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Schadau Castle ( German : Schloss Schadau ) is a castle on the south side of the Aare near Lake Thun in the city of Thun , Canton Bern , Switzerland . It is a Swiss heritage site of national significance .

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142-648: It is situated in the Schadaupark , and was built between 1846 and 1854 according to the plans of Pierre-Charles Dusillon in the Gothic Revival style, for the banker Abraham Denis Alfred de Rougemont Since 1925 the castle has belonged to the city of Thun and contains a restaurant and the Swiss Gastronomy Museum. Between 1972 and 1992 the façade of the castle was renovated by the city's own quarrymen. The oldest known surviving panorama

284-635: A 161-meter tower from 1890) and St. Vitus Cathedral in Prague (1844–1929). In Belgium, a 15th-century church in Ostend burned down in 1896. King Leopold II funded its replacement, the Saint Peter's and Saint Paul's Church , a cathedral-scale design which drew inspiration from the neo-Gothic Votive Church in Vienna and Cologne Cathedral. In Mechelen , the largely unfinished building drawn in 1526 as

426-578: A baronial palace and its adoption as a royal retreat from 1855 to 1858 confirmed the popularity of the style. In the United States, the first "Gothic stile" church (as opposed to churches with Gothic elements) was Trinity Church on the Green , New Haven, Connecticut. It was designed by Ithiel Town between 1812 and 1814, while he was building his Federalist-style Center Church, New Haven next to this radical new "Gothic-style" church. Its cornerstone

568-662: A biblical manner of clothing and hair style. The movement was originally formed in 1809 by six students at the Vienna Academy and called the Brotherhood of St. Luke or Lukasbund, after the patron saint of medieval artists. In 1810 four of them, Johann Friedrich Overbeck , Franz Pforr , Ludwig Vogel and Johann Konrad Hottinger moved to Rome , where they occupied the abandoned monastery of San Isidoro and were joined by Philipp Veit , Peter von Cornelius , Julius Schnorr von Karolsfeld , Friedrich Wilhelm Schadow and

710-401: A building which are not necessary for convenience, construction or propriety; 2nd, that all ornament should consist of enrichment of the essential construction of the building". Urging modern craftsmen to seek to emulate the style of medieval workmanship as well as reproduce its methods, Pugin sought to reinstate Gothic as the true Christian architectural style. Pugin's most notable project was

852-459: A classic body". John Ruskin supplemented Pugin's ideas in his two influential theoretical works, The Seven Lamps of Architecture (1849) and The Stones of Venice (1853). Finding his architectural ideal in Venice , Ruskin proposed that Gothic buildings excelled above all other architecture because of the "sacrifice" of the stone-carvers in intricately decorating every stone. In this, he drew

994-640: A competition was held to design a new façade suitable to Arnolfo di Cambio 's original structure and the fine campanile next to it. This competition was won by Emilio De Fabris , and so work on his polychrome design and panels of mosaic was begun in 1876 and completed by 1887, creating the Neo-Gothic western façade. Eastern Europe also saw much Revival construction; in addition to the Hungarian Parliament Building in Budapest,

1136-497: A contrast between the physical and spiritual satisfaction which a medieval craftsman derived from his work, and the lack of these satisfactions afforded to modern, industrialised labour. By declaring the Doge's Palace to be "the central building of the world", Ruskin argued the case for Gothic government buildings as Pugin had done for churches, though mostly only in theory. When his ideas were put into practice, Ruskin often disliked

1278-581: A dragon is used to conjure up the time pictorially. The Romantic interest in the medieval can particularly be seen in the illustrations of English poet William Blake and the Ossian cycle published by Scottish poet James Macpherson in 1762, which inspired both Goethe 's Götz von Berlichingen (1773), and the young Walter Scott . The latter's Waverley Novels , including Ivanhoe (1819) and Quentin Durward (1823) helped popularise, and shape views of,

1420-487: A famous attack; "We are told we should adopt [Gothic] because it is the Christian style, and this most impudent assertion has been accepted as sound doctrine even by earnest and intelligent Protestants; whereas it ought only to have force with those who believe that Christian truth attained its purest and most spiritual development at the period when this style of architecture constituted its corporeal form". Those rejecting

1562-434: A loose grouping of other German artists. They met up with Austrian romantic landscape artist Joseph Anton Koch (1768–1839) who became an unofficial tutor to the group and in 1827 they were joined by Joseph von Führich (1800–76). In Rome the group lived a semi-monastic existence, as a way of re-creating the nature of the medieval artist's workshop. Religious subjects dominated their output and two major commissions for

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1704-573: A more appreciative approach to selected medieval arts, beginning with church architecture, the tomb monuments of royal and noble personages, stained glass, and late Gothic illuminated manuscripts. Other Gothic arts, such as tapestries and metalwork, continued to be disregarded as barbaric and crude, however sentimental and nationalist associations with historical figures were as strong in this early revival as purely aesthetic concerns. German Romanticists (including philosopher and writer Goethe and architect Karl Friedrich Schinkel ), began to appreciate

1846-549: A nineteenth-century genre of medieval poetry that included Idylls of the King (1842) by Alfred Tennyson, 1st Baron Tennyson and "The Sword of Kingship" (1866) by Thomas Westwood, which recast specifically modern themes in the medieval settings of Arthurian romance. Depictions of the Middle Ages can be found in different cultural media, including advertising. Film has been one of the most significant creators of images of

1988-675: A post which was filled in 1833 by Prosper Mérimée , who became the secretary of a new Commission des Monuments Historiques in 1837. This was the Commission that instructed Eugène Viollet-le-Duc to report on the condition of the Abbey of Vézelay in 1840. Following this, Viollet le Duc set out to restore most of the symbolic buildings in France including Notre Dame de Paris, Vézelay, Carcassonne , Roquetaillade castle , Mont-Saint-Michel Abbey on its peaked coastal island, Pierrefonds , and

2130-561: A re-awakening of "High Church" or Anglo-Catholic self-belief (and by the Catholic convert Augustus Welby Pugin ) concerned by the growth of religious nonconformism. He went on to produce important Gothic buildings such as Cathedrals at Birmingham and Southwark and the British Houses of Parliament in the 1840s. Large numbers of existing English churches had features such as crosses , screens and stained glass ( removed at

2272-480: A reaction against machine production and the appearance of factories also grew. Proponents of the picturesque such as Thomas Carlyle and Augustus Pugin took a critical view of industrial society and portrayed pre-industrial medieval society as a golden age. To Pugin, Gothic architecture was infused with the Christian values that had been supplanted by classicism and were being destroyed by industrialisation . Gothic Revival also took on political connotations; with

2414-533: A result of the Church Building Act of 1818. It is often said to be the first Gothic Revival church in London, and, as Charles Locke Eastlake put it: "probably the only church of its time in which the main roof was groined throughout in stone". Nonetheless, the parish was firmly low church , and the original arrangement, modified in the 1860s, was as a "preaching church" dominated by the pulpit, with

2556-506: A small altar and wooden galleries over the nave aisle. The development of the private major metropolitan cemeteries was occurring at the same time as the movement; Sir William Tite pioneered the first cemetery in the Gothic style at West Norwood in 1837, with chapels, gates, and decorative features in the Gothic manner, attracting the interest of contemporary architects such as George Edmund Street , Barry, and William Burges . The style

2698-562: A term describing the post-modern study of medieval history and as a term for a trend in modern international relations , first discussed in 1977 by Hedley Bull , who argued that society was moving towards a form of "neomedievalism" in which individual notions of rights and a growing sense of a "world common good" were undermining national sovereignty . Leslie J. Workman , Kathleen Verduin and David Metzger noted in their introduction to Studies in Medievalism IX "Medievalism and

2840-664: Is a part of the study of the Middle Ages as a historical period. Monagle explains how in 1977 the International Relations scholar Hedley Bull coined the term " New Medievalism " to describe the world as a result of the rising powers of non-state actors in society (such as terrorist groups, corporations, or supra-state organisations such as the European Economic Community) which, due to new technologies, boundaries of jurisdiction that cross national borders, and shifts in private wealth challenged

2982-479: Is a system of belief and practice inspired by the Middle Ages of Europe, or by devotion to elements of that period, which have been expressed in areas such as architecture, literature, music, art, philosophy, scholarship, and various vehicles of popular culture . Since the 17th century, a variety of movements have used the medieval period as a model or inspiration for creative activity, including Romanticism ,

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3124-576: Is an architectural movement that after a gradual build-up beginning in the second half of the 17th century became a widespread movement in the first half of the 19th century , mostly in England. Increasingly serious and learned admirers sought to revive medieval Gothic architecture , intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials , lancet windows , and hood moulds . By

3266-462: Is first recorded in 1604. "Medieval" first appears in the nineteenth century and is an Anglicised form of medium aevum . During the Reformations of the 16th and 17th centuries, Protestants generally followed the critical views expressed by Renaissance Humanists, but for additional reasons. They saw classical antiquity as a golden time, not only because of Latin literature, but because it was

3408-473: Is most clearly seen at Culzean Castle , Ayrshire, remodelled by Adam from 1777. The eccentric landscape designer Batty Langley even attempted to "improve" Gothic forms by giving them classical proportions. A younger generation, taking Gothic architecture more seriously, provided the readership for John Britton's series Architectural Antiquities of Great Britain , which began appearing in 1807. In 1817, Thomas Rickman wrote an Attempt... to name and define

3550-529: Is the Basilica of Our Lady Immaculate in Guelph, Ontario . Gothic Revival architecture remained one of the most popular and long-lived of the many revival styles of architecture . Although it began to lose force and popularity after the third quarter of the 19th century in commercial, residential and industrial fields, some buildings such as churches, schools, colleges and universities were still constructed in

3692-631: The " Dark Ages " , since the fall of Rome in the fifth century, owing to among other things, the loss of many classical Latin texts and to the corruption of the language in contemporary discourse. Scholars of the Renaissance believed that they lived in a new age that broke free of the decline described by Petrarch. Historians Leonardo Bruni and Flavio Biondo developed a three tier outline of history composed of Ancient , Medieval, and Modern . The Latin term media tempestas (middle time) first appears in 1469. The term medium aevum (Middle Ages)

3834-500: The Basilica of Our Lady of Hungary in Márianosztra , Hungary, whose choir (adjacent to a Baroque nave) was long considered authentically Gothic, because the 18th-century architect used medieval shapes to emphasize the continuity of the monastic community with its 14th-century founders. During the mid-18th century rise of Romanticism , an increased interest and awareness of the Middle Ages among influential connoisseurs created

3976-660: The Bulgarian National Revival saw the introduction of Gothic Revival elements into its vernacular ecclesiastical and residential architecture. The largest project of the Slavine School is the Lopushna Monastery cathedral (1850–1853), though later churches such as Saint George's Church, Gavril Genovo display more prominent vernacular Gothic Revival features. In Scotland, while a similar Gothic style to that used further south in England

4118-612: The Connaught Building , (1913–1916), all by David Ewart . In the late 1820s, A. W. N. Pugin , still a teenager, was working for two highly visible employers, providing Gothic detailing for luxury goods. For the Royal furniture makers Morel and Seddon he provided designs for redecorations for the elderly George IV at Windsor Castle in a Gothic taste suited to the setting. For the royal silversmiths Rundell Bridge and Co. , Pugin provided designs for silver from 1828, using

4260-638: The Gothic revival , the Pre-Raphaelite and Arts and Crafts movements , and neo-medievalism (a term often used interchangeably with medievalism ). Historians have attempted to conceptualize the history of non-European countries in terms of medievalisms, but the approach has been controversial among scholars of Latin America, Africa, and Asia. In the 1330s, Petrarch expressed the view that European culture had stagnated and drifted into what he called

4402-484: The Houses of Parliament in London, after its predecessor was largely destroyed in a fire in 1834. His part in the design consisted of two campaigns, 1836–1837 and again in 1844 and 1852, with the classicist Charles Barry as his nominal superior. Pugin provided the external decoration and the interiors, while Barry designed the symmetrical layout of the building, causing Pugin to remark, "All Grecian, Sir; Tudor details on

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4544-465: The Oxford Movement , which has been defined as "medievalism in religion." Ruskin connected the quality of a nation's architecture with its spiritual health, comparing the originality and freedom of medieval art with the mechanistic sterility of modernism in such works as Modern Painters , Volume II (1846), The Seven Lamps of Architecture (1849) and The Stones of Venice (1851–3). At

4686-508: The Palais des Papes in Avignon . When France's first prominent neo-Gothic church was built, the Basilica of Saint-Clotilde , Paris, begun in 1846 and consecrated in 1857, the architect chosen was of German extraction, Franz Christian Gau , (1790–1853); the design was significantly modified by Gau's assistant, Théodore Ballu , in the later stages, to produce the pair of flèches that crown

4828-551: The Scottish Borders , rebuilt from 1816 by Sir Walter Scott and paid for by the profits from his hugely successful, historical novels, exemplifies the "Regency Gothic" style. Gothic Revival also includes the reintroduction of medieval clothes and dances in historical re-enactments staged especially in the second part of the 19th century, although one of the first, the Eglinton Tournament of 1839, remains

4970-602: The picturesque character of ruins—"picturesque" becoming a new aesthetic quality—and those mellowing effects of time that the Japanese call wabi-sabi and that Horace Walpole independently admired, mildly tongue-in-cheek, as "the true rust of the Barons' wars". The "Gothick" details of Walpole's Twickenham villa, Strawberry Hill House begun in 1749, appealed to the rococo tastes of the time, and were fairly quickly followed by James Talbot at Lacock Abbey , Wiltshire. By

5112-659: The scroll saw and mass-produced wood moldings allowed a few of these structures to mimic the florid fenestration of the High Gothic. But, in most cases, Carpenter Gothic buildings were relatively unadorned, retaining only the basic elements of pointed-arch windows and steep gables. A well-known example of Carpenter Gothic is a house in Eldon, Iowa , that Grant Wood used for the background of his painting American Gothic . Australia, in particular in Melbourne and Sydney, saw

5254-488: The "most remarkable fruit in English literature of the medieval revival", the modern workhouse is contrasted with the medieval monastery. He draws on Jocelyn de Brakelond 's twelfth-century account of Samson of Tottington 's abbotcy of Bury St Edmunds Abbey to answer the " Condition-of-England Question ", calling for a " Chivalry of Labour" based on cooperation and fraternity rather than competition and "Cash-payment for

5396-574: The "rational" and "radical" Neoclassical style being seen as associated with republicanism and liberalism (as evidenced by its use in the United States and to a lesser extent in Republican France), the more spiritual and traditional Gothic Revival became associated with monarchism and conservatism , which was reflected by the choice of styles for the rebuilt government centres of the British parliament's Palace of Westminster in London,

5538-476: The 'Gothic florin ' was minted for circulation from 1851 to 1887. French neo-Gothic had its roots in the French medieval Gothic architecture , where it was created in the 12th century. Gothic architecture was sometimes known during the medieval period as the "Opus Francigenum", (the "French Art"). French scholar Alexandre de Laborde wrote in 1816 that "Gothic architecture has beauties of its own", which marked

5680-453: The 14th-century Anglo-French Gothic vocabulary that he would continue to favour later in designs for the new Palace of Westminster. Between 1821 and 1838 Pugin and his father published a series of volumes of architectural drawings , the first two entitled, Specimens of Gothic Architecture , and the following three, Examples of Gothic Architecture , that were to remain both in print and the standard references for Gothic Revivalists for at least

5822-663: The 16th century but instead lingered in on-going cathedral-building projects; at Oxford and Cambridge Universities, and in the construction of churches in increasingly isolated rural districts of England, France, Germany, the Polish–Lithuanian Commonwealth and in Spain. St Columb's Cathedral , in Derry , may be considered 'Gothic Survival', as it was completed in 1633 in a Perpendicular Gothic style. Similarly, Gothic architecture survived in some urban settings during

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5964-630: The 1770s, thoroughly neoclassical architects such as Robert Adam and James Wyatt were prepared to provide Gothic details in drawing-rooms, libraries and chapels and, for William Beckford at Fonthill in Wiltshire, a complete romantic vision of a Gothic abbey. Some of the earliest architectural examples of the revived are found in Scotland. Inveraray Castle , constructed from 1746 for the Duke of Argyll , with design input from William Adam , displays

6106-674: The 1870s. New architectural movements, sometimes related, as in the Arts and Crafts movement , and sometimes in outright opposition, such as Modernism , gained ground, and by the 1930s the architecture of the Victorian era was generally condemned or ignored. The later 20th century saw a revival of interest, manifested in the United Kingdom by the establishment of the Victorian Society in 1958. The rise of evangelicalism in

6248-832: The 1970s saw the discipline of medievalism become an academic area of research in its own right, with the International Society for the Study of Medievalism formalised in 1979 with the publication of its Studies In Medievalism journal, organised by Leslie J. Workman. D'Arcens notes that by 2016 medievalism was taught as a subject on "hundreds" of university courses around the world, and there were "at least two" scholarly journals dedicated to medievalism studies: Studies in Medievalism and postmedieval . Clare Monagle has argued that political medievalism has caused medieval scholars to repeatedly reconsider whether medievalism

6390-592: The 20th century. Back in Oxford, the redecoration of the dining hall at University College between 1766 and 1768 has been described as "the first major example of the Gothic Revival style in Oxford". Throughout France in the 16th and 17th centuries, churches such as St-Eustache (1532–1640, façade 1754) in Paris and Orléans Cathedral (1601–1829) continued to be built following Gothic principles (structure of

6532-917: The Academy, Vol I" (1997) their sense that medievalism had been perceived by some medievalists as a "poor and somewhat whimsical relation of (presumably more serious) medieval studies ". In The Cambridge Companion to Medievalism (2016), editor Louise D'Arcens noted that some of the earliest medievalism scholarship (that is, study of the phenomenon of medievalism) was by Victorian specialists including Alice Chandler (with her monograph A Dream of Order: The Medieval Ideal in Nineteenth Century England (London: Taylor and Francis, 1971), and Florence Boos, with her edited volume History and Community: Essays in Victorian Medievalism (London: Garland Publishing, 1992)). D'Arcens proposed that

6674-569: The Canadian Parliament Buildings in Ottawa and the Hungarian Parliament Building in Budapest. In English literature, the architectural Gothic Revival and classical Romanticism gave rise to the Gothic novel genre, beginning with The Castle of Otranto (1764) by Horace Walpole , and inspired a 19th-century genre of medieval poetry that stems from the pseudo- bardic poetry of " Ossian ". Poems such as " Idylls of

6816-725: The Casa Bartholdy (1816–17) (later moved to the Alte Nationalgalerie in Berlin) and the Casino Massimo (1817–29), allowed them to attempt a revival of the medieval art of fresco painting and gained then international attention. However, by 1830 all except Overbeck had returned to Germany and the group had disbanded. Many Nazareners became influential teachers in German art academies and were a major influence on

6958-598: The Divine in New York (one of the largest cathedrals in the world), as well as Collegiate Gothic buildings at Princeton Graduate College . On a wider level the wooden Carpenter Gothic churches and houses were built in large numbers across North America in this period. In English literature, the architectural Gothic Revival and classical Romanticism gave rise to the Gothic novel , often dealing with dark themes in human nature against medieval backdrops and with elements of

7100-783: The English crown. At the same time, the Great Hall of Lambeth Palace , that had been despoiled by the Puritans , was rebuilt in a mixture of Baroque and older Gothic forms, demonstrating the restitution of the Anglican Church. These two buildings can be said to herald the onset of Gothic Revival architecture, several decades before it became mainstream. Sir Christopher Wren 's Tom Tower for Christ Church , University of Oxford , consciously set out to imitate Cardinal Wolsey's architectural style. Writing to Dean Fell in 1681, he noted; "I resolved it ought to be Gothic to agree with

7242-592: The Founder's work", adding that to do otherwise would lead to "an unhandsome medley". Pevsner suggests that he succeeded "to the extent that innocent visitors never notice the difference". It was followed in 1697–1704 by the rebuilding of Collegiate Church of St Mary in Warwick as a stone-vaulted hall church , whereas the burnt church had been a basilica with timbered roofs. Also in Warwickshire , in 1729/30,

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7384-638: The Gothic context of the structure overrode considerations of the current architectural mode. Similarly, in St. Salvator's Cathedral of Bruges , the timbered medieval vaults of nave and choir were replaced by "Gothic" stone vaults in 1635 resp. 1738/39. Guarino Guarini , a 17th-century Theatine monk active primarily in Turin , recognized the "Gothic order" as one of the primary systems of architecture and made use of it in his practice. Even in Central Europe of

7526-468: The Gothic style, often known as "Collegiate Gothic", which remained popular in England, Canada and in the United States until well into the early to mid-20th century. Only when new materials, like steel and glass along with concern for function in everyday working life and saving space in the cities, meaning the need to build up instead of out, began to take hold did the Gothic Revival start to disappear from popular building requests. The revived Gothic style

7668-550: The King " by Alfred, Lord Tennyson recast specifically modern themes in medieval settings of Arthurian romance. In German literature , the Gothic Revival also had a grounding in literary fashions. Gothic architecture began at the Basilica of Saint Denis near Paris, and the Cathedral of Sens in 1140 and ended with a last flourish in the early 16th century with buildings like Henry VII's Chapel at Westminster. However, Gothic architecture did not die out completely in

7810-417: The Medieval Church was taken into Enlightenment thinking by works including Edward Gibbon 's Decline and Fall of the Roman Empire (1776–89). Voltaire was particularly energetic in attacking the religiously dominated Middle Ages as a period of social stagnation and decline, condemning Feudalism , Scholasticism , The Crusades , The Inquisition and the Catholic Church in general. The Gothic Revival

7952-490: The Middle Ages since the early twentieth century. The first medieval film was also one of the earliest films ever made, about Jeanne d'Arc in 1899, while the first to deal with Robin Hood dates to as early as 1908. Influential European films, often with a nationalist agenda, included the German Nibelungenlied (1924), Eisenstein 's Alexander Nevsky (1938) and Bergman 's The Seventh Seal (1957), while in France there were many Joan of Arc sequels. Hollywood adopted

8094-502: The Middle Ages". The term has no clear definition but has since been used to describe the intersection between popular fantasy and medieval history as can be seen in computer games such as MMORPGs , films and television , neo-medieval music , and popular literature . It is in this area—the study of the intersection between contemporary representation and past inspiration(s)—that medievalism and neomedievalism tend to be used interchangeably. Neomedievalism has also been used as

8236-405: The Middle Ages. The same imagery would be used in Nazi Germany in the mid-twentieth century to promote German national identity with plans for extensive building in the medieval style and attempts to revive the virtues of the Teutonic knights , Charlemagne and the Round Table . In England, the Middle Ages were trumpeted as the birthplace of democracy because of the Magna Carta of 1215. In

8378-402: The Pendulum " (1842) and Nathanial Hawthorne in " The Minister's Black Veil " (1836) and " The Birth-Mark " (1843). This in turn influenced American novelists like Herman Melville in works such as Moby-Dick (1851). Early Victorian Gothic novels included Emily Brontë 's Wuthering Heights (1847) and Charlotte Brontë 's Jane Eyre (1847). The genre was revived and modernised toward

8520-505: The Reformation as having divided a once-unified and wealthy England into "masters and slaves, a very few enjoying the extreme of luxury, and millions doomed to the extreme of misery", while decrying how "this land of meat and beef was changed, all of a sudden into a land of dry bread and oatmeal porridge". In the Victorian era , the principal representatives of this school were Thomas Carlyle and his disciple John Ruskin . In Carlyle's Past and Present (1843), which Oliver Elton called

8662-414: The Reformation), restored or added, and most new Anglican and Catholic churches were built in the Gothic style. Viollet-le-Duc was a leading figure in the movement in France, restoring the entire walled city of Carcassonne as well as Notre-Dame and Sainte Chapelle in Paris. In America Ralph Adams Cram was a leading force in American Gothic, with his most ambitious project the Cathedral of St. John

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8804-472: The Renaissance, but later, from the beginnings of the Reformation. In the Age of Enlightenment of the 17th and 18th centuries, the Middle Ages was seen as an "Age of Faith" when religion reigned, and thus as a period contrary to reason and contrary to the spirit of the Enlightenment. For them the Middle Ages was barbaric and priest-ridden. They referred to "these dark times", "the centuries of ignorance", and "the uncouth centuries". The Protestant critique of

8946-507: The United States was held in Boston in 1897 and local societies spread across the country, dedicated to preserving and perfecting disappearing craft and beautifying house interiors. Whereas the Gothic revival had tended to emulate ecclesiastical and military architecture, the arts and crafts movement looked to rustic and vernacular medieval housing. The creation of aesthetically pleasing and affordable furnishings proved highly influential on subsequent artistic and architectural developments. By

9088-458: The United States, Collegiate Gothic was a late and literal resurgence of the English Gothic Revival, adapted for American college and university campuses. The term "Collegiate Gothic" originated from American architect Alexander Jackson Davis 's handwritten description of his own "English Collegiate Gothic Mansion" of 1853 for the Harrals of Bridgeport. By the 1890s, the movement was known as "Collegiate Gothic". The firm of Cope & Stewardson

9230-412: The beginning of the Gothic Revival in France. Starting in 1828, Alexandre Brogniart, the director of the Sèvres porcelain manufactory , produced fired enamel paintings on large panes of plate glass, for King Louis-Philippe 's Chapelle royale de Dreux , an important early French commission in Gothic taste, preceded mainly by some Gothic features in a few jardins paysagers . The French Gothic Revival

9372-435: The best example anywhere of Victorian Gothic collegiate architecture". The movement continued into the 20th century, with Cope & Stewardson's campus for Washington University in St. Louis (1900–1909), Charles Donagh Maginnis 's buildings at Boston College (1910s) (including Gasson Hall ), Ralph Adams Cram 's design for the Princeton University Graduate College (1913), and James Gamble Rogers ' reconstruction of

9514-420: The buildings, application of tracery) with some little changes like the use of round arches instead of pointed arches and the application of some Classical details, until the arrival of Baroque architecture. In Bologna , in 1646, the Baroque architect Carlo Rainaldi constructed Gothic vaults (completed 1658) for the Basilica of San Petronio in Bologna, which had been under construction since 1390; there,

9656-559: The campus of Yale University (1920s). Charles Klauder 's Gothic Revival skyscraper on the University of Pittsburgh 's campus, the Cathedral of Learning (1926) exhibited Gothic stylings both inside and out, while using modern technologies to make the building taller. Carpenter Gothic houses and small churches became common in North America and other places in the late 19th century. These structures adapted Gothic elements such as pointed arches, steep gables, and towers to traditional American light-frame construction . The invention of

9798-509: The command of his clients; Government House, Melbourne is Italianate . His banking house for the English, Scottish and Australian Bank in Melbourne has been described as "the Australian masterpiece of neo-Gothic". This claim has also been made for Edmund Blacket 's MacLaurin Hall at the University of Sydney , which sits in the quadrangle complex described as "arguably the most important group of Gothic and Tudor Revival style architecture in Australia". Medievalism Medievalism

9940-413: The confines of population growth, urban sprawl and industrialism, embracing the exotic, unfamiliar and distant. The name "Romanticism" itself was derived from the medieval genre chivalric romance . This movement contributed to the strong influence of such romances, disproportionate to their actual showing among medieval literature, on the image of Middle Ages, such that a knight, a distressed damsel, and

10082-481: The construction of a new Foreign Office in Whitehall saw the decision to award first place to a Gothic design by George Gilbert Scott overturned by the Prime Minister, Lord Palmerston , who successfully demanded a building in the Italianate style. In England, the Church of England was undergoing a revival of Anglo-Catholic and ritualist ideology in the form of the Oxford Movement , and it became desirable to build large numbers of new churches to cater for

10224-474: The construction of large numbers of Gothic Revival buildings. William Wardell (1823–1899) was among the country's most prolific architects; born and trained in England, after emigrating his most notable Australian designs include St Patrick's Cathedral, Melbourne and St John's College and St Mary's Cathedral in Sydney. In common with many other 19th century architects, Wardell could deploy different styles at

10366-514: The domestic Gothic style architecture which preceded it seem primitive and old-fashioned". There are many examples of Gothic Revival architecture in Canada . The first major structure was Notre-Dame Basilica in Montreal, Quebec , which was designed in 1824. The capital, Ottawa, Ontario , was predominantly a 19th-century creation in the Gothic Revival style. The Parliament Hill buildings were

10508-475: The earliest days of the revival. In some cases, cast iron enabled something like a perfection of medieval design. It was only with Ruskin and the archaeological Gothic's demand for historical truth that iron, whether it was visible or not, was deemed improper for a Gothic building. Ultimately, the utility of iron won out: "substituting a cast iron shaft for a granite, marble or stone column is not bad, but one must agree that it cannot be considered as an innovation, as

10650-465: The early beginnings of Christianity. The intervening 1000 year Middle Age was a time of darkness, not only because of lack of secular Latin literature, but because of corruption within the Church such as Popes who ruled as kings, pagan superstitions with saints' relics , celibate priesthood, and institutionalized moral hypocrisy. Most Protestant historians did not date the beginnings of the modern era from

10792-515: The eighteenth and early nineteenth centuries saw in England a reaction in the high church movement which sought to emphasise the continuity between the established church and the pre- Reformation Catholic church. Architecture, in the form of the Gothic Revival, became one of the main weapons in the high church's armoury. The Gothic Revival was also paralleled and supported by " medievalism ", which had its roots in antiquarian concerns with survivals and curiosities. As " industrialisation " progressed,

10934-735: The eighteenth century in Western Europe , and gained strength during and after the Industrial and French Revolutions . It was partly a revolt against the political norms of the Age of Enlightenment which rationalised nature, and was embodied most strongly in the visual arts, music, and literature. Romanticism has been seen as "the revival of the life and thought of the Middle Ages", reaching beyond rational and Classicist models to elevate medievalism and elements of art and narrative perceived to be authentically medieval, in an attempt to escape

11076-415: The end of the century with works like Robert Louis Stevenson 's Strange Case of Dr Jekyll and Mr Hyde (1886), Oscar Wilde 's The Picture of Dorian Gray (1890) and Bram Stoker 's Dracula (1897). Main article: Anglo-Saxonism in the 19th century The development of philology through the 17th-19th centuries as a subject of study in north west Europe and England saw increased interest in tracing

11218-490: The estimated cost, at just under one million dollars, together with the sheer scale of the plans, thoroughly alarmed the College Trustees and only one-sixth of the plan was executed, the present Long Walk , with Francis H. Kimball acting as local, supervising, architect, and Frederick Law Olmsted laying out the grounds. Hitchcock considers the result, "perhaps the most satisfactory of all of [Burges's] works and

11360-577: The exclusive authority of the state. Monagle explained that in 2007 medieval scholar Bruce Holsinger published Neomedievalism, Conservativism and the War on Terror , which identified how George W. Bush 's administration relied on medievalising rhetoric to identify al-Qaeda as "dangerously fluid, elusive, and stateless". Monagle documents how Gabrielle Spiegel , then president of the American Historical Society "expressed concern at

11502-484: The fabric of the church. St. Paul's Episcopal Church in Troy, New York, was constructed in 1827–1828 as an exact copy of Town's design for Trinity Church, New Haven, but using local stone; due to changes in the original, St. Paul's is closer to Town's original design than Trinity itself. In the 1830s, architects began to copy specific English Gothic and Gothic Revival Churches, and these "'mature Gothic Revival' buildings made

11644-420: The fine arts of textiles, wood and metal work and interior design. Morris also produced medieval and ancient themed poetry, beside socialist tracts and the medieval Utopia News From Nowhere (1890). Morris formed Morris, Marshall, Faulkner & Co. in 1861, which produced and sold furnishings and furniture, often with medieval themes, to the emerging middle classes. The first Arts and Crafts exhibition in

11786-642: The first half of the twentieth century pulp fiction writers like Robert E. Howard and Clark Ashton Smith helped popularise the sword and sorcery branch of fantasy, which often utilised prehistoric and non-European settings beside elements of the medieval. In contrast, authors such as E. R. Eddison and particularly J.R.R. Tolkien , set the type for high fantasy , normally based in a pseudo-medieval setting, mixed with elements of medieval folklore. Other fantasy writers have emulated such elements, and films, role-playing and computer games also took up this tradition. Modern fantasy writers have taken elements of

11928-815: The folklore that fantasy drew on for its magic and monsters was not exclusively medieval, elves, dragons, and unicorns, among many other creatures, were drawn from medieval folklore and romance . Earlier writers in the genre, such as George MacDonald in The Princess and the Goblin (1872), William Morris in The Well at the World's End (1896) and Lord Dunsany in The King of Elfland's Daughter (1924), set their tales in fantasy worlds clearly derived from medieval sources, though often filtered through later views. In

12070-402: The growing population, and cemeteries for their hygienic burials. This found ready exponents in the universities, where the ecclesiological movement was forming. Its proponents believed that Gothic was the only style appropriate for a parish church, and favoured a particular era of Gothic architecture – the " decorated ". The Cambridge Camden Society , through its journal The Ecclesiologist ,

12212-436: The idea that scholars of the historical medieval period might consider themselves licensed to in some way to intervene in contemporary medievalism", as to do so "conflates two very different historical periods". Eileen Joy (co-founder and co-editor of the postmedieval journal), responded to Spiegel that "the idea of a medieval past itself, as something that can be demarcated and cordoned off from other historical time periods,

12354-480: The idealised peasantry and medieval community, particularly of the fourteenth century, often with socialist political tendencies and reaching its height between about 1880 and 1910. The movement was inspired by the writings of Carlyle and Ruskin and was spearheaded by the work of William Morris , a friend of the Pre-Raphaelites and a former apprentice to Gothic-revival architect G. E. Street. He focused on

12496-700: The incorporation of turrets. The architectural historian John Gifford writes that the castellations were the "symbolic assertion of the still quasi-feudal power [the duke] exercised over the inhabitants within his heritable jurisdictions". Most buildings were still largely in the established Palladian style, but some houses incorporated external features of the Scots baronial style. Robert Adam's houses in this style include Mellerstain and Wedderburn in Berwickshire and Seton Castle in East Lothian, but it

12638-447: The introduction of a new principle. Replacing a stone or wooden lintel by an iron breastsummer is very good". He strongly opposed illusion, however: reacting against the casing of a cast iron pillar in stone, he wrote; "il faut que la pierre paraisse bien être de la pierre; le fer, du fer; le bois, du bois" (stone must appear to be stone; iron, iron; wood, wood). The arguments against modern construction materials began to collapse in

12780-399: The late 17th and 18th centuries, where Baroque dominated, some architects used elements of the Gothic style. The most important example is Jan Santini Aichel , whose Pilgrimage Church of Saint John of Nepomuk in Žďár nad Sázavou , Czech Republic, represents a peculiar and creative synthesis of Baroque and Gothic. An example of another and less striking use of the Gothic style in the time is

12922-544: The later 17th century, as shown in Oxford and Cambridge , where some additions and repairs to Gothic buildings were considered to be more in keeping with the style of the original structures than contemporary Baroque . In contrast, Dromore Cathedral , built in 1660/1661, immediately after the end of the Protectorate , revived Early English forms, demonstrating the restitution of the monarchy and claiming Ireland for

13064-447: The later 20th century rehabilitation of Victorian architecture and the objects with which they decorated their buildings. In 1847, eight thousand British crown coins were minted in proof condition with the design using an ornate reverse in keeping with the revived style. Considered by collectors to be particularly beautiful, they are known as 'Gothic crowns'. The design was repeated in 1853, again in proof. A similar two shilling coin,

13206-573: The later English Pre-Raphaelite Brotherhood . Eventually, medievalism moved from the confines of fiction into the immediate realm of social commentary as a means of critiquing life in the Industrial Era . An early work of this kind is William Cobbett 's History of the Protestant Reformation (1824–6), which was influenced by his reading of John Lingard 's History of England (1819–30), among other sources. Cobbett attacked

13348-402: The link between Gothic and Catholicism looked to adopt it solely for its aesthetic romantic qualities, to combine it with other styles, or look to northern European Brick Gothic for a more plain appearance; or in some instances all three of these, as at the non-denominational Abney Park Cemetery in east London, designed by William Hosking FSA in 1840. France had lagged slightly in entering

13490-645: The mechanistic approach first adopted by the Mannerist artists who succeeded Raphael and Michelangelo . They believed that the Classical poses and elegant compositions of Raphael in particular had been a corrupting influence on the academic teaching of art. Hence the name "Pre-Raphaelite". In particular, they objected to the influence of Sir Joshua Reynolds , the founder of the English Royal Academy of Arts , believing that his broad technique

13632-597: The medieval as a major genre, issuing periodic remakes of the King Arthur , William Wallace and Robin Hood stories, adapting to the screen such historical romantic novels as Ivanhoe (1952—by MGM ), and producing epics in the vein of El Cid (1961). More recent revivals of these genres include Robin Hood Prince of Thieves (1991), The 13th Warrior (1999) and The Kingdom of Heaven (2005). While

13774-514: The medieval era. The same impulse manifested itself in the translation of medieval national epics into modern vernacular languages, including Nibelungenlied (1782) in Germany, The Lay of the Cid (1799) in Spain, Beowulf (1833) in England, The Song of Roland (1837) in France, which were widely read and highly influential on subsequent literary and artistic work. The name Nazarene

13916-625: The medieval from these works to produce some of the most commercially successful works of fiction of recent years, sometimes pointing to the absurdities of the genre, as in Terry Pratchett 's Discworld novels, or mixing it with the modern world as in J. K. Rowling 's Harry Potter books. In the second half of the twentieth century interest in the medieval was increasingly expressed through form of re-enactment, including combat reenactment , re-creating historical conflict, armour, arms and skill, as well as living history which re-creates

14058-693: The mid-19th and early 20th centuries. The importance of the Cologne completion project in German-speaking lands has been explored by Michael J. Lewis, "The Politics of the German Gothic Revival: August Reichensperger" . Reichensperger was himself in no doubt as to the cathedral's central position in Germanic culture; "Cologne Cathedral is German to the core, it is a national monument in the fullest sense of

14200-772: The mid-19th century as great prefabricated structures such as the glass and iron Crystal Palace and the glazed courtyard of the Oxford University Museum of Natural History were erected, which appeared to embody Gothic principles. Between 1863 and 1872 Viollet-le-Duc published his Entretiens sur l'architecture , a set of daring designs for buildings that combined iron and masonry. Though these projects were never realised, they influenced several generations of designers and architects, notably Antoni Gaudí in Spain and, in England, Benjamin Bucknall , Viollet's foremost English follower and translator, whose masterpiece

14342-568: The middle of the 19th century, Gothic Revival had become the pre-eminent architectural style in the Western world , only to begin to fall out of fashion in the 1880s and early 1890s. The Gothic Revival movement's roots are intertwined with philosophical movements associated with Catholicism and a re-awakening of high church or Anglo-Catholic belief concerned by the growth of religious nonconformism. The "Anglo-Catholic" tradition of religious belief and style became known for its intrinsic appeal in

14484-568: The most famous. During the Bourbon Restoration in France (1814–1830) and the Louis-Philippe period (1830–1848), Gothic Revival motifs start to appear, together with revivals of the Renaissance and of Rococo . During these two periods, the vogue for medieval things led craftsmen to adopt Gothic decorative motifs in their work, such as bell turrets , lancet arches, trefoils , Gothic tracery and rose windows . This style

14626-450: The nation, if it is possible, love for the national architecture", implying that "Gothic" is France's national heritage. In Germany, with the completion of Cologne Cathedral in the 1880s, at the time its summit was the world's tallest building, the cathedral was seen as the height of Gothic architecture. Other major completions of Gothic cathedrals were of Regensburger Dom (with twin spires completed from 1869 to 1872), Ulm Münster (with

14768-457: The nave and aisles of the church of St Nicholas at Alcester were rebuilt by Edward and Thomas Woodward, the exterior in Gothic forms but with a Neoclassical interior. At the same time, 1722–1746, Nicholas Hawksmoor added the west towers to Westminster Abbey , which made him a pioneer of Gothic Revival completions of medieval buildings, which from the late 19th century were increasingly disapproved of, although work in this style continued into

14910-626: The neo-Gothic scene, but produced a major figure in the revival in Eugène Viollet-le-Duc . As well as a powerful and influential theorist, Viollet-le-Duc was a leading architect whose genius lay in restoration. He believed in restoring buildings to a state of completion that they would not have known even when they were first built, theories he applied to his restorations of the walled city of Carcassonne , and to Notre-Dame and Sainte Chapelle in Paris. In this respect he differed from his English counterpart Ruskin, as he often replaced

15052-591: The next century. In Contrasts: or, a Parallel between the Noble Edifices of the Middle Ages, and similar Buildings of the Present Day (1836), Pugin expressed his admiration not only for medieval art but for the whole medieval ethos, suggesting that Gothic architecture was the product of a purer society. In The True Principles of Pointed or Christian Architecture (1841), he set out his "two great rules of design: 1st, that there should be no features about

15194-521: The nineteenth century real and pseudo-medieval symbols were a currency of European monarchical state propaganda. German emperors dressed up in and proudly displayed medieval costumes in public, and they rebuilt the great medieval castle and spiritual home of the Teutonic Order at Marienburg . Ludwig II of Bavaria built a fairy-tale castle at Neuschwanstein and decorated it with scenes from Wagner 's operas, another major Romantic image maker of

15336-606: The preeminent example, of which the original library survives today (after the rest was destroyed by fire in 1916). Their example was followed elsewhere in the city and outlying areas, showing how popular the Gothic Revival movement had become. Other examples of Canadian Gothic Revival architecture in Ottawa are the Victoria Memorial Museum , (1905–1908), the Royal Canadian Mint , (1905–1908), and

15478-557: The principles of sound construction can be so well carried out". The illustrated catalogue for the Great Exhibition of 1851 is replete with Gothic detail, from lacemaking and carpet designs to heavy machinery. Nikolaus Pevsner's volume on the exhibits at the Great Exhibition, High Victorian Design published in 1951, was an important contribution to the academic study of Victorian taste and an early indicator of

15620-428: The reign of Queen Victoria there was considerable interest in things medieval, particularly among the ruling classes. The notorious Eglinton Tournament of 1839 attempted to revive the medieval grandeur of the monarchy and aristocracy. Medieval fancy dress became common in this period at royal and aristocratic masquerades and balls and individuals and families were painted in medieval costume. These trends inspired

15762-485: The result, although he supported many architects, such as Thomas Newenham Deane and Benjamin Woodward , and was reputed to have designed some of the corbel decorations for that pair's Oxford University Museum of Natural History . A major clash between the Gothic and Classical styles in relation to governmental offices occurred less than a decade after the publication of The Stones of Venice . A public competition for

15904-475: The roots of languages and cultures including English, German, Icelandic and Dutch. Antiquaries of the time believed that languages and cultures were intertwined, and Old English texts, especially Beowulf , were claimed by antiquarians from each linguistic-cultural group as 'their' oldest poem. In England, Rebecca Brackmann argues that an increased interest in Old English and imagined Anglo-Saxon culture

16046-664: The seat of the Great Council of The Netherlands , was not actually built until the early 20th century, although it closely followed Rombout II Keldermans 's Brabantine Gothic design, and became the 'new' north wing of the City Hall. In Florence , the Duomo 's temporary façade erected for the Medici-House of Lorraine nuptials in 1588–1589, was dismantled, and the west end of the cathedral stood bare again until 1864, when

16188-656: The sequence of Gothic styles in English ecclesiastical architecture, "a text-book for the architectural student". Its long antique title is descriptive: Attempt to discriminate the styles of English architecture from the Conquest to the Reformation; preceded by a sketch of the Grecian and Roman orders, with notices of nearly five hundred English buildings . The categories he used were Norman , Early English , Decorated , and Perpendicular . It went through numerous editions,

16330-456: The social and cultural life of the past, in areas such as clothing, food and crafts. The movement has led to the creation of medieval markets and Renaissance fairs , from the late 1980s, particularly in Germany and the United States of America. Neo-medievalism (or neomedievalism) is a neologism that was first popularized by the Italian medievalist Umberto Eco in his 1973 essay "Dreaming of

16472-511: The sole nexus", and for the leadership of paternalistic " Captains of Industry ". Along with medievalist writers Walter Scott , Robert Southey , and Kenelm Henry Digby , Carlyle was among the "important literary influences" on Young England , a "parliamentary experiment in romanticism which created considerable stir during the eighteen-forties," led by Lord John Manners and Benjamin Disraeli . Young England developed contemporaneously with

16614-482: The supernatural. Beginning with The Castle of Otranto (1764) by Horace Walpole, 4th Earl of Orford , it also included Mary Shelley 's Frankenstein (1818) and John Polidori 's The Vampyre (1819), which helped found the modern horror genre. This helped create the dark romanticism or American Gothic of authors like Edgar Allan Poe in works including " The Fall of the House of Usher " (1839) and " The Pit and

16756-430: The third quarter of the 19th century. Gothic Revival architecture varied considerably in its faithfulness to both the ornamental styles and construction principles of its medieval ideal, sometimes amounting to little more than pointed window frames and touches of neo-Gothic decoration on buildings otherwise created on wholly 19th-century plans, using contemporary materials and construction methods; most notably, this involved

16898-611: The urging of Carlyle, Ruskin, who identified as both a "violent Tory of the old school" and a "Communist of the old school", adapted this thesis to his theory of political economy in Unto This Last (1860), and to his "Ideal Commonwealth" in Time and Tide (1867), the characteristics of which were derived from the Middle Ages: the guild system , the feudal system, chivalry, and the church. The Pre-Raphaelite Brotherhood

17040-470: The use of iron and, after the 1880s, steel in ways never seen in medieval exemplars. In parallel with the ascendancy of neo-Gothic styles in 19th century England, interest spread to the rest of Europe, Australia, Africa and the Americas; the 19th and early 20th centuries saw the construction of very large numbers of Gothic Revival structures worldwide. The influence of Revivalism had nevertheless peaked by

17182-463: The west end. In Germany, there was a renewal of interest in the completion of Cologne Cathedral . Begun in 1248, it was still unfinished at the time of the revival. The 1820s "Romantic" movement brought a new appreciation of the building, and construction work began once more in 1842, marking a German return for Gothic architecture. St. Vitus Cathedral in Prague , begun in 1344, was also completed in

17324-472: The whimsical Gothic detailing in English furniture is traceable as far back as Lady Pomfret 's house in Arlington Street, London (1740s), and Gothic fretwork in chairbacks and glazing patterns of bookcases is a familiar feature of Chippendale 's Director (1754, 1762), where, for example, the three-part bookcase employs Gothic details with Rococo profusion, on a symmetrical form. Abbotsford in

17466-565: The word, and probably the most splendid monument to be handed down to us from the past". Because of Romantic nationalism in the early 19th century, the Germans, French and English all claimed the original Gothic architecture of the 12th century era as originating in their own country. The English boldly coined the term "Early English" for "Gothic", a term that implied Gothic architecture was an English creation. In his 1832 edition of Notre Dame de Paris , author Victor Hugo said "Let us inspire in

17608-436: The work of mediaeval stonemasons. His rational approach to Gothic stood in stark contrast to the revival's romanticist origins. Throughout his career he remained in a quandary as to whether iron and masonry should be combined in a building. Iron, in the form of iron anchors, had been used in the most ambitious buildings of medieval Gothic, especially but not only for tracery. It had in fact been used in "Gothic" buildings since

17750-563: Was Woodchester Mansion . The flexibility and strength of cast-iron freed neo-Gothic designers to create new structural Gothic forms impossible in stone, as in Calvert Vaux 's cast-iron Gothic bridge in Central Park , New York dating from the 1860. Vaux enlisted openwork forms derived from Gothic blind-arcading and window tracery to express the spring and support of the arching bridge, in flexing forms that presage Art Nouveau . In

17892-407: Was a group of English painters , poets , and critics, founded in 1848 by William Holman Hunt , John Everett Millais and Dante Gabriel Rossetti . The three founders were soon joined by William Michael Rossetti , James Collinson , Frederic George Stephens and Thomas Woolner to form a seven-member "brotherhood". The group's intention was to reform art by rejecting what they considered to be

18034-528: Was a result of, and in turn fuelled, political upheaval in the 17th and 18th centuries. Great Seal of the United States In the United States, Anglo-Saxon mythologies persisted, with Thomas Jefferson proposing that Hengist and Horsa were shown on the Great Seal of the United States . Romanticism was a complex artistic, literary, and intellectual movement that originated in the second half of

18176-416: Was a sloppy and formulaic form of academic Mannerism. In contrast, they wanted to return to the abundant detail, intense colours, and complex compositions of Quattrocento Italian and Flemish art. The Arts and Crafts movement was an aesthetic movement, directly influenced by the Gothic Revival and the Pre-Raphaelites, but moving away from aristocratic, nationalist and high Gothic influences to an emphasis on

18318-490: Was adopted by a group of early nineteenth-century German Romantic painters who reacted against Neoclassicism and hoped to return to art which embodied spiritual values. They sought inspiration in artists of the Late Middle Ages and the early Renaissance , rejecting what they saw as the superficial virtuosity of later art. The name Nazarene came from a term of derision used against them for their affectation of

18460-532: Was adopted by figures including Frederick Thomas Pilkington (1832–1898) in secular architecture it was marked by the re-adoption of the Scots baronial style. Important for the adoption of the style in the early 19th century was Abbotsford, which became a model for the modern revival of the baronial style. Common features borrowed from 16th- and 17th-century houses included battlemented gateways, crow-stepped gables , pointed turrets and machicolations . The style

18602-499: Was also known as "Cathedral style" ("À la catédrale"). By the mid-19th century, Gothic traceries and niches could be inexpensively re-created in wallpaper , and Gothic blind arcading could decorate a ceramic pitcher. Writing in 1857, J. G. Crace , an influential decorator from a family of influential interior designers, expressed his preference for the Gothic style: "In my opinion there is no quality of lightness, elegance, richness or beauty possessed by any other style... [or] in which

18744-462: Was an architectural movement which began in the 1740s in England . Its popularity grew rapidly in the early nineteenth century, when increasingly serious and learned admirers of neo-Gothic styles sought to revive medieval forms in contrast to the classical styles prevalent at the time. In England, the epicentre of this revival, it was intertwined with deeply philosophical movements associated with

18886-606: Was an early and important exponent, transforming the campuses of Bryn Mawr College , Princeton University and the University of Pennsylvania in the 1890s. In 1872, Abner Jackson , the President of Trinity College, Connecticut , visited Britain, seeking models and an architect for a planned new campus for the college. William Burges was chosen and he drew up a four-quadrangled masterplan, in his Early French style. Lavish illustrations were produced by Axel Haig . However,

19028-567: Was at once a setting and a protagonist in a hugely popular work of fiction. Hugo intended his book to awaken a concern for the surviving Gothic architecture left in Europe, however, rather than to initiate a craze for neo-Gothic in contemporary life. In the same year that Notre-Dame de Paris appeared, the new restored Bourbon monarchy established an office in the Royal French Government of Inspector-General of Ancient Monuments,

19170-794: Was completed in 1814 by Marquard Wocher , and is on display at the Schadau Castle, depicting an average morning in the Swiss town of Thun. As of today it's owned by the Gottfried Keller Foundation . 46°44′46″N 7°38′14″E  /  46.746111°N 7.637222°E  / 46.746111; 7.637222 This article about a castle in Switzerland is a stub . You can help Misplaced Pages by expanding it . Gothic Revival architecture Gothic Revival (also referred to as Victorian Gothic or neo-Gothic )

19312-491: Was immediately hailed a success and universally replaced the previous preference for classical design. Not every architect or client was swept away by this tide. Although Gothic Revival succeeded in becoming an increasingly familiar style of architecture, the attempt to associate it with the notion of high church superiority, as advocated by Pugin and the ecclesiological movement, was anathema to those with ecumenical or nonconformist principles. Alexander "Greek" Thomson launched

19454-847: Was laid in 1814, and it was consecrated in 1816. It predates St Luke's Church, Chelsea , often said to be the first Gothic-revival church in London. Though built of trap rock stone with arched windows and doors, parts of its tower and its battlements were wood. Gothic buildings were subsequently erected by Episcopal congregations in Connecticut at St John's in Salisbury (1823), St John's in Kent (1823–1826) and St Andrew's in Marble Dale (1821–1823). These were followed by Town's design for Christ Church Cathedral (Hartford, Connecticut) (1827), which incorporated Gothic elements such as buttresses into

19596-478: Was not limited to architecture. Classical Gothic buildings of the 12th to 16th Centuries were a source of inspiration to 19th-century designers in numerous fields of work. Architectural elements such as pointed arches, steep-sloping roofs and fancy carvings like lace and lattice work were applied to a wide range of Gothic Revival objects. Some examples of Gothic Revival influence can be found in heraldic motifs in coats of arms, furniture with elaborate painted scenes like

19738-615: Was popular across Scotland and was applied to many relatively modest dwellings by architects such as William Burn (1789–1870), David Bryce (1803–1876), Edward Blore (1787–1879), Edward Calvert ( c.  1847–1914 ) and Robert Stodart Lorimer (1864–1929) and in urban contexts, including the building of Cockburn Street in Edinburgh (from the 1850s) as well as the National Wallace Monument at Stirling (1859–1869). The reconstruction of Balmoral Castle as

19880-546: Was set on more sound intellectual footings by a pioneer, Arcisse de Caumont , who founded the Societé des Antiquaires de Normandie at a time when antiquaire still meant a connoisseur of antiquities, and who published his great work on architecture in French Normandy in 1830. The following year Victor Hugo 's historical romance novel The Hunchback of Notre-Dame appeared, in which the great Gothic cathedral of Paris

20022-531: Was so savagely critical of new church buildings that were below its exacting standards and its pronouncements were followed so avidly that it became the epicentre of the flood of Victorian restoration that affected most of the Anglican cathedrals and parish churches in England and Wales. St Luke's Church, Chelsea , was a new-built Commissioner's Church of 1820–1824, partly built using a grant of £8,333 towards its construction with money voted by Parliament as

20164-598: Was still being republished by 1881, and has been reissued in the 21st century. The most common use for Gothic Revival architecture was in the building of churches. Major examples of Gothic cathedrals in the U.S. include the cathedrals of St. John the Divine and St. Patrick in New York City and the Washington National Cathedral on Mount St. Alban in northwest Washington, D.C. One of the biggest churches in Gothic Revival style in Canada

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