562-406: The composer (e.g., to add electric instruments such as electric guitar, electronic instruments such as synthesizers, ondes martenot , or trautonium , as well as other non-Western instruments, or other instruments not traditionally used in orchestras including the: bandoneon , free bass accordion , harmonica , jews harp , mandola and water percussion. With this history in mind,
5665-413: The conductor and the panel to compare the best candidates. Performers may be asked to sight read orchestral music. The final stage of the audition process in some orchestras is a test week , in which the performer plays with the orchestra for a week or two, which allows the conductor and principal players to see if the individual can function well in an actual rehearsal and performance setting. There are
5768-662: The conductor of the theatre orchestra, as he elaborated in his influential work On Conducting . This brought about a revolution in orchestral composition and set the style for orchestral performance for the next eighty years. Wagner's theories re-examined the importance of tempo , dynamics , bowing of string instruments and the role of principals in the orchestra. At the beginning of the 20th century, symphony orchestras were larger, better funded, and better trained than previously; consequently, composers could compose larger and more ambitious works. The works of Gustav Mahler were particularly innovative; in his later symphonies, such as
5871-443: The core orchestral complement, various other instruments are called for occasionally. These include the flugelhorn and cornet . Saxophones and classical guitars, for example, appear in some 19th- through 21st-century scores. While appearing only as featured solo instruments in some works, for example Maurice Ravel 's orchestration of Modest Mussorgsky 's Pictures at an Exhibition and Sergei Rachmaninoff 's Symphonic Dances ,
5974-464: The daughters of George M. Cohan , whom he taught in their home. As a teenager Werner remembers hearing the first renditions of "Over there" from across the fence between the houses. Cohan reflected on those days, writing to Werner's father, "those were golden days when you were singing songs and I was trying to write them down next door — they were in fact the happiest of all any days as I look back on them now." August strongly encouraged Werner to enter
6077-436: The double bass, brass, and percussion sections of major orchestras "... are still predominantly male." A 2014 BBC article stated that the "... introduction of 'blind' auditions, where a prospective instrumentalist performs behind a screen so that the judging panel can exercise no gender or racial prejudice, has seen the gender balance of traditionally male-dominated symphony orchestras gradually shift." There are also
6180-400: The double-bass section). Principals of a string section will also lead entrances for their section, typically by lifting the bow before the entrance, to ensure the section plays together. Tutti wind and brass players generally play a unique but non-solo part. Section percussionists play parts assigned to them by the principal percussionist. In modern times, the musicians are usually directed by
6283-551: The early years. Royal Academy of Music -trained musician Carl Denton was a major force in helping the Portland Symphony Society enter a new era. The board of directors was elected and a manager hired. Orchestra members continued to elect their conductors for the 1911/1912 season. The order of conductor and concertmaster rotation was determined by drawing lots. Musicians were from the dance and theatre orchestras of Portland. Following fourteen rehearsals,
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#17327661783266386-428: The end of March 2011. One source of financial difficulties that received notice and criticism was high salaries for music directors of US orchestras, which led several high-profile conductors to take pay cuts in recent years. Music administrators such as Michael Tilson Thomas and Esa-Pekka Salonen argued that new music, new means of presenting it, and a renewed relationship with the community could revitalize
6489-400: The end of his tenure, DePriest held the title of music director laureate until his death in 2013. Since 2003, Carlos Kalmar has been the orchestra's music director. In April 2008, the orchestra announced the extension of Kalmar's contract as music director to the 2012–2013 season. In February 2020, the orchestra announced that Kalmar is to conclude his music directorship of the orchestra at
6592-565: The family business, opposing the son's desire for a musical career. After Werner completed secondary school (graduating from Phillips Exeter Academy ) he had to support his own musical education at Dartmouth College . He did this by being a waiter, performing in cabarets and theaters, and selling his own popular compositions. At the New England Conservatory of Music he studied with the composers George Chadwick and Frederick Converse . He studied piano with Arthur Friedheim ,
6695-475: The fifteen largest in the nation. During the Great Depression , the Portland Symphony Society nearly closed in 1931. A mimeographed letter to society members pleading for donations by Isabella Gauld kept the society open. The threat of war and a budget deficit of nearly $ 20,000 caused the board to suspend operations in 1938. A farewell concert on February 28, 1938, featured van Hoogstraten conducting
6798-404: The fifth concert on April 14, 1912. Harold Bayley, Carl Denton, and Mose Christensen also served as rotating concertmasters when they weren't conducting. The entire budget was made up of door receipts, which were divided equally except that the conductor received two shares. For the first concert, each musician received $ 1.45. The orchestra continued to elect rotating conductors as leaders until
6901-549: The first concert of this new-era Portland Symphony Orchestra was held at 2:30 p.m. November 12, 1911, at the newly opened Heilig Theater at SW Broadway and Taylor street. Mose Christensen conducted 54 performers in Dvorak's Symphony No. 9 in E minor and other works. Carl Denton conducted the second concert on December 17, 1911, followed by John Bayley on January 21, 1912, and Harold C. Bayley (the son of John Bayley) on March 3, 1912. Mose Christensen completed that season with
7004-871: The first of six Janssen scored films to be nominated. In 1939, he resigned his position with the Baltimore Symphony Orchestra to work with film producer Walter Wanger . He composed several other film scores including Blockade (1938), Winter Carnival (1939), Eternally Yours (1939), Slightly Honorable (1940), The House Across the Bay (1940), Guest in the House (1944), The Southerner (1945), Captain Kidd (1945), A Night in Casablanca (1946), Ruthless (1948), and Uncle Vanya (1957), starring and co-directed by Franchot Tone . He
7107-434: The first systematic treatise on using instrumental sound as an expressive element of music. The next major expansion of symphonic practice came from Richard Wagner 's Bayreuth orchestra, founded to accompany his musical dramas. Wagner's works for the stage were scored with unprecedented scope and complexity: indeed, his score to Das Rheingold calls for six harps . Thus, Wagner envisioned an ever-more-demanding role for
7210-600: The full range of orchestral sounds and timbres during the performance of orthodox Western classical music. The terms symphony orchestra and philharmonic orchestra may be used to distinguish different ensembles from the same locality, such as the London Symphony Orchestra and the London Philharmonic Orchestra . A symphony or philharmonic orchestra will usually have over eighty musicians on its roster, in some cases over
7313-543: The head of a programme". In the 1850s the concert overture began to be supplanted by the symphonic poem. Orchestras also play with instrumental soloists in concertos. During concertos, the orchestra plays an accompaniment role to the soloist (e.g., a solo violinist or pianist) and, at times, introduces musical themes or interludes while the soloist is not playing. Orchestras also play during operas, ballets, some musical theatre works and some choral works (both sacred works such as Masses and secular works). In operas and ballets,
7416-558: The instrumentation of the orchestra, resulting in a flexible use of the classical-model instruments and newly developed electric and electronic instruments in various combinations. In the mid 20th century, several attempts were made in Germany and the United States to confine the instrumentation of the symphonic orchestra exclusively to groups of one instrument. In this configuration, the symphonic orchestra consisted entirely of free-reed chromatic accordions which were modified to recreate
7519-526: The mammoth Symphony No. 8 , Mahler pushes the furthest boundaries of orchestral size, employing large forces. By the late Romantic era, orchestras could support the most enormous forms of symphonic expression, with huge string and brass sections and an expanded range of percussion instruments. With the recording era beginning, the standards of performance were pushed to a new level, because a recorded symphony could be listened to closely and even minor errors in intonation or ensemble, which might not be noticeable in
7622-445: The most technically challenging parts and solos from the orchestral literature. Orchestral auditions are typically held in front of a panel that includes the conductor, the concertmaster , the principal player of the section for which the auditionee is applying, and possibly other principal players. The most promising candidates from the first round of auditions are invited to return for a second or third round of auditions, which allows
7725-440: The musicians to see by using a short wooden rod known as a conductor's baton . The conductor unifies the orchestra, sets the tempo , and shapes the sound of the ensemble. The conductor also prepares the orchestra by leading rehearsals before the public concert, in which the conductor provides instructions to the musicians on their interpretation of the music being performed. The leader of the first violin section – commonly called
7828-691: The name was changed to the Oregon Symphony Society (and Orchestra) to reflect the wider scope of the orchestra. In the fall of 1970, the symphony board and musicians' union successfully negotiated the first two-year contract. The musicians, seeking better wages, joined the International Conference of Symphony and Opera Musicians (ICSOM) in 1971. In 1970, the Oregon Symphony Pops began a longstanding working relationship with conductor Norman Leyden , who
7931-420: The next regular conductor (1955–1959). The Italian conductor Piero Bellugi (1959–1961) became only the second non-American principal conductor since Hoogstraten. Each of these early principal conductors in the reorganized symphony era left after only a few years because the orchestra lacked financial backing. Bellugi also refused to return for a scheduled guest conductor engagement in the spring of 1962, citing
8034-436: The orchestra accompanies the singers and dancers, respectively, and plays overtures and interludes where the melodies played by the orchestra take centre stage. In the Baroque era, orchestras performed in a range of venues, including at the fine houses of aristocrats, in opera halls and in churches. Some wealthy aristocrats had an orchestra in residence at their estate, to entertain them and their guests with performances. During
8137-514: The orchestra can be analysed in five eras: the Baroque era , the Classical era , early/mid- Romantic music era, late-Romantic era and combined Modern/Postmodern eras . The first is a Baroque orchestra (i.e., J.S. Bach , Handel , Vivaldi ), which generally had a smaller number of performers, and in which one or more chord-playing instruments, the basso continuo group (e.g., harpsichord or pipe organ and assorted bass instruments to perform
8240-464: The orchestra gathered [on 28 February 1997] in an extraordinary meeting on the eve of their departure and agreed to admit a woman, Anna Lelkes, as harpist." As of 2013, the orchestra has six female members; one of them, violinist Albena Danailova, became one of the orchestra's concertmasters in 2008, the first woman to hold that position in that orchestra. In 2012, women made up 6% of the orchestra's membership. VPO president Clemens Hellsberg said
8343-509: The orchestra went from part-time to full-time status. Also in 1984, the orchestra moved from Civic (now Keller) Auditorium to the Arlene Schnitzer Concert Hall. The orchestra was now able to rehearse in the same space where they performed their concerts. James DePreist's arrangement of the theme for The Cosby Show was recorded by the orchestra in May 1988 for use in the fifth season of that television program. The first out-of-state tour outside of
8446-676: The orchestra's press secretary wrote that "compensating for the expected leaves of absence" of maternity leave would be a problem. In 1997, the Vienna Philharmonic was "facing protests during a [US] tour" by the National Organization for Women and the International Alliance for Women in Music . Finally, "after being held up to increasing ridicule even in socially conservative Austria, members of
8549-446: The piston and rotary valve by Heinrich Stölzel and Friedrich Blühmel , both Silesians , in 1815, was the first in a series of innovations which impacted the orchestra, including the development of modern keywork for the flute by Theobald Boehm and the innovations of Adolphe Sax in the woodwinds, notably the invention of the saxophone. These advances would lead Hector Berlioz to write a landmark book on instrumentation , which were
8652-419: The pre-concert tuning and handles musical aspects of orchestra management, such as determining the bowings for the violins or the entire string section. The concertmaster usually sits to the conductor's left, closest to the audience. There is also a principal second violin, a principal viola, a principal cello, and a principal bass. The principal trombone is considered the leader of the low brass section, while
8755-528: The principal trumpet is generally considered the leader of the entire brass section. While the oboe often provides the tuning note for the orchestra (due to a 300-year-old convention), there is generally no designated principal of the woodwind section (though in woodwind ensembles, the flute is often the presumptive leader). Instead, each principal confers with the others as equals in the case of musical differences of opinion. Most sections also have an assistant principal (or co-principal or associate principal), or in
8858-542: The programs lacked sufficient scope for his talents. Jacques Singer was music director of the orchestra from 1962–1972. During 1965–1967, the orchestra performed in a leased 1927 movie house, the Oriental Theatre on SE Grand Avenue between Morrison and Belmont Streets, while the Civic Auditorium was being rebuilt. In July 1966, a $ 1.25 million Ford Foundation grant was announced. In August 1967,
8961-593: The saxophone is included in other works, such as Ravel's Boléro , Sergei Prokofiev 's Romeo and Juliet Suites 1 and 2 , Vaughan Williams ' Symphonies No. 6 and No. 9 , and William Walton 's Belshazzar's Feast , and many other works as a member of the orchestral ensemble. The euphonium is featured in a few late Romantic and 20th century works , usually playing parts marked "tenor tuba", including Gustav Holst 's The Planets , and Richard Strauss 's Ein Heldenleben . The Wagner tuba ,
9064-413: The second violins playing in lower registers than the first violins, playing an accompaniment part, or harmonizing the melody played by the first violins. The principal first violin is called the concertmaster (or orchestra "leader" in the U.K.) and is not only considered the leader of the string section, but the second-in-command of the entire orchestra, behind only the conductor. The concertmaster leads
9167-673: The symphony and chorus in Brahms' German Requiem . There was no regular symphony season between 1938 and 1947, except for occasional concerts.b There was also a WPA Portland Federal Symphony Orchestra for one season of concerts held at the Neighbors of Woodcraft auditorium, beginning in January 1939. Misha Pelz, who had conducted the Portland Federal Symphony Band, was the regular conductor and Leslie Hodge guest conducted for two concerts. An orchestra billed as
9270-546: The symphony board appointed Carl Denton as the first permanent conductor on August 18, 1918. The orchestra began holding its concerts at Municipal Auditorium , later renamed Civic Auditorium. Under Denton, ticket sales increased and the number of musicians were therefore increased. Theodore Spiering , who had guest conducted the orchestra, was the next appointed conductor. Spiering was unable to begin his first season as conductor because of his untimely death in Munich (where he
9373-460: The symphony orchestra. The American critic Greg Sandow has argued in detail that orchestras must revise their approach to music, performance, the concert experience, marketing, public relations, community involvement, and presentation to bring them in line with the expectations of 21st century audiences immersed in popular culture. Werner Janssen Werner Janssen (born Werner Alexander Oscar Janssen ; June 1, 1899 – September 19, 1990)
9476-411: The time-honored season-subscription system became increasingly anachronistic, as more and more listeners would buy tickets on an ad-hoc basis for individual events. Orchestral endowments and — more centrally to the daily operation of American orchestras — orchestral donors have seen investment portfolios shrink, or produce lower yields, reducing the ability of donors to contribute; further, there has been
9579-406: The top orchestras, occasionally fake certain passages. One reason that musicians fake is because there are not enough rehearsals. Another factor is the extreme challenges in 20th century and 21st century contemporary pieces; some professionals said "faking" was "necessary in anything from ten to almost ninety per cent of some modern works". Professional players who were interviewed were of
9682-635: The various European regions. The Baroque orchestra ranged from smaller orchestras (or ensembles) with one player per part, to larger-scale orchestras with many players per part. Examples of the smaller variety were Bach's orchestras, for example in Koethen, where he had access to an ensemble of up to 18 players. Examples of large-scale Baroque orchestras would include Corelli's orchestra in Rome which ranged between 35 and 80 players for day-to-day performances, being enlarged to 150 players for special occasions. In
9785-435: The work being played and the venue size. A chamber orchestra (sometimes a concert orchestra ) is a smaller ensemble of not more than about fifty musicians. Orchestras that specialize in the Baroque music of, for example, Johann Sebastian Bach and George Frideric Handel , or Classical repertoire, such as that of Haydn and Mozart , tend to be smaller than orchestras performing a Romantic music repertoire such as
9888-641: The works of Jean Sibelius in Helsinki in February 1934. Sibelius said of this concert: "You may say that tonight Finland has for the first time discovered my music. This achievement of Janssen's is the deed of a hero". After a second concert, he received the Order of the White Rose on March 8, 1936, from the government of Finland for his contribution to Finnish music. He was appointed associate conductor of
9991-479: The world's top five by Gramophone in 2008). The last major orchestra to appoint a woman to a permanent position was the Berlin Philharmonic . In February 1996, the Vienna Philharmonic's principal flute, Dieter Flury , told Westdeutscher Rundfunk that accepting women would be "gambling with the emotional unity ( emotionelle Geschlossenheit ) that this organism currently has". In April 1996,
10094-877: Was also responsible for the score for the 1966 German television production Robin Hood, der edle Ritter ( Robin Hood, the Noble Knight ). He continued to write non-film compositions too, including the Foster Suite (1937), the String Quartet No. 2 (1938), the Octet for Five (1965), and the Quintet for 10 Instruments (1968). In 1940, he formed the Janssen Symphony in Los Angeles, which became
10197-553: Was an American composer and conductor of classical music and film scores . He was the first New York-born conductor to lead the New York Philharmonic. For his film work he was nominated for six Academy Awards . Werner Alexander Oscar Janssen was born in New York City on June 1, 1899 to August Louis Janssen and Alice Bianca E. ( née Von Boeckmann) Janssen. His father was a New York restaurateur, founder of
10300-430: Was appointed associate conductor in January 1974. Leyden, who retired in May 2004, was honored with the lifetime title Laureate Associate Conductor. In 1973, Lawrence Leighton Smith was selected as music director, the first conductor born in Portland to lead the orchestra. He led the orchestra until 1980. James DePreist , one of the first African-American conductors, became the orchestra's conductor in 1980. In 1984,
10403-420: Was engaged for two seasons as principal conductor, from 1947 to 1949, followed by James Sample (1949–1953). Guest conductors were engaged for the 1953–1955 seasons (in lieu of a principal conductor), including Carlos Chávez , Enrique Jordá , Dimitri Mitropoulos Thomas Schippers , Boris Sirpo , Russell Stanger, and Igor Stravinsky . Theodore Bloomfield was one of these guest conductors, and he also became
10506-419: Was searching for new scores for the orchestra). At the suggestion of artist manager Arthur Judson , the symphony board next appointed Dutch conductor Willem van Hoogstraten . Hoogstraten's first concert, on November 9, 1925, included Tchaikovsky's Symphony No. 4 , performed by 69 musicians. Some of van Hoogstraten's concerts were nationally broadcast on the radio. The orchestra was now recognized as one of
10609-812: Was soon fired from that position as well. Three years of studying in Rome at the Accademia Nazionale di Santa Cecilia with mentor Ottorino Respighi resulted in several new compositions including the Louisiana Suite and the string quartet American Kaleidoscope performed by the Quartetto di Roma. His work with that group led to an engagement to conduct the Royal Orchestra of Rome. He also took conducting engagements throughout Europe (including Berlin , Budapest , Copenhagen, Riga , Stockholm, and Turin ). He conducted an entire concert of
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