Orfeón is a record label from Mexico , which has released many recordings for the Latin American market since at least the 1950s.
111-486: In 1961, after having released Mexican editions of several of their Decca Records singles, the label signed American rockers Bill Haley & His Comets and the band had numerous regional hits on the label, most notably the partial instrumental "Florida Twist" and the Spanish-language "Twist Espanol", during their tenure that lasted until early 1966. The label also sponsored a musical television series, Orfeón
222-461: A Go-Go (which included appearances by Haley, among other acts from the label). Orfeón was affiliated with the Dimsa label in the 1960s, releasing some material (including a number of Haley albums) under this label. Another major American act that recorded for the label was Big Joe Turner in 1966 (his recordings were backed by Haley's Comets, and Turner performed one of the songs along with Haley and
333-505: A distribution deal with American Decca until 1962 when distribution switched to MGM Records . Éditions de l'Oiseau-Lyre is a wholly owned subsidiary specialising in European classical music of the 15th to 19th centuries. American Decca's jazz catalogue is managed by GRP Records , an imprint of Verve Records . The American Decca rock/pop catalogue is managed by Geffen Records . American distribution of British Decca's rock/pop catalogue
444-434: A financial interest in the new label. In 1934 Guy Lombardo also recorded for Decca. Decca became a major player in the depressed American record market thanks to its roster of popular artists, particularly Bing Crosby , the shrewd management of former US Brunswick general manager Jack Kapp , and the decision to price Decca at 35 cents. The US label also brought back the discontinued Champion label (from Gennett), as well as
555-578: A full roster of stars, including Cecilia Bartoli and Renée Fleming . Its back catalogue includes several landmarks and critically acclaimed recordings, such as the Solti Ring , voted the greatest recording of all time by critics with the BBC Music Magazine , and Luciano Pavarotti remained an exclusive Decca artist throughout his recording career. In 2017, Universal Music revived Decca's American classical music arm as Decca Gold under
666-408: A greatly enhanced frequency range (high and low notes) to be captured on recordings. Critics regularly commented on the startling realism of the new Decca recordings. The frequency range of ffrr was 80–15000 Hz, with a signal-to-noise ratio of 60 dB. While Decca's early ffrr releases on 78-rpm discs had some noticeable surface noise , which diminished the effects of the high fidelity sound,
777-670: A look at the Stones, who he had just seen live for the first time a couple of weeks earlier. Rowe saw the Stones and quickly signed them to a contract. Decca also released the first recording of Rod Stewart in 1964, "Good Morning Little Schoolgirl"/"I'm Gonna Move to the Outskirts of Town". Decca also signed up many rock artists ( The Moody Blues , The Zombies , The Applejacks , Dave Berry , Lulu , Alan Price ), The Marmalade , with varying degrees of success. Staff producer Hugh Mendl (1919–2008) worked for Decca for over 40 years and played
888-529: A major hit label on the US R&;B and pop charts as Bill Haley's popularity started to fade, in the late 1950s. Decca's strong country catalogue did very well throughout this period and they had several crossover-to-pop hits, as well as the blockbuster success of Brenda Lee , but many R&B and rock music artists passed through Decca with little success ( The Flamingos , Billy Ward and his Dominoes , Bobby Darin , The Shirelles , etc.) American Decca embraced
999-404: A modified IVC model 826P open-reel 1-inch VTR , connected to a custom codec unit with time code capability (using a proprietary time code developed by Decca), as well as outboard DAC and ADC units connected to the codec unit. The codec recorded audio to tape in 18-bit linear PCM at 48 kHz, with a maximum of eight channels. Later versions of the system used 20-bit recording. Except for
1110-421: A new generation of high-resolution and multi-channel recordings, including Super Audio CD (SACD) and DVD-Audio (DVD-A) formats. Decca is now routinely mastering new recordings in these formats. Decca Special Products developed products for the audio marketplace and a line of home audio equipment. American Decca bought Universal-International in 1952, and eventually merged with MCA Inc. in 1962, becoming
1221-581: A non-reciprocal right to license and issue American Decca recordings in the UK on their Brunswick (US Decca recordings) and Coral (US Brunswick and Coral recordings) labels; this arrangement continued until 1967 when a UK branch of MCA was established utilizing the MCA Records label, with distribution fluctuating between British Decca and other English companies over time. In Canada, the Compo Company
SECTION 10
#17327942176991332-600: A return to shelter as soon as possible. As every other character leaves the stage, Aeneas is stopped by the Sorceress's elf, who is disguised as Mercury. This pretend Mercury brings the "command of Jove" that Aeneas is to wait no longer in beginning his task of creating a new Troy on Latin soil. Aeneas consents to the wishes of what he believes are the gods, but is heart-broken that he will have to leave Dido. He then goes off-stage to prepare for his departure from Carthage. The harbour at Carthage Preparations are being made for
1443-568: A reversal of the usual situation, in which American Decca had released original Broadway cast albums of three Rodgers and Hammerstein shows, this was the only film soundtrack album of a Rodgers and Hammerstein show ever released by Decca, while the Broadway cast album had been released by Columbia Masterworks. The American RCA label severed its longtime affiliation with EMI 's His Master's Voice (HMV) label in 1957, which allowed British Decca to market and distribute Elvis Presley 's recordings in
1554-482: A series of recordings with Paddy Roberts (best known for "The Ballad of Bethnal Green"), numerous "original cast" and soundtrack albums including Oh! What a Lovely War and even an LP record of the 1966 Le Mans 24-hour race, inspired by his lifelong passion for motor racing. Mendl was a driving force in the establishment of Decca's progressive Deram label, most notably as the executive producer of The Moody Blues ' groundbreaking 1967 LP Days of Future Passed . He
1665-456: A short-lived version of the Broadway label. The following year, the pressing and Canadian distribution of US Decca records was licensed to Compo Company Ltd. in Lachine, Quebec , a breakaway and rival of Berliner Gram-o-phone Co. of Montreal , Quebec. (Compo was acquired by Decca in 1951 although its Apex label continued in production for the next two decades.) By 1939, Decca and EMI were
1776-496: A significant role in its success in the popular field from the 1950s to the late 1970s. His first major production credit was pianist Winifred Atwell . He produced Rock Island Line , the breakthrough skiffle hit for Lonnie Donegan , and he is credited as the first executive to spot the potential of singer-actor Tommy Steele . Mendl's other productions included the first album by humorist Ivor Cutler , Who Tore Your Trousers? (1961), Frankie Howerd at The Establishment (1963),
1887-605: A staged work, with only sporadic concert performances, until 1895 when the first staged version in modern times was performed by students of the Royal College of Music at London's Lyceum Theatre to mark the bicentenary of Purcell's death. Dido and Aeneas received its first performance outside England on 14 December 1895 in a concert version at the University Society in Dublin . Dido and Aeneas premiered in
1998-672: A subsidiary company under MCA. Dissatisfied with American Decca's promotion of British Decca recordings and because American Decca held the rights to the name Decca in the US and Canada, British Decca sold its records in the United States and Canada under the label London Records beginning in 1947. In Britain, London Records became a mighty catch-all licensing label for foreign recordings from the nascent post-WW II American independent and semi-major labels such as Cadence, Dot, Chess, Atlantic, Imperial and Liberty. Conversely, British Decca retained
2109-426: A thunderclap. Scene 2: A grove during the middle of a hunt Dido and Aeneas are accompanied by their train. They stop at the grove to take in its beauty. A lot of action is taking place, with attendants carrying goods from the hunt and possibly a picnic in progress, Dido and Aeneas forming the focus of all the activity. This ceases when Dido hears distant thunder, prompting Belinda to tell the servants to prepare for
2220-485: A twenty-minute version of Moby Dick , with Charles Laughton as Captain Ahab, and The Littlest Angel , narrated by Loretta Young . British Decca released on LP, in 1968, the most complete version of Man of La Mancha ever put on vinyl records, a 2-LP album featuring most of the dialogue and all of the songs, performed by the show's original London cast. Keith Michell starred as Don Quixote and Cervantes, and Joan Diener
2331-524: Is branching out into pop music from established recording stars: in 2007 its Motown: A Journey Through Hitsville USA by Boyz II Men reached No. 27 on the Billboard Top 200 Albums chart. In 2007 they won the race to sign English teen jazz sensation Victoria Hart and released her first album Whatever Happened to Romance in July. In December 2007, it was announced that Morrissey would be joining
SECTION 20
#17327942176992442-925: Is credited with battling against Decca's notorious parsimonious treatment of their artists, ensuring that the Moody Blues had the time and resources to develop beyond their beat group origins into progressive rock, and he also used profits for pop sales to cross-subsidise recordings by avant-garde jazz artists like John Surman . British Decca lost a key source for American records when Atlantic Records switched British distribution to Polydor Records in 1966 for Atlantic to gain access to British recording artists which they did not have under Decca distribution. The Rolling Stones left Decca in 1970, and other artists followed. Decca's deals with numerous other record labels began to fall apart: RCA Records , for instance, abandoned Decca to set up its own UK office in June 1969, just before
2553-405: Is distraught and Belinda comforts her. Suddenly Aeneas returns, but Dido is full of fear before Aeneas speaks, and his words only serve to confirm her suspicions. She derides his reasons for leaving, and even when Aeneas says he will defy the gods and not leave Carthage, Dido rejects him for having once thought of leaving her. After Dido forces Aeneas to leave, she states that "Death must come when he
2664-511: Is gone." The opera and Dido's life both slowly come to a conclusion, as the Queen of Carthage sings her last aria, "When I am laid in Earth" , also known as "Dido's Lament." The chorus and orchestra then conclude the opera once Dido is dead by ordering the "cupids to scatter roses on her tomb, soft and gentle as her heart. Keep here your watch, and never, never part." The first complete recording of
2775-417: Is handled by Island Records . The Decca Broadway imprint is used for both newly recorded musical theatre songs and Universal Music Group's vast catalogues of musical theatre recordings from record labels UMG and predecessor companies acquired over the years. On 10 January 2011, Universal Music Group, which owns the masters to Decca Records, announced that it was donating 200,000 of its master recordings from
2886-476: Is misled by the evil machinations of the Sorceress and her witches (representing Roman Catholicism, a common metaphor at the time) into abandoning Dido, who symbolises the British people. The same symbolism may apply to the opera. This explains the addition of the characters of the Sorceress and the witches, which do not appear in the original Aeneid . It would be noble, or at least acceptable, for Aeneas to follow
2997-527: Is remembered as one of Purcell's foremost theatrical works. It was also Purcell's only true opera, as well as his only all-sung dramatic work. One of the earliest known English operas, it owes much to John Blow 's Venus and Adonis , both in structure and in overall effect. The influence of Cavalli 's opera Didone is also apparent. Both works use the prologue/three acts format and there are similarities between, for instance, Mercury 's solo in Didone and
3108-568: Is scored for four-part strings and continuo. The fact that the libretto from the Chelsea School performance indicates two dances for guitar, the "Dance Gittars Chacony" in act 1, and the "Gittar Ground a Dance" in the 'Grove' scene of act 2, has led one scholar to suggest that Purcell envisaged a guitar as a primary member of the continuo group for the opera. Music for neither of these dances is extant, and it seems likely that Purcell did not compose them, but rather left them to be improvised by
3219-476: Is to send her "trusted elf" disguised as Mercury, someone to whom Aeneas will surely listen, to tempt him to leave Dido and sail to Italy. This would leave Dido heartbroken, and she would surely die. The chorus join in with terrible laughter, and the Enchantresses decide to conjure up a storm to make Dido and her train leave the grove and return to the palace. When the spell is prepared, the witches vanish in
3330-476: The Boyd Neel ensemble (Purcell Club, 14 sides, issued February 1936 ); and Henderson's famous pupil Kathleen Ferrier was recorded and issued by Decca through the period of transition from 78 to LP (1946–1952). Heinrich Schlusnus made pre-war lieder recordings for Decca. Decca's emergence as a major classical label may be attributed to three concurrent events: the emphasis on technical innovation (initially
3441-746: The De Nederlandse Opera , the Royal Opera, London , the Divertimento Baroque Opera Company, and Glimmerglass Opera in Cooperstown, New York . The Royal Opera production, which featured contemporary dance by Wayne McGregor Random Dance and animated effects by Mark Hatchard, formed part of a double bill with Handel's Acis and Galatea . In 2011 the opera was revived by City Wall Productions and set during World War II. A new Opera North production of
Orfeón (Mexican record label) - Misplaced Pages Continue
3552-585: The New York Stock Exchange as Decca Records Inc. Therefore, the two Deccas became separate companies and remained so until American Decca's parent company bought British Decca's parent company in 1998 (during this time, US Decca artists were issued in the UK on the Brunswick label until 1968 when MCA Records was launched in the UK). In 1940, American Decca released the first album of songs from
3663-594: The 1920s to the 1940s to the United States Library of Congress. The collection of master recordings will be cleaned and digitised. Included in this group are Bing Crosby's original recording of 'White Christmas' and thousands more by Louis Armstrong, Ella Fitzgerald, Billie Holiday, Judy Garland, Tommy Dorsey, Jimmy Dorsey, the Andrews Sisters, and other famous and lesser-known musicians who recorded during this time. Because of this transaction, once
3774-482: The 1939 film The Wizard of Oz . However, it was not a soundtrack album but a cover version featuring only Judy Garland from the film, with other roles taken by the Ken Darby Singers. In 1942, American Decca released the first recording of " White Christmas " by Bing Crosby . He recorded another version of the song in 1947 for Decca; to this day, Crosby's recording of "White Christmas" for Decca remains
3885-648: The 1960s and 1970s, the company developed its "Phase 4" process which produced even greater sonic impact through even more interventionist engineering techniques. Big-band leader Ted Heath was an early pioneer of the Decca "Phase 4" sound. Decca recorded some quadrophonic masters that were released in Sansui 's quadraphonic system called QS Regular Matrix. Starting in late 1978, British Decca developed its own digital audio recorders used in-house for recording, mixing, editing, and mastering albums. Each recorder consisted of
3996-721: The Comets on an episode of Orfeón a Go-Go ). This article about a Mexican record label is a stub . You can help Misplaced Pages by expanding it . Decca Records Decca Records is a British record label established in 1929 by Edward Lewis . Its US label was established in late 1934 by Lewis, Jack Kapp (the first president of the Decca Record company of the USA) and Milton Rackmil , who later became American Decca's president too. In 1937, anticipating Nazi aggression leading to World War II , Lewis sold American Decca, and
4107-622: The Decca label, Linfair Records also distributes V2 Records' releases and some independent labels. However, Linfair Records' releases outside Taiwan will continue to be released internationally via Universal Music. The Decca label is currently in use by Universal Music Group worldwide; this is possible because Universal Studios (which officially dropped the MCA name after the Seagram buyout in 1996) acquired PolyGram, British Decca's parent company in 1998, thus consolidating Decca trademark ownership. In
4218-619: The Decca roster. In August 2009, it was revealed that American Idol alum, Clay Aiken , had signed with Decca. It reentered the American country music scene in 2008. There are two Universal Music label groups now using the Decca name. The Decca Label Group is the US label whereas the London-based Decca Music Group runs the international classical and pop releases by such world-famous performers as Andrea Bocelli and Hayley Westenra . The London Records pop label that
4329-693: The English court, either for Charles II (and perhaps as early as 1684) or for James II . Following the Chelsea performances, the opera was not staged again in Purcell's lifetime. Its next performance was in 1700 as a masque incorporated into Beauty the Best Advocate , an adapted version of Shakespeare's Measure for Measure at Thomas Betterton 's theatre in London. After 1705 it disappeared as
4440-694: The Grimethorpe Colliery Band , as well as the composers themselves. For many years, Decca's British classical recordings had been issued in the US under the London Records label because the existence of the American Decca company precluded the use of that name on British recordings distributed in the US. The practice was no longer necessary when the MCA and PolyGram labels merged in 1999 and created Universal Music. Today Decca makes fewer major classical recordings but still has
4551-557: The IVC VTRs (which were modified to Decca's specifications by IVC's UK division in Reading ), all the electronics for these systems were developed and manufactured in-house by Decca (and by contractors to them as well). These digital systems were used for mastering most of Decca's classical music releases to both LP and CD and were used well into the late 1990s. After the start of the new century, Decca became actively involved in pioneering
Orfeón (Mexican record label) - Misplaced Pages Continue
4662-634: The Kinks , the Who , and Manfred Mann . Decca had earlier accepted London-born pioneer rock'n'roll singer Terry Dene , who was later known as the British Elvis Presley, and another Merseyside singer, Billy Fury . The turning down of The Beatles led indirectly to the signing of one of Decca's biggest 1960s artists, The Rolling Stones . Dick Rowe was judging a talent contest with George Harrison , and Harrison mentioned to him that he should take
4773-652: The Library has organised and cleaned the collection, the public will eventually have some degree of access to thousands of recordings that have been commercially unavailable for decades. According to the Los Angeles Times , "[a]s part of the agreement between UMG and the library, Universal retains ownership of the recording copyrights and the right to exploit the cleaned-up and digitized files for commercial purposes." Today, Decca distributes UMG's jazz holdings led by Blue Note Records and Verve Records along with
4884-585: The Moon ", while he was an undergraduate at Trinity College, Cambridge, and Edward Lewis recruited him as his personal assistant and "talent spotter". But contemporary punk rock signings such as Slaughter & the Dogs and the pre-stardom Adam and the Ants (whose sole single with Decca, " Young Parisians ", would later be a UK Top 10 hit on the back of the band's success at CBS ), were second division when compared to
4995-472: The Oscar-winning film, they quickly released a stereo version in 1958. Because American Decca bought Universal Pictures in 1952, many of these soundtrack albums were of films released by what was then called Universal-International Pictures. In June and July 1957, Decca Records released the soundtracks from Hecht-Hill-Lancaster Productions ' film Sweet Smell of Success . It was a landmark event in
5106-462: The Pioneers , Stuart Hamblen , The Ranch Boys, and other popular acts based in both New York and Los Angeles. Louisiana singer/composer Jimmie Davis began recording for Decca the same year, joined by western vocalists Jimmy Wakely and Roy Rogers in 1940. From the late 1940s on, the US arm of Decca had a sizeable roster of country artists. The main architect of Decca's success in country music
5217-512: The Rolling Stones decided to also abandon Decca in favour of forming their label. The Moody Blues were the only international rock act that remained on the label. The company's fortunes declined slightly during the 1970s, and it had few major commercial successes; among those were Dana's 1970 two-million selling single, " All Kinds of Everything ", issued on their subsidiary label Rex Records . Although Decca had set up Deram in 1966,
5328-517: The UK. on the RCA label (later RCA Victor). British Decca had several missed opportunities. In 1960, they refused to release " Tell Laura I Love Her " by licensed artist Ray Peterson and even destroyed thousands of copies of the single. In 1962, Decca famously turned down a chance to record The Beatles , believing "guitar groups are on the way out." Other refusals of note include the Yardbirds ,
5439-598: The US Decca label became MCA Records , which formed half of what is now Universal Music Group (UMG). The UK and US divisions of the former Decca label were combined under UMG in 1998 and the MCA brand was retired in 2003 (with the exception of the American MCA Nashville country music imprint). The name dates back to a portable gramophone called the "Decca Dulcephone" patented in 1914 by musical instrument makers Barnett Samuel and Sons. The name "Decca"
5550-538: The US, the Decca country music label was shut down and the London classical label was renamed as it was able to use the Decca name for the first time because of the merger that created Universal Music. In 1999, Decca absorbed Philips Records to create the Decca Music Group (half of Universal Music Classics Group in the US, with Deutsche Grammophon being the other half). Today, Decca is a leading label for both classical music and Broadway scores although it
5661-754: The United States at the Plaza Hotel in New York City on 10 February 1923 performed by the girls of the Rosemary School, although The New York Times noted that "considerable liberties" had been taken with the score. A concert version with professional musicians organised by the Society of Friends of Music took place on 13 January 1924 at the New York City Town Hall, using a score edited by Artur Bodanzky , who also conducted
SECTION 50
#17327942176995772-434: The best-selling single worldwide of all time. In 1943, American Decca ushered in the age of the original cast album in the United States, when they released an album set of nearly all the songs from Rodgers and Hammerstein 's Oklahoma! , performed by the same cast who appeared in the show on Broadway , and using the show's orchestra, conductor, chorus, and musical and vocal arrangements. The enormous success of this album
5883-481: The classical music field in 1950 with distribution deals from Deutsche Grammophon and Parlophone . American Decca began issuing its classical music recordings in 1956 when Israel Horowitz joined Decca to head its classical music operations. To further American Decca's dedication to serious music, in August 1950, Rackmill announced the release of a new series of disks to be known as the "Decca Gold Label Series" which
5994-539: The classical music holdings led by Decca Classics, Philips Records and Deutsche Grammophon . It also distributes recordings from the Concord Music Group , which includes Rounder Records . Dido and Aeneas Dido and Aeneas (Z. 626) is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate . The dates of
6105-603: The composition and first performance of the opera are uncertain. It was composed no later than July 1688, and had been performed at Josias Priest 's girls' school in London by the end of 1689. Some scholars argue for a date of composition as early as 1683. The story is based on Book IV of Virgil 's Aeneid . It recounts the love of Dido , Queen of Carthage , for the Trojan hero Aeneas , and her despair when he abandons her. A monumental work in Baroque opera , Dido and Aeneas
6216-424: The conductor had led at its first performance in 1919. John Culshaw , who joined Decca in 1946 in a junior role, quickly rose to become a senior producer of classical recordings. He revolutionised recording – of opera , in particular. Hitherto, the practice had been to put microphones in front of the performers and simply record their performance. Culshaw was determined to make recordings that would be 'a theatre of
6327-486: The decree of the gods, but not so acceptable for him to be tricked by ill-meaning spirits. Although the opera is a tragedy, there are numerous seemingly lighter scenes, such as the First Sailor's song, "Take a boozy short leave of your nymphs on the shore, and silence their mourning with vows of returning, though never intending to visit them more." Musicologist Ellen T. Harris considers the callousness and cynicism of
6438-532: The departure of the Trojan fleet. The sailors sing a song, which is followed shortly by the Sorceress and her companions' sudden appearance. The group is pleased at how well their plan has worked, and the Sorceress sings a solo describing her further plans for the destruction of Aeneas "on the ocean". All the characters begin to clear the stage after a dance in three sections, and then disperse. The palace Dido and Belinda enter, shocked at Aeneas’ disappearance. Dido
6549-522: The development of the full frequency range recording [ffrr] technique, followed by the early adoption of stereo recording), the introduction of the long-playing record , and the recruitment of John Culshaw to Decca's London office. Decca released the stereo recordings of Ernest Ansermet conducting L'Orchestre de la Suisse Romande, including, in 1959, the first complete stereo LP recording of The Nutcracker , as well as Ansermet's only stereo version of Manuel de Falla 's The Three-Cornered Hat , which
6660-862: The famous Decca tree , a stereo microphone recording system for big orchestras. Decca started the first actual stereophonic recording on 13–28 May 1954, at Victoria Hall , Geneva, the first European record company to do so; only two months before, RCA Victor had begun the first actual stereophonic recording in the US, 6–8 March 1954. Decca archives show that Ernest Ansermet and the Orchestre de la Suisse Romande recorded Antar by Nikolai Rimsky-Korsakov (Decca's official first actual stereo recording); Stenka Razin by Alexander Glazunov ; Tamara by Mily Balakirev ; Anatoly Liadov 's Baba-Yaga , Eight Russian Folksongs , Kikimora ; and Le Martyre de saint Sébastien by Claude Debussy . These performances were initially issued only in monaural sound; and in 1959,
6771-464: The ffrr recordings to be transferred to disc very realistically. In 1949, in both the UK and the US, Decca took up the LP promptly and enthusiastically giving the British arm an enormous advantage over EMI, which for some years tried to stick exclusively to the old format, thereby forfeiting competitive advantage to Decca, both artistically and financially. British Decca recorded high-fidelity versions of all
SECTION 60
#17327942176996882-569: The first of the British "progressive" labels, with such stars as the Moody Blues, Cat Stevens and Ten Years After , Decca in the 1970s became increasingly dependent on re-releases from its back catalogue. It had some renewed pop success in the late 1970s despite the growth of punk rock , with hits by acts such as John Miles , novelty creation Father Abraham and the Smurfs , and productions by longtime Decca associate Jonathan King . King had achieved an early hit with Decca in 1965, " Everyone's Gone to
6993-459: The guitarist. Several editions of the opera have been made and have been provided with a continuo realisation; a notable, if rather idiosyncratic edition being that made by Imogen Holst and Benjamin Britten . There are a number of editions with realisations, and the opera's accessibility to amateur performers is a feature that has greatly abetted the growth of its popularity in the latter half of
7104-477: The influence of these releases in the recording of theatrical shows in the US continues to this day – in Decca's home country, the UK original cast albums had been a fixture for years. Columbia Records followed with musical theatre albums, starting with the 1946 revival of Show Boat . In 1947, RCA Victor released the original cast album of Brigadoon . By the 1950s, many recording companies were releasing Broadway show albums recorded by their original casts, and
7215-415: The introduction of long-playing records in 1949 made better use of the new technology and set an industry standard that was quickly imitated by Decca's competitors. Nonetheless, titles first issued on 78rpm remained in that form in the Decca catalogues into the early 1950s. The ffrr technique became internationally accepted and considered a standard. The Ernest Ansermet recording of Stravinsky 's Petrushka
7326-404: The label's roster. However, Culshaw was not the first to do this. In 1951, Columbia Records executive Goddard Lieberson partnered with Broadway conductor Lehman Engel to record a series of previously unrecorded Broadway musical scores for Columbia Masterworks , including what Engel, in his book The American Musical Theatre: A Consideration , termed "Broadway opera," and in 1951, they released
7437-409: The likes of PolyGram , CBS, EMI, and newcomer Virgin's rosters of hitmakers. Ultimately Decca's founder Edward Lewis "was unable to appoint a successor or relinquish control of the business. As a consequence, in 1980, days before his death, the business, then in the grip of a serious financial crisis, was sold." PolyGram acquired the remains of Decca UK within days, and British Decca's pop catalogue
7548-507: The link between the UK and US Decca label was broken for several decades. The British label was renowned for its development of recording methods, while the American company developed the concept of cast albums in the musical genre. In 1947, following World War II, British Decca re-established distribution in the United States through its new subsidiary London Records . The London trademark name has also been used in other countries such as Canada , Mexico , Germany and Japan . In 1973,
7659-592: The management of Verve Music Group . In Britain, Decca bought out the bankrupt UK branch of Brunswick Records in 1932, which added such stars as Bing Crosby and Al Jolson to its roster. Decca also bought out the Melotone and Edison Bell record companies. In late 1934, a United States branch of Decca was launched. In establishing the American unit, the founders bought the former Brunswick Records pressing plants in New York City and Muskegon, Michigan , which were shut down in 1931, from Warner Bros. in exchange for
7770-406: The mind,' offering listeners at home not merely a second-best alternative to being in the opera house , but an entirely distinct experience. To that end, he had the singers move about in the studio as they would onstage, used discreet sound effects and different acoustics, and recorded in long, continuous takes. His skill, coupled with Decca's sound engineering capabilities, elevated the label into
7881-467: The most complete Porgy and Bess recorded up to that time. Far from being a mere rendering of the score, the 3-LP album set used sound effects to realistically recreate the production as if the listener were watching a stage performance of the work. Until 1947, American Decca issued British Decca classical music recordings. Afterward, British Decca took over distribution through its new American subsidiary London Records. American Decca actively re-entered
7992-485: The music through Decca Records. The first soundtrack LP featured the jazz score composed by Elmer Bernstein , while the second soundtrack LP featured music composed and performed by the Chico Hamilton Quintet , a band that appears in the film. In 1961, American Decca released the soundtrack album of Flower Drum Song , Universal Pictures' film version of the 1958 Rodgers and Hammerstein musical. In
8103-527: The new post-war record formats adopting the LP in 1949 and the 45 rpm record around a year later while continuing to sell 78s. During the 1950s, American Decca released several soundtrack recordings of popular motion pictures, notably Mike Todd 's production of Around the World in Eighty Days (1956) with the music of veteran film composer Victor Young . Since Decca had access to the stereo tracks of
8214-420: The new technique was a distinctive feature of Decca. Even after stereo became standard and into the 1970s, Decca boasted a special sound quality, characterized by aggressive use of the highest and lowest frequencies, novel use of tape saturation and out-of-phase sound to convey a livelier hall ambiance, plus considerable bar-to-bar rebalancing by the recording staff of orchestral voices, known as "spotlighting". In
8325-443: The only record companies in the UK. That same year, British Decca head Edward Lewis completed a three-year sale of his interest in American Decca to avoid a potential freeze on his foreign investments due to the threat of World War II . In 1941, American Decca acquired Brunswick Records and its sublabel Vocalion Records from Warner Bros. , which had a financial interest in Decca. In 1942, stock in American Decca began trading on
8436-685: The opera opened at Leeds Grand Theatre in February 2013. Opera Up Close performed a truncated version in 2011, setting it in an American high school in the 1950s. A version of the opera adapted to modern dance was choreographed by the American Mark Morris , who originally danced both the roles of Dido and the Sorceress. It premiered on 11 March 1989 at the Théâtre Varia in Brussels. It has since been performed many times and
8547-702: The opera was made by Decca Records in 1935 with Nancy Evans as Dido and Roy Henderson as Aeneas, followed in 1945 by HMV 's release with Joan Hammond and Dennis Noble . Kirsten Flagstad , who had sung the role at the Mermaid Theatre in London, recorded it in 1951 for EMI with Thomas Hemsley as Aeneas. Dido and Aeneas has been recorded many times since the 1960s with Dido sung by mezzo-sopranos such as Janet Baker (1961), Tatiana Troyanos (1968), Teresa Berganza (1986), Anne Sofie von Otter (1989) and Susan Graham (2003). In addition to Joan Hammond and Kirsten Flagstad, sopranos who have recorded
8658-610: The performance. As new critical editions of the score appeared, and with the revival of interest in Baroque music, the number of productions steadily increased. After Jonathan Miller 's visit to Bornholm , Denmark, Dido was performed in 2007 at the Rønne Theatre, which had been built in 1823. Kevin Duggan conducted. Amongst the new productions of the opera in 2009, the 350th anniversary of Purcell's birth, were those staged by
8769-511: The performance. A letter from the Levant merchant Rowland Sherman associates Dido and Aeneas with Josias Priest 's girls' school in Chelsea, London no later than the summer of 1688. The first performance may have taken place as early as 1 December 1687, and evidence suggests that the opera was performed at the school again in 1689. Several scholars have argued that the work was composed for
8880-496: The recording of original cast albums had become standard practice whenever a new show opened. Decca throughout the 1930s and early to mid-1940s was a leading label of blues and jump music with such best-selling artists as Sister Rosetta Tharpe and Louis Jordan (who was the best-selling R&B artist of the 1940s). In 1954, American Decca released " Rock Around the Clock " by Bill Haley & His Comets . Produced by Milt Gabler ,
8991-555: The recording was initially only moderately successful, but when it was used as the theme song for the 1955 film Blackboard Jungle , it became the first international rock and roll hit, and the first such recording to go to No. 1 on the American musical charts. According to the Guinness Book of Records , it went on to sell 25 million copies, returning to the US and UK charts several times between 1955 and 1974. But due to management and promotion decisions, Decca lost its place as
9102-558: The role include Victoria de los Ángeles (1965), Emma Kirkby (1981), Jessye Norman (1986), Catherine Bott (1992), Lynne Dawson (1998), and Evelyn Tubb (2004). Beginning with two pioneering recordings of the work with original instruments: Joel Cohen 's 1979 recording with the Boston Camerata , on Harmonia Mundi, and Andrew Parrott 's 1981 recording for Chandos with the Taverner Consort and Players , there
9213-466: The singers performing from the side of the stage or the orchestra pit . Dido's court The opera opens with Dido in her court with her attendants. Belinda is trying to cheer Dido up, but Dido is full of sorrow, saying 'Peace and I are strangers grown'. Belinda believes the source of this grief to be the Trojan Aeneas, and suggests that Carthage's troubles could be resolved by a marriage between
9324-468: The solo "Come away fellow sailors" in Purcell's work. Before Dido and Aeneas, Purcell had composed music for several stage works, including nine pieces for Nathaniel Lee 's Theodosius, or The Force of Love (1680) and eight songs for Thomas d'Urfey 's A Fool's Preferment (1688). He also composed songs for two plays by Nahum Tate (later the librettist of Dido and Aeneas), The Sicilian Usurper (1680) and Cuckold's Haven (1685). Dido and Aeneas
9435-467: The song to underline the "moral" of the story, that young women should not succumb to the advances and promises of ardent young men. No score in Purcell's hand is extant , and the only seventeenth-century source is a libretto, possibly from the original performance. The earliest extant score, held in the Bodleian Library , was copied no earlier than 1750, well over sixty years after the opera
9546-413: The soundtrack industry; the first time that a film had two separate soundtracks, each featuring completely different music. All of the music from Sweet Smell of Success was published by Calyork Music , a music publishing company founded by the film's producers Harold Hecht and Burt Lancaster , along with Hecht's brother-in-law, established music publisher Loring Buzzell , who secured the releasing of
9657-580: The soundtrack to the HBO miniseries Band of Brothers (renamed "Nixon's Walk"). It is played annually by a military band at the Cenotaph remembrance ceremony , which takes place on the Sunday nearest to 11 November ( Armistice Day ) in London's Whitehall . The music is sometimes thought to be too simple for Purcell in 1689, but this may simply reflect that the intended performers were schoolchildren. The work
9768-517: The stereo version of Le Martyre de saint Sébastien was issued only in the US as London OSA 1104 (OS 25108); and stereo versions of others were finally issued from the late 1960s to the beginning of the 1970s as part of the "Ace of Diamonds" series and ""Decca Eclipse"" series (in the UK) or "Stereo Treasury" series (in the US on the London label). The Decca stereo format was called (in succession to ffrr) "ffss", i.e. "full frequency stereophonic sound". With most competitors not using stereo until 1957,
9879-528: The symphonies of Ralph Vaughan Williams except for the ninth, under the personal supervision of the composer, with Sir Adrian Boult and the London Philharmonic Orchestra . Benjamin Britten conducted recordings of many of his compositions for Decca, from the 1940s to the 1970s; most of these recordings have been reissued on CD. The British Decca recording engineers Arthur Haddy, Roy Wallace, and Kenneth Wilkinson developed in 1954
9990-652: The top tier of recording companies. His pioneering recording (begun in 1958) of Wagner 's Der Ring des Nibelungen conducted by Georg Solti was a huge artistic and commercial success (to the chagrin of other companies). Solti recorded throughout his career for Decca, and made more than 250 recordings , including 45 complete opera sets. Among the international honours given to Solti (and Decca) for his recordings were 31 Grammy Awards – more than any other recording artist, whether classical or popular. Following Decca's success, artists such as Herbert von Karajan , Joan Sutherland and later Luciano Pavarotti were keen to join
10101-455: The twentieth century. While the Prologue's music has been lost and has not been reconstructed, several realisations of the opera include a solution to the missing ritornello at the end of the second act. Known to have been part of the score, it is now performed as a dance taken from other, similar works by Purcell, or invented outright in the same vein, to keep the integrity and continuity of
10212-618: The two. Dido and Belinda talk for a time: Dido fears that her love will make her a weak monarch, but Belinda and the Second Woman reassure her that "The hero loves as well." Aeneas enters the court, and is at first received coldly by Dido, but she eventually accepts his proposal of marriage. Scene 1: The cave of the Sorceress The Sorceress/Sorcerer is plotting the destruction of Carthage and its queen, and summons companions to help with evil plans. The plan
10323-497: The world, calling itself "The Supreme Record Company". Decca bought the UK branch of Brunswick Records and continued to run it under that name. In the 1950s, the American Decca studios were located in the Pythian Temple in New York City. In classical music, Decca had extensive work from its roots to be equals with the established HMV and Columbia labels (later merged as EMI ). The pre-war classical repertoire on Decca
10434-558: Was Owen Bradley , who joined Decca in 1947 and was promoted to vice president and head of A&R for the Nashville operations in 1958. Full frequency range recording (ffrr) was a spin-off devised by Arthur Haddy of British Decca's development, during the Second World War , of a high fidelity hydrophone capable of detecting and cataloguing individual German submarines by each one's signature engine noise, and enabled
10545-495: Was "Ah, Belinda" in Orpheus Britannicus . The most famous aria of the work is "When I am laid in earth", popularly known as " Dido's Lament ". Both arias are formed on a lamento ground bass . "Dido's Lament" has been performed or recorded by artists far from the typical operatic school, such as Klaus Nomi (as "Death"), Ane Brun and Jeff Buckley . It has also been transcribed or used in many scores, including
10656-471: Was Aldonza/Dulcinea. Around 1970, American Decca enjoyed success with LPS of soundtrack dialogue excerpts from the films of W.C. Fields , the Marx Brothers , and Mae West . The Fields and Marx Brothers albums were narrated by radio personality and cartoon voice actor Gary Owens . In 1934, Jack Kapp established a country & western line for the new Decca label by signing Frank Luther , Sons of
10767-449: Was Purcell's first (and only) all-sung opera and derives from the English masque tradition. Originally based on Nahum Tate's play Brutus of Alba, or The Enchanted Lovers (1678), the opera is likely, at least to some extent, to be allegorical. The prologue refers to the joy of a marriage between two monarchs, which could refer to the marriage between William and Mary . In a poem of about 1686, Tate alluded to James II as Aeneas, who
10878-721: Was an increasing preference for a more genuine period sound . Further recordings by conductors and ensembles using this approach include those by Christopher Hogwood and the Academy of Ancient Music , William Christie and Les Arts Florissants (1986); Trevor Pinnock and The English Concert (1989); René Jacobs and the Orchestra of the Age of Enlightenment (1998); Emmanuelle Haïm and Le Concert d'Astrée (2003); and Predrag Gosta and New Trinity Baroque (2004). The Haïm recording with Susan Graham as Dido and Ian Bostridge as Aeneas
10989-496: Was coined by Wilfred S. Samuel by merging the word " Mecca " with the initial D of their logo "Dulcet" or their trademark "Dulcephone". Samuel, a linguist, chose "Decca" as a brand name as it was easy to pronounce in most languages. That company was eventually renamed the Decca Gramophone Co. Ltd. and then sold to former stockbroker Edward Lewis in 1929. Within years, Decca Records was the second-largest record label in
11100-410: Was composed. No later sources follow the act divisions of the libretto, and the music to the prologue is lost. The prologue, the end of the act 2 'Grove' scene, and several dances, were almost certainly lost when the opera was divided into parts to be performed as interludes between the acts of spoken plays in the first decade of the eighteenth century. The first of the arias to be published separately
11211-483: Was established in the UK in 1990, run by Roger Ames, and distributed by PolyGram became part of Warner Music Group in 2000 when he was hired to run that company. Universal Music reacquired trademark rights in 2011, and Warner Records 90 Ltd. (formerly London Records 90), a company that controlled most of London's post-1980 catalogue, was acquired by French company Because Music in 2017. They started licensing "London Recordings" name and logo from UMG, and Warner Records 90
11322-630: Was filmed in 1995 by Canadian director Barbara Willis Sweete, with Morris in the roles of Dido and the Sorceress. The production was subsequently seen at the Grand Théâtre in Luxembourg , Opéra national de Montpellier , and Sadler's Wells Theatre in London. In both the Morris and the Waltz adaptations, the characters are each portrayed by both a singer and a dancer, with the dancers on stage and
11433-476: Was followed by original cast recordings of Carousel and Irving Berlin 's Annie Get Your Gun , both featuring members of the original casts of the shows and utilising those shows' vocal and choral arrangements. Because of the technical restrictions of recording on 78 rpm records , none of these scores were recorded completely; they were shorter than cast albums made after LPs were introduced. But Decca had made history by recording Broadway musicals, and
11544-572: Was key in the development of full frequency range records and alerting the listening public to high fidelity in 1946. The long-playing record was launched in the US in 1948 by Columbia Records (not connected with the British company of the same name at the time). It enabled recordings to play for up to half an hour without a break, compared with the three to five minutes playing time of the existing records. The new records were made of vinyl (the old discs were made of brittle shellac ), which enabled
11655-595: Was nominated for the Best Opera Recording in the 2005 Grammy Awards . Another notable recording dates from 1994, with The Scholars Baroque Ensemble and Kym Amps as Dido. Several performances of the opera have been filmed and are available on DVD, most recently the 2008 performance at the Opéra-Comique in Paris conducted by William Christie and directed by Deborah Warner (FRA Musica FRA001) and
11766-537: Was not extensive but was select. The 3-disc 1929 recording of Delius 's Sea Drift , arising from the Delius Festival that year, suffered by being crammed onto six sides, being indifferently recorded and expensive; following issue in July they were already withdrawn by October the same year. However, it won Decca the loyalty of the baritone Roy Henderson , who went on to record for them the first complete Dido and Aeneas of Purcell with Nancy Evans and
11877-486: Was renamed London Music Stream Ltd. It is also the distributing label of POINT Music , a joint venture between Universal and Philip Glass 's Euphorbia Productions that folded shortly after the merger that created Universal Music. Ironically, the American Decca classical music catalogue is managed by sister Universal label Deutsche Grammophon . They include the recordings of guitarist Andrés Segovia . Before Deutsche Grammophon founded its own American branch in 1969, it had
11988-617: Was reorganized into MCA Records (Canada) in 1970. The Decca name was dropped by MCA in America in 1973 in favor of the MCA Records label. The first-run American Decca label's final release, " Drift Away " by Dobie Gray (label No. 33057), reached No. 5 on the Billboard chart and received gold record status. PolyGram acquired the remains of Decca UK within days of Sir Edward Lewis's death in January 1980. British Decca's pop catalogue
12099-453: Was taken over by Polydor Records . Ironically, PolyGram descended from British Decca's former Dutch distributor Hollandsche Decca Distributie. In Taiwan, PolyGram acquired 60% of Linfair Magnetic Sound (founded in 1961) in 1992 and renamed it Decca Records Taiwan. The name remained until 2002, when it decided to sell its 60 percent stake, and changed its name to Linfair Records, making the company independent from Universal Music. In addition to
12210-502: Was taken over by Polydor. American Decca also released several notable spoken word albums, such as a recording of Charles Dickens 's A Christmas Carol starring Ronald Colman as Scrooge, and a recording of the Christmas chapter from The Pickwick Papers read by Charles Laughton . These two separate 78-RPM albums were later combined into one LP. Other spoken word albums included Lullaby of Christmas , narrated by Gregory Peck ,
12321-948: Was to be devoted to "symphonies, concertos, chamber music, opera, songs and choral music." American and European artists were to be the performers. Among the classical recordings released on Decca's "Gold Label" series were albums by Leroy Anderson , the Cincinnati Symphony Orchestra conducted by Max Rudolf and guitarist Andrés Segovia . American Decca shut down its classical music department in 1971. Between 1973 and 1980, Decca championed new music through its Headline imprint. Works given their recorded premiere included pieces by Peter Maxwell Davies , Harrison Birtwistle , Luciano Berio , Hans Werner Henze , Witold Lutoslawski , Toru Takemitsu , David Bedford , Thea Musgrave , Andrzej Panufnik , Iannis Xenakis , Brian Ferneyhough and John Cage . Performers included Roger Woodward , Stomu Yamash'ta , Salman Shukur , and
#698301