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64-583: The world's northernmost labyrinth is located on the peninsula; the labyrinths in Finnmark were created in the period 1200–1500. The highest point on Nordkinnhalvøya is Storvarden (486 metres or 1,594 feet) in the Sandfjellet massif . The northernmost point on the peninsula is the Kinnarodden cliff, which is also the northernmost point of mainland Norway and Europe. The peninsula is connected to

128-567: A Lydian word for "double-bladed axe". Arthur Evans , who excavated the Minoan palace of Knossos in Crete early in the 20th century, suggested that the ruins there inspired the story of the labyrinth, and since the double axe motif appears in the palace ruins, he asserted that labyrinth could be understood to mean "the house of the double axe". The same symbol, however, was discovered in other palaces in Crete . Nilsson observed that in Crete

192-596: A change of language. Estimates for the introduction of the Proto-Greek language into prehistoric Greece have changed over the course of the 20th century. Since the decipherment of Linear B , searches were made "for earlier breaks in the continuity of the material record that might represent the 'coming of the Greeks ' ". The majority of scholars date the coming of Proto-Greek to the transition from Early Helladic II to Early Helladic III (c. 2400−2200/2100 BC), with

256-559: A contemporary of Daedalus, together with the historical mid-sixth-century BC architects and sculptors Rhoikos and Theodoros as two of the makers of the Lemnian labyrinth, which Andrew Stewart regards as "evidently a misunderstanding of the Samian temple's location en limnais ['in the marsh']." According to Pliny, the Tomb of Lars Porsena contained an underground maze. Pliny's description of

320-608: A distinction between the two. In this specialized usage, maze refers to a complex branching multicursal puzzle with choices of path and direction, while a unicursal labyrinth has only a single path to the center. A labyrinth in this sense has an unambiguous route to the center and back and presents no navigational challenge. Unicursal labyrinths appeared as designs on pottery or basketry , as body art , and in etchings on walls of caves or churches. The Romans created many primarily decorative unicursal designs on walls and floors in tile or mosaic . Many labyrinths set in floors or on

384-710: A dolmen shrine in the Nilgiri Mountains , but are difficult to date accurately. Securely datable examples begin to appear only around 250 BC. Early labyrinths in India typically follow the Classical pattern or a local variant of it; some have been described as plans of forts or cities. Labyrinths appear in Indian manuscripts and Tantric texts from the 17th century onward. They are often called " Chakravyuha " in reference to an impregnable battle formation described in

448-457: A group of some 13 stone labyrinths on 0.4 km area of one small island. Local archaeologists have speculated that these labyrinths may be 2,000–3,000 years old, though most researchers remain dubious. The 7-course "Classical" or "Cretan" pattern known from Cretan coins (ca 400–200 BC) appears in several examples from antiquity, some perhaps as early as the late Stone Age or early Bronze Age. Roman floor mosaics typically unite four copies of

512-481: A labyrinth according to Sumatran Bataks , and Europeans say it is the home of a rogue. One can think of labyrinths as symbolic of pilgrimage : people walking the path ascend toward salvation or enlightenment. Mystical teachings in traditions across centuries suggest that they can also be understood as coded maps of the spiritual path. Many labyrinths have been constructed recently in churches, hospitals, and parks. These are often used for contemplation; walking among

576-712: A labyrinth, called "the Pattern," which grants those who walk it the power to move between parallel worlds. In Rick Riordan 's series Percy Jackson & the Olympians , the events of the fourth novel, The Battle of the Labyrinth , predominantly take place within the labyrinth of Daedalus, which has followed the heart of the West to settle beneath the United States. Ursula K. Le Guin used an underground labyrinth in

640-466: A relation between Minoan, Eteocretan, Lemnian ( Pelasgian ), and Tyrsenian, inventing the name "Aegeo-Asianic" for the proposed language family. However, many Minoan loanwords found in Mycenaean Greek (e.g., words for architecture, metals and metallurgy, music, use of domestic species, social institutions, weapons, weaving) may be the result of socio-cultural and economic interactions between

704-467: A relation with Greek λαύρα ('narrow street'). When the Bronze Age site at Knossos was excavated by archaeologist Arthur Evans , the complexity of the architecture prompted him to suggest that the palace had been the Labyrinth of Daedalus. Evans found various bull motifs, including an image of a man leaping over the horns of a bull , as well as depictions of a labrys carved into the walls. On

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768-475: A ritual Easter dance along the path on Easter Sunday. Some labyrinths may have originated as allusions to the Holy City ; and some modern writers have theorized that prayers and devotions may have accompanied the perambulation of their intricate paths. Although some books (in particular guidebooks) suggest that the mazes on cathedral floors served as substitutes for pilgrimage paths, the earliest attested use of

832-496: A simple vowel system , with either three or five monophthongs. This system consisted of either /a/, /e/, /i/, /o/, /u/, or most likely just /a/, /i/, /u/, in which /a/ varied between /a/~/e/~/o/ as a result of palatalization for /e/ and labialization for /o/. Additionally, it had at least one diphthong (/au/), and it may also have had /ou/, although this is also often explained as the sequence -arʷ- adapted in Greek as -ουρ-, since /ou/

896-400: A strong indication of a common early phase of Indo-European – possibly Anatolian – influence in the area, some pre-Greek loanwords still remain incompatible with Indo-European phonology while showing certain recurrent patterns that set them apart from other languages. This likely indicates that "one language, or a group of closely related dialects or languages" was

960-673: Is also treated in contemporary fine arts . Examples include Piet Mondrian 's Pier and Ocean (1915), Joan Miró 's Labyrinth (1923), Pablo Picasso 's Minotauromachy (1935), M. C. Escher 's Relativity (1953), Friedensreich Hundertwasser 's Labyrinth (1957), Jean Dubuffet 's Logological Cabinet (1970), Richard Long 's Connemara sculpture (1971), Joe Tilson 's Earth Maze (1975), Richard Fleischner 's Chain Link Maze (1978), István Orosz 's Atlantis Anamorphosis (2000), Dmitry Rakov 's Labyrinth (2003), and drawings by contemporary American artist Mo Morales employing what

1024-459: Is generally considered a rare feature characteristic of pre-Greek. It is, however, unlikely that voicing or consonantal aspiration were distinctive features, as pre-Greek loanwords in Greek vary freely between plain, voiced and aspirated stops (e.g. ἀσφάραγος/ἀσπάραγος, aspháragos/aspáragos , 'asparagus'). The observation of such variants for a particular word is often a strong indication of substrate-derived etymology. Furthermore, while

1088-520: Is observable on Ancient Greek and Anatolian languages, is taken by a number of scholars to be an Indo-European language related to the Anatolian Luwian language, and to be responsible for the widespread place-names ending in -ssa and -nda in western Asia Minor, and -ssos and -nthos in mainland Greece. For instance, the name of the mount Parnassos in Greece has been interpreted as

1152-455: Is often seen with an /r/. The phonology of pre-Greek likely featured a series of both labialized and palatalized consonants, as indicated by Mycenaean inscriptions in Linear B . These features were found not only in stops , but in resonants as well (presumably including even the rare modified approximants /jʷ/ and / wʲ /), which was different from Indo-European languages at the time and

1216-523: Is retained in the center of several medieval examples. The Chartres pattern (named for its appearance in Chartres Cathedral ) is the most common medieval design; it appears in manuscripts as early as the 9th century. When the early humanist Benzo d'Alessandria visited Verona before 1310, he noted the " Laberinthum which is now called the Arena "; perhaps he was seeing the cubiculi beneath

1280-783: Is very common in pre-Greek and characteristic when it shows up as an s -mobile. Certain characteristic consonant clusters associated with pre-Greek phonology as reflected in words inherited into Greek, as listed by Beekes according to their frequency in the PIE language: Not possible in PIE Rare in PIE Possible in PIE Various categories of words have been suggested to be pre-Greek (or "Aegean") loanwords: Possible Anatolian or "Parnassian" loanwords include: There are other substrate proposals. Some fringe theories ranging from

1344-616: The Labyrinth ( Ancient Greek : λαβύρινθος , romanized :  Labúrinthos ) is an elaborate, confusing structure designed and built by the legendary artificer Daedalus for King Minos of Crete at Knossos . Its function was to hold the Minotaur , the monster eventually killed by the hero Theseus . Daedalus had so cunningly made the Labyrinth that he could barely escape it after he built it. Although early Cretan coins occasionally exhibit branching (multicursal) patterns,

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1408-813: The Luwians ". From the distribution of the names, it appears that this language was spoken during the Early Helladic II period, which began around 2800 BC. However, since many clusters of sounds are possible in both pre-Greek and Indo-European, it is difficult in most cases to distinguish between possible "Parnassian" loanwords and shared pre-Indo-European substrate words. For instance, terms like τολύπη ( tolúpē ; 'clew, ball of wool ready for spinning') show typical pre-Greek features while being related to Anatolian words (in this case Luwian and Hittite taluppa/i- 'lump, clod') with no other attested Indo-European cognate, suggesting that they were borrowed from

1472-435: The substratum hypothesis. Based upon toponymic and lexical evidence, it is generally assumed that one or several languages were once spoken in both the Greek peninsula and western Asia Minor before Mycenaean Greek and the attested Anatolian languages ( Hittite and Luwian ) became predominant in the region. Various explanations for this phenomenon have been given by scholars. One substrate language, whose influence

1536-463: The 150th anniversary of the Underground. The plaques were installed over a 16-month period in 2013 and 2014, and each is numbered according to its position in the route taken by the contestants in the 2009 Guinness World Record Tube Challenge . Prehistoric labyrinths may have served as traps for malevolent spirits or as paths for ritual dances. Many Roman and Christian labyrinths appear at

1600-499: The Cretan capital in the 1st century AD, were called labyrinthos . Pliny 's Natural History gives four examples of ancient labyrinths: the Cretan labyrinth, an Egyptian labyrinth, a Lemnian labyrinth, and an Italian labyrinth. These are all complex underground structures, and this appears to have been the standard Classical understanding of the word. Beekes also finds the relation with labrys speculative, and suggests instead

1664-478: The Luwian parna- ('house') attached to the possessive suffix -ssa- . Both Hittite and Luwian texts also attest a place-name Parnassa , which could be related. Philologist Martin L. West has proposed to name this unattested Anatolian language "Parnassian", and has argued for "a parallel movement down from Thrace by a branch of the same people as entered Anatolia, the people who were to appear 1,500 years later as

1728-702: The Minoans and Mycenaeans during the Bronze Age, and may therefore be part of a linguistic adstrate in Greek rather than a substrate. A Tyrsenian /Etruscan substratum was proposed on the basis of the Lemnos funerary stele : four pottery sherds inscribed in Etruscan that were found in 1885 at Ephestia in Lemnos . However, the Lemnos funerary stele was written in a form of ancient Etruscan , which suggested that

1792-608: The Skotino cave, these caverns have smooth walls and columns, and appear to have been at least partially man-made. This site corresponds to a labyrinth symbol on a 16th-century map of Crete in a book of maps in the library of Christ Church, Oxford . A map of the caves themselves was produced by the French in 1821. The site was also used by German soldiers to store ammunition during the Second World War . Howarth's investigation

1856-591: The ancient Mahabharata epic. Lanka, the capital city of mythic Rāvana, is described as a labyrinth in the 1910 translation of Al-Beruni 's India (c. 1030 AD) p. 306 (with a diagram on the following page). By the White Sea , notably on the Solovetsky Islands , there have been preserved more than 30 stone labyrinths. The most remarkable monument is the Stone labyrinths of Bolshoi Zayatsky Island –

1920-585: The ancient world, created with the cities as a source of magical power. Lawrence Durrell 's The Dark Labyrinth depicts travelers trapped underground in Crete. Because a labyrinth can serve as a metaphor for situations that are difficult to be extricated from, Octavio Paz titled his book on Mexican identity The Labyrinth of Solitude , describing the Mexican condition as orphaned and lost. Pre-Greek The pre-Greek substrate (or substratum ) consists of

1984-405: The arena's missing floor. The full flowering of the medieval labyrinth came about from the twelfth through fourteenth centuries with the grand pavement labyrinths of the gothic cathedrals, notably Chartres , Reims and Amiens in northern France. The symbolism or purpose behind these is unclear, and may have varied from one installation to the next. Descriptions survive of French clerics performing

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2048-488: The artist calls "Labyrinthine projection." The Italian painter Davide Tonato has dedicated many of his artistic works to the labyrinth theme. In modern imagery, the labyrinth of Daedalus is often represented by a multicursal maze, in which one may become lost. Mark Wallinger has created a set of 270 enamel plaques of unicursal labyrinth designs, one for every tube station in the London Underground , to mark

2112-565: The author had emigrated from Etruria in Italy , rather than the Greek sphere, and the Homeric tradition makes no mention of a Tyrrhenian presence on Lemnos. If Etruscan was spoken in Greece, it must have been effectively a language isolate , with no significant relationship to or interaction with speakers of pre-Greek or ancient Greek, since, in the words of Carlo De Simone , there are no Etruscan words that can be "etymologically traced back to

2176-555: The classical labyrinth (or a similar pattern) interlinked around the center, squared off as the medium requires, but still recognisable. An image of the Minotaur or an allusion to the legend of the Minotaur appears at the center of many of these mosaic labyrinths. The four-axis medieval patterns may have developed from the Roman model, but are more varied in how the four quadrants of the design are traced out. The Minotaur or other danger

2240-558: The classical: it is radial in design, and the entrance is at the top, where traditional labyrinths have the entrance at the bottom (see below). The earliest appearances cannot be dated securely; the oldest is commonly dated to the 17th century. Unsubstantiated claims have been made for the early appearance of labyrinth figures in India, such as a prehistoric petroglyph on a riverbank in Goa purportedly dating to circa 2500 BC. Other examples have been found among cave art in northern India and on

2304-407: The diversification into a southern and a northern group beginning by approximately 1700 BC. This has been criticized by John E. Coleman, who argues that this estimate is based on stratigraphic discontinuities at Lerna that other archaeological excavations in Greece suggested were the product of chronological gaps or separate deposit-sequencing instead of cultural changes. Coleman estimates that

2368-577: The double axe is not a weapon and always accompanies goddesses or women and not a male god. The association with "labrys" lost some traction when Linear B was deciphered in the 1950s, and an apparent Mycenaean Greek rendering of "labyrinth" appeared as da-pu₂-ri-to ( 𐀅𐀢𐀪𐀵 ). This may be related to the Minoan word du-pu₂-re , which appears in Linear A on libation tablets and in connection with Mount Dikte and Mount Ida , both of which are associated with caverns. Caverns near Gortyna ,

2432-461: The entrances of buildings, suggesting that they may have served a similar apotropaic purpose. In their cross-cultural study of signs and symbols, Patterns that Connect , Carl Schuster and Edmund Carpenter present various forms of the labyrinth and suggest various possible meanings, including not only a sacred path to the home of a sacred ancestor, but also, perhaps, a representation of the ancestor him/herself: "...many [New World] Indians who make

2496-638: The entry of Proto-Greek speakers into the Greek peninsula occurred during the late 4th millennium BC (c. 3200 BC) with pre-Greek spoken by the inhabitants of the Late Neolithic II period. Although no written texts exist or have been identified as pre-Greek, the phonology and lexicon have been partially reconstructed from the many words borrowed into Greek; such words often show a type of variation not found in inherited Indo-European Greek terms, and certain recurrent patterns that can be used to identify pre-Greek elements. The pre-Greek language had

2560-430: The existence of word-initial approximants /w/ and /j/ can be safely inferred from common motifs in inherited words (e.g. the ἰα‑ from *ja- in ἴαμβος, Ἰάσων) or even retained in early and dialectal forms (e.g. *wa- in the cases of ἄναξ-ϝάναξ, Ὀαξός-ϝαξός, ὑάκινθος-ϝάκινθος), word-initial aspiration probably did not exist, with /h/ considered by Beekes a non-native phoneme in pre-Greek. The initial consonant σ- /s/ or /z/

2624-593: The exposed portion of the tomb is intractable; Pliny, it seems clear, had not observed this structure himself, but is quoting the historian and Roman antiquarian Varro . A design essentially identical to the 7-course "classical" pattern appeared in Native American culture, the Tohono O'odham people labyrinth which features I'itoi , the "Man in the Maze." The Tonoho O'odham pattern has two distinct differences from

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2688-412: The ground are large enough that the path can be walked. Unicursal patterns have been used historically both in group ritual and for private meditation, and are increasingly found for therapeutic use in hospitals and hospices. Labyrinth is a word of pre-Greek origin whose derivation and meaning are uncertain. Maximillian Mayer suggested as early as 1892 that labyrinthos might derive from labrys ,

2752-403: The labyrinth regard it as a sacred symbol, a beneficial ancestor, a deity. In this they may be preserving its original meaning: the ultimate ancestor, here evoked by two continuous lines joining its twelve primary joints." Schuster also observes the common theme of the labyrinth being a refuge for a trickster; in India, the demon Ravana has dominion over labyrinths, the trickster Djonaha lives in

2816-464: The labyrinth's coils might ensure a safe fishing expedition. There are also stone labyrinths on the Isles of Scilly , although none is known to date from before the nineteenth century. There are examples of labyrinths in many disparate cultures. The symbol has appeared in various forms and media ( petroglyphs , classic-form, medieval-form, pavement, turf, and basketry) at some time throughout most parts of

2880-498: The labyrinth. Oxford University geographer Nicholas Howarth believes that "Evans's hypothesis that the palace of Knossos is also the Labyrinth must be treated sceptically." Howarth and his team conducted a search of an underground complex known as the Skotino cave but concluded that it was formed naturally. Another contender is a series of tunnels at Gortyn , accessed by a narrow crack but expanding into interlinking caverns. Unlike

2944-634: The mainland by the 500-metre (1,600 ft) wide Hopseidet isthmus . The peninsula is situated between the Tanafjorden to the east and the Laksefjorden to the west. They both empty into the Barents Sea . Norwegian County Road 888 connects the villages of Gamvik , Mehamn , and Lebesby to the European route E6 highway at the base of the peninsula, and from there it continues on to

3008-622: The many turf mazes in the UK, such as survive at Wing , Hilton , Alkborough , and Saffron Walden . Over the same general period, some 500 or more non-ecclesiastical labyrinths were constructed in Scandinavia . These labyrinths, generally in coastal areas, are marked out with stones, most often in the simple 7- or 11-course classical forms. They often have names which translate as " Troy Town ." They are thought to have been constructed by fishing communities: trapping malevolent trolls or winds in

3072-493: The mild (e.g., Egyptian ) to the extreme (e.g., Proto-Turkic ) have been proposed but have not been adopted by the broader academic community. The English archaeologist Arthur Evans proposed a Minoan ( Eteocretan ) substratum, based on an assumption of widespread Minoan colonisation of the Aegean, policed by a Minoan thalassocracy . Raymond A. Brown, after listing a number of words of pre-Greek origin from Crete , suggests

3136-597: The mythological Labyrinth from the Roman era until the Renaissance are almost invariably unicursal. Branching mazes were reintroduced only when hedge mazes became popular during the Renaissance. In English, the term labyrinth is generally synonymous with maze . As a result of the long history of unicursal representation of the mythological Labyrinth, however, many contemporary scholars and enthusiasts observe

3200-461: The phrase "chemin de Jerusalem" (path to Jerusalem) dates to the late 18th century when it was used to describe mazes at Reims and Saint-Omer . The accompanying ritual, depicted in Romantic illustrations as involving pilgrims following the maze on their knees while praying, may have been practiced at Chartres during the 17th century. The cathedral labyrinths are thought to be the inspiration for

3264-410: The same probably non-Indo-European source. Some scholars have thus proposed that at least part of the pre-Greek substrate was brought to Greece by pre-Indo-European settlers from Asia Minor, and that we should distinguish between different layers of loanwords coming successively or concurrently from different families of languages. While the correlations between Anatolian and Greek placenames may be

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3328-483: The second book of her Earthsea series, The Tombs of Atuan , in which the series hero Ged is captured by the book's protagonist Tenar on his trip to the Kargish Empire – the spiritual power of the "Nameless Ones" is vested at least in part in the labyrinth. Australian author Sara Douglass incorporated some labyrinthine ideas in her series The Troy Game , in which the Labyrinth on Crete is one of several in

3392-443: The single-path (unicursal) seven-course "Classical" design without branching or dead ends became associated with the Labyrinth on coins as early as 430 BC, and similar non-branching patterns became widely used as visual representations of the Labyrinth – even though both logic and literary descriptions make it clear that the Minotaur was trapped in a complex branching maze. Even as the designs became more elaborate, visual depictions of

3456-485: The source of another, possibly earlier, layer of pre-Indo-European loanwords in the region. Of the few words of secure Anatolian origin, most are cultural items or commodities which are likely the result of commercial exchange, not of a substratum. Some of the relevant vocabulary can also be explained as linguistic exchange between Greek and Anatolian languages across the Aegean Sea without necessarily originating from

3520-476: The strength of a passage in the Iliad , it has been suggested that the palace was the site of a dancing-ground made for Ariadne by the craftsman Daedalus , where young men and women, of the age of those sent to Crete as prey for the Minotaur, would dance together. By extension, in popular legend the palace is associated with the myth of the Minotaur. In the 2000s, archaeologists explored other potential sites of

3584-642: The third episode, "And The Horns of a Dilemma", of The Librarians . See Labyrinth (disambiguation) for a further list of titles. The Argentine writer Jorge Luis Borges was entranced with the idea of the labyrinth, and used it extensively in his short stories (such as "The House of Asterion" in The Aleph ). His use of it has inspired other authors (e.g. Umberto Eco 's The Name of the Rose , Mark Z. Danielewski's House of Leaves ). Additionally, Roger Zelazny 's fantasy series The Chronicles of Amber features

3648-504: The towns of Kirkenes in the east and Alta in the west. The Hurtigruten coastal ship stops in Mehamn and Kjøllefjord, both on this peninsula. Mehamn Airport , with services by Widerøe , is the airport that serves the peninsula and surrounding area. Fishing permits are sold for use on specific rivers on the peninsula including the river Risfjordelva ( Northern Sami : Rassavuoles-jokha ). Labyrinth In Greek mythology ,

3712-719: The turnings, one loses track of direction and of the outside world, and thus quiets the mind. Labyrinths have on various occasions been used in Christian tradition as a part of worship. The earliest known example is from a fourth-century pavement at the Basilica of St Reparatus, at Orleansville, Algeria, with the words "Sancta Eclesia" [ sic ] at the center, though it is unclear how it might have been used in worship. In medieval times, labyrinths began to appear on church walls and floors around 1000 AD. The most famous medieval labyrinth, with great influence on later practice,

3776-474: The unknown pre-Greek language or languages (either Pre-Indo-European or other Indo-European languages) spoken in prehistoric Greece prior to the emergence of the Proto-Greek language in the region c.  3200–2200 BC , during the Early Helladic period. About 1,000 words of Greek vocabulary cannot be adequately explained as derivatives from Proto-Greek or Proto-Indo-European , leading to

3840-504: The video game industry, and countless video games include such a feature. For example, the 1994 video game Marathon features many maze-like passages the player must navigate. A number of film, game, and music creations feature labyrinths. For instance, the avant-garde multi-screen film In the Labyrinth presents a search for meaning in a symbolic modern labyrinth. The well-received 2006 film Pan's Labyrinth draws heavily upon labyrinth legend for symbolism. A magical labyrinth appears in

3904-605: The world, from Native North and South America to Australia, Java , India, and Nepal . Starting in the late 20th century, there has been a resurgence of interest in labyrinths and a revival in labyrinth building, of both unicursal and multicursal patterns. Approximately 6,000 labyrinths have been registered with the Worldwide Labyrinth Locator; these are located around the world in private properties, libraries, schools, gardens, and recreational areas, as well as famous temples and cathedrals. The labyrinth

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3968-667: Was created in Chartres Cathedral . The use of labyrinths has recently been revived in some contexts of Christian worship. Many churches in Europe and North America have constructed permanent, typically unicursal, labyrinths, or employ temporary ones (e.g., painted on canvas or outlined with candles). For example, a labyrinth was set up on the floor of St Paul's Cathedral for a week in March 2000. Some conservative Christians disapprove of labyrinths, considering them pagan practices or " New Age " fads. Labyrinths and mazes have been embraced by

4032-533: Was destroyed in antiquity and can only be partially reconstructed. During the nineteenth century, the remains of this ancient Egyptian structure were discovered at Hawara in the Faiyum Oasis by Flinders Petrie at the foot of the pyramid of the twelfth-dynasty pharaoh Amenemhat III (reigned c. 1860 BC to c. 1814 BC). Pliny the Elder 's Natural History (36.90) lists the legendary Smilis , reputed to be

4096-580: Was shown on a documentary produced for the National Geographic Channel . In Book II of his Histories , Herodotus applies the term "labyrinth" to a building complex in Egypt "near the place called the City of Crocodiles ", that he considered to surpass the pyramids . The structure, which may have been a collection of funerary temples such as are commonly found near Egyptian pyramids,

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