130-517: Traditional Mohiniyattam ( Malayalam : മോഹിനിയാട്ടം ) is an Indian classical dance form originating from the state of Kerala . The dance gets its name from Mohini – the female enchantress avatar of the Hindu deity Vishnu , who helps the devas prevail over the asuras using her feminine charm. Mohiniyattam' s roots, like all classical Indian dances, are in the Natya Shastra –
260-517: A Bhashya (language) where "Dravida and Sanskrit should combine together like ruby and coral, without the least trace of any discord". The scripts of Kolezhuthu and Malayanma were also used to write Middle Malayalam . In addition to Vatteluthu and Grantha script , those were used to write Old Malayalam . The literary works written in Middle Malayalam were heavily influenced by Sanskrit and Prakrit , while comparing them with
390-544: A Rigvedic deity with fearsome powers, was the god of the roaring storm . He is usually portrayed in accordance with the element he represents as a fierce, destructive deity. In RV 2.33, he is described as the "Father of the Rudras ", a group of storm gods. Flood notes that Rudra is an ambiguous god, peripheral in the Vedic pantheon, possibly indicating non-Vedic origins. Nevertheless, both Rudra and Shiva are akin to Wodan ,
520-516: A 7th century poem written by the Tamil poet Sambandar the people of Kerala are referred to as malaiyāḷar (mountain people). The word Malayalam is also said to originate from the words mala , meaning ' mountain ', and alam , meaning ' region ' or '-ship' (as in "township"); Malayalam thus translates directly as 'the mountain region'. The term Malabar was used as an alternative term for Malayalam in foreign trade circles to denote
650-604: A German Indologist and professor of philosophy, describes the self-realized man as who "feels himself only as the one divine essence that lives in all", who feels identity of his and everyone's consciousness with Shiva (highest Atman), who has found this highest Atman within, in the depths of his heart. Rudra's evolution from a minor Vedic deity to a supreme being is first evidenced in the Shvetashvatara Upanishad (400–200 BCE), according to Gavin Flood, presenting
780-763: A Mohiniyattam repertoire, most of whose lyrics are in Manipravalam , a mixture of Sanskrit , Tamil and Malayalam . The musical instruments usually used in Mohiniyattam are Mridangam or Madhalam (barrel drum), Idakka (hour glass drum), flute, Veena, and Kuzhitalam (cymbals). The ragas (melody) are rendered in the sopana (steps) style, which is a slow melodic style with roots in the Natya Shastra . Malayalam language Malayalam ( / ˌ m æ l ə ˈ j ɑː l ə m / ; മലയാളം , Malayāḷam , IPA: [mɐlɐjaːɭɐm] )
910-469: A canonical word order of SOV (subject–object–verb), as do other Dravidian languages . A rare OSV word order occurs in interrogative clauses when the interrogative word is the subject. Both adjectives and possessive adjectives precede the nouns they modify. Malayalam has 6 or 7 grammatical cases . Verbs are conjugated for tense, mood and aspect, but not for person, gender nor number except in archaic or poetic language. The modern Malayalam grammar
1040-622: A celebration of eroticism, fertility, wealth and hospitality". With the spread of colonial British rule in the 19th century India, all classical dance forms of India were ridiculed and discouraged, leading to their severe decline. This was in part the result of the Victorian morality of sexual repressiveness along with Anglican missionaries who criticized Hinduism. The seductive gestures and facial expressions during temple dances were caricatured in The Wrongs of Indian Womanhood , published at
1170-448: A couple of his specialties of this figure does not match with Rudra. Writing in 1997, Srinivasan interprets what John Marshall interpreted as facial as not human but more bovine, possibly a divine buffalo-man. The interpretation of the seal continues to be disputed. McEvilley , for example, states that it is not possible to "account for this posture outside the yogic account". Asko Parpola states that other archaeological finds such as
1300-697: A distinct language due to geographical separation of Kerala from the Tamil country and the influence of Sanskrit and Prakrit from the Nambudiri Brahmins of the Malabar Coast . The Old Malayalam language was employed in several official records and transactions (at the level of the Chera Perumal kings, as well as the upper-caste ( Nambudiri ) village temples). Most of the inscriptions in Old Malayalam were found from
1430-501: A distinct literary language from the western coastal dialect of Middle Tamil and the linguistic separation completed sometime between the 9th and 13th centuries. The renowned poets of Classical Tamil such as Paranar (1st century CE), Ilango Adigal (2nd–3rd century CE), and Kulasekhara Alvar (9th century CE) were Keralites . The Sangam works can be considered as the ancient predecessor of Malayalam. Some scholars however believe that both Tamil and Malayalam developed during
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#17327797531721560-645: A fusing of the two deities. Agni is said to be a bull, and Shiva possesses a bull as his vehicle, Nandi . The horns of Agni , who is sometimes characterized as a bull, are mentioned. In medieval sculpture, both Agni and the form of Shiva known as Bhairava have flaming hair as a special feature. According to Wendy Doniger , the Saivite fertility myths and some of the phallic characteristics of Shiva are inherited from Indra . Doniger gives several reasons for her hypothesis. Both are associated with mountains, rivers, male fertility, fierceness, fearlessness, warfare,
1690-434: A householder with his wife Parvati and his two children, Ganesha and Kartikeya . In his fierce aspects, he is often depicted slaying demons. Shiva is also known as Adiyogi (the first Yogi ), regarded as the patron god of yoga , meditation and the arts. The iconographical attributes of Shiva are the serpent king Vasuki around his neck, the adorning crescent moon, the holy river Ganga flowing from his matted hair,
1820-637: A literary language. The Malayalam script began to diverge from the Vatteluttu and the Western Grantha scripts in the 8th and 9th centuries of Common Era . By the end of the 13th century, a written form of the language emerged which was unique from the Vatteluttu script that was used to write Tamil on the eastern coast. Old Malayalam ( Paḻaya Malayāḷam ), an inscriptional language found in Kerala from circa 9th to circa 13th century CE,
1950-592: A lot of its words from various foreign languages: mainly from the Semitic languages including Arabic , and the European languages including Dutch and Portuguese , due to the long heritage of Indian Ocean trade and the Portuguese-Dutch colonization of the Malabar Coast . Variations in intonation patterns, vocabulary, and distribution of grammatical and phonological elements are observable along
2080-475: A manner similar to Shiva Nataraja. The similarities in the dance iconography suggests that there may be a link between ancient Indra and Shiva. A few texts such as Atharvashiras Upanishad mention Rudra , and assert all gods are Rudra, everyone and everything is Rudra, and Rudra is the principle found in all things, their highest goal, the innermost essence of all reality that is visible or invisible. The Kaivalya Upanishad similarly, states Paul Deussen –
2210-528: A manner similar to bans on Hindu performance arts in Madras, Bombay and Calcutta Presidencies enacted earlier. In 1940, the ban was partially repealed, by allowing "voluntary dances in temples". In 1941, a new law clarified that voluntary dance was permitted, but the dancers should never be paid. This led to protests, public riots and demands by dancers that performance art is a form of economic activity and religious freedom, that Mohiniyattam artists should be paid by
2340-412: A mimicry for distraction while communicating the underlying story or message), Padam (song), Tillana (dancer's interpretation of melody the musician create), Shlokam and Saptam. The costume includes plain white or off-white such as ivory or cream colored sari embroidered with bright golden or gold laced colored brocade (similar to a ceremonial Kasavu saree). She wears a fitted choli (blouse) matching
2470-647: A part of ritual. In contrast, the esoteric tradition within Kashmir Shaivism has featured the Krama and Trika sub-traditions. The Krama sub-tradition focussed on esoteric rituals around Shiva-Kali pair. The Trika sub-tradition developed a theology of triads involving Shiva, combined it with an ascetic lifestyle focusing on personal Shiva in the pursuit of monistic self-liberation. The Vaishnava (Vishnu-oriented) literature acknowledges and discusses Shiva. Like Shaiva literature that presents Shiva as supreme,
2600-496: A play through the dance, where the recitation may be either by a separate vocalist or the dancer themselves. The song is typically in Malayalam-Sanskrit hybrid called Manipravalam . The earliest mention of the word is found in the 16th-century legal text Vyavahāramālā , but the likely roots of the dance are older. The dance was systematized in the 18th century, was ridiculed as a Devadasi prostitution system during
2730-505: A proto-Shiva would "go too far". The Vedic beliefs and practices of the pre-classical era were closely related to the hypothesised Proto-Indo-European religion , and the pre-Islamic Indo-Iranian religion. The similarities between the iconography and theologies of Shiva with Greek and European deities have led to proposals for an Indo-European link for Shiva, or lateral exchanges with ancient central Asian cultures. His contrasting aspects such as being terrifying or blissful depending on
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#17327797531722860-773: A single major deity. Shiva is a pan-Hindu deity, revered widely by Hindus in India , Nepal , Bangladesh , Sri Lanka and Indonesia (especially in Java and Bali ). Saiddhantika Non - Saiddhantika According to the Monier-Williams Sanskrit dictionary, the word " śiva " ( Devanagari : शिव , also transliterated as shiva ) means "auspicious, propitious, gracious, benign, kind, benevolent, friendly". The root words of śiva in folk etymology are śī which means "in whom all things lie, pervasiveness" and va which means "embodiment of grace". The word Shiva
2990-685: A spirit of brotherhood. മനുഷ്യരെല്ലാവരും തുല്യാവകാശങ്ങളോടും അന്തസ്സോടും സ്വാതന്ത്ര്യത്തോടുംകൂടി ജനിച്ചിട്ടുള്ളവരാണ്. അന്യോന്യം ഭ്രാതൃഭാവത്തോടെ പെരുമാറുവാനാണ് മനുഷ്യന് വിവേകബുദ്ധിയും മനസാക്ഷിയും സിദ്ധമായിരിക്കുന്നത്. manuṣyarellāvaruṁ tulyāvakāśaṅṅaḷōṭuṁ antassōṭuṁ svātantryattōṭuṅkūṭi janicciṭṭuḷḷavarāṇŭ. anyōnyaṁ bhrātr̥bhāvattōṭe perumāṟuvānāṇŭ manuṣyanŭ vivēkabuddhiyuṁ manasākṣiyuṁ siddhamāyirikkunnatŭ. /manuʂjaɾellaːʋaɾum t̪uljaːʋakaːʃaŋŋaɭoːʈum an̪t̪assoːʈum sʋaːt̪an̪tɾjat̪t̪oːʈuŋkuːʈi d͡ʒanit͡ʃt͡ʃiʈʈuɭɭaʋaɾaːɳɨ̆ ǁ anjoːnjam bʱraːt̪rɨ̆bʱaːʋat̪t̪oːʈe peɾumaːruʋaːnaːɳɨ̆ manuʂjanɨ̆ ʋiʋeːkabud̪d̪ʱijum manasaːkʂijum sid̪d̪ʱamaːjiɾikkun̪ːat̪ɨ̆ ǁ/ Malayalam has
3120-524: A strong sense of rhythm. They should be able to maintain the tempo of the dance throughout the performance. Mohiniyattam, also referred to as Mohini-attam, is derived from " Mohini " – a famous female avatar of the Hindu god Vishnu in Indian mythology. Mohini refers to a divine enchantress or a supreme seductress. She appears in Hindu mythologies during a battle between Devas (good) and Asuras (evil), after
3250-552: Is a Dravidian language spoken in the Indian state of Kerala and the union territories of Lakshadweep and Puducherry ( Mahé district ) by the Malayali people. It is one of 22 scheduled languages of India. Malayalam was designated a " Classical Language of India " in 2013. Malayalam has official language status in Kerala, Lakshadweep and Puducherry ( Mahé ), and is also the primary spoken language of Lakshadweep. Malayalam
3380-592: Is a patron deity of farming and herding castes . The foremost center of worship of Khandoba in Maharashtra is in Jejuri . Khandoba has been assimilated as a form of Shiva himself, in which case he is worshipped in the form of a lingam. Khandoba's varied associations also include an identification with Surya and Karttikeya . Myths about Shiva that were "roughly contemporary with early Christianity " existed that portrayed Shiva with many differences than how he
3510-839: Is also a considerable Malayali population in the Persian Gulf regions, especially in Dubai , Kuwait and Doha . For the consonants and vowels, the International Phonetic Alphabet (IPA) symbol is given, followed by the Malayalam character and the ISO 15919 transliteration. The current Malayalam script bears high similarity with Tigalari script , which was used for writing the Tulu language , spoken in coastal Karnataka ( Dakshina Kannada and Udupi districts) and
3640-542: Is also credited with developing the Malayalam script into the current form through the intermixing and modification of the erstwhile scripts of Vatteluttu , Kolezhuthu , and Grantha script , which were used to write the inscriptions and literary works of Old and Middle Malayalam. He further eliminated excess and unnecessary letters from the modified script. Hence, Ezhuthachan is also known as The Father of modern Malayalam . The development of modern Malayalam script
3770-412: Is based on the book Kerala Panineeyam written by A. R. Raja Raja Varma in late 19th century CE. The declensional paradigms for some common nouns and pronouns are given below. As Malayalam is an agglutinative language, it is difficult to delineate the cases strictly and determine how many there are, although seven or eight is the generally accepted number. Alveolar plosives and nasals (although
3900-446: Is characterized by its soft, graceful movements. Mohiniyattam is a lasya-dominant dance form. This means that it emphasizes feminine grace and beauty. Trisama: Trisama is the coordination of the three elements of dance: nritta (pure dance), nritya (expressive dance), and natya (drama). Mohiniyattam dancers must be able to coordinate all three elements of dance. This is to create a harmonious and expressive performance. Abhinaya: Abhinaya
4030-520: Is consistently an enchantress avatar of the supreme in Vaishnavism . Aattam is a Malayalam language word, and means rhythmic motion or dance. Mohiniyattam thus connotes "a dance of an enchantress, a beautiful woman". Mohiniyattam is a classical Indian dance, which by definition traces its repertoire to the foundational text Natya Shastra . The Natya Shastra text is attributed to the ancient scholar Bharata Muni . Its first complete compilation
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4160-495: Is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text describes the basic elements and the structure of two types of dance: the vigorous, high energy Tāṇḍava dance ( Shiva ) and the gentle, calmingly graceful Lāsyā dance ( Parvati , Shiva's lover). Mohiniyāttam follows the structure and aims of the Lāsyā dance in Natya Shastra . According to Reginald Massey, Mohiniyattam's history
4290-853: Is everything and everywhere. Shiva is the primal Self, the pure consciousness and Absolute Reality in the Shaiva traditions. Shiva is also Part of 'Om' (ॐ) as a 'U' (उ). The Shaivism theology is broadly grouped into two: the popular theology influenced by Shiva-Rudra in the Vedas, Epics and the Puranas; and the esoteric theology influenced by the Shiva and Shakti-related Tantra texts. The Vedic-Brahmanic Shiva theology includes both monist ( Advaita ) and devotional traditions ( Dvaita ), such as Tamil Shaiva Siddhanta and Lingayatism . Shiva temples feature items such as linga, Shiva-Parvati iconography, bull Nandi within
4420-512: Is influenced by Tamil. Labels such as "Nampoothiri Dialect", "Mappila Dialect", and "Nasrani Dialect" refer to overall patterns constituted by the sub-dialects spoken by the subcastes or sub-groups of each such caste. The most outstanding features of the major communal dialects of Malayalam are summarized below: Malayalam has incorporated many elements from other languages over the years, the most notable of these being Sanskrit and later, English. According to Sooranad Kunjan Pillai who compiled
4550-467: Is kind and tranquil (Shiva). The term Shiva also appears simply as an epithet, that means "kind, auspicious", one of the adjectives used to describe many different Vedic deities. While fierce ruthless natural phenomenon and storm-related Rudra is feared in the hymns of the Rigveda, the beneficial rains he brings are welcomed as Shiva aspect of him. This healing, nurturing, life-enabling aspect emerges in
4680-484: Is known today is an amalgamation of various older deities into a single figure, due to the process of Sanskritization and the emergence of the Hindu synthesis in post-Vedic times. How the persona of Shiva converged as a composite deity is not well documented, a challenge to trace and has attracted much speculation. According to Vijay Nath: Vishnu and Siva [...] began to absorb countless local cults and deities within their folds. The latter were either taken to represent
4810-406: Is natural, but lips are brilliant red, she has the Hindu tikka ( Gobi ) on her forehead and her eyes are lined to help prominently highlight the eye movements during the dance. Her ankles are adorned with leather straps with bells ( chilanka ), feet and fingers colored red with natural dyes. Her hairdo is gathered and tied into a smooth tight round chignon on one side of her head (typically left) and
4940-476: Is not affected by three Guṇas of Prakṛti (Sattva, Rajas, and Tamas)". Shiva is known by many names such as Viswanatha (lord of the universe), Mahadeva, Mahandeo, Mahasu, Mahesha, Maheshvara, Shankara, Shambhu, Rudra, Hara, Trilochana, Devendra (chief of the gods), Neelakanta, Subhankara, Trilokinatha (lord of the three realms), and Ghrneshwar (lord of compassion). The highest reverence for Shiva in Shaivism
5070-453: Is not clear from the seal that the figure has three faces, is seated in a yoga posture, or even that the shape is intended to represent a human figure. He characterizes these views as "speculative", but adds that it is nevertheless possible that there are echoes of Shaiva iconographic themes, such as half-moon shapes resembling the horns of a bull . John Keay writes that "he may indeed be an early manifestation of Lord Shiva as Pashu-pati", but
5200-756: Is one of the principal deities of Hinduism . He is the Supreme Being in Shaivism , one of the major traditions within Hinduism. Shiva is known as The Destroyer within the Trimurti , the Hindu trinity which also includes Brahma and Vishnu . In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition,
5330-537: Is one of the four major sects of Hinduism , the others being Vaishnavism , Shaktism and the Smarta Tradition . Followers of Shaivism, called "Shaivas", revere Shiva as the Supreme Being. Shaivas believe that Shiva is All and in all, the creator, preserver, destroyer, revealer and concealer of all that is. He is not only the creator in Shaivism, but he is also the creation that results from him, he
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5460-623: Is parted feet, knees bent outwards, an erect upper torso, gentle 8-shape side to side swaying of body along with hips ( Ati Bhanga ). The footwork is soft, sliding and synchronous with the musical beat and acting. The body movement is sometimes described in terms of calming images of nature as the swinging of the palm leaves, and the gentle undulating of ocean waves. The basic dance units in Mohiniattam are known as atavus or atavukal , and these are grouped into four: Taganam , Jaganam , Dhaganam and Sammisram . The hand and facial gestures of
5590-660: Is phonemic and all of the vowels have minimal pairs for example kaṭṭi "thickness", kāṭṭi "showed", koṭṭi "tapped", kōṭṭi "twisted, stick, marble", er̠i "throw", ēr̠i "lots" Some speakers also have /æː/, /ɔː/, /ə/ from English loanwords e.g. /bæːŋgɨ̆/ "bank" but most speakers replace it with /aː/, /eː/ or /ja/; /oː/ or /aː/ and /e/ or /a/. The following text is Article 1 of the Universal Declaration of Human Rights . All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in
5720-652: Is reflected in his epithets Mahādeva ("Great god"; mahā "Great" and deva "god"), Maheśvara ("Great Lord"; mahā "great" and īśvara "lord"), and Parameśvara ("Supreme Lord"). Sahasranama are medieval Indian texts that list a thousand names derived from aspects and epithets of a deity. There are at least eight different versions of the Shiva Sahasranama , devotional hymns ( stotras ) listing many names of Shiva. The version appearing in Book 13 ( Anuśāsanaparvan ) of
5850-462: Is sometimes disputed by scholars. They regard the Chera Perumal inscriptional language as a diverging dialect or variety of contemporary Tamil . The oldest extant literary work in Malayalam distinct from the Tamil tradition is Ramacharitam (late 12th or early 13th century). The earliest script used to write Malayalam was the Vatteluttu script . The current Malayalam script is based on
5980-571: Is spoken by 35 million people in India. Malayalam is also spoken by linguistic minorities in the neighbouring states; with a significant number of speakers in the Kodagu and Dakshina Kannada districts of Karnataka , and Kanyakumari , Coimbatore and Nilgiris district of Tamil Nadu. It is also spoken by the Malayali Diaspora worldwide, especially in the Persian Gulf countries , due to
6110-535: Is the "creator, reproducer and dissolver". Sharma presents another etymology with the Sanskrit root śarv - , which means "to injure" or "to kill", interpreting the name to connote "one who can kill the forces of darkness". The Sanskrit word śaiva means "relating to the god Shiva", and this term is the Sanskrit name both for one of the principal sects of Hinduism and for a member of that sect. It
6240-549: Is the Malayalam Varthamanappusthakam , written by Paremmakkal Thoma Kathanar in 1785. Robert Caldwell describes the extent of Malayalam in the 19th century as extending from the vicinity of Kumbla in the north where it supersedes with Tulu to Kanyakumari in the south, where it begins to be superseded by Tamil , beside the inhabited islands of Lakshadweep in the Arabian Sea . In
6370-474: Is the art of facial expression and hand gestures in Indian classical dance. Mohiniyattam dancers use abhinaya to convey the emotions and meaning of the dance. Mudra: Mudras are hand gestures that are used to convey specific meanings in Indian classical dance. Mohiniyattam dancers use a variety of mudras to tell stories and express emotions. Tala and Laya: Tala (rhythm) and laya (tempo) are essential elements of Indian classical dance. Mohiniyattam dancers must have
6500-438: Is the earliest attested form of Malayalam. The beginning of the development of Old Malayalam from a western coastal dialect of Middle Tamil can be dated to circa 8th century CE. It remained a west coast dialect until circa 9th century CE or a little later. The origin of Malayalam calendar dates back to year 825 CE. It is generally agreed that the western coastal dialect of Tamil began to separate, diverge, and grow as
6630-406: Is thought of now, and these mythical portrayals of Shiva were incorporated into later versions of him. For instance, he and the other gods , from the highest gods to the least powerful gods, were thought of as somewhat human in nature, creating emotions they had limited control over and having the ability to get in touch with their inner natures through asceticism like humans. In that era, Shiva
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#17327797531726760-680: Is unclear. Kerala, the region where this dance genre developed and is popular, has a long tradition of lasya style dances whose basics and structure may be at the root. The earliest evidence of Mohiniyattam, or a Mohiniyattam-like dance tradition is found in temple sculpture of Kerala. The 11th century Vishnu temple at Trikodithanam, and the Kidangur Subramanya temple, have several sculptures of female dancers in Mohiniyattam pose. The textual evidence from 12th century onwards suggest that Malayalam poets and playwrights included Lāsyā themes. The 16th century Vyavaharamala by Nambootiri contains
6890-599: Is used as an adjective in the Rig Veda ( c. 1700–1100 BCE ), as an epithet for several Rigvedic deities , including Rudra . The term Shiva also connotes "liberation, final emancipation" and "the auspicious one"; this adjectival usage is addressed to many deities in Vedic literature. The term evolved from the Vedic Rudra-Shiva to the noun Shiva in the Epics and the Puranas, as an auspicious deity who
7020-683: Is used as an adjective to characterize certain beliefs and practices, such as Shaivism. Some authors associate the name with the Tamil word śivappu meaning "red", noting that Shiva is linked to the Sun ( śivan , "the Red one", in Tamil) and that Rudra is also called Babhru (brown, or red) in the Rigveda. The Vishnu sahasranama interprets Shiva to have multiple meanings: "The Pure One", and "the One who
7150-674: The saṁvr̥tōkāram , which is not officially a vowel, and not as actual vocalic consonants) have been classified as vowels: vocalic r ( ഋ , /rɨ̆/ , r̥), long vocalic r ( ൠ , /rɨː/ , r̥̄), vocalic l ( ഌ , /lɨ̆/ , l̥) and long vocalic l ( ൡ , /lɨː/ , l̥̄). Except for the first, the other three have been omitted from the current script used in Kerala as there are no words in current Malayalam that use them. Some authors say that Malayalam has no diphthongs and /ai̯, au̯/ are clusters of V+glide j/ʋ while others consider all V+glide clusters to be diphthongs /ai̯, aːi̯, au̯, ei̯, oi̯, i̯a/ as in kai, vāypa, auṣadhaṁ, cey, koy and kāryaṁ Vowel length
7280-728: The Mahabharata provides one such list. Shiva also has Dasha-Sahasranamas (10,000 names) that are found in the Mahanyasa . The Shri Rudram Chamakam , also known as the Śatarudriya , is a devotional hymn to Shiva hailing him by many names. The Shiva-related tradition is a major part of Hinduism, found all over the Indian subcontinent , such as India, Nepal , Sri Lanka , and Southeast Asia , such as Bali, Indonesia . Shiva has pre-Vedic tribal roots, having "his origins in primitive tribes, signs and symbols." The figure of Shiva as he
7410-547: The Nirukta , an important early text on etymology, which says, "Agni is also called Rudra." The interconnections between the two deities are complex, and according to Stella Kramrisch: The fire myth of Rudra-Śiva plays on the whole gamut of fire, valuing all its potentialities and phases, from conflagration to illumination. In the Śatarudrīya , some epithets of Rudra, such as Sasipañjara ("Of golden red hue as of flame") and Tivaṣīmati ("Flaming bright"), suggest
7540-430: The 16th century , when it was known as "Malayayma" or "Malayanma"; the words were also used to refer to the script and the region . According to Duarte Barbosa , a Portuguese visitor who visited Kerala in the early 16th century CE, the people in the southwestern Malabar coast of India from Kumbla in north to Kanyakumari in south had a unique language, which was called "Maliama" by them. Prior to this period ,
7670-503: The Bactria–Margiana Culture . According to Anthony, Many of the qualities of Indo-Iranian god of might/victory, Verethraghna , were transferred to the adopted god Indra, who became the central deity of the developing Old Indic culture. Indra was the subject of 250 hymns, a quarter of the Rig Veda . He was associated more than any other deity with Soma , a stimulant drug (perhaps derived from Ephedra ) probably borrowed from
7800-464: The Linga Purana , present the various aspects of Shiva, mythologies, cosmology and pilgrimage ( Tirtha ) associated with him. The Shiva-related Tantra literature, composed between the 8th and 11th centuries, are regarded in devotional dualistic Shaivism as Sruti . Dualistic Shaiva Agamas which consider Self within each living being and Shiva as two separate realities (dualism, dvaita ), are
7930-998: The Middle East , the United States, and Europe. There were 179,860 speakers of Malayalam in the United States, according to the 2000 census, with the highest concentrations in Bergen County, New Jersey , and Rockland County, New York . There are 144,000 of Malayalam speakers in Malaysia . There were 11,687 Malayalam speakers in Australia in 2016. The 2001 Canadian census reported 7,070 people who listed Malayalam as their mother tongue, mainly in Toronto . The 2006 New Zealand census reported 2,139 speakers. 134 Malayalam speaking households were reported in 1956 in Fiji . There
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#17327797531728060-632: The Namboothiri and Nair dialects have a common nature, the Arabi Malayalam is among the most divergent of dialects, differing considerably from literary Malayalam. Jeseri is a dialect of Malayalam spoken mainly in the Union territory of Lakshadweep and Beary is spoken in Tulu Nadu which are nearer to Kerala. Of the total 33,066,392 Malayalam speakers in India in 2001, 33,015,420 spoke
8190-536: The Pathinettara Kavikal (Eighteen and a half poets) in the court of the Zamorin of Calicut , also belong to Middle Malayalam. The literary works of this period were heavily influenced by Manipravalam , which was a combination of contemporary Tamil and Sanskrit . The word Mani-Pravalam literally means Diamond-Coral or Ruby-Coral . The 14th-century Lilatilakam text states Manipravalam to be
8320-477: The Voiced retroflex approximant (/ɻ/) which is seen in both Tamil and the standard form of Malayalam, are not seen in the northern dialects of Malayalam, as in Kannada . For example, the words Vazhi (Path), Vili (Call), Vere (Another), and Vaa (Come/Mouth), become Bayi , Bili , Bere , and Baa in the northern dialects of Malayalam. Similarly the Malayalam spoken in the southern districts of Kerala, i.e., Thiruvananthapuram - Kollam - Pathanamthitta area
8450-486: The Yerava dialect and 31,329 spoke non-standard regional variations like Eranadan . As per the 1991 census data, 28.85% of all Malayalam speakers in India spoke a second language and 19.64% of the total knew three or more languages. Just before independence, Malaya attracted many Malayalis. Large numbers of Malayalis have settled in Chennai , Bengaluru , Mangaluru , Hyderabad , Mumbai , Navi Mumbai , Pune , Mysuru and Delhi . Many Malayalis have also emigrated to
8580-434: The guru and dancer Kalamandalam Kalyanikutty Amma . Kalamandalam is a very known institution for teaching and learning the art form Mohiniyattam, but notorious for the discriminations faced by the artists and students based on their caste and colour. Adding spice to this, Kalamandalam Sathyabhama Jr entered the media scope recently with racist and gender slam statement against male and coloured artists earning their space in
8710-459: The northern districts of Kerala , those lie adjacent to Tulu Nadu . Old Malayalam was mostly written in Vatteluttu script (with Pallava/Southern Grantha characters). Old Malayalam had several features distinct from the contemporary Tamil, which include the nasalisation of adjoining sounds, substitution of palatal sounds for dental sounds, contraction of vowels, and the rejection of gender verbs. Ramacharitam and Thirunizhalmala are
8840-437: The third eye on his forehead (the eye that turns everything in front of it into ashes when opened), the trishula or trident as his weapon, and the damaru . He is usually worshiped in the aniconic form of lingam . Shiva has pre-Vedic roots, and the figure of Shiva evolved as an amalgamation of various older non-Vedic and Vedic deities, including the Rigvedic storm god Rudra who may also have non-Vedic origins, into
8970-521: The 13th and 14th centuries of the Common Era . The Sandesha Kavya s of 14th century CE written in Manipravalam language include Unnuneeli Sandesam . Kannassa Ramayanam and Kannassa Bharatham by Rama Panikkar of the Niranam poets who lived between 1350 and 1450, are representative of this language. Ulloor has opined that Rama Panikkar holds the same position in Malayalam literature that Edmund Spenser does in English literature . The Champu Kavyas written by Punam Nambudiri, one among
9100-427: The 16th century CE, Thunchaththu Ezhuthachan from the Kingdom of Tanur and Poonthanam Nambudiri from the Kingdom of Valluvanad , followed the new trend initiated by Cherussery in their poems. The Adhyathmaramayanam Kilippattu and Mahabharatham Kilippattu , written by Ezhuthachan, and Jnanappana , written by Poonthanam, are also included in the earliest form of Modern Malayalam. Thunchaththu Ezhuthachan
9230-411: The 1st millennium CE and through the 13th century, particularly in Kashmir and Tamil Shaiva traditions. Shaivism gained immense popularity in Tamilakam as early as the 7th century CE, with poets such as Appar and Sambandar composing rich poetry that is replete with present features associated with the deity, such as his tandava dance, the mulavam (dumru), the aspect of holding fire, and restraining
9360-562: The BMAC religion. His rise to prominence was a peculiar trait of the Old Indic speakers. The texts and artwork of Jainism show Indra as a dancer, although not identical generally resembling the dancing Shiva artwork found in Hinduism, particularly in their respective mudras. For example, in the Jain caves at Ellora , extensive carvings show dancing Indra next to the images of Tirthankaras in
9490-642: The British Empire. According to Justine Lemos, the conventional stereotype has been to label the temple dancers as prostitutes and that Mohiniyattam was banned by the Maharaja under pressure from the British rule and his citizens, but an examination of historical evidence suggests that neither did any law or proclamation ban Mohiniyattam nor is there any evidence that dancing girls of Mohiniyattam were devadasis , temple prostitutes or even menial servants of
9620-588: The Dravidian or South-Indian Family of Languages" , opined that literary Malayalam branched from Classical Tamil and over time gained a large amount of Sanskrit vocabulary and lost the personal terminations of verbs. As the language of scholarship and administration, Old-Tamil, which was written in Tamil-Brahmi and the Vatteluttu alphabet later, greatly influenced the early development of Malayalam as
9750-578: The Germanic God of rage ("wütte") and the wild hunt . According to Sadasivan, during the development of the Hindu synthesis attributes of the Buddha were transferred by Brahmins to Shiva, who was also linked with Rudra . The Rigveda has 3 out of 1,028 hymns dedicated to Rudra, and he finds occasional mention in other hymns of the same text. Hymn 10.92 of the Rigveda states that deity Rudra has two natures, one wild and cruel (Rudra), another that
9880-453: The Nandi bull, the Indian zebu , in particular, as the vehicle of Rudra and of Shiva, thereby unmistakably linking them as same. Rudra and Agni have a close relationship. The identification between Agni and Rudra in the Vedic literature was an important factor in the process of Rudra's gradual transformation into Rudra-Shiva. The identification of Agni with Rudra is explicitly noted in
10010-591: The Supreme Goddess ( Devi ) is regarded as the energy and creative power ( Shakti ) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Kailasa as well as
10140-681: The Vaishnava literature presents Vishnu as supreme. However, both traditions are pluralistic and revere both Shiva and Vishnu (along with Devi), their texts do not show exclusivism, and Vaishnava texts such as the Bhagavata Purana while praising Krishna as the Ultimate Reality, also present Shiva and Shakti as a personalized form an equivalent to the same Ultimate Reality. The texts of Shaivism tradition similarly praise Vishnu. The Skanda Purana, for example, states: Vishnu
10270-583: The Vatteluttu script, which was extended with Grantha script letters to adopt Indo-Aryan loanwords. It bears high similarity with the Tigalari script , a historical script that was used to write the Tulu language in South Canara , and Sanskrit in the adjacent Malabar region . The modern Malayalam grammar is based on the book Kerala Panineeyam written by A. R. Raja Raja Varma in late 19th century CE. The first travelogue in any Indian language
10400-464: The Vedas as Rudra-Shiva, and in post-Vedic literature ultimately as Shiva who combines the destructive and constructive powers, the terrific and the gentle, as the ultimate recycler and rejuvenator of all existence. The Vedic texts do not mention bull or any animal as the transport vehicle ( vahana ) of Rudra or other deities. However, post-Vedic texts such as the Mahabharata and the Puranas state
10530-517: The ancient Hindu Sanskrit text on performance arts. However, it follows the Lasya style described in Natya Shastra , that is a dance which is delicate, eros-filled and feminine. It is traditionally a solo dance performed by women after extensive training, though men also perform the dance in the contemporary period. The repertoire of Mohiniyattam includes music in the Carnatic style, singing and acting
10660-671: The art form gala of Mohiniyattam. Mohiniyattam is a lasya subgenre of dance, performed in the Kaisiki vritti (graceful style), as discussed in ancient Indian performance arts texts such as the Natya Shastra . More specifically, it is a dance that excels in Ekaharya Abhinaya form, that is a solo expressive dance performance aided by singing and music. The dance includes nritta (pure dance, solo), nritya (expressive dance, solo) and modern productions sometimes include natya (play, group dance): The basic posture of Mohiniyattam
10790-456: The authoritative Malayalam lexicon, the other principal languages whose vocabulary was incorporated over the ages were Arabic , Dutch , Hindustani , Pali , Persian , Portuguese , Prakrit , and Syriac . Malayalam is a language spoken by the native people of southwestern India and the islands of Lakshadweep in the Arabian Sea . According to the Indian census of 2011, there were 32,413,213 speakers of Malayalam in Kerala, making up 93.2% of
10920-533: The authorship of the medieval work Keralolpathi , which describes the Parashurama legend and the departure of the final Cheraman Perumal king to Mecca , to Thunchaththu Ramanujan Ezhuthachan. Kunchan Nambiar introduced a new literary form called Thullal , and Unnayi Variyar introduced reforms in Attakkatha literature . The printing, prose literature, and Malayalam journalism , developed after
11050-506: The beginning of the Shaiva tradition focused on the worship of Shiva as evidenced in other literature of this period. Other scholars such as Robert Hume and Doris Srinivasan state that the Shvetashvatara Upanishad presents pluralism, pantheism , or henotheism , rather than being a text just on Shiva theism. Self-realization and Shaiva Upanishads He who sees himself in all beings, And all beings in him, attains
11180-431: The bun then ringed with fragrant flowers (typically jasmine mulla ). For male dancers, they typically wear a dhoti (called the muti ). Like women, his ankles are also adorned with chilankas, feet and fingers colored red with natural dyes. Like women, he also has the Hindu tikka (Gobi) on his forehead and his eyes are lined. The vocals ( music ) of Mohiniyattam involves various rhythms. There are numerous compositions for
11310-404: The colonial British Raj , banned by a series of laws from 1931 through 1938, a ban that was protested and partially repealed in 1940. The socio-political conflict ultimately led to renewed interest, revival and reconstruction of Mohiniyattam by the people of Kerala, particularly the poet Vallathol Narayana Menon . Principles Of Mohiniyattam Lasya: Lasya is the feminine aspect of dance. It
11440-480: The dance follow the classical text of Hastha Lakshanadeepika , which has elaborate description of mudras . The repertoire sequence of Mohiniyattam is similar to that of Bharatanatyam, so of contains seven items that are performed to a structure described in classical dance texts: Cholkettu (invocation, but starts with offering reverence to a goddess Bhagavati and ends with a prayer to Shiva ), Jatisvaram or more precisely Swarajeti , Varnam (a play wherein she embeds
11570-411: The development of the two languages out of "Proto-Dravidian" or "Proto-Tamil-Malayalam" either in the prehistoric period or in the middle of the first millennium A.D. , although this is generally rejected by historical linguists. The Quilon Syrian copper plates of 849/850 CE are considered by some to be the oldest available inscription written in Old Malayalam . However, the existence of Old Malayalam
11700-441: The earliest seeds of theistic devotion to Rudra-Shiva. Here Rudra-Shiva is identified as the creator of the cosmos and liberator of Selfs from the birth-rebirth cycle. The Svetasvatara Upanishad set the tone for early Shaivite thought, especially in chapter 3 verse 2 where Shiva is equated with Brahman: "Rudra is truly one; for the knowers of Brahman do not admit the existence of a second". The period of 200 BC to 100 AD also marks
11830-507: The early Middle Tamil period, thus making independent descent impossible. For example, Old Tamil lacks the first and second person plural pronouns with the ending kaḷ . It is in the Early Middle Tamil stage that kaḷ first appears: Indeed, most features of Malayalam morphology are derivable from a form of speech corresponding to early Middle Tamil. Robert Caldwell , in his 1856 book " A Comparative Grammar of
11960-513: The early 19th century CE. The earliest extant literary works in the regional language of present-day Kerala probably date back to as early as the 12th century . At that time, the language was differentiated by the name Kerala Bhasha . The earliest mention of Malayalam as a language is found outside of Kerala in the 15th century Telugu work Śrībhīmēśvarapurāṇamu by Śrīnātha. The distinctive "Malayalam" named identity of this language appears to have come into existence in Kerala only around
12090-427: The early 19th century sponsorship and building of a joint Mohiniyattam and Bharatanatyam team of artists by the Hindu king, poet and music composer Swathi Thirunal Rama Varma contributed to the growth and systematization of modern Mohiniyattam. In the late 19th and early 20th century, Mohiniyattam was performed by women in the Hindu community, a community in central Kerala. According to Justine Lemos, Mohiniyattam "was
12220-400: The early Elamite seals dated to 3000–2750 BCE show similar figures and these have been interpreted as "seated bull" and not a yogi, and the bovine interpretation is likely more accurate. Gregory L. Possehl in 2002, associated it with the water buffalo, and concluded that while it would be appropriate to recognize the figure as a deity, and its posture as one of ritual discipline, regarding it as
12350-637: The evil had won control of Amrita (nectar of immortality). Appearing in her youthful bloom, dressed rapturously she uses her charms to seduce the Asuras, who seeking her favors, give her the Amrita to distribute among the evil forces. Mohini after gaining the Amrita gives it to the good instead, depriving the evil from gaining immortality. The details of the Mohini story varies by the Purana and region, but she
12480-537: The figures in a group dance can be interpreted in many different ways. Of several Indus valley seals that show animals, one seal that has attracted attention shows a large central figure, either horned or wearing a horned headdress and possibly ithyphallic , seated in a posture reminiscent of the Lotus position , surrounded by animals. This figure was named by early excavators of Mohenjo-daro as Pashupati (Lord of Animals, Sanskrit paśupati ), an epithet of
12610-472: The first known mention of the term Mohiniyattam, in the context of a payment to be made to a Mohiniyattam dancer. Another text, Gosha Yatra , from the 17th century too mentions the term. The 18th century Balarama Bharatam , a major secondary work on Natya Shastra composed in Kerala, mentions many dance styles including Mohini Natana . In the 18th and 19th century, Mohiniyattam grew as dance arts received patronage of competing princely states. In particular,
12740-475: The foundational texts for Shaiva Siddhanta . Other Shaiva Agamas teach that these are one reality (monism, advaita ), and that Shiva is the Self, the perfection and truth within each living being. In Shiva related sub-traditions, there are ten dualistic Agama texts, eighteen qualified monism-cum-dualism Agama texts and sixty-four monism Agama texts. Shiva-related literature developed extensively across India in
12870-504: The highest Brahman , not by any other means. — Kaivalya Upanishad 10 Shaiva devotees and ascetics are mentioned in Patanjali 's Mahābhāṣya (2nd-century BCE) and in the Mahabharata . The earliest iconic artworks of Shiva may be from Gandhara and northwest parts of ancient India. There is some uncertainty as the artwork that has survived is damaged and they show some overlap with meditative Buddha-related artwork, but
13000-451: The large populations of Malayali expatriates there. They are a significant population in each city in India including Mumbai , Bengaluru , Chennai , Delhi , Hyderabad etc. The origin of Malayalam remains a matter of dispute among scholars. The mainstream view holds that Malayalam descends from a western coastal dialect of early Middle Tamil and separated from it sometime between the 9th and 13th centuries. A second view argues for
13130-423: The later Hindu deities Shiva and Rudra. Sir John Marshall and others suggested that this figure is a prototype of Shiva, with three faces, seated in a " yoga posture" with the knees out and feet joined. Semi-circular shapes on the head were interpreted as two horns. Scholars such as Gavin Flood , John Keay and Doris Meth Srinivasan have expressed doubts about this suggestion. Gavin Flood states that it
13260-528: The latter-half of the 18th century CE. Modern literary movements in Malayalam literature began in the late 19th century with the rise of the famous Modern Triumvirate consisting of Kumaran Asan , Ulloor S. Parameswara Iyer and Vallathol Narayana Menon . In the second half of the 20th century, Jnanpith winning poets and writers like G. Sankara Kurup , S. K. Pottekkatt , Thakazhi Sivasankara Pillai , M. T. Vasudevan Nair , O. N. V. Kurup , and Akkitham Achuthan Namboothiri , had made valuable contributions to
13390-468: The modern Malayalam literature . The Middle Malayalam was succeeded by Modern Malayalam ( Aadhunika Malayalam ) by 15th century CE. The poem Krishnagatha written by Cherusseri Namboothiri , who was the court poet of the king Udaya Varman Kolathiri (1446–1475) of Kolathunadu , is written in modern Malayalam. The language used in Krishnagatha is the modern spoken form of Malayalam. During
13520-865: The modern Malayalam script does not distinguish the latter from the dental nasal ) are underlined for clarity, following the convention of the National Library at Kolkata romanization . Vocative forms are given in parentheses after the nominative , as the only pronominal vocatives that are used are the third person ones, which only occur in compounds. വിഭക്തി സംബോധന പ്രതിഗ്രാഹിക സംബന്ധിക ഉദ്ദേശിക പ്രായോജിക ആധാരിക സംയോജിക Shiva Shiva ( / ˈ ʃ ɪ v ə / ; Sanskrit : शिव , lit. 'The Auspicious One', IAST : Śiva [ɕɪʋɐ] ), also known as Mahadeva ( / m ə ˈ h ɑː ˈ d eɪ v ə / ; Sanskrit : महादेव: , lit. 'The Great God', IAST : Mahādevaḥ , [mɐɦaːd̪eːʋɐh ) or Hara ,
13650-399: The modern Malayalam literature. The life and works of Edasseri Govindan Nair have assumed greater socio-literary significance after his death and Edasseri is now recognised as an important poet of Malayalam. Later, writers like O. V. Vijayan , Kamaladas , M. Mukundan , Arundhati Roy , and Vaikom Muhammed Basheer , have gained international recognition. Malayalam has also borrowed
13780-483: The multiple facets of the same god or else were supposed to denote different forms and appellations by which the god came to be known and worshipped. [...] Siva became identified with countless local cults by the sheer suffixing of Isa or Isvara to the name of the local deity, e.g., Bhutesvara, Hatakesvara, Chandesvara." An example of assimilation took place in Maharashtra , where a regional deity named Khandoba
13910-479: The nationalist Malayalam poet Vallathol Narayana Menon , who helped repeal the ban on temple dancing in Kerala, as well as established the Kerala Kalamandalam dance school and encouraged Mohiniattam studies, training and practice. Other significant champions of Mohiniyattam in the 20th century have been Mukundraja, Appiradeth Krishna Panicker, Harichand and guys from Vishnavam, Thankamony, as well as
14040-562: The northernmost Kasargod district of Kerala. Tigalari script was also used for writing Sanskrit in Malabar region . Malayalam has also borrowed the Sanskrit diphthongs of /ai̯/ (represented in Malayalam as ഐ , ai) and /au̯/ (represented in Malayalam as ഔ , au) although these mostly occur only in Sanskrit loanwords. Traditionally (as in Sanskrit), four vocalic consonants (usually pronounced in Malayalam as consonants followed by
14170-643: The parameters of region, religion, community, occupation, social stratum, style and register. According to the Dravidian Encyclopedia, the regional dialects of Malayalam can be divided into fifteen dialect areas. They are as follows: According to Ethnologue, the dialects are: Malabar, Nagari-Malayalam, North Kerala, Central Kerala, South Kerala, Kayavar, Namboodiri , Nair , Mappila , Beary , Jeseri , Yerava , Pulaya, Nasrani , and Kasargod . The community dialects are: Namboodiri , Nair , Arabi Malayalam , Pulaya, and Nasrani . Whereas both
14300-586: The people of Kerala usually referred to their language as "Tamil", and both terms overlapped into the colonial period . Due to the geographical isolation of the Malabar Coast from the rest of the Indian peninsula due to the presence of the Western Ghats mountain ranges which lie parallel to the coast, the dialect of Old Tamil spoken in Kerala was different from that spoken in Tamil Nadu . The mainstream view holds that Malayalam began to grow as
14430-410: The possible literary works of Old Malayalam found so far. Old Malayalam gradually developed into Middle Malayalam ( Madhyakaala Malayalam ) by the 13th century CE. Malayalam literature also completely diverged from Tamil literature during this period. Works including Unniyachi Charitham , Unnichiruthevi Charitham , and Unniyadi Charitham , are written in Middle Malayalam , and date back to
14560-500: The prehistoric period from a common ancestor, "Proto-Tamil-Malayalam", and that the notion of Malayalam being a "daughter" of Tamil is misplaced. This is based on the fact that Malayalam and several Dravidian languages on the Western Coast have common archaic features which are not found even in the oldest historical forms of literary Tamil. Despite this, Malayalam shares many common innovations with Tamil that emerged during
14690-506: The premises, and relief artwork showing aspects of Shiva. The Tantric Shiva ( "शिव ") tradition ignored the mythologies and Puranas related to Shiva, and depending on the sub-school developed a variety of practices. For example, historical records suggest the tantric Kapalikas (literally, the 'skull-men') co-existed with and shared many Vajrayana Buddhist rituals, engaged in esoteric practices that revered Shiva and Shakti wearing skulls, begged with empty skulls, and sometimes used meat as
14820-511: The presence of Shiva's trident and phallic symbolism in this art suggests it was likely Shiva. Numismatics research suggests that numerous coins of the ancient Kushan Empire (30–375 CE) that have survived, were images of a god who is probably Shiva. The Shiva in Kushan coins is referred to as Oesho of unclear etymology and origins, but the simultaneous presence of Indra and Shiva in the Kushan era artwork suggest that they were revered deities by
14950-733: The proud flow of the Ganga upon his braid. The monist Shiva literature posit absolute oneness, that is Shiva is within every man and woman, Shiva is within every living being, Shiva is present everywhere in the world including all non-living being, and there is no spiritual difference between life, matter, man and Shiva. The various dualistic and monist Shiva-related ideas were welcomed in medieval southeast Asia, inspiring numerous Shiva-related temples, artwork and texts in Indonesia, Myanmar, Cambodia, Laos, Vietnam, Thailand and Malaysia, with syncretic integration of local pre-existing theologies. Shaivism
15080-564: The sari, below which at the waist is a golden belt which tucks in the end of the sari, and highlights the waist. In front of the saree, below the belt is pleated sheet with concentric bands in gold or saffron colors, which allow freedom of movement and assist in visually communicating the mudra to distant audience. The dancer wears relatively simple jewelry and no masks, in contrast to the other major classical dance of Kerala called Kathakali . Her jewelry typically includes items on fingers, wrists, neck and ears (which may have bells). The face makeup
15210-597: The single largest linguistic group accounting for 35.5% in the Virajpet Taluk. Around one-third of the Malayalis in Kodagu district speak the Yerava dialect according to the 2011 census, which is native to Kodagu and Wayanad . In all, Malayalis made up 3.22% of the total Indian population in 2011. Of the total 34,713,130 Malayalam speakers in India in 2011, 33,015,420 spoke the standard dialects, 19,643 spoke
15340-595: The situation, are similar to those of the Greek god Dionysus , as are their iconic associations with bull, snakes, anger, bravery, dancing and carefree life. The ancient Greek texts of the time of Alexander the Great call Shiva "Indian Dionysus", or alternatively call Dionysus "god of the Orient" . Similarly, the use of phallic symbol as an icon for Shiva is also found for Irish, Nordic, Greek (Dionysus ) and Roman deities, as
15470-636: The southwestern coast of the Indian peninsula, which also means The land of hills . The term originally referred to the western hilly land of the Chera dynasty (later Zamorins and the Kingdom of Cochin ), Kingdom of Ezhimala (later Kolathunadu ), and Ay kingdom (later Travancore ), and only later became the name of its language. The language Malayalam was alternatively called Alealum , Malayalani , Malayali , Malabari , Malean , Maliyad , Mallealle , and Kerala Bhasha until
15600-544: The standard dialects, 19,643 spoke the Yerava dialect and 31,329 spoke non-standard regional variations like Eranadan . The dialects of Malayalam spoken in the districts like Kasaragod , Kannur , Wayanad , Kozhikode , and Malappuram in the former Malabar District have few influences from Kannada . For example, the words those start with the sound "V" in Malayalam become "B" in these districts as in Kannada . Also
15730-441: The start of the 20th century, as evidence of "harlots, debased erotic culture, slavery to idols and priests" tradition, and Christian missionaries demanded that this must be stopped, launching the "anti-dance movement" or "anti-nautch movement" in 1892. This movement affected all classical dances in India and contributed to their decline, including the stigmatization of Mohiniyattam in the princely states of Travancore and Cochin in
15860-592: The start of the Kushan Empire. The Shaiva Upanishads are a group of 14 minor Upanishads of Hinduism variously dated from the last centuries of the 1st millennium BCE through the 17th century. These extol Shiva as the metaphysical unchanging reality Brahman and the Atman (Self), and include sections about rites and symbolisms related to Shiva. The Shaiva Puranas , particularly the Shiva Purana and
15990-409: The state or the audience, but the state did not pay them. Some women continued to dance Mohiniyattam in Hindu temples, regardless of the historic politics during the 1940s. The ridicule and bans enacted during the British colonial era contributed to nationalist sentiments, and impacted all Hindu performance arts including Mohiniyattam. It too was revived and reconstructed, particularly in the 1930s by
16120-407: The temple. However, adds Lemos, there is evidence of rewards being given, scholarship being sponsored, and payments being made to the dancers of Mohiniyattam, as well as laws enacted between 1931 and 1938 that – without naming Mohiniyattam – banned devadasis, banned all forms of "lewd dance or theatre", and banned dancing in temples while the princely states of Kerala were part of the British Empire, in
16250-531: The total number of Malayalam speakers in India, and 97.03% of the total population of the state. There were a further 701,673 (1.14% of the total number) in Karnataka , 957,705 (2.70%) in Tamil Nadu , and 406,358 (1.2%) in Maharashtra . The number of Malayalam speakers in Lakshadweep is 51,100, which is only 0.15% of the total number, but is as much as about 84% of the population of Lakshadweep. Malayalam
16380-680: The transgression of established mores, the Aum sound, the Supreme Self. In the Rig Veda the term śiva is used to refer to Indra. (2.20.3, 6.45.17, and 8.93.3. ) Indra, like Shiva, is likened to a bull. In the Rig Veda, Rudra is the father of the Maruts , but he is never associated with their warlike exploits as is Indra. Indra himself may have been adopted by the Vedic Aryans from
16510-439: Was also heavily influenced by the Tigalari script , which was used to write Sanskrit , due to the influence of Tuluva Brahmins in Kerala. The language used in the Arabi Malayalam works of the 16th–17th century CE is a mixture of Modern Malayalam and Arabic . They follow the syntax of modern Malayalam, though written in a modified form of Arabic script , which is known as Arabi Malayalam script . P. Shangunny Menon ascribes
16640-424: Was the idea of this aniconic column linking heaven and earth among early Indo-Aryans, states Roger Woodward. Others contest such proposals, and suggest Shiva to have emerged from indigenous pre-Aryan tribal origins. Shiva as we know him today shares many features with the Vedic god Rudra , and both Shiva and Rudra are viewed as the same personality in Hindu scriptures . The two names are used synonymously. Rudra,
16770-554: Was the most spoken language in erstwhile Gudalur taluk (now Gudalur and Panthalur taluks) of Nilgiris district in Tamil Nadu which accounts for 48.8% population and it was the second most spoken language in Mangalore and Puttur taluks of South Canara accounting for 21.2% and 15.4% respectively according to 1951 census report. 25.57% of the total population in the Kodagu district of Karnataka are Malayalis , and they form
16900-582: Was widely viewed as both the god of lust and of asceticism. In one story, he was seduced by a prostitute sent by the other gods, who were jealous of Shiva's ascetic lifestyle he had lived for 1000 years. Prehistoric rock paintings dating to the Mesolithic from Bhimbetka rock shelters have been interpreted by some authors as depictions of Shiva. However, Howard Morphy states that these prehistoric rock paintings of India, when seen in their context, are likely those of hunting party with animals, and that
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