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112-493: "Study the remains – no matter how small – of the artistic production of the past and make them the source of a great art (...) do not miss any opportunity to use the artistic elements presented by the Romanian monuments left over from old times; but transform them, change them, develop them ..." Of course, such a program was not easy to accomplish. All the more so as the new types of urban architecture, especially those with many floors, demanded simple solutions, which hardly supported

224-631: A pediment above it, similarly with what you would find at a Neoclassical building. The Romanian Revival of the Belle Époque is also more decorated compared to the later phases of the style. To celebrate the 25th anniversary of the coronation of king Carol I of Romania , 40 years of his reign, 25 years since proclamation of the Kingdom of Romania , and 1800 years since the Romans came in the Dacian province ,

336-435: A work of art such as a sculpture or painting, the term is less likely to be used, except for peripheral elements. In recent centuries a distinction between the fine arts and applied or decorative arts has been applied (except for architecture), with ornament mainly seen as a feature of the latter class. The history of art in many cultures shows a series of wave-like trends where the level of ornament used increases over

448-762: A "preincarnate appearance of the Messiah". While the developed doctrine of the Trinity is not explicit in the books that constitute the New Testament , the New Testament contains several Trinitarian formulas , including Matthew 28:19, 2 Corinthians 13:14, Ephesians 4:4–6, 1 Peter 1:2, and Revelation 1:4–6. Reflection by early Christians on passages such as the Great Commission : "Go therefore and make disciples of all nations, baptizing them in

560-719: A European adaptation of the Islamic arabesque (a distinction not always clear at the time). As printing became cheaper, the single ornament print turned into sets, and then finally books. From the 16th to the 19th century, pattern books were published in Europe which gave access to decorative elements, eventually including those recorded from cultures all over the world. Andrea Palladio's I quattro libri dell'architettura (Four Books on Architecture) (Venice, 1570), which included both drawings of classical Roman buildings and renderings of Palladio's own designs utilizing those motifs, became

672-601: A Pompeian home would typically divide the wall into three or more sections under which there would be a dado taking up roughly one-sixth of the height of the wall. The wall sections would be divided by broad pilasters connected by a frieze which bands across the top of the wall. The ornament found at the Casa Degli Amorini Dorati in Pompeii reflected this standard style and included objects that had clearly been reused, and rare and imported objects. Several of

784-406: A Romanian pavilion at the 1889 Paris Universal Exposition ), which is, on the whole, in line with the balance of Brâncovenesc architecture . Its most expressive element remains the gazebo: eight wooden pillars, connected with wooden beams, support a large masonry superstructure (trilobate arches in the shape of braces / kokoshniks and a complete entablature ). The impression is also accentuated by

896-482: A certain philosophy of the people for the world around. For example, in Central Asia among nomadic Kazakhs, the circular lines of the ornaments signalled the sequential perception of time in the wide steppes and the breadth and freedom of space. Ornament implies that the ornamented object has a function that an unornamented equivalent might also fulfill. Where the object has no such function, but exists only to be

1008-610: A common ritual practice inducting new members into the early Jesus sect by baptizing them in Jesus' name (2:38; 8:16; 10:48; 19:5). According to Dale Allison , Acts depicts the appearances of Jesus to Paul as a divine theophany , styled on and identified with the God responsible for the theophany of Ezekiel in the Old Testament. The Gospel of John has been seen as especially aimed at emphasizing Jesus' divinity, presenting Jesus as

1120-548: A period, before a sharp reaction returns to plainer forms, after which ornamentation gradually increases again. The pattern is especially clear in post-Roman European art, where the highly ornamented Insular art of the Book of Kells and other manuscripts influenced continental Europe, but the classically inspired Carolingian and Ottonian art largely replaced it. Ornament increased over the Romanesque and Gothic periods, but

1232-544: A purely decorative function, suggesting archaic or rustic buildings; reliefs mix national inspiration (Moldovan window ornaments, capitals and balustrades of Brâncovenesc inspiration, etc), with those of the symbolic European heraldic repertoire (shields, dragons, eagles, griffins , shells, etc); as well as traditional forms of gaps, trilobate or in brace / kokoshniks , mixed with other ones, semicircular, retreating portals, of Romanesque or Renaissance proportions and profile, etc. This process does not completely protect

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1344-707: A single substance, despite the plurality of persons. Christians interpret the theophanies , or appearances of the Angel of the Lord , as revelations of a person distinct from God, who is nonetheless called God. This interpretation is found in Christianity as early as Justin Martyr and Melito of Sardis , and reflects ideas that were already present in Philo . The Old Testament theophanies were thus seen as Christophanies , each

1456-465: A slave performs προσκύνησις to his master so that he would not be sold after being unable to pay his debts). The term can also refer to the religious act of devotion towards a deity. While Jesus receives προσκύνησις a number of times in the synoptic Gospels , only a few can be said to refer to divine worship. This includes Matthew 28:16–20, an account of the resurrected Jesus receiving worship from his disciples after proclaiming his authority over

1568-658: A son of man, and he came to the Ancient of Days and was presented before him. And to him was given dominion and glory and a kingdom, that all peoples, nations, and languages should serve him; his dominion is an everlasting dominion, which shall not pass away, and his kingdom one that shall not be destroyed." This is because both the Ancient of Days (God the Father) and the Son of Man (Jesus, Matt 16:13) have an everlasting dominion, which

1680-655: A suitable style. "The great question is," Thomas Leverton Donaldson asked in 1847, "are we to have an architecture of our period, a distinct, individual, palpable style of the 19th century?". In 1849, when Matthew Digby Wyatt viewed the French Industrial Exposition set up on the Champs-Elysées in Paris, he disapproved in recognizably modern terms of the plaster ornaments in faux-bronze and faux woodgrain: Both internally and externally there

1792-428: A surface as applied ornament ; in other applied arts the main material of the object, or a different one such as paint or vitreous enamel may be used. A wide variety of decorative styles and motifs have been developed for architecture and the applied arts, including pottery , furniture , metalwork . In textiles , wallpaper and other objects where the decoration may be the main justification for its existence,

1904-607: A temple of God, thus proving that the Holy Spirit is equal with the Father and the Son. They also combined "the servant does not know what his master is doing" (John 15:15) with 1 Corinthians 2:11 in an attempt to show that the Holy Spirit is not the slave of God, and therefore his equal. The Pneumatomachi contradicted the Cappadocian Fathers by quoting, "Are they not all ministering spirits sent out to serve for

2016-404: Is a pisanie , which is an inscribed stone plaque. The inscription usually includes a religious invocation, the name of the founder or founders, the date of construction, the motivation of the building, the circumstances of the time and other data. The influences of peasant houses were manifested through ornaments and elements used under various interpretations, but which retain their origin. Among

2128-462: Is a divine being manifest in flesh, and the point of the texts is in part to make his higher nature known in a kind of intellectual epiphany." In the Gospels Jesus is described as forgiving sins, leading some theologians to believe Jesus is portrayed as God. This is because Jesus forgives sins on the behalf of others, people normally only forgive transgressions against oneself. The teachers of

2240-458: Is a good deal of tasteless and unprofitable ornament... If each simple material had been allowed to tell its own tale, and the lines of the construction so arranged as to conduce to a sentiment of grandeur, the qualities of "power" and "truth," which its enormous extent must have necessarily ensured, could have scarcely fail to excite admiration, and that at a very considerable saving of expense. Contacts with other cultures through colonialism and

2352-727: Is a revival of the Brâncovenesc [brɨŋkovenesk], a style in medieval Romanian art and architecture, more specifically in Wallachia during the reign of Constantin Brâncoveanu (1688–1714). This is because it was seen as the style specific to Romania, which is true. Brâncovenesc buildings are characterised by the use of porticos (mainly the entrances of churches), trilobate or kokoshnik arches , columns (usually Corinthian ), sometimes with twisted flutings , and metallic or ceramic tile roof. The main ornaments used for decoration are

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2464-468: Is ascribed to God in Psalm 145:13. Some also argue "Then the Lord rained on Sodom and Gomorrah sulfur and fire from the Lord out of heaven." to be Trinitarian in apparently distinguishing between the Lord in heaven and the Lord on earth. People also see the Trinity when the Old Testament refers to God's word (Psalm 33:6), His Spirit (Isaiah 61:1), and Wisdom (Proverbs 9:1), as well as narratives such as

2576-538: Is at variance with Isaiah 40:13–14, Who has measured the Spirit of the Lord, or what man shows him his counsel? Whom did he consult, and who made him understand? Who taught him the path of justice, and taught him knowledge, and showed him the way of understanding? That is, if the plural pronouns of Genesis 1 teach that God consults and creates with a 'heavenly court', then it contradicts the statement in Isaiah that God seeks

2688-428: Is decoration used to embellish parts of a building or object. Large figurative elements such as monumental sculpture and their equivalents in decorative art are excluded from the term; most ornaments do not include human figures, and if present they are small compared to the overall scale. Architectural ornament can be carved from stone, wood or precious metals, formed with plaster or clay, or painted or impressed onto

2800-463: Is in him? So also no one comprehends the thoughts of God except the Spirit of God" (1 Corinthians 2:11). They reasoned that this passage proves that the Holy Spirit has the same relationship to God as the spirit within us has to us. The Cappadocian Fathers also quoted, "Do you not know that you are God's temple and that God's Spirit dwells in you?" (1 Corinthians 3:16) and reasoned that it would be blasphemous for an inferior being to take up residence in

2912-411: Is lying to the Holy Spirit, he then says he is lying to God. In the New Testament, the Spirit is not portrayed as the recipient of cultic devotion, which instead, is typically offered to God the Father and to the risen/glorified Jesus. Although what became mainstream Christianity subsequently affirmed the propriety of including the Spirit as the recipient of worship as reflected in the developed form of

3024-526: Is no exception. Because of this, the year when many buildings were erected can be approximated more or less easily. The Belle Époque is the period in which the style was created. Because it was not fully defined until the 1906 General Romanian Exhibition in the Carol Park , Romanian Revival buildings before 1906 can look quite different one from another, especially those of the 1890s. Architects looked for inspiration in multiple sources. Some were inspired by

3136-417: Is provided, objects must be approached in their original context. This information might include the location where the work was found, other objects located or found nearby, or who the patron was who might have commissioned the work. Jessica Powers' chapter primarily discusses the Casa Degli Amorini Dorati in Pompeii, where 18 wall ornaments were found, the most of any Pompeiian home. Interior wall ornament in

3248-414: Is revealing the roles of the Son and Holy Spirit as co-creators. And since, according to them, because only the holy God can create holy beings such as the angels, the Son and Holy Spirit must be God. Yet another argument from the Cappadocian Fathers to prove that the Holy Spirit is of the same nature as the Father and Son comes from "For who knows a person's thoughts except the spirit of that person, which

3360-530: Is the Christian doctrine concerning the nature of God , which defines one God existing in three, coeternal , consubstantial divine persons : God the Father , God the Son ( Jesus Christ ) and God the Holy Spirit , three distinct persons ( hypostases ) sharing one essence/substance/nature ( homoousion ). As the Fourth Lateran Council declared, it is the Father who begets ,

3472-631: Is the reference in Christian fellowship for a religious ritual meal (the Lord's Supper ; 1 Corinthians 11:17–34). Jesus is described as "existing in the very form of God" (Philippians 2:6), and having the "fullness of the Deity [living] in bodily form" (Colossians 2:9). Jesus is also in some verses directly called God (Romans 9:5, Titus 2:13, 2 Peter 1:1). The Gospels depict Jesus as human through most of their narrative, but "[o]ne eventually discovers that he

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3584-605: The Logos , pre-existent and divine, from its first words: " In the beginning was the Word, and the Word was with God, and the Word was God " (John 1:1). The Gospel of John ends with Thomas's declaration that he believed Jesus was God, "My Lord and my God!" (John 20:28). Modern scholars agree that John 1:1 and John 20:28 identify Jesus with God. However, in a 1973 Journal of Biblical Literature article, Philip B. Harner, Professor Emeritus of Religion at Heidelberg College , claimed that

3696-634: The Arts and Crafts movement and then Modernism . The detailed study of Eurasian ornamental forms was begun by Alois Riegl in his formalist study Stilfragen : Grundlegungen zu einer Geschichte der Ornamentik ( Problems of style: foundations for a history of ornament ) of 1893, who in the process developed his influential concept of the Kunstwollen . Riegl traced formalistic continuity and development in decorative plant forms from Ancient Egyptian art and other ancient Near Eastern civilizations through

3808-765: The General Romanian Exhibition took place in the Carol Park (Park of Freedom) of Bucharest in 1906. Most of the pavilions of the fair were temporary structures, the only ones that survived being the Silver Knife Church , the Roman Arenas , the Filaret Electricity Station, small pavilions, the Mining Ministry fountain, and the water tower, designer to look like a medieval relic from the time of Vlad

3920-566: The Islamic ornaments there, including arabesques , calligraphy , and geometric patterns . Interest in classical architecture was also fueled by the tradition of traveling on The Grand Tour , and by translation of early literature about architecture in the work of Vitruvius and Michelangelo . During the 19th century, the acceptable use of ornament, and its precise definition became the source of aesthetic controversy in academic Western architecture, as architects and their critics searched for

4032-692: The Lahovary House  [ ro ] (1884–1886), the Kiseleff Roadside Buffet  [ ro ] (1889–1892) and the Central Girls' School (1890–1894). They effectively marked the birth of Romanian Revival architecture with all the persistence of eclectic or, in general, historical tendencies. From this point of view, the Buffet is very characteristic, being one of the most successful buildings (initially designed as

4144-651: The Nicene Creed , perhaps the closest to this in the New Testament is in Matthew 28:19 and 2 Corinthians 13:14 which describe the Spirit as the subject of religious ritual. As the Arian controversy was dissipating, the debate moved from the deity of Jesus Christ to the equality of the Holy Spirit with the Father and Son. On one hand, the Pneumatomachi sect declared that the Holy Spirit was an inferior person to

4256-724: The Seagram Building , where Mies van der Rohe installed a series of structurally unnecessary vertical I-beams on the outside of the building, and by 1984, when Philip Johnson produced his AT&T Building in Manhattan with an ornamental pink granite neo-Georgian pediment, the argument was effectively over. In retrospect, critics have seen the AT&;T Building as the first Postmodernist building . Holy Trinity The Trinity ( Latin : Trinitas , lit.   'triad', from Latin : trinus 'threefold')

4368-405: The divine messenger of Genesis 16:7, Genesis 21:17, Genesis 31:11, Exodus 3:2 and Wisdom of the sapiential books with the Son, and "the spirit of the Lord" with the Holy Spirit. Other Church Fathers, such as Gregory Nazianzen , argued in his Orations that the revelation was gradual, claiming that the Father was proclaimed in the Old Testament openly, but the Son only obscurely, because "it

4480-603: The interlace and the complex vegetal spiral (aka rinceau ). Some of the features of Brâncovenesc architecture derive from Byzantine and Ottoman architecture , and a some can also be found in medieval Russian architecture . Brâncovenesc churches usually have façades decorated with reliefs, most churches being white, while some have elaborate paintings on the façades (like the Stavropoleos Monastery from Bucharest ). The walls of their interiors are filled with Byzantine style frescos. Above their main door there

4592-449: The potter's wheel was used, the technology made some kinds of decoration very easy; weaving is another technology which also lends itself very easily to decoration or pattern, and to some extent dictates its form. Ornament has been evident in civilizations since the beginning of recorded history , ranging from Ancient Egyptian architecture to the assertive lack of ornament of 20th century Modernist architecture . Ornaments also depict

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4704-456: The " International Style ". What began as a matter of taste was transformed into an aesthetic mandate. Modernists declared their way as the only acceptable way to build. As the style hit its stride in the highly developed postwar work of Mies van der Rohe , the tenets of 1950s modernism became so strict that even accomplished architects like Edward Durrell Stone and Eero Saarinen could be ridiculed and effectively ostracized for departing from

4816-763: The 18th century, spread throughout the Balkan space, including Romania, especially in Serbia and Albania . In essence, the cule were the dwellings of the boyars , built for the defense of the owner and their family members against invasions. The first generation of Romanian architects, creators and promoters of the Romanian Revival style, is composed of Ion Mincu (1852–1912), Ion N. Socolescu (1856–1924) and Grigore Cerchez (1850–1927). His first attempts in Bucharest, after his return from studies in Paris, were

4928-570: The 1900s, Apcar Baltazar is preoccupied with the creating a new Romanian style in decorative arts. In November 1908, an essay called "Spre un stil românesc" ( Towards a Romanian style ) is published in the Viața Românească ( Romanian Life ) magazine. Using example from world art history, he tries to find ideas for his creation and for how an authentic Romanian style should look like. As a key feature of this style, he recommends elements of Byzantine art , present in medieval Romanian architecture . He

5040-593: The 4th century and found in later translations such as the King James Translation, cannot be found in the oldest Greek and Latin texts. Verse 7 is known as the Johannine Comma , which most scholars agree to be a later addition by a later copyist or what is termed a textual gloss and not part of the original text. This verse reads: Because there are three in Heaven that testify – the Father,

5152-583: The Buffet has a happy, lively and, especially, Romanian air. One of the most vigorous and typical representatives of Romanian Revival architecture was Petre Antonescu . He studied (1893–1898) at the Beaux-Arts de Paris , then became a professor, and later rector of the Academy of Architecture in Bucharest. His works include houses, such as the Vintilă Brătianu House (Strada Aurel Vlaicu no. 19) or

5264-564: The Father and Son. On the other hand, the Cappadocian Fathers argued that the Holy Spirit was equal to the Father and Son in nature or substance. Although the main text used in defense of the deity of the Holy Spirit was Matthew 28:19, Cappadocian Fathers such as Basil the Great argued from other verses such as "But Peter said, 'Ananias, why has Satan filled your heart to lie to the Holy Spirit and to keep back for yourself part of

5376-581: The God who visited Abraham as Jesus, the second person of the Trinity. Augustine, in contrast, held that the three visitors to Abraham were the three persons of the Trinity. He saw no indication that the visitors were unequal, as would be the case in Justin's reading. Then in Genesis 19, two of the visitors were addressed by Lot in the singular: "Lot said to them, 'Not so, my lord ' " (Gen. 19:18). Augustine saw that Lot could address them as one because they had

5488-466: The Impaler . The 1906 General Romanian Exhibition is important because this when the style started to be fully developed. Buildings from this phase have a consistent look. The 1920s was the peak of popularity, multiple schools, houses and institutions built after WW1 being Romanian Revival. Sometimes it was mixed with Art Deco , a style equally popular in the 1920s. Under the pressures of Modernism ,

5600-456: The Islamic world, more specifically by the Ottoman influences on traditional Romanian architecture. Others were influenced more by the Brâncovenesc style , popular in Wallachia in the early 18th century. In his creations, Ion Mincu mixed intentionally or not intentionally Neoclassical , Beaux-Arts and Gothic Revival elements. For example, the Central Girls' School has an entrance with

5712-474: The Messiah will represent the Trinity on earth. This is because Counselor is a title for the Holy Spirit (John 14:26), the Trinity is God, Father is a title for God the Father, and Prince of Peace is a title for Jesus. This verse is also used to support the Deity of Christ . Another verse used to support the Deity of Christ is "I saw in the night visions, and behold, with the clouds of heaven there came one like

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5824-573: The New Testament references often portray actions that seem to give the Spirit an intensely personal quality, probably more so than in Old Testament or ancient Jewish texts. So, for example, the Spirit "drove" Jesus into the wilderness (Mk 1:12; compare "led" in Mt. 4:1/Lk 4:1), and Paul refers to the Spirit interceding for believers (Romans 8:26–27) and witnessing to believers about their filial status with God (Romans 8:14–16). To cite other examples of this, in Acts

5936-516: The New Testament were brought together to form the concept of the Trinity—one Godhead subsisting in three persons and one substance . The concept of the Trinity was used to oppose alternative views of how the three are related and to defend the church against charges of worshiping two or three gods. Modern Biblical scholarship largely agrees that 1 John 5:7 seen in Latin and Greek texts after

6048-666: The Oprea Soare House (Strada Poenaru Bordea no. 2), all built in Bucharest before World War I; and more extensive programs such as the old Ministry of Construction (the current Bucharest City Hall , Bulevardul Regina Elisabeta no. 47) or the Marmorosch Blank Bank Palace (2-6 Strada Doamnei). It combines a series of elements that belong to either the international or the local repertoire: monumental plinths with large bossages , massive pieces ( columns and corbels , and keystones , oversized) often with

6160-465: The Roman empire utilized a diverse array of styles and materials, including marble, glass, obsidian, and gold. Roman ornament, specifically in the context of Pompeii, has been studied and written about by scholar Jessica Powers in her book chapter "Beyond Painting in Pompeii's Houses: Wall Ornaments and Their Patrons." Instead of studying ornamental objects in isolation, Powers argues that, if the information

6272-826: The Roman temple, the extravagant use of ornament served as a means of self-glorification, as scholar Owen Jones notes in his book chapter, Roman Ornament. Roman ornament techniques include surface-modeling, where ornamental styles are applied onto a surface. This was a common ornamental style with marble surfaces. One common ornamental style was the use of acanthus leaf, a motif adopted from the Greeks. The use of acanthus leaf and other naturalist motifs can be seen in Corinthian capitals, in temples, and in other public sites. A few medieval notebooks survive, most famously that of Villard de Honnecourt (13th century) showing how artists and craftsmen recorded designs they saw for future use. With

6384-422: The Son who is begotten , and the Holy Spirit who proceeds. In this context, one essence/nature defines what God is, while the three persons define who God is. This expresses at once their distinction and their indissoluble unity. Thus, the entire process of creation and grace is viewed as a single shared action of the three divine persons, in which each person manifests the attributes unique to them in

6496-578: The Spirit alerts Peter to the arrival of visitors from Cornelius (10:19), directs the church in Antioch to send forth Barnabas and Saul (13:2–4), guides the Jerusalem council to a decision about Gentile converts (15:28), at one point forbids Paul to missionize in Asia (16:6), and at another point warns Paul (via prophetic oracles) of trouble ahead in Jerusalem (21:11). The Holy Spirit is described as God in

6608-473: The Spirit within the Old Testament and 35 identified in the non-biblical Dead Sea Scrolls , the New Testament, despite its significantly shorter length, mentions the Spirit 275 times. In addition to its larger emphasis and importance placed on the Spirit in the New Testament, the Spirit is also described in much more personalized and individualized terms than earlier. Larry Hurtado writes; Moreover,

6720-402: The Trinity in many places. For example, in the Genesis creation narrative , specifically the first-person plural pronouns in Genesis 1:26–27 and Genesis 3:22 ('Let us make man in our image [...] the man is become as one of us '). "Then God said, 'Let us make man in our image, after our likeness. And let them have dominion over the fish of the sea and over the birds of the heavens and over

6832-415: The Trinity, thereby proving that everything comes "from the Father," "through the Son," and "in the Holy Spirit." This doctrine is called Trinitarianism and its adherents are called Trinitarians , while its opponents are called antitrinitarians or nontrinitarians and considered non-Christian by most mainline groups. Nontrinitarian positions include Unitarianism , Binitarianism and Modalism . While

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6944-417: The Word and the Holy Spirit – and these three are one. This verse is absent from the Ethiopic, Aramaic, Syriac, Slavic, early Armenian, Georgian, and Arabic translations of the Greek New Testament. It is primarily found in Latin manuscripts, although a minority of Greek, Slavonic and late Armenian manuscripts contain it. In the Pauline epistles , the public, collective devotional patterns towards Jesus in

7056-482: The aesthetic rules. At the same time, the unwritten laws against ornament began to come into serious question. "Architecture has, with some difficulty, liberated itself from ornament, but it has not liberated itself from the fear of ornament," John Summerson observed in 1941. The very difference between ornament and structure is subtle and perhaps arbitrary. The pointed arches and flying buttresses of Gothic architecture are ornamental but structurally necessary;

7168-410: The appearance of the three men to Abraham . However, it is generally agreed among Trinitarian Christian scholars that it would go beyond the intention and spirit of the Old Testament to correlate these notions directly with later Trinitarian doctrine. Some Church Fathers believed that a knowledge of the mystery was granted to the prophets and saints of the Old Testament, and that they identified

7280-404: The arrival of the print , ornament prints became an important part of the output of printmakers, especially in Germany, and played a vital role in the rapid diffusion of new Renaissance styles to makers of all sorts of object. As well as revived classical ornament, both architectural and the grotesque style derived from Roman interior decoration, these included new styles such as the moresque ,

7392-493: The author of Genesis was too theologically primitive to deal with such a concept as 'plurality within unity'; Hamilton thus argues for a framework of progressive revelation , in which the doctrine of the Trinity is revealed at first obscurely then plainly in the New Testament. Another of these places is the prophecy about the Messiah in Isaiah 9. The Messiah is called "Wonderful, Counselor, Mighty God, Everlasting Father, Prince of Peace." Some Christians see this verse as meaning

7504-429: The book of the Acts of the Apostles But Peter said, "Ananias, why has Satan filled your heart to lie to the Holy Spirit and to keep back for yourself part of the proceeds of the land? 4 While it remained unsold, did it not remain your own? And after it was sold, was it not at your disposal? Why is it that you have contrived this deed in your heart? You have not lied to man but to God". Acts 5:3–4 Peter first says Ananias

7616-427: The cause of aesthetic simplification, dismissing the knots of intricately patterned ornament that articulated the skin of his structures. With the work of Le Corbusier and the Bauhaus through the 1920s and 1930s, lack of decorative detail became a hallmark of modern architecture and equated with the moral virtues of honesty, simplicity, and purity. In 1932 Philip Johnson and Henry-Russell Hitchcock dubbed this

7728-419: The ceramic ornamentation: Classicist geometric motifs or Renaissance floral motifs (but interpreted wavy, in the Art Nouveau spirit), which cover the entire surface of the gazebo masonry and the technique itself, of the high relief , colored in white, blue and ocher , of the Luca della Robbia type, contrasts with the relative sobriety of the old Romanian architecture from which, obviously, it started. Thus,

7840-402: The classical world to the arabesque of Islamic art . While the concept of the Kunstwollen has few followers today, his basic analysis of the development of forms has been confirmed and refined by the wider corpus of examples known today. Jessica Rawson has recently extended the analysis to cover Chinese art , which Riegl did not cover, tracing many elements of Chinese decoration back to

7952-570: The colorful rhythmic bands of a Pietro Belluschi International Style skyscraper are integral, not applied, but certainly have ornamental effect. Furthermore, architectural ornament can serve the practical purpose of establishing scale, signaling entries, and aiding wayfinding, and these useful design tactics had been outlawed. And by the mid-1950s, modernist figureheads Le Corbusier and Marcel Breuer had been breaking their own rules by producing highly expressive, sculptural concrete work. The argument against ornament peaked in 1959 over discussions of

8064-656: The conquests of Alexander the Great , and the expansion of Buddhism , which took some motifs to East Asia in somewhat modified form. In the West the Ancient Roman Latinized forms of the Greek ornament lasted for around a millennium, and after a period when they were replaced by Gothic forms , powerfully revived in the Italian Renaissance and remain extremely widely used today. Ornament in

8176-469: The cosmos and his ever-continuing presence with the disciples (forming an inclusion with the beginning of the Gospel, where Jesus is given the name Emmanuel, "God with us," a name that alludes to the God of Israel's ongoing presence with his followers throughout the Old Testament (Genesis 28:15; Deuteronomy 20:1). Whereas some have argued that Matthew 28:19 was an interpolation on account of its absence from

8288-479: The counsel of nobody. According to Hamilton, the best interpretation 'approaches the trinitarian understanding but employs less direct terminology'. Following D. J. A. Clines , he states that the plural reveals a 'duality within the Godhead' that recalls the 'Spirit of God' mentioned in verse 2, And the Spirit of God was hovering over the face of the waters. Hamilton also says that it is unreasonable to assume that

8400-523: The decorative wall panels were identified as being from the Greek East or Egypt, not from Pompeii. This points to the elaborate trade routes that flourished across the Roman Empire, and that home owners were interested in using materials from outside of Pompeii to embellish their homes. In addition to homes, public buildings and temples are locations where Roman ornament styles were on display. In

8512-590: The developed doctrine of the Trinity is not explicit in the books that constitute the New Testament , the New Testament possesses a triadic understanding of God and contains a number of Trinitarian formulas . The doctrine of the Trinity was first formulated among the early Christians (mid-2nd century and later) and fathers of the Church as they attempted to understand the relationship between Jesus and God in their scriptural documents and prior traditions. The Old Testament has been interpreted as referring to

8624-400: The developed doctrine of the Trinity is not explicit in the books that constitute the New Testament , it was first formulated as early Christians attempted to understand the relationship between Jesus and God in their scriptural documents and prior traditions. According to Margaret Baker, trinitarian theology has roots in pre-Christian Palestinian beliefs about angels. An early reference to

8736-527: The early Christian community are reflective of Paul's perspective on the divine status of Jesus in what scholars have termed a "binitarian" pattern or shape of devotional practice (worship) in the New Testament, in which "God" and Jesus are thematized and invoked. Jesus receives prayer (1 Corinthians 1:2; 2 Corinthians 12:8–9), the presence of Jesus is confessionally invoked by believers (1 Corinthians 16:22; Romans 10:9–13; Philippians 2:10–11), people are baptized in Jesus' name (1 Corinthians 6:11; Romans 6:3), Jesus

8848-453: The early Christian movement as a public cult centered around Jesus in several passages. In Acts, it is common for individual Christians to "call" upon the name of Jesus (9:14, 21; 22:16), an idea precedented in the Old Testament descriptions of calling on the name of YHWH as a form of prayer. The story of Stephen depicts Stephen invoking and crying out to Jesus in the final moments of his life to receive his spirit (7:59–60). Acts further describes

8960-420: The elements are the loggia , the trilobed arch, wooden pillars, a treatment of the cornice as an ordinary eaves of a peasant house, the inclusion of the roof in the image of the facade as an element of ornament, carved wooden awnings , and tiled roofs . Commonly used ornaments are knots and ropes (aka interlace ), peacocks drinking symmetrically from a cup, and complex vegetable spirals (aka rinceaux ). Some of

9072-613: The first few centuries of early Christian quotations, scholars largely accept the passage as authentic due to its supporting manuscript evidence and that it does appear to be either quoted in the Didache (7:1–3) or at least reflected in the Didache as part of a common tradition from which both Matthew and the Didache emerged. Jesus receiving divine worship in the post-resurrection accounts is further mirrored in Luke 24:52. Acts depicts

9184-419: The forms of the natural world in that climate, decorating the capitals of columns and walls with images of papyrus and palm trees. Assyrian culture produced ornament which shows influence from Egyptian sources and a number of original themes, including figures of plants and animals of the region. The Ancient Greek civilization created many new forms of ornament, which were diffused across Eurasia , helped by

9296-656: The late nineteenth century are contrasted with a "Romanian style". The popularity of the Romanian style continues and intensifies in the interwar period . The heyday of the style were the 1920s, when many Romanian Revival houses, churches and institution buildings were erected, both in Bucharest and in the rest of Greater Romania . The trend had also extended into the decorative arts from the start, with examples of Neo-Romanian design of furniture and other objects appearing, but also illustrations and graphic design (including stamps and magazine covers). Romanian Revival architecture

9408-399: The law next to Jesus recognizes this and said "Why does this fellow talk like that? He’s blaspheming! Who can forgive sins but God alone?” Mark 2:7 Jesus also receives προσκύνησις ( proskynesis ) in the aftermath of the resurrection, a Greek term that either expresses the contemporary social gesture of bowing to a superior, either on one's knees or in full prostration (in Matthew 18:26

9520-464: The livestock and over all the earth and over every creeping thing that creeps on the earth.' [...] "Then the LORD God said, 'Behold, the man has become like one of us in knowing good and evil [...]" A traditional Christian interpretation of these pronouns is that they refer to a plurality of persons within the Godhead. Biblical commentator Victor P. Hamilton outlines several interpretations, including

9632-513: The logos, no less than the theos, had the nature of theos," which in his case means the Word is as fully God as the person called "God". John also portrays Jesus as the agent of creation of the universe. Some have suggested that John presents a hierarchy when he quotes Jesus as saying, "The Father is greater than I", a statement which was appealed to by nontrinitarian groups such as Arianism . However, influential theologians such as Augustine of Hippo and Thomas Aquinas argued this statement

9744-528: The most influential book ever written on architecture. Napoleon had the great pyramids and temples of Egypt documented in the Description de l'Egypte (1809) . Owen Jones published The Grammar of Ornament in 1856 with colored illustrations of decoration from Egypt, Turkey, Sicily and Spain. He took residence in the Alhambra Palace to make drawings and plaster castings of the ornate details of

9856-538: The most widely held among Biblical scholars, which is that the pronouns do not refer to other persons within the Godhead but to the 'heavenly court' of Isaiah 6 . Theologians Meredith Kline and Gerhard von Rad argue for this view, as von Rad says, 'The extraordinary plural ("Let us") is to prevent one from referring God's image too directly to God the Lord. God includes himself among the heavenly beings of his court and thereby conceals himself in this majority.' Hamilton notes that this interpretation assumes that Genesis 1

9968-534: The name of the Father and of the Son and of the Holy Spirit" and Paul the Apostle 's blessing: "The grace of the Lord Jesus Christ and the love of God and the fellowship of the Holy Spirit be with you all", leading theologians across history in attempting to articulate the relationship between the Father, Son, and Holy Spirit. Eventually, the diverse references to God, Jesus, and the Spirit found in

10080-449: The new discoveries of archaeology expanded the repertory of ornament available to revivalists. After about 1880, photography made details of ornament even more widely available than prints had done. Modern millwork ornaments are made of wood, plastics, composites, etc. They come in many different colours and shapes. Modern architecture , conceived of as the elimination of ornament in favor of purely functional structures, left architects

10192-454: The ornaments of some Neo-Romanian buildings from the Belle Époque are made of polychrome glazed ceramic, as is the case of the Școala Centrală National College in Bucharest. Considering the fact that most Romanians were and are Orthodox , the architects sometimes added Byzantine -inspired elements (like the two peacocks drinking from a cup) or with Christian significance. A characteristic of

10304-412: The other was an intriguing text for those who believed in a single God in three persons. Justin Martyr , and John Calvin similarly, interpreted it such that Abraham was visited by God, who was accompanied by two angels. Justin supposed that the God who visited Abraham was distinguishable from the God who remains in the heavens, but was nevertheless identified as the (monotheistic) God. Justin interpreted

10416-407: The panels on the walls of the Casa Degli Amorini Dorati were removed during archeological work in the 1970s, revealing that the panels had been stuck on different walls before the one on which they were found. Jessica Powers argues that these panels illustrate the home owner and correlating patrons' willingness to utilize damaged or secondhand materials in their own home. Moreover, the materials used in

10528-480: The patterns usually lies in the nature that surrounds the people in the region. Many nomadic tribes in Central Asia had many animalistic motifs before the penetration of Islam in the region. In a 1941 essay, the architectural historian Sir John Summerson called it "surface modulation". The earliest decoration and ornament often survives from prehistoric cultures in simple markings on pottery, where decoration in other materials (including tattoos ) has been lost. Where

10640-403: The problem of how to properly adorn modern structures. There were two available routes from this perceived crisis. One was to attempt to devise an ornamental vocabulary that was new and essentially contemporary. This was the route taken by architects like Louis Sullivan and his pupil Frank Lloyd Wright , or by the unique Antoni Gaudí . Art Nouveau , popular around the turn of the 20th century,

10752-578: The proceeds of the land? While it remained unsold, did it not remain your own? And after it was sold, was it not at your disposal? Why is it that you have contrived this deed in your heart? You have not lied to men but to God. ' " (Acts 5:3–4). Another passage the Cappadocian Fathers quoted from was "By the word of the Lord the heavens were made, and by the breath of his mouth all their host" (Psalm 33:6). According to their understanding, because "breath" and "spirit" in Hebrew are both "רוּחַ" ("ruach"), Psalm 33:6

10864-399: The sake of those who are to inherit salvation?" (Hebrews 1:14) in effect arguing that the Holy Spirit is no different from other created angelic spirits. The Church Fathers disagreed, saying that the Holy Spirit is greater than the angels, since the Holy Spirit is the one who grants the foreknowledge for prophecy (1 Corinthians 12:8–10) so that the angels could announce events to come. While

10976-516: The same tradition; the shared background helping to make the assimilation of Chinese motifs into Persian art after the Mongol invasion harmonious and productive. Styles of ornamentation can be studied in reference to the specific culture which developed unique forms of decoration, or modified ornament from other cultures. The Ancient Egyptian culture is arguably the first civilization to add pure decoration to their buildings. Their ornament takes

11088-416: The strong embossed ornamentation, made of polychrome glazed ceramics. Above the protruding cornice of the ceramic entablature, wooden pieces appear again: the ends of the transverse beams and the corbels that hold the very wide eaves of the roof. And as important spaces remain visible between the beams and corbels, the roof - large, high and covered with tiles - seems suspended. Eclectic elements appear in

11200-753: The style became more and more simplified. Initially, the supporters of the Romanian Revival style rejected Modern architecture . They saw Modern buildings as creations that lack a local spirit. However, their opposition faded with time, leading to mixes of the two movements. Multiple architects, without dropping elements inspired by local tradition, will adopt new materials and techniques. Romanian Revival proportions and volumes were kept, but ornaments were highly simplified or sometimes were just nonexistent. Buildings were reduced to essences. In addition, there are areas in Bucharest where most houses are Romanian Revival, such as Cotroceni and Dorobanți . Ornament (art) In architecture and decorative art , ornament

11312-469: The style is the use of elements grouped in threes (for example a row of three windows), which refers to a Christian concept, representing the Holy Trinity ( Father , Son and Holy Spirit ). The buildings often have a medieval castle or fortress look, with turrets and parts of the structure on different levels. This thing is inspired by the cule , a type of semi-fortified construction, specific to

11424-514: The terms pattern or design are more likely to be used. The vast range of motifs used in ornament draw from geometrical shapes and patterns, plants, and human and animal figures. Across Eurasia and the Mediterranean world there has been a rich and linked tradition of plant-based ornament for over three thousand years; traditional ornament from other parts of the world typically relies more on geometrical and animal motifs. The inspiration for

11536-520: The three "persons" of later Trinitarian doctrines appears towards the end of the first century, where Clement of Rome rhetorically asks in his epistle as to why corruption exists among some in the Christian community; "Do we not have one God, and one Christ, and one gracious Spirit that has been poured out upon us, and one calling in Christ?" (1 Clement 46:6). A similar example is found in the first century Didache , which directs Christians to "baptize in

11648-520: The traditional translation of John 1:1c ("and the Word was God") is incorrect. He endorses the New English Bible translation of John 1:1c, "and what God was, the Word was." However Harner's claim has been criticized by other scholars. In the same article, Harner also noted that; "Perhaps the clause could be translated, 'the Word had the same nature as God". This would be one way of representing John's thought, which is, as I understand it, that

11760-737: The work from eclecticism, but the ansamble still tilts the balance towards a national physiognomy. In addition to architecture, the Romanian Revival style manifested itself in other media, including graphic design, pottery, furniture and illustration. There are good examples of Romanian Romanian furniture in the George Severeanu Museum in Bucharest, mostly display cases, where ancient Greek and Etruscan vessels are exhibited. Besides buildings, architect Nicolae Ghica-Budești also produced Romanian Revival furniture. His example followed by artists like O. Roguschi, Gh. Lupu, A. Clevel, Hugo Storck , who made furniture in this style. During

11872-481: The world of medieval forms and ornaments or that of folklore , the main sources of inspiration of the style. 19th century nationalism combined without problems with Europeanism and admiration for the West, Romania wanting to prove that it is a European country. After 1900, without abandoning European trends, the emphasis is more on values with Romanian specificity. As a result, the Parisian and Viennese buildings of

11984-474: Was an advocate for introducing them in an harmonious way, not straight up copying. Baltazar was also an admirer of both peasant and religious art. A motif he used in multiple designs is the stylized rooster. Al. Tzigara-Samurcaș was a militant for the conservation of traditional peasant art. He was also an influence for Apcar Baltazar. In general, architectural styles popular in a period tend to influence each other, sometimes leading to mixes. The Romanian Revival

12096-452: Was described by architect Adolf Loos in his 1908 manifesto, translated into English in 1913 and polemically titled Ornament and Crime , in which he declared that lack of decoration is the sign of an advanced society. His argument was that ornament is economically inefficient and "morally degenerate", and that reducing ornament was a sign of progress. Modernists were eager to point to American architect Louis Sullivan as their godfather in

12208-829: Was greatly reduced in Early Renaissance styles, again under classical influence. Another period of increase, in Northern Mannerism , the Baroque and Rococo , was checked by Neoclassicism and the Romantic period . Ornament in male clothing went out of fashion around 1800, in the Great Male Renunciation . Ornament in architecture and furniture resumed in the later 19th century Napoleon III style , Victorian decorative arts and their equivalents from other countries, to be decisively reduced by

12320-566: Was in part a conscious effort to evolve such a "natural" vocabulary of ornament. A more radical route abandoned the use of ornament altogether, as in some designs for objects by Christopher Dresser . At the time, such unornamented objects could have been found in many unpretending workaday items of industrial design, ceramics produced at the Arabia manufactory in Finland, for instance, or the glass insulators of electric lines. This latter approach

12432-458: Was not safe, when the Godhead of the Father was not yet acknowledged, plainly to proclaim the Son". Genesis 18–19 has been interpreted by Christians as a Trinitarian text. The narrative has the Lord appearing to Abraham, who was visited by three men. In Genesis 19, "the two angels" visited Lot at Sodom. The interplay between Abraham on the one hand and the Lord/three men/the two angels on

12544-476: Was to be understood as Jesus speaking about his human nature. Prior Israelite theology held that the Spirit is merely the divine presence of God himself, whereas orthodox Christian theology holds that the Holy Spirit is a distinct person of God the Father himself. This development begins early in the New Testament, as the Spirit of God receives much more emphasis and description comparably than it had in earlier Jewish writing. Whereas there are 75 references to

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