122-765: Nasikya was a kingdom mentioned in the epic Mahabharata . During the time of Ramayana this place was a forest and was known as Panchavati . It was here that Raghava Rama , Lakshmana and Sita spent their period of exile from their kingdom Kosala into the woods. This Hindu mythology–related article is a stub . You can help Misplaced Pages by expanding it . Mahabharata Divisions Sama vedic Yajur vedic Atharva vedic Vaishnava puranas Shaiva puranas Shakta puranas The Mahābhārata ( / m ə ˌ h ɑː ˈ b ɑːr ə t ə , ˌ m ɑː h ə -/ mə- HAH - BAR -ə-tə, MAH -hə- ; Sanskrit : महाभारतम् , IAST : Mahābhāratam , pronounced [mɐɦaːˈbʱaːrɐt̪ɐm] )
244-499: A mouse (shrew) in five of them, a lion in his incarnation as Vakratunda , a peacock in his incarnation as Vikata , and Shesha , the divine serpent, in his incarnation as Vighnaraja . Mohotkata uses a lion , Mayūreśvara uses a peacock, Dhumraketu uses a horse , and Gajanana uses a mouse, in the four incarnations of Ganesha listed in the Ganesha Purana . Jain depictions of Ganesha show his vahana variously as
366-466: A mouse , elephant , tortoise , ram, or peacock . Ganesha is often shown riding on or attended by a mouse . Martin-Dubost says that the rat began to appear as the principal vehicle in sculptures of Ganesha in central and western India during the 7th century; the rat was always placed close to his feet. The mouse as a mount first appears in written sources in the Matsya Purana and later in
488-573: A third eye or the sectarian mark (IAST: tilaka ), which consists of three horizontal lines. The Ganesha Purana prescribes a tilaka mark as well as a crescent moon on the forehead. A distinct form of Ganesha called Bhalachandra (IAST: bhālacandra ; "Moon on the Forehead") includes that iconographic element. Ganesha is often described as red in colour. Specific colours are associated with certain forms. Many examples of color associations with specific meditation forms are prescribed in
610-403: A 'group, multitude, or categorical system' and isha ( īśa ), meaning 'lord or master'. The word gaṇa when associated with Ganesha is often taken to refer to the gaṇas, a troop of semi-divine beings that form part of the retinue of Shiva , Ganesha's father. The term more generally means a category, class, community, association, or corporation. Some commentators interpret the name "Lord of
732-1261: A 100-kilometer radius of the city of Pune , each of the eight shrines celebrates a particular form of Ganapati, complete with its own lore. The eight shrines are: Morgaon , Siddhatek , Pali , Mahad , Theur , Lenyadri , Ozar and Ranjangaon . There are many other important Ganesha temples at the following locations: Siddhivinayak temple in Mumbai, Ganpatipule temple at Ganpatipule , Binkhambi Ganesh mandir in Kolhapur, Jai Vinayak temple in Jaigad, Ratnagiri, Wai in Maharashtra; Ujjain in Madhya Pradesh ; Jodhpur , Nagaur and Raipur ( Pali ) in Rajasthan ; Baidyanath in Bihar ; Baroda , Dholaka, and Valsad in Gujarat and Dhundiraj Temple in Varanasi , Uttar Pradesh . Prominent Ganesha temples in southern India include
854-573: A clearly-recognizable deity with well-defined iconographic attributes in the early 4th to 5th centuries CE. Some of the earliest known Ganesha images include two images found in eastern Afghanistan. The first image was discovered in the ruins north of Kabul along with those of Surya and Shiva . It is dated to the 4th century. The second image found in Gardez , the Gardez Ganesha , has an inscription on Ganesha pedestal that has helped date it to
976-565: A deity related to the principal deity ( parivāra-devatã ); or as the principal deity of the temple ( pradhāna ). As the god of transitions, he is placed at the doorway of many Hindu temples to keep out the unworthy, which is analogous to his role as Parvati's doorkeeper. In addition, several shrines are dedicated to Ganesha himself, of which the Ashtavinayak (Sanskrit: अष्टविनायक; aṣṭavināyaka ; lit. "eight Ganesha (shrines)") in Maharashtra are particularly well known. Located within
1098-497: A folk grāma-devatā (village deity) who later rose to greater prominence. Martin-Dubost notes a view that the rat is a symbol suggesting that Ganesha, like the rat, penetrates even the most secret places. Ganesha is Vighneshvara ( Vighnaraja, Marathi – Vighnaharta) , the Lord of Obstacles, both of a material and spiritual order. He is popularly worshipped as a remover of obstacles, though traditionally he also places obstacles in
1220-456: A marital context it can mean "lover" or "husband", so the name may mean either "Fond of Intelligence" or "Buddhi's Husband". Ganesha is identified with the Hindu mantra Om . The term oṃkārasvarūpa (Om is his form), when identified with Ganesha, refers to the notion that he personifies the primal sound. The Ganapati Atharvashirsa attests to this association. Chinmayananda translates
1342-457: A particularly close connection to Vedic ( Brahmana ) literature. The Panchavimsha Brahmana (at 25.15.3) enumerates the officiant priests of a sarpasattra among whom the names Dhritarashtra and Janamejaya, two main figures of the Mahābhārata' s sarpasattra , as well as Takshaka , a snake in the Mahābhārata , occur. The Suparnakhyana , a late Vedic period poem considered to be among
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#17327918557691464-550: A pond and assumes it is not water and falls in. Bhima , Arjuna , the twins and the servants laugh at him. In popular adaptations, this insult is wrongly attributed to Draupadi, even though in the Sanskrit epic, it was the Pandavas (except Yudhishthira) who had insulted Duryodhana. Enraged by the insult, and jealous at seeing the wealth of the Pandavas, Duryodhana decides to host a dice-game on Shakuni's suggestion. This suggestion
1586-898: A pot belly, or, literally, one who has a hanging belly), and Gajanana ( gajānana ), having the face of an elephant . Vinayaka ( विनायक ; vināyaka ) or Binayaka is a common name for Ganesha that appears in the Purāṇa s and in Buddhist Tantras. This name is reflected in the naming of the eight famous Ganesha temples in Maharashtra known as the Ashtavinayak ( Marathi : अष्टविनायक , aṣṭavināyaka ). The names Vighnesha ( विघ्नेश ; vighneśa ) and Vighneshvara ( विघ्नेश्वर ; vighneśvara ) (Lord of Obstacles) refers to his primary function in Hinduism as
1708-461: A princess from Gandhara, who blindfolds herself for the rest of her life so that she may feel the pain that her husband feels. Her brother Shakuni is enraged by this and vows to take revenge on the Kuru family. One day, when Pandu is relaxing in the forest, he hears the sound of a wild animal. He shoots an arrow in the direction of the sound. However, the arrow hits the sage Kindama , who was engaged in
1830-519: A role in the Mahābhārata , some parts of the epic may have already been known in his day. Another aspect is that Panini determined the accent of mahā-bhārata . However, the Mahābhārata was not recited in Vedic accent . The Greek writer Dio Chrysostom ( c. 40 – c. 120 CE ) reported that Homer 's poetry was being sung even in India. Many scholars have taken this as evidence for
1952-401: A sexual act in the guise of a deer. He curses Pandu that if he engages in a sexual act, he will die. Pandu then retires to the forest along with his two wives, and his brother Dhritarashtra rules thereafter, despite his blindness. Pandu's older queen Kunti, however, had been given a boon by Sage Durvasa that she could invoke any god using a special mantra. Kunti uses this boon to ask Dharma ,
2074-467: A similar distinction. At least three redactions of the text are commonly recognized: Jaya (Victory) with 8,800 verses attributed to Vyasa, the Bharata with 24,000 verses as recited by Vaisampayana , and finally the Mahābhārata as recited by Ugrashrava Sauti with over 100,000 verses. However, some scholars, such as John Brockington, argue that Jaya and Bharata refer to the same text, and ascribe
2196-584: A single consort or a nameless servant (Sanskrit: daşi ). Another pattern connects Ganesha with the goddess of culture and the arts, Sarasvati or Śarda (particularly in Maharashtra ). He is also associated with the goddess of luck and prosperity, Lakshmi . Another pattern, mainly prevalent in the Bengal region, links Ganesha with the banana tree, Kala Bo . The Shiva Purana says that Ganesha had begotten two sons: Kşema (safety) and Lābha (profit). In northern Indian variants of this story,
2318-437: A temple to house it in. At entrances of villages and forts, below pīpaḹa ( Sacred fig ) trees ... in a niche ... in temples of Viṣṇu (Vishnu) as well as Śiva (Shiva) and also in separate shrines specially constructed in Śiva temples ... the figure of Vighneśvara is invariably seen." Ganesha temples have also been built outside of India, including Southeast Asia , Nepal (including
2440-454: A tradition prior to what we can already see in place in the Purāṇic literature and the iconography of Gaṇeśa . Thapan's book on the development of Ganesha devotes a chapter to speculations about the role elephants had in early India but concludes that "although by the second century CE the elephant-headed yakṣa form exists it cannot be presumed to represent Gaṇapati-Vināyaka . There
2562-520: A tunnel. They escape to safety through the tunnel and go into hiding. During this time, Bhima marries a demoness Hidimbi and has a son Ghatotkacha . Back in Hastinapur, the Pandavas and Kunti are presumed dead. Whilst they were in hiding, the Pandavas learn of a swayamvara which is taking place for the hand of the Pāñcāla princess Draupadī . The Pandavas, disguised as Brahmins , come to witness
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#17327918557692684-589: A very short uneventful life and dies. Vichitravirya, the younger son, rules Hastinapura . Meanwhile, the King of Kāśī arranges a swayamvara for his three daughters, neglecting to invite the royal family of Hastinapur. To arrange the marriage of young Vichitravirya, Bhishma attends the swayamvara of the three princesses Amba , Ambika , and Ambalika , uninvited, and proceeds to abduct them. Ambika and Ambalika consent to be married to Vichitravirya. The oldest princess Amba, however, informs Bhishma that she wishes to marry
2806-573: Is a non-Vedic god. His origin is to be traced to the four Vināyakas, evil spirits, of the Mānavagŗhyasūtra (7th–4th century BCE) who cause various types of evil and suffering". Depictions of elephant-headed human figures, which some identify with Ganesha, appear in Indian art and coinage as early as the 2nd century. According to Ellawala, the elephant-headed Ganesha as lord of the Ganas was known to
2928-417: Is a popular figure in Indian art . Unlike those of some deities, representations of Ganesha show wide variations and distinct patterns changing over time. He may be portrayed standing, dancing, heroically taking action against demons, playing with his family as a boy, sitting down on an elevated seat, or engaging in a range of contemporary situations. Ganesha images were prevalent in many parts of India by
3050-534: Is also attested to in the Ganapati Atharvashirsa . Courtright translates this passage as follows: "You continually dwell in the sacral plexus at the base of the spine [ mūlādhāra cakra ]." Thus, Ganesha has a permanent abode in every being at the Muladhara. Ganesha holds, supports and guides all other chakras, thereby "governing the forces that propel the wheel of life ". Though Ganesha
3172-629: Is as follows: The historicity of the Kurukshetra War is unclear. Many historians estimate the date of the Kurukshetra war to Iron Age India of the 10th century BCE. The setting of the epic has a historical precedent in Iron Age ( Vedic ) India, where the Kuru kingdom was the center of political power during roughly 1200 to 800 BCE. A dynastic conflict of the period could have been
3294-559: Is based on a story that is the precursor to the Mahābhārata . The Urubhanga , a Sanskrit play written by Bhasa who is believed to have lived before Kalidasa, is based on the slaying of Duryodhana by the splitting of his thighs by Bhima . The copper-plate inscription of the Maharaja Sharvanatha (533–534 CE) from Khoh ( Satna District, Madhya Pradesh ) describes the Mahābhārata as a "collection of 100,000 verses" ( śata-sahasri saṃhitā ). The division into 18 parvas
3416-426: Is born blind. Ambalika turns pale and bloodless upon seeing him, and thus her son Pandu is born pale and unhealthy (the term Pandu may also mean 'jaundiced' ). Due to the physical challenges of the first two children, Satyavati asks Vyasa to try once again. However, Ambika and Ambalika send their maid instead, to Vyasa's room. Vyasa fathers a third son, Vidura , by the maid. He is born healthy and grows up to be one of
3538-684: Is closely associated with the personality of Ganesha, especially in the Puranic period, when many stories stress his cleverness and love of intelligence. One of Ganesha's names in the Ganesha Purana and the Ganesha Sahasranama is Buddhipriya . This name also appears in a list of 21 names at the end of the Ganesha Sahasranama that Ganesha says are especially important. The word priya can mean "fond of", and in
3660-587: Is first recited at Takshashila by the sage Vaisampayana , a disciple of Vyasa, to the King Janamejaya who was the great-grandson of the Pandava prince Arjuna . The story is then recited again by a professional storyteller named Ugrashrava Sauti , many years later, to an assemblage of sages performing the 12-year sacrifice for the king Saunaka Kulapati in the Naimisha Forest . The text
3782-418: Is no evidence of a deity by this name having an elephant or elephant-headed form at this early stage. Gaṇapati-Vināyaka had yet to make his debut." The Pashupati seal (c. 2300 BCE - 2000 BCE) depicts 4 animals including an elephant around a deity who is claimed by some to be Shiva . Brown notes that this seal indicates the sacredness of elephants before Vedic period. One theory of the origin of Ganesha
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3904-652: Is one of the two major Smriti texts and Sanskrit epics of ancient India revered in Hinduism , the other being the Rāmāyaṇa . It narrates the events and aftermath of the Kurukshetra War , a war of succession between two groups of princely cousins, the Kauravas and the Pāṇḍavas . It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or puruṣārtha (12.161). Among
4026-498: Is popularly held to be the son of Shiva and Parvati , the Puranic texts give different versions about his birth. In some he was created by Parvati, or by Shiva or created by Shiva and Parvati, in another he appeared mysteriously and was discovered by Shiva and Parvati or he was born from the elephant headed goddess Malini after she drank Parvati's bath water that had been thrown in the river. The family includes his brother,
4148-504: Is propitiated, he grants success, prosperity and protection against adversity. Ganesha is a non-sectarian deity. Hindus of all denominations invoke him at the beginning of prayers, important undertakings, and religious ceremonies. Dancers and musicians, particularly in southern India, begin art performances such as the Bharatanatyam dance with a prayer to Ganesha. Mantras such as Om Shri Gaṇeshāya Namah (Om, salutation to
4270-415: Is reborn to King Drupada as Shikhandi (or Shikhandini) and causes Bhishma's fall, with the help of Arjuna , in the battle of Kurukshetra. When Vichitravirya dies young without any heirs, Satyavati asks her first son Vyasa , born to her from a previous union with the sage Parashara , to father children with the widows. The eldest, Ambika, shuts her eyes when she sees him, and so her son Dhritarashtra
4392-776: Is reflected in the Mudgala Purana , which states that the name of Ganesha's second incarnation is Ekadanta. Ganesha's protruding belly appears as a distinctive attribute in his earliest statuary, which dates to the Gupta period (4th to 6th centuries). This feature is so important that according to the Mudgala Purana , two different incarnations of Ganesha use names based on it: Lambodara (Pot Belly, or, literally, Hanging Belly) and Mahodara (Great Belly). Both names are Sanskrit compounds describing his belly (IAST: udara ). The Brahmanda Purana says that Ganesha has
4514-526: Is right, as well as the converse. The Mahābhārata itself ends with the death of Krishna , and the subsequent end of his dynasty and ascent of the Pandava brothers to heaven. It also marks the beginning of the Hindu age of Kali Yuga , the fourth and final age of humankind, in which great values and noble ideas have crumbled, and people are heading towards the complete dissolution of right action, morality, and virtue. King Janamejaya's ancestor, Shantanu ,
4636-522: Is still used today. In rejecting any claim that this passage is evidence of Ganesha in the Rig Veda , Ludo Rocher says that it "clearly refers to Bṛhaspati —who is the deity of the hymn—and Bṛhaspati only". Equally clearly, the second passage ( RV 10 .112.9) refers to Indra , who is given the epithet ' gaṇapati ', translated "Lord of the companies (of the Maruts )." However, Rocher notes that
4758-586: Is that he gradually came to prominence in connection with the four Vinayakas ( Vināyakas ). In the Yajurveda , the Vināyakas were a group of four troublesome demons who created obstacles and difficulties but who were easily propitiated. The name Vināyaka is a common name for Ganesha both in the Purāṇas and in Buddhist Tantras. Krishan is one of the academics who accept this view, stating flatly of Ganesha, "He
4880-430: Is translated as "Great Bharat (India)", or "the story of the great descendents of Bharata ", or as " The Great Indian Tale ". The Mahābhārata is the longest epic poem known and has been described as "the longest poem ever written". Its longest version consists of over 100,000 śloka or over 200,000 individual verse lines (each shloka is a couplet), and long prose passages. At about 1.8 million words in total,
5002-465: Is worshipped on many religious and secular occasions; especially at the beginning of ventures such as buying a vehicle or starting a business. K.N Soumyaji says, "there can hardly be a [Hindu] home [in India] which does not house an idol of Ganapati. ... Ganapati, being the most popular deity in India, is worshipped by almost all castes and in all parts of the country". Devotees believe that if Ganesha
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5124-572: The śuklapakṣa (the fourth day of the waxing moon) in the month of Bhadrapada (August/September) and the Ganesh Jayanti (Ganesha's birthday) celebrated on the cathurthī of the śuklapakṣa (fourth day of the waxing moon) in the month of magha (January/February)." An annual festival honours Ganesha for ten days, starting on Ganesha Chaturthi, which typically falls in late August or early September. The festival begins with people bringing in clay idols of Ganesha, symbolising
5246-865: The Gaṇas " to mean "Lord of Hosts" or "Lord of created categories", such as the elements. Ganapati ( गणपति ; gaṇapati ), a synonym for Ganesha , is a compound composed of gaṇa , meaning "group", and pati , meaning "ruler" or "lord". Though the earliest mention of the word Ganapati is found in hymn 2.23.1 of the 2nd-millennium BCE Rigveda , it is uncertain that the Vedic term referred specifically to Ganesha. The Amarakosha , an early Sanskrit lexicon, lists eight synonyms of Ganesha : Vinayaka , Vighnarāja (equivalent to Vighnesha ), Dvaimātura (one who has two mothers), Gaṇādhipa (equivalent to Ganapati and Ganesha ), Ekadanta (one who has one tusk), Heramba , Lambodara (one who has
5368-669: The Kali Yuga epoch, based on planetary conjunctions, by Aryabhata (6th century). Aryabhata's date of 18 February 3102 BCE for Mahābhārata war has become widespread in Indian tradition. Some sources mark this as the disappearance of Krishna from the Earth. The Aihole inscription of Pulakeshin II , dated to Saka 556 = 634 CE, claims that 3,735 years have elapsed since the Bhārata battle, putting
5490-492: The Mudgala Purana and the Ganapati Atharvasirsha . Ganesha has been ascribed many other titles and epithets, including Ganapati ( Ganpati ), Vighneshvara , and Pillaiyar . The Hindu title of respect Shri ( Sanskrit : श्री ; IAST : śrī ; also spelled Sri or Shree ) is often added before his name. The name Ganesha is a Sanskrit compound, joining the words gana ( gaṇa ), meaning
5612-747: The Brahmananda Purana and Ganesha Purana , where Ganesha uses it as his vehicle in his last incarnation. The Ganapati Atharvashirsa includes a meditation verse on Ganesha that describes the mouse appearing on his flag. The names Mūṣakavāhana (mouse-mount) and Ākhuketana (rat-banner) appear in the Ganesha Sahasranama . The mouse is interpreted in several ways. According to Grimes, "Many, if not most of those who interpret Gaṇapati 's mouse, do so negatively; it symbolizes tamoguṇa as well as desire". Along these lines, Michael Wilcockson says it symbolises those who wish to overcome desires and be less selfish. Krishan notes that
5734-537: The Brahmins and the non-Brahmins and find an appropriate context in which to build a new grassroots unity between them" in his nationalistic strivings against the British in Maharashtra . Because of Ganesha's wide appeal as "the god for Everyman", Tilak chose him as a rallying point for Indian protest against British rule. Tilak was the first to install large public images of Ganesha in pavilions , and he established
5856-559: The Ellora Caves with this general form has been dated to the 7th century. Details of the other hands are difficult to make out on the statue shown. In the standard configuration, Ganesha typically holds an axe or a goad in one upper arm and a pasha ( noose ) in the other upper arm. In rare instances, he may be depicted with a human head. The influence of this old constellation of iconographic elements can still be seen in contemporary representations of Ganesha. In one modern form,
5978-545: The Guru–shishya tradition , which traces all great teachers and their students of the Vedic times. The first section of the Mahābhārata states that it was Ganesha who wrote down the text to Vyasa's dictation, but this is regarded by scholars as a later interpolation to the epic and the "Critical Edition" does not include Ganesha. The epic employs the story within a story structure, otherwise known as frametales , popular in many Indian religious and non-religious works. It
6100-588: The Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India . Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India. Although Ganesha has many attributes, he is readily identified by his elephant head and four arms. He is widely revered, more specifically, as
6222-658: The Kaurava and the Pandava . Although the Kaurava is the senior branch of the family, Duryodhana , the eldest Kaurava, is younger than Yudhishthira , the eldest Pandava. Both Duryodhana and Yudhishthira claim to be first in line to inherit the throne. The struggle culminates in the Kurukshetra War , in which the Pandavas are ultimately victorious. The battle produces complex conflicts of kinship and friendship, instances of family loyalty and duty taking precedence over what
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#17327918557696344-509: The Kushan Period (200 CE). According to what one figure says at Mbh. 1.1.50, there were three versions of the epic, beginning with Manu (1.1.27), Astika (1.3, sub-Parva 5), or Vasu (1.57), respectively. These versions would correspond to the addition of one and then another 'frame' settings of dialogues. The Vasu version would omit the frame settings and begin with the account of the birth of Vyasa. The astika version would add
6466-413: The Mahābhārata has put an enormous effort into recognizing and dating layers within the text. Some elements of the present Mahabharata can be traced back to Vedic times. The background to the Mahābhārata suggests the origin of the epic occurs "after the very early Vedic period " and before " the first Indian 'empire' was to rise in the third century B.C." That this is "a date not too far removed from
6588-427: The Mahābhārata is attributed to Vyāsa . There have been many attempts to unravel its historical growth and compositional layers. The bulk of the Mahābhārata was probably compiled between the 3rd century BCE and the 3rd century CE, with the oldest preserved parts not much older than around 400 BCE. The text probably reached its final form by the early Gupta period ( c. 4th century CE ). The title
6710-564: The Mahābhārata is roughly ten times the length of the Iliad and the Odyssey combined, or about four times the length of the Rāmāyaṇa . Within the Indian tradition it is sometimes called the fifth Veda . The epic is traditionally ascribed to the sage Vyasa , who is also a major figure in the epic. Vyasa described it as being an itihasa ( transl. history ). He also describes
6832-593: The root word pille in the name Pillaiyar might have originally meant "the young of the elephant", because the Pali word pillaka means "a young elephant". In the Burmese language , Ganesha is known as Maha Peinne ( မဟာပိန္နဲ , pronounced [məhà pèiɰ̃né] ), derived from Pali Mahā Wināyaka ( မဟာဝိနာယက ). The widespread name of Ganesha in Thailand is Khanet (can be transliterated as Ganet), or
6954-543: The sarpasattra and ashvamedha material from Brahmanical literature, introduce the name Mahābhārata , and identify Vyasa as the work's author. The redactors of these additions were probably Pancharatrin scholars who according to Oberlies (1998) likely retained control over the text until its final redaction. Mention of the Huna in the Bhishma Parva however appears to imply that this Parva may have been edited around
7076-630: The wife of all five brothers . After the wedding, the Pandava brothers are invited back to Hastinapura. The Kuru family elders and relatives negotiate and broker a split of the kingdom, with the Pandavas obtaining and demanding only a wild forest inhabited by Takshaka , the king of snakes, and his family. Through hard work, the Pandavas build a new glorious capital for the territory at Indraprastha . Shortly after this, Arjuna elopes with and then marries Krishna's sister, Subhadra . Yudhishthira wishes to establish his position as king; he seeks Krishna's advice. Krishna advises him, and after due preparation and
7198-672: The "earliest traces of epic poetry in India," is an older, shorter precursor to the expanded legend of Garuda that is included in the Astika Parva , within the Adi Parva of the Mahābhārata . The earliest known references to bhārata and the compound mahābhārata date to the Ashtadhyayi ( sutra 6.2.38) of Panini ( fl. 4th century BCE) and the Ashvalayana Grihyasutra (3.4.4). This may mean that
7320-439: The 13th year, they must remain hidden called as Agyaata Vaasa . If they are discovered by the Kauravas in the 13th year of their exile, then they will be forced into exile for another 12 years. Ganesha Traditional Ganesha ( Sanskrit : गणेश , IAST : Gaṇeśa ), also spelled Ganesh , and also known as Ganapati , Vinayaka , Lambodara and Pillaiyar , is one of the best-known and most worshipped deities in
7442-419: The 1st century BCE and 2nd century CE, and a few Ganesh images from the 4th and 5th centuries CE have been documented by scholars. Hindu texts identify him as the son of Parvati and Shiva of the Shaivism tradition, but he is a pan-Hindu god found in its various traditions. In the Ganapatya tradition of Hinduism, Ganesha is the Supreme Being. The principal texts on Ganesha include the Ganesha Purana ,
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#17327918557697564-427: The 4th century. The Adi Parva includes the snake sacrifice ( sarpasattra ) of Janamejaya , explaining its motivation, detailing why all snakes in existence were intended to be destroyed, and why despite this, there are still snakes in existence. This sarpasattra material was often considered an independent tale added to a version of the Mahābhārata by "thematic attraction" (Minkowski 1991), and considered to have
7686-459: The 4th or 5th century. An independent cult with Ganesha as the primary deity was well established by about the 10th century. Narain summarises the lack of evidence about Ganesha's history before the 5th century as follows: What is inscrutable is the somewhat dramatic appearance of Gaṇeśa on the historical scene. His antecedents are not clear. His wide acceptance and popularity, which transcend sectarian and territorial limits, are indeed amazing. On
7808-462: The 5th century. Another Ganesha sculpture is embedded in the walls of Cave 6 of the Udayagiri Caves in Madhya Pradesh . This is dated to the 5th century. An early iconic image of Ganesha with elephant head, a bowl of sweets and a goddess sitting in his lap has been found in the ruins of the Bhumara Temple in Madhya Pradesh, and this is dated to the 5th-century Gupta period . Other recent discoveries, such as one from Ramgarh Hill, are also dated to
7930-424: The 6th century. The 13th century statue pictured is typical of Ganesha statuary from 900 to 1200, after Ganesha had been well-established as an independent deity with his own sect. This example features some of Ganesha's common iconographic elements. A virtually identical statue has been dated between 973 and 1200 by Paul Martin-Dubost, and another similar statue is dated 12th century by Pratapaditya Pal. Ganesha has
8052-458: The 78 CE. This places Yudhishthara (and therefore, the Mahabharata war) around 2448–2449 BCE (2526–78). Some scholars have attempted to identify the "Shaka" calendar era mentioned by Varāhamihira with other eras, but such identifications place Varāhamihira in the first century BCE, which is impossible as he refers to the 5th century astronomer Aryabhata . Kalhana 's Rajatarangini (11th century), apparently relying on Varāhamihira, also states that
8174-414: The 8th or 9th century B.C." is likely. The Mahabharata started as an orally-transmitted tale of the charioteer bards . It is generally agreed that "Unlike the Vedas , which have to be preserved letter-perfect, the epic was a popular work whose reciters would inevitably conform to changes in language and style," so the earliest 'surviving' components of this dynamic text are believed to be no older than
8296-415: The 9th and the 10th centuries. The serpent is a common feature in Ganesha iconography and appears in many forms. According to the Ganesha Purana , Ganesha wrapped the serpent Vasuki around his neck. Other depictions of snakes include use as a sacred thread (IAST: yajñyopavīta ) wrapped around the stomach as a belt, held in a hand, coiled at the ankles, or as a throne. Upon Ganesha's forehead may be
8418-431: The Dravidian hypothesis, which argues that anything not attested to in the Vedic and Indo-European sources must have come into Brāhmaṇic religion from the Dravidian or aboriginal populations of India as part of the process that produced Hinduism out of the interactions of the Aryan and non-Aryan populations. There is no independent evidence for an elephant cult or a totem; nor is there any archaeological data pointing to
8540-656: The Illustrious Ganesha) are often used. One of the most famous mantras associated with Ganesha is Om Gaṃ Ganapataye Namah (Om, Gaṃ , Salutation to the Lord of Hosts). Devotees offer Ganesha sweets such as modaka and small sweet balls called laddus . He is often shown carrying a bowl of sweets, called a modakapātra . Because of his identification with the color red, he is often worshipped with red sandalwood paste ( raktachandana ) or red flowers. Dūrvā grass ( Cynodon dactylon ) and other materials are also used in his worship. Festivals associated with Ganesh are Ganesha Chaturthi or Vināyaka chaturthī in
8662-407: The Pandava brothers, from their youth and into manhood, leads to the Kurukshetra war. After the deaths of their mother (Madri) and father (Pandu), the Pandavas and their mother Kunti return to the palace of Hastinapur. Yudhishthira is made Crown Prince by Dhritarashtra, under considerable pressure from his courtiers. Dhritarashtra wanted his son Duryodhana to become king and lets his ambition get in
8784-570: The Pandavas flourished 653 years after the beginning of the Kali Yuga; Kalhana adds that people who believe that the Bharata war was fought at the end of the Dvapara Yuga are foolish. The core story of the work is that of a dynastic struggle for the throne of Hastinapura , the kingdom ruled by the Kuru clan. The two collateral branches of the family that participate in the struggle are
8906-498: The Sritattvanidhi, a treatise on Hindu iconography . For example, white is associated with his representations as Heramba-Ganapati and Rina-Mochana-Ganapati (Ganapati Who Releases from Bondage). Ekadanta-Ganapati is visualised as blue during meditation in that form. The earliest Ganesha images are without a vahana (mount/vehicle). Of the eight incarnations of Ganesha described in the Mudgala Purana , Ganesha uses
9028-671: The attempt but is interrupted by Draupadi who refuses to marry a suta (this has been excised from the Critical Edition of Mahabharata as later interpolation ). After this, the swayamvara is opened to the Brahmins leading Arjuna to win the contest and marry Draupadi. The Pandavas return home and inform their meditating mother that Arjuna has won a competition and to look at what they have brought back. Without looking, Kunti asks them to share whatever Arjuna has won amongst themselves, thinking it to be alms . Thus, Draupadi ends up being
9150-442: The average duration of a reign, arrived at an estimate of 850 BCE for Adhisimakrishna, and thus approximately 950 BCE for the Bharata battle. B. B. Lal used the same approach with a more conservative assumption of the average reign to estimate a date of 836 BCE, and correlated this with archaeological evidence from Painted Grey Ware (PGW) sites, the association being strong between PGW artifacts and places mentioned in
9272-495: The battle and where the replacement head came from vary from source to source. Another story says that Ganesha was created directly by Shiva's laughter. Because Shiva considered Ganesha too alluring, he gave him the head of an elephant and a protruding belly. Ganesha's earliest name was Ekadanta (One Tusked), referring to his single whole tusk, the other being broken. Some of the earliest images of Ganesha show him holding his broken tusk. The importance of this distinctive feature
9394-603: The birth of Parikshit (Arjuna's grandson) and the accession of Mahapadma Nanda (400–329 BCE), which would yield an estimate of about 1400 BCE for the Bharata battle. However, this would imply improbably long reigns on average for the kings listed in the genealogies. Of the second kind is analysis of parallel genealogies in the Puranas between the times of Adhisimakrishna ( Parikshit 's great-grandson) and Mahapadma Nanda . Pargiter accordingly estimated 26 generations by averaging 10 different dynastic lists and, assuming 18 years for
9516-566: The brothers and may reflect sectarian tensions. Ganesha's marital status, the subject of considerable scholarly review, varies widely in mythological stories. One pattern of myths identifies Ganesha as an unmarried brahmachari . This view is common in southern India and parts of northern India. Another popularly-accepted mainstream pattern associates him with the concepts of Buddhi (intellect), Siddhi (spiritual power), and Riddhi (prosperity); these qualities are personified as goddesses, said to be Ganesha's wives. He also may be shown with
9638-499: The common era. Courtright reviews various speculative theories about the early history of Ganesha, including supposed tribal traditions and animal cults, and dismisses all of them in this way: In this search for a historical origin for Gaṇeśa, some have suggested precise locations outside the Brāhmaṇic tradition.... These historical locations are intriguing to be sure, but the fact remains that they are all speculations, variations on
9760-602: The core 24,000 verses, known as the Bhārata , as well as an early version of the extended Mahābhārata , were composed by the 4th century BCE. However, it is uncertain whether Panini referred to the epic, as bhārata was also used to describe other things. Albrecht Weber mentions the Rigvedic tribe of the Bharatas , where a great person might have been designated as Mahā-Bhārata. However, as Panini also mentions figures that play
9882-511: The date of Mahābhārata war at 3137BCE. Another traditional school of astronomers and historians, represented by Vrddha Garga , Varāhamihira and Kalhana , place the Bharata war 653 years after the Kali Yuga epoch, corresponding to 2449 BCE. According to Varāhamihira's Bṛhat Saṃhitā (6th century), Yudhishthara lived 2,526 years before the beginning of the Shaka era , which begins in
10004-482: The earliest 'external' references we have to the epic, which include an reference in Panini 's 4th century BCE grammar Ashtadhyayi 4:2:56. Vishnu Sukthankar, editor of the first great critical edition of the Mahābhārata , commented: "It is useless to think of reconstructing a fluid text in an original shape, based on an archetype and a stemma codicum . What then is possible? Our objective can only be to reconstruct
10126-458: The elimination of some opposition, Yudhishthira carries out the rājasūya yagna ceremony; he is thus recognized as pre-eminent among kings. The Pandavas have a new palace built for them, by Maya the Danava . They invite their Kaurava cousins to Indraprastha. Duryodhana walks round the palace, and mistakes a glossy floor for water, and will not step in. After being told of his error, he then sees
10248-476: The emergence of the Ganapatyas , to this shift in emphasis from vighnakartā (obstacle-creator) to vighnahartā (obstacle-averter). However, both functions continue to be vital to his character. Ganesha is considered to be the Lord of letters and learning. In Sanskrit, the word buddhi is an active noun that is variously translated as intelligence, wisdom, or intellect. The concept of buddhi
10370-489: The entire court, but Draupadi's disrobe is prevented by Krishna, who miraculously make her dress endless, therefore it couldn't be removed. Dhritarashtra, Bhishma, and the other elders are aghast at the situation, but Duryodhana is adamant that there is no place for two crown princes in Hastinapura. Against his wishes Dhritarashtra calls for another dice game. The Pandavas are required to go into exile for 12 years, and in
10492-467: The epic. John Keay suggests "their core narratives seem to relate to events from a period prior to all but the Rig Veda." Attempts to date the events using methods of archaeoastronomy have produced, depending on which passages are chosen and how they are interpreted, estimates ranging from the late 4th to the mid-2nd millennium BCE. The late 4th-millennium date has a precedent in the calculation of
10614-406: The event. Meanwhile, Krishna, who has already befriended Draupadi, tells her to look out for Arjuna (though now believed to be dead). The task was to string a mighty steel bow and shoot a target on the ceiling, which was the eye of a moving artificial fish, while looking at its reflection in oil below. In popular versions, after all the princes fail, many being unable to lift the bow, Karna proceeds to
10736-519: The evidence from archaeological excavations in Mathura and outside India. First terracotta images of Ganesha are from 1st century CE found in Ter, Pal, Verrapuram, and Chandraketugarh . These figures are small, with an elephant head, two arms, and chubby physique. The earliest Ganesha icons in stone were carved in Mathura during Kushan times (2nd–3rd centuries CE). Ganesha appeared in his classic form as
10858-643: The existence of a Māhabhārata at this date, whose episodes Dio or his sources identify with the story of the Iliad . Several stories within the Mahābhārata took on separate identities of their own in Classical Sanskrit literature . For instance, the Abhijnanashkuntala by the renowned Sanskrit poet Kalidasa ( c. 400 CE ), believed to have lived in the era of the Gupta dynasty,
10980-614: The existence of this divinity prior to the fifth century. The evidence for more ancient Ganesha, suggests Narain, may reside outside Brahmanic or Sanskritic traditions, or outside geocultural boundaries of India. Ganesha appears in China by the 6th century, states Brown, and his artistic images in temple setting as "remover of obstacles" in South Asia appear by about 400 CE. He is, states Bailey, recognised as goddess Parvati's son and integrated into Shaivism theology by early centuries of
11102-399: The five brothers, who are from then on usually referred to as the Pandava brothers. Dhritarashtra has a hundred sons, and one daughter— Duhsala —through Gandhari , all born after the birth of Yudhishthira. These are the Kaurava brothers, the eldest being Duryodhana , and the second Dushasana . Other Kaurava brothers include Vikarna and Sukarna. The rivalry and enmity between them and
11224-951: The following: Kanipakam in Andhra Pradesh ; the Rockfort Ucchi Pillayar Temple at Tiruchirapalli , Puliakulam Munthi Vinayagar Temple at Coimbatore and Karpaga Vinayagar Temple in Pillaiyarpatti which is a town named after Ganesha in Tamil Nadu ; Kottarakkara , Pazhavangadi , Kasargod in Kerala ; Hampi , and Idagunji in Karnataka ; and Bhadrachalam in Telangana . T. A. Gopinatha notes, "Every village however small has its own image of Vighneśvara (Vigneshvara) with or without
11346-474: The four Vinayaka shrines in the Kathmandu Valley ), and in several western countries. An elephant–headed anthropomorphic figure on Indo-Greek coins from the 1st century BCE has been proposed by some scholars to be "incipient Ganesha", but this has been strongly contested. Others have suggested Ganesha may have been an emerging deity in India and southeast Asia around the 2nd century CE based on
11468-483: The god of justice, Vayu , the god of the wind, and Indra , the lord of the heavens for sons. She gives birth to three sons, Yudhishthira , Bhima , and Arjuna , through these gods. Kunti shares her mantra with the younger queen Madri , who bears the twins Nakula and Sahadeva through the Ashwini twins. However, Pandu and Madri indulge in lovemaking, and Pandu dies. Madri commits suicide out of remorse. Kunti raises
11590-467: The god of war, Kartikeya , who is also called Skanda and Murugan. Regional differences dictate the order of their births. In northern India, Skanda is generally said to be the elder, while in the south, Ganesha is considered the firstborn. In northern India , Skanda was an important martial deity from about 500 BCE to about 600 CE, after which worship of him declined significantly. As Skanda fell, Ganesha rose. Several stories tell of sibling rivalry between
11712-400: The god's visit. The festival culminates on the day of Ananta Chaturdashi , when the idols ( murtis ) are immersed in the most convenient body of water. Some families have a tradition of immersion on the 2nd, 3rd, 5th, or 7th day. In 1893, Lokmanya Tilak transformed this annual Ganesha festival from private family celebrations into a grand public event. He did so "to bridge the gap between
11834-410: The head of an elephant and a big belly. This statue has four arms, which is common in depictions of Ganesha. He holds his own broken tusk in his lower-right hand and holds a delicacy, which he samples with his trunk, in his lower-left hand. The motif of Ganesha turning his trunk sharply to his left to taste a sweet in his lower-left hand is a particularly archaic feature. A more primitive statue in one of
11956-455: The inspiration for the Jaya , the foundation on which the Mahābhārata corpus was built, with a climactic battle, eventually coming to be viewed as an epochal event. Puranic literature presents genealogical lists associated with the Mahābhārata narrative. The evidence of the Puranas is of two kinds. Of the first kind, there is the direct statement that there were 1,015 (or 1,050) years between
12078-438: The king of Hastinapura , had a short-lived marriage with the goddess Ganga and had a son, Devavrata (later to be called Bhishma , a great warrior), who becomes the heir apparent. Many years later, when King Shantanu goes hunting, he sees Satyavati , the daughter of the chief of fishermen, and asks her father for her hand. Her father refuses to consent to the marriage unless Shantanu promises to make any future son of Satyavati
12200-429: The king of Shalva whom Bhishma defeated at their swayamvara. Bhishma lets her leave to marry the king of Shalva, but Shalva refuses to marry her, still smarting at his humiliation at the hands of Bhishma. Amba then returns to marry Bhishma but he refuses due to his vow of celibacy. Amba becomes enraged and becomes Bhishma's bitter enemy, holding him responsible for her plight. She vows to kill him in her next life. Later she
12322-408: The king upon his death. To resolve his father's dilemma, Devavrata agrees to relinquish his right to the throne. As the fisherman is not sure about the prince's children honoring the promise, Devavrata also takes a vow of lifelong celibacy to guarantee his father's promise. Shantanu has two sons by Satyavati, Chitrāngada and Vichitravirya . Upon Shantanu's death, Chitrangada becomes king. He lives
12444-581: The master and remover of obstacles ( vighna ). A prominent name for Ganesha in the Tamil language is Pillai ( Tamil : பிள்ளை ) or Pillaiyar ( பிள்ளையார் ). A. K. Narain differentiates these terms by saying that pillai means a "child" while pillaiyar means a "noble child". He adds that the words pallu , pella , and pell in the Dravidian family of languages signify "tooth or tusk", also " elephant tooth or tusk". Anita Raina Thapan notes that
12566-429: The more official title of Phra Phi Khanet . The earliest images and mention lists Ganesha as a major deity in present-day Indonesia, Thailand, Cambodia and Vietnam dating to the 7th and 8th centuries, and these mirror Indian examples of the 5th century or earlier. In Sri Lankan , among Sinhalese Buddhists, he is known as Gana deviyo , and revered along with Buddha , Vishnu , Skanda and other deities. Ganesha
12688-543: The name Lambodara because all the universes (i.e., cosmic eggs ; IAST: brahmāṇḍas ) of the past, present, and future are present in him. The number of Ganesha's arms varies; his best-known forms have between two and sixteen arms. Many depictions of Ganesha feature four arms, which is mentioned in Puranic sources and codified as a standard form in some iconographic texts. His earliest images had two arms. Forms with 14 and 20 arms appeared in Central India during
12810-403: The number of heads are known. While some texts say that Ganesha was born with an elephant head, he acquires the head later in most stories. The most recurrent motif in these stories is that Ganesha was created by Parvati using clay to protect her and Shiva beheaded him when Ganesha came between Shiva and Parvati. Shiva then replaced Ganesha's original head with that of an elephant. Details of
12932-432: The oldest form of the text which it is possible to reach based on the manuscript material available." That manuscript evidence is somewhat late, given its material composition and the climate of India, but it is very extensive. The Mahābhārata itself (1.1.61) distinguishes a core portion of 24,000 verses: the Bhārata proper, as opposed to additional secondary material, while the Ashvalayana Grihyasutra (3.4.4) makes
13054-479: The one hand, there is the pious belief of the orthodox devotees in Gaṇeśa's Vedic origins and in the Purāṇic explanations contained in the confusing, but nonetheless interesting, mythology. On the other hand, there are doubts about the existence of the idea and the icon of this deity" before the fourth to fifth century A.D. ... [I]n my opinion, indeed there is no convincing evidence [in ancient Brahmanic literature] of
13176-616: The only variation from these old elements is that the lower-right hand does not hold the broken tusk but is turned towards the viewer in a gesture of protection or fearlessness (Abhaya mudra ). The same combination of four arms and attributes occurs in statues of Ganesha dancing, which is a very popular theme. Ganesha has been represented with the head of an elephant since the early stages of his appearance in Indian art. Puranic myths provide many explanations for how he got his elephant head. One of his popular forms, Heramba-Ganapati , has five elephant heads, and other less-common variations in
13298-409: The path of those who need to be checked. Hence, he is often worshipped by the people before they begin anything new. Paul Courtright says that Ganesha's dharma and his raison d'être is to create and remove obstacles. Krishan notes that some of Ganesha's names reflect shadings of multiple roles that have evolved over time. Dhavalikar ascribes the quick ascension of Ganesha in the Hindu pantheon, and
13420-503: The people of Sri Lanka in the early pre-Christian era. The title "Leader of the group" (Sanskrit: gaṇapati ) occurs twice in the Rig Veda , but in neither case does it refer to the modern Ganesha. The term appears in RV 2.23.1 as a title for Brahmanaspati , according to commentators. While this verse doubtless refers to Brahmanaspati, it was later adopted for worship of Ganesha and
13542-538: The practice of submerging all the public images on the tenth day. Today, Hindus across India celebrate the Ganapati festival with great fervour, though it is most popular in the state of Maharashtra. The festival also assumes huge proportions in Mumbai , Pune , and in the surrounding belt of Ashtavinayaka temples. In Hindu temples, Ganesha is depicted in various ways: as a subordinate deity ( pãrśva-devatã ); as
13664-463: The principal works and stories in the Mahābhārata are the Bhagavad Gita , the story of Damayanti , the story of Shakuntala , the story of Pururava and Urvashi , the story of Savitri and Satyavan , the story of Kacha and Devayani , the story of Rishyasringa and an abbreviated version of the Rāmāyaṇa , often considered as works in their own right. Traditionally, the authorship of
13786-429: The rat is destructive and a menace to crops. The Sanskrit word mūṣaka (mouse) is derived from the root mūṣ (stealing, robbing). It was essential to subdue the rat as a destructive pest, a type of vighna (impediment) that needed to be overcome. According to this theory, showing Ganesha as master of the rat demonstrates his function as Vigneshvara (Lord of Obstacles) and gives evidence of his possible role as
13908-502: The relevant passage as follows: (O Lord Ganapati!) You are (the Trimurti) Brahma , Vishnu , and Mahesa . You are Indra . You are fire [ Agni ] and air [ Vāyu ]. You are the sun [ Sūrya ] and the moon [ Chandrama ]. You are Brahman . You are (the three worlds) Bhuloka [earth], Antariksha-loka [space], and Swargaloka [heaven]. You are Om. (That is to say, You are all this). Some devotees see similarities between
14030-415: The remover of obstacles and bringer of good luck; the patron of arts and sciences ; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning. Several texts relate anecdotes associated with his birth and exploits. Ganesha is mentioned in Hindu texts between
14152-468: The shape of Ganesha's body in iconography and the shape of Om in the Devanāgarī and Tamil scripts. According to Kundalini yoga , Ganesha resides in the first chakra , called Muladhara ( mūlādhāra ). Mula means "original, main"; adhara means "base, foundation". The muladhara chakra is the principle on which the manifestation or outward expansion of primordial Divine Force rests. This association
14274-408: The sons are often said to be Śubha (auspiciousness) and Lābha . The 1975 Hindi film Jai Santoshi Maa shows Ganesha married to Riddhi and Siddhi and having a daughter named Santoshi Ma , the goddess of satisfaction. This story has no Puranic basis, but Anita Raina Thapan and Lawrence Cohen cite Santoshi Ma's cult as evidence of Ganesha's continuing evolution as a popular deity. Ganesha
14396-588: The theory of Jaya with 8,800 verses to a misreading of a verse in the Adi Parva (1.1.81). The redaction of this large body of text was carried out after formal principles, emphasizing the numbers 18 and 12. The addition of the latest parts may be dated by the absence of the Anushasana Parva and the Virata Parva from the " Spitzer manuscript ". The oldest surviving Sanskrit text dates to
14518-471: The way of preserving justice. Shakuni, Duryodhana, and Dushasana plot to get rid of the Pandavas. Shakuni calls the architect Purochana to build a palace out of flammable materials like lac and ghee. He then arranges for the Pandavas and the Queen Mother Kunti to stay there, intending to set it alight. However, the Pandavas are warned by their wise uncle, Vidura , who sends them a miner to dig
14640-594: The wisest figures in the Mahabharata . He serves as Prime Minister (Mahamantri or Mahatma) to King Pandu and King Dhritarashtra. When the princes grow up, Dhritarashtra is about to be crowned king by Bhishma when Vidura intervenes and uses his knowledge of politics to assert that a blind person cannot be king. This is because a blind man cannot control and protect his subjects. The throne is then given to Pandu because of Dhritarashtra's blindness. Pandu marries twice, to Kunti and Madri . Dhritarashtra marries Gandhari ,
14762-460: Was accepted by Yudhisthira despite the rest of the Pandavas advising him not to play. Shakuni , Duryodhana's uncle, now arranges a dice game, playing against Yudhishthira with loaded dice. In the dice game, Yudhishthira loses all his wealth, then his kingdom. Yudhishthira then gambles his brothers, himself, and finally his wife into servitude. The jubilant Kauravas insult the Pandavas in their helpless state and even try to disrobe Draupadi in front of
14884-453: Was described by some early 20th-century Indologists as unstructured and chaotic. Hermann Oldenberg supposed that the original poem must once have carried an immense "tragic force" but dismissed the full text as a "horrible chaos." Moritz Winternitz ( Geschichte der indischen Literatur 1909) considered that "only unpoetical theologists and clumsy scribes" could have lumped the parts of disparate origin into an unordered whole. Research on
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