179-526: UK Jive is the twenty-third studio album by the English rock group, the Kinks , released in 1989. It was the first album in almost three years since the 1986 album, Think Visual . At this point, it was the longest gap between album releases since the inception of the group. It was their last studio album to feature keyboardist Ian Gibbons who left during the sessions. Gibbons would later rejoin in time for
358-744: A fuzzbox , as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage , although many were professional. In the US and Canada, surf rock —and later the Beatles and other beat groups of the British Invasion —motivated thousands of young people to form bands between 1963 and 1968. Hundreds of grass-roots acts produced regional hits, some of which gained national popularity, usually played on AM radio stations. With
537-762: A fuzzbox , teamed with bass and drums. Guitarists sometimes played using aggressive-sounding bar chords or power chords . Portable organs such as the Farfisa were used frequently and harmonicas and hand-held percussion such as tambourines were not uncommon. Occasionally, the tempo was sped up in passages sometimes referred to as "raveups". Garage rock acts were diverse in both musical ability and style, ranging from crude and amateurish to near-studio level musicianship. There were also regional variations in flourishing scenes, such as in California and Texas. The north-western states of Idaho, Washington and Oregon had
716-423: A "back to basics" or " do-it-yourself " musical approach. The term "garage rock", often used in reference to 1960s acts, stems from the perception that many performers were young amateurs who rehearsed in the family garage. While numerous bands were made up of middle-class teenagers from the suburbs, others were from rural or urban areas or were composed of professional musicians in their twenties. Referring to
895-502: A Boy or Are You a Girl ". In 1964, the group appeared on the T.A.M.I. Show on same bill as the Rolling Stones and James Brown . In the film of the show, their drummer, Victor "Moulty" Moulton, is seen holding one of his drumsticks with a prosthetic clamp while playing—the result of a previous accident in which he lost his left hand. In 1966, Moulton recorded " Moulty ", a spoken monologue set to music, in which he recounted
1074-531: A Curbstone" and "I'm Movin' On". Like the United States, Canada experienced a large and vigorous garage rock movement. Vancouver's the Northwest Company , who recorded "Hard to Cry", had a power chord-driven approach. The Painted Ship were known for primal songs such as the angst-ridden "Frustration" and "Little White Lies", which Stansted Montfichet called a "punk classic". Chad Allan and
1253-659: A big hit for Chicago's the Shadows of Knight , and "I Can Only Give You Everything". Keith Richards 's use of fuzz distortion in the Rolling Stones' 1965 hit, " (I Can't Get No) Satisfaction " affected the sound of countless American garage bands. Also influential were the Pretty Things and the Downliners Sect , both of whom were known for a particularly raw approach to blues-influenced rock that has sometimes been compared to garage. By 1965, bands such as
1432-514: A certain degree doesn't care if it's popular. — Bill Wyman in Vulture (2016) The sound of rock is traditionally centered on the amplified electric guitar, which emerged in its modern form in the 1950s with the popularity of rock and roll. It was also greatly influenced by the sounds of electric blues guitarists. The sound of an electric guitar in rock music is typically supported by an electric bass guitar, which pioneered jazz music in
1611-431: A contract with Motown Records and recorded several songs including "It's My Time". Outside of the mainland, garage rock became a fixture in the islands and territories adjacent to the continent. The Savages from Bermuda recorded the album Live 'n Wild , which features " The World Ain't Round It's Square ", an angry song of youthful defiance. The garage phenomenon, though most often associated with North America,
1790-720: A controlling influence and sought to market more conventionally acceptable recordings. Electric musical instruments (particularly guitars) and amplification were becoming more affordable, allowing young musicians to form small groups to perform in front of local audiences of their peers; and in some areas there was a breakdown, especially among radio audiences, of traditional black and white markets, with more white teenagers listening to and purchasing R&B records. Numerous young people were inspired by musicians such as Chuck Berry , Little Richard , Bo Diddley , Jerry Lee Lewis , Buddy Holly , and Eddie Cochran , whose recordings of relatively unsophisticated and hard-driving songs from
1969-508: A distinctly recognizable regional sound with bands such as the Sonics and Paul Revere & the Raiders . In the 1960s, garage rock had no name and was not thought of as a genre distinct from other rock and roll of the era. Rock critic and future Patti Smith Group guitarist Lenny Kaye remarked that the period "dashed by so fast that nobody knew much of what to make of it while it
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#17328024533992148-543: A few years earlier proclaimed personal independence and freedom from parental controls and conservative norms. Ritchie Valens ' 1958 hit " La Bamba " helped jump-start the Chicano rock scene in Southern California and provided a three-chord template for the songs of numerous 1960s garage bands. By the end of the 1950s regional scenes were abundant around the country and helped set the stage for garage rock
2327-519: A fondness for a good beat, a meaningful lyric with some wit, and the theme of youth, which holds an "eternal attraction" so objective "that all youth music partakes of sociology and the field report ." Writing in Christgau's Record Guide: The '80s (1990), he said this sensibility is evident in the music of folk singer-songwriter Michelle Shocked , rapper LL Cool J , and synth-pop duo Pet Shop Boys —"all kids working out their identities"—as much as it
2506-481: A foundation of simple syncopated rhythms in a 4 meter , with a repetitive snare drum back beat on beats two and four. Melodies often originate from older musical modes such as the Dorian and Mixolydian , as well as major and minor modes. Harmonies range from the common triad to parallel perfect fourths and fifths and dissonant harmonic progressions. Since the late 1950s, and particularly from
2685-576: A frequent addition to the established rock format of guitars, bass, and drums in subsequent progressive rock. Instrumentals were common, while songs with lyrics were sometimes conceptual, abstract, or based in fantasy and science fiction. The Pretty Things ' SF Sorrow (1968), the Kinks' Arthur (Or the Decline and Fall of the British Empire) (1969), and the Who 's Tommy (1969) introduced
2864-846: A hit in 1964 with " Farmer John ", and Thee Midniters are considered prominent figures in Chicano rock , as are the San Diego –based, Cannibal & the Headhunters , who had a hit with Chris Kenner 's " Land of a Thousand Dances ". San Jose and the South Bay area had a bustling scene featuring the Chocolate Watchband, the Count Five , and the Syndicate of Sound . The Chocolate Watchband released several singles in 1967, including "Are You Gonna Be There (at
3043-511: A key feature of psychedelia. Psychedelic rock reached its apogee in the last years of the decade. 1967 saw the Beatles release their definitive psychedelic statement in Sgt. Pepper's Lonely Hearts Club Band , including the controversial track " Lucy in the Sky with Diamonds ", the Rolling Stones responded later that year with Their Satanic Majesties Request , and Pink Floyd debuted with The Piper at
3222-573: A loud amplified sound, often centered on the electric guitar, based on the Chicago blues , particularly after the tour of Britain by Muddy Waters in 1958, which prompted Cyril Davies and guitarist Alexis Korner to form the band Blues Incorporated . The band involved and inspired many of the figures of the subsequent British blues boom, including members of the Rolling Stones and Cream , combining blues standards and forms with rock instrumentation and emphasis. The other key focus for British blues
3401-587: A mainstream audience with hits including " Blowin' in the Wind " (1963) and " Masters of War " (1963), which brought " protest songs " to a wider public, but, although beginning to influence each other, rock and folk music had remained largely separate genres, often with mutually exclusive audiences. Early attempts to combine elements of folk and rock included the Animals' " House of the Rising Sun " (1964), which
3580-495: A major element of progressive rock. From about 1967 bands like Cream and the Jimi Hendrix Experience had moved away from purely blues-based music into psychedelia . By the 1970s, blues rock had become heavier and more riff-based, exemplified by the work of Led Zeppelin and Deep Purple , and the lines between blues rock and hard rock "were barely visible", as bands began recording rock-style albums. The genre
3759-429: A major influence on subsequent electronic rock . With the advent of punk rock and technological changes in the late 1970s, progressive rock was increasingly dismissed as pretentious and overblown. Many bands broke up, but some, including Genesis, ELP, Yes, and Pink Floyd, regularly scored top ten albums with successful accompanying worldwide tours. Some bands which emerged in the aftermath of punk, such as Siouxsie and
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#17328024533993938-410: A more basic form of rock and roll that incorporated its original influences, particularly blues, country and folk music, leading to the creation of country rock and Southern rock. In 1966 Bob Dylan went to Nashville to record the album Blonde on Blonde . This, and subsequent more clearly country-influenced albums, such as Nashville Skyline , have been seen as creating the genre of country folk ,
4117-486: A multibillion-dollar industry and doubling its market while, as Christgau noted, suffering a significant "loss of cultural prestige". "Maybe the Bee Gees became more popular than the Beatles, but they were never more popular than Jesus ", he said. "Insofar as the music retained any mythic power, the myth was self-referential – there were lots of songs about the rock and roll life but very few about how rock could change
4296-572: A musical solo act and television actress in the 1970s. The Luv'd Ones , also from Michigan, signed with Chicago's Dunwich Records and cut records with a sometimes somber sound, such as "Up Down Sue". San Francisco's the Ace of Cups became a fixture in the Bay Area scene in the late 1960s. Other notable 1960s female groups were the Daughters of Eve from Chicago and She (previously known as
4475-589: A national phenomenon. It is often argued that the surf music craze and the careers of almost all surf acts was effectively ended by the arrival of the British Invasion from 1964, because most surf music hits were recorded and released between 1960 and 1965. By the end of 1962, what would become the British rock scene had started with beat groups like the Beatles , Gerry & the Pacemakers and
4654-523: A particularly high concentration of acts and venues, and the Beatles emerged from this thriving music scene. In London and elsewhere, certain groups developed a harder-driving, distinctively British blues style. Nationally popular blues- and R&B- influenced beat groups included the Rolling Stones and the Yardbirds from London, the Animals from Newcastle , and Them , from Belfast , Northern Ireland, featuring Van Morrison . Coinciding with
4833-411: A preacher, prosecutions of Jerry Lee Lewis and Chuck Berry and the breaking of the payola scandal (which implicated major figures, including Alan Freed, in bribery and corruption in promoting individual acts or songs), gave a sense that the rock and roll era established at that point had come to an end. Rock quickly spread out from its origins in the US, associated with the rapid Americanization that
5012-444: A prog rock influence and while ranking among the most commercially successful acts of the 1970s, heralding the era of pomp or arena rock , which would last until the costs of complex shows (often with theatrical staging and special effects), would be replaced by more economical rock festivals as major live venues in the 1990s. The instrumental strand of the genre resulted in albums like Mike Oldfield 's Tubular Bells (1973),
5191-430: A racially integrated band headed by African-American musician Arthur Lee , was one of the most popular bands in the scene. Their propulsive 1966 proto-punk anthem " 7 and 7 Is " was another song often covered by other groups. The Music Machine , led by Sean Bonniwell , employed innovative musical techniques, sometimes building their own custom-made fuzzboxes. Their first album (Turn On) The Music Machine featured
5370-465: A range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in rock and roll, a style that drew directly from the genres of blues , rhythm and blues , and country music . Rock also drew strongly from genres such as electric blues and folk , and incorporated influences from jazz and other musical styles. For instrumentation, rock
5549-446: A rigidly delineated musical definition." In the opinion of music journalist Robert Christgau , "the best rock jolts folk-art virtues—directness, utility, natural audience—into the present with shots of modern technology and modernist dissociation ". Rock and roll was conceived as an outlet for adolescent yearnings ... To make rock and roll is also an ideal way to explore intersections of sex, love, violence, and fun, to broadcast
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5728-625: A rock-informed album era in the music industry for the next several decades. By the late 1960s " classic rock " period, a few distinct rock music subgenres had emerged, including hybrids like blues rock , folk rock , country rock , Southern rock , raga rock , and jazz rock , which contributed to the development of psychedelic rock , influenced by the countercultural psychedelic and hippie scene . New genres that emerged included progressive rock , which extended artistic elements, heavy metal , which emphasized an aggressive thick sound, and glam rock , which highlighted showmanship and visual style. In
5907-721: A route pursued by a number of largely acoustic folk musicians. Other acts that followed the back-to-basics trend were the Canadian group the Band and the California-based Creedence Clearwater Revival , both of which mixed basic rock and roll with folk, country and blues, to be among the most successful and influential bands of the late 1960s. The same movement saw the beginning of the recording careers of Californian solo artists like Ry Cooder , Bonnie Raitt and Lowell George , and influenced
6086-481: A slogan one only began to hear in 1972 or so, mobilized all those eager to believe that idealism had become passe, and once they were mobilized, it had. In popular music, embracing the '70s meant both an elitist withdrawal from the messy concert and counterculture scene and a profiteering pursuit of the lowest common denominator in FM radio and album rock . Rock saw greater commodification during this decade, turning into
6265-753: A string of singles, such as " Western Union ", which became a top 10 US hit in 1967. From Phoenix, Arizona, the Spiders featured Vincent Furnier, later known as Alice Cooper , and eventually adopted that name as the group's moniker. As the Spiders they recorded two singles, most notably "Don't Blow Your Mind", which became a local hit in Phoenix in 1966. The group ventured to Los Angeles in 1967 in hopes of achieving greater success, however they found it not there, but while in Detroit several years later, re-christened as Alice Cooper . From Florida, Orlando's We
6444-464: A variety of directions, including Dylan and the Byrds, who began to develop country rock . However, the hybridization of folk and rock has been seen as having a major influence on the development of rock music, bringing in elements of psychedelia, and helping to develop the ideas of the singer-songwriter, the protest song, and concepts of "authenticity". Psychedelic music's LSD -inspired vibe began in
6623-529: A variety of sources such as the Tin Pan Alley pop tradition, folk music , and rhythm and blues . Christgau characterizes rock lyrics as a "cool medium" with simple diction and repeated refrains, and asserts that rock's primary "function" "pertains to music, or, more generally, noise ." The predominance of white, male, and often middle class musicians in rock music has often been noted, and rock has been seen as an appropriation of Black musical forms for
6802-530: A worthy descriptive replacement". The term "garage punk" has also persisted, and style has been referred to as " '60s punk" and " proto-punk ". "Frat rock" has been used to refer to the R&;B - and surf rock - derived garage sounds of certain acts, such as the Kingsmen and others. In the late 1950s, the initial impact of rock and roll on mainstream American culture waned as major record companies took
6981-501: A young, white and largely male audience. As a result, it has also been seen to articulate the concerns of this group in both style and lyrics. Christgau, writing in 1972, said in spite of some exceptions, "rock and roll usually implies an identification of male sexuality and aggression". Since the term "rock" started being used in preference to "rock and roll" from the late-1960s, it has usually been contrasted with pop music, with which it has shared many characteristics, but from which it
7160-683: Is 60s punk at its sexually charged, aggressive best." Also recording for Dunwich were the Del-Vetts and the Banshees , who released the cathartic "Project Blue". Other notable Chicago acts were the Little Boy Blues and the New Colony Six . Michigan had one of the largest scenes in the country. In early 1966, Detroit's MC5 released a version of "I Can Only Give You Everything" before they went on to greater success at
7339-423: Is centered on the electric guitar , usually as part of a rock group with electric bass guitar , drums , and one or more singers. Usually, rock is song-based music with a 4 time signature using a verse–chorus form , but the genre has become extremely diverse. Like pop music , lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock
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7518-540: Is credited with first using the phrase "rock and roll" to describe the music. Four years later, Bill Haley 's " Rock Around the Clock " (1954) became the first rock and roll song to top Billboard magazine's main sales and airplay charts, and opened the door worldwide for this new wave of popular culture. Other artists with early rock and roll hits included Chuck Berry , Bo Diddley , Fats Domino , Little Richard , Jerry Lee Lewis , and Gene Vincent . Soon rock and roll
7697-406: Is generally agreed that garage rock peaked both commercially and artistically around 1966. By 1968 the style largely disappeared from the national charts and at the local level as amateur musicians faced college, work or the draft . New styles had evolved to replace garage rock. Although the first impact of the British Invasion on American popular music was through beat and R&B based acts,
7876-563: Is generally agreed that the garage rock boom peaked around 1966. That April, the Outsiders from Cleveland hit No. 5 with " Time Won't Let Me ", which was later covered by acts such as Iggy Pop . In July, the Standells from Los Angeles almost made it into the US top ten with " Dirty Water ", a song now often associated with Boston. " Psychotic Reaction " by the Count Five went to No. 5 on Billboard ' s Hot 100 and
8055-555: Is in the music of Chuck Berry , the Ramones , and the Replacements . The foundations of rock music are in rock and roll, which originated in the United States during the late 1940s and early 1950s, and quickly spread to much of the rest of the world. Its immediate origins lay in a melding of various black musical genres of the time, including rhythm and blues and gospel music , with country and western . Debate surrounds
8234-411: Is often distanced by an emphasis on musicianship, live performance, and a focus on serious and progressive themes as part of an ideology of authenticity that is frequently combined with an awareness of the genre's history and development. According to Simon Frith , rock was "something more than pop, something more than rock and roll" and "[r]ock musicians combined an emphasis on skill and technique with
8413-399: Is termed as a rock band or a rock group. Furthermore, it typically consists of between three (the power trio ) and five members. Classically, a rock band takes the form of a quartet whose members cover one or more roles, including vocalist, lead guitarist, rhythm guitarist, bass guitarist, drummer, and often keyboard player or another instrumentalist. Rock music is traditionally built on
8592-417: Is the Band." Garage rock Garage rock (sometimes called garage punk or ' 60s punk ) is a raw and energetic style of rock music that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through
8771-411: Is the closest we came in the 1960s to the original rockabilly spirit of rock & roll." In addition to Rolling Stone and Creem , writings about the genre appeared in various independent "fanzine" publications during the period. In May 1973, Billy Altman launched the short-lived punk magazine , which pre-dated the more familiar 1975 publication of the same name , but, unlike the later magazine,
8950-535: The Billboard Hot 100 . The British Invasion greatly influenced garage bands, providing them with a national audience, leading many (often surf or hot rod groups) to adopt a British influence, and encouraging many more groups to form. Thousands of garage bands were extant in the United States and Canada during the era and hundreds produced regional hits. Despite scores of bands being signed to major or large regional labels, most were commercial failures. It
9129-524: The American folk music revival had grown to a major movement, using traditional music and new compositions in a traditional style, usually on acoustic instruments. In America the genre was pioneered by figures such as Woody Guthrie and Pete Seeger and often identified with progressive or labor politics . In the early sixties figures such as Joan Baez and Bob Dylan had come to the fore in this movement as singer-songwriters. Dylan had begun to reach
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#17328024533999308-422: The garage rock / post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. Rock has also embodied and served as
9487-417: The protest song , rock music has been associated with political activism , as well as changes in social attitudes to race, sex, and drug use, and is often seen as an expression of youth revolt against adult consumerism and conformity . At the same time, it has been commercially highly successful, leading to accusations of selling out . A good definition of rock, in fact, is that it's popular music that to
9666-545: The "British Invasion" of the US, a musical cross-fertilization developed between the two continents. In their 1964 transatlantic hits " You Really Got Me " and " All Day and All of the Night ", the Kinks took the influence of the Kingsmen's version of "Louie Louie" and applied greater volume and distortion, which in turn, influenced the approach of many American garage bands. With Van Morrison, Them recorded two songs widely covered by American garage bands: " Gloria ", which became
9845-454: The 1950s saw the growth in popularity of the electric guitar, and the development of a specifically rock and roll style of playing through such exponents as Chuck Berry, Link Wray , and Scotty Moore . The use of distortion , pioneered by Western swing guitarists such as Junior Barnard and Eldon Shamblin was popularized by Chuck Berry in the mid-1950s. The use of power chords , pioneered by Francisco Tárrega and Heitor Villa-Lobos in
10024-430: The 1960s, Mike Markesich commented "teenage rock & roll groups (i.e. combos) proliferated Everywheresville USA". Though it is impossible to determine how many garage bands were active in the era, their numbers were extensive in what Markesich has characterized as a "cyclonic whirlwind of musical activity like none other". According to Mark Nobles, it is estimated that between 1964 and 1968 over 180,000 bands formed in
10203-472: The 1960s, garage rock was not recognized as a distinct genre and had no specific name, but critical hindsight in the early 1970s—and especially the 1972 compilation album Nuggets —did much to define and memorialize the style. Between 1971 and 1973, certain American rock critics began to retroactively identify the music as a genre and for several years used the term " punk rock " to describe it, making it
10382-477: The 1960s. Guitarist Link Wray has been cited as an early influence on garage rock and is known for his innovative use of guitar techniques and effects such as power chords and distortion. He is best known for his 1958 instrumental " Rumble ", which featured the sound of distorted, "clanging" guitar chords, which anticipated much of what was to come. The combined influences of early-1960s instrumental rock and surf rock also played significant roles in shaping
10561-467: The 19th century and later on by Willie Johnson and Pat Hare in the early 1950s, was popularized by Link Wray in the late 1950s. Commentators have traditionally perceived a decline of rock and roll in the late 1950s and early 1960s. By 1959, the death of Buddy Holly, the Big Bopper and Ritchie Valens in a plane crash, the departure of Elvis for the army, the retirement of Little Richard to become
10740-523: The American bands who often attempted to emulate them, and the music of certain UK acts has been mentioned in particular relation to garage. Beat music emerged in Britain in the early 1960s, as musicians who originally came together to play rock and roll or skiffle assimilated American rhythm and blues influences. The genre provided the model for the format of many later rock groups. The Liverpool area had
10919-997: The Atlantic coast, with acts such as the Vagrants , from Long Island, and Richard and the Young Lions from Newark, New Jersey, and the Blues Magoos from the Bronx, who got their start in New York's Greenwich Village scene and had a hit in 1966 with " (We Ain't Got) Nothin' Yet ", which appeared on their debut album, Psychedelic Lollipop , along with a lengthy rendition of the Nashville Teens ' " Tobacco Road ". The garage craze came into full swing in California, particularly in Los Angeles. The Sunset Strip
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#173280245339911098-699: The B-52's , the Cramps , and Bruce Springsteen . Two months later, the Music Machine reached the top 20 with fuzz guitar-driven " Talk Talk ", whose sound and image that helped pave the way for later acts such as the Ramones . The Syndicate of Sound 's " Little Girl ", which featured a cocksure half-spoken lead vocal set over chiming 12-string guitar chords, reached No. 8 on the Billboard charts and
11277-421: The Banshees , Ultravox , and Simple Minds , showed the influence of progressive rock, as well as their more usually recognized punk influences. In the late 1960s, jazz-rock emerged as a distinct subgenre out of the blues-rock, psychedelic, and progressive rock scenes, mixing the power of rock with the musical complexity and improvisational elements of jazz. AllMusic states that the term jazz-rock "may refer to
11456-513: The Beatles, demonstrating "to the rock generation in general that an album could be a major standalone statement without hit singles", such as on The Freewheelin' Bob Dylan (1963). Folk rock particularly took off in California, where it led acts like the Mamas & the Papas and Crosby, Stills, and Nash to move to electric instrumentation, and in New York, where it spawned performers including
11635-597: The Beau Brummels broke into the national charts with " Laugh, Laugh ", followed by " Just a Little ". According to Richie Unterberger, they were perhaps the first American group to pose a successful response to the British Invasion. That year, Sam the Sham & the Pharaohs ' " Wooly Bully " went to No. 2, and they followed it up a year later with another No. 2 hit, "Little Red Riding Hood". Also in 1965,
11814-617: The Byrds ' shift from folk to folk rock from 1965. The psychedelic lifestyle, which revolved around hallucinogenic drugs, had already developed in San Francisco and particularly prominent products of the scene were Big Brother and the Holding Company , the Grateful Dead and Jefferson Airplane . The Jimi Hendrix Experience 's lead guitarist, Jimi Hendrix did extended distorted, feedback-filled jams which became
11993-431: The Byrds adopted rock instrumentation, including drums and 12-string Rickenbacker guitars, which became a major element in the sound of the genre. Later that year Dylan adopted electric instruments, much to the outrage of many folk purists, with his " Like a Rolling Stone " becoming a US hit single. According to Ritchie Unterberger , Dylan (even before his adoption of electric instruments) influenced rock musicians like
12172-629: The Castaways almost reached Billboard 's top ten with " Liar, Liar ", which was later included on the 1972 Nuggets compilation. Featuring a lead vocal by Rick Derringer , " Hang On Sloopy " became a No. 1 hit for Indiana's the McCoys , topping the Billboard charts in October 1965. They were immediately signed to Bang Records and followed up with another hit in 1966, a cover of " Fever ", originally recorded by Little Willie John . It
12351-537: The Dominos , followed by an extensive solo career that helped bring blues rock into the mainstream. Green, along with the Bluesbreaker's rhythm section Mick Fleetwood and John McVie , formed Peter Green's Fleetwood Mac , who enjoyed some of the greatest commercial success in the genre. In the late 1960s Jeff Beck , also an alumnus of the Yardbirds, moved blues rock in the direction of heavy rock with his band,
12530-507: The Gates of Dawn . Key recordings included Jefferson Airplane's Surrealistic Pillow and the Doors ' self-titled debut album . These trends peaked in the 1969 Woodstock festival , which saw performances by most of the major psychedelic acts. Sgt. Pepper was later regarded as the greatest album of all time and a starting point for the album era , during which rock music transitioned from
12709-415: The Hairem) from Sacramento, California. All-female bands were not exclusive to North America. The Liverbirds were a beat group from the Beatles' home city of Liverpool, England, but became best known in Germany, often performing in Hamburg's Star-Club . All-female groups of the 1960s anticipated later acts associated with the 1970s punk movement, such as the Runaways and the Slits . In 1964 and 1965,
12888-471: The Jeff Beck Group . The last Yardbirds guitarist was Jimmy Page , who went on to form The New Yardbirds which rapidly became Led Zeppelin . Many of the songs on their first three albums, and occasionally later in their careers, were expansions on traditional blues songs. In America, blues rock had been pioneered in the early 1960s by guitarist Lonnie Mack , but the genre began to take off in
13067-506: The Joint " (1949), also covered by Bill Haley & His Comets in 1952; and " Rocket 88 " by Jackie Brenston and his Delta Cats (in fact, Ike Turner and his band the Kings of Rhythm ), recorded by Sam Phillips for Chess Records in 1951. In 1951, Cleveland, Ohio disc jockey Alan Freed began playing rhythm and blues music (then termed " race music ") for a multi-racial audience, and
13246-573: The Kingsmen, frat rock also thrived elsewhere. In 1963, singles by several regional bands from other parts of the United States began appearing on the national charts, including " Surfin' Bird " by the Trashmen from Minneapolis, which essentially fused together parts from two songs previously recorded by the Rivingtons , " The Bird is the Word " and " Papa Oom Mow Mow ". " California Sun " by
13425-567: The Love In)", which was also featured on their debut album No Way Out . The album's opening cut was a rendition of "Let's Talk About Girls", previously recorded by the Tongues of Truth (aka the Grodes ). Chicago, known for electric blues, continued to have a strong recording industry in the 1960s and was also a hotbed of activity for garage rock. Chicago blues as well as the Rolling Stones,
13604-503: The Lovin' Spoonful and Simon and Garfunkel , with the latter's acoustic " The Sounds of Silence " (1965) being remixed with rock instruments to be the first of many hits. These acts directly influenced British performers like Donovan and Fairport Convention . In 1969 Fairport Convention abandoned their mixture of American covers and Dylan-influenced songs to play traditional English folk music on electric instruments. This British folk-rock
13783-511: The Mysterians as an "exposition of punk rock". Conjuring up the mid-1960s, Lester Bangs in June 1971 wrote "...then punk bands started cropping up who were writing their own songs but taking the Yardbirds' sound and reducing it to this kind of goony fuzztone clatter ... oh, it was beautiful, it was pure folklore, Old America, and sometimes I think those were the best days ever". Much of
13962-610: The Pacific Northwest is sometimes referred to as "the Northwest Sound" and had its origins in the late 1950s, when a handful of R&B and rock & roll acts sprang up in various cities and towns in an area stretching from Puget Sound to Seattle and Tacoma, and beyond. There and elsewhere, groups of teenagers were inspired directly by touring R&B performers such as Johnny Otis and Richard Berry , and began to play cover versions of R&B songs. During
14141-566: The People came about as the result of the merger of two previous bands and featured songwriters Tommy Talton and Wane Proctor. They recorded a string of self-composed songs, such as primitive rockers, "You Burn Me Upside Down" and "Mirror of my Mind", as well as the esoteric "In the Past", later covered by the Chocolate Watchband. Evil from Miami, had a hard, sometimes thrashing sound and a reputation for musical mayhem, typified in songs such as "From
14320-435: The Pretty Things , and the Yardbirds influenced the Shadows of Knight , who recorded for Dunwich Records and were known for a tough, hard-driving sound. In 1966 they had hits with versions of Them 's Van Morrison -penned " Gloria " and Bo Diddley's "Oh Yeah", and also released the aggressive "I'm Gonna Make You Mine", which Mike Stax remarked "was recorded live in the studio with the amps cranked beyond distortion, this
14499-668: The Reflections from Winnipeg , Manitoba, began in 1962 and had a hit in the mid-1960s, Johnny Kidd & the Pirates ' " Shakin' All Over ", then went on to greater success in the late 1960s and early 1970s as the Guess Who . In 1966, the Ugly Ducklings from Toronto had a hit with "Nothin ' " and toured with the Rolling Stones. The Haunted from Montreal specialized in a gritty blues-based sound influenced by
14678-542: The Rivieras , from South Bend, Indiana followed, becoming a hit in early 1964. Frat rock persisted into the mid-1960s with acts such as the Swingin' Medallions , who had a top twenty hit with " Double Shot (Of My Baby's Love) " in 1966. During the mid-1960s, garage rock entered its most active period, prompted by the influence of the Beatles and the British Invasion . On February 9, 1964, during their first visit to
14857-476: The Rolling Stones and the Yardbirds , were much more directly influenced by rhythm and blues and later blues music. Soon these groups were composing their own material, combining US forms of music and infusing it with a high energy beat. Beat bands tended towards "bouncy, irresistible melodies", while early British blues acts tended towards less sexually innocent, more aggressive songs, often adopting an anti-establishment stance. There was, however, particularly in
15036-625: The Rolling Stones and released the single "1–2–5". Two other bands from Toronto were the Paupers and the Mynah Birds . The Paupers released several singles and two albums. The Mynah Birds featured the combination of Rick James on lead vocals and Neil Young on guitar, who both went on to fame as solo acts, as well as Bruce Palmer who later accompanied Young to California to join Buffalo Springfield in 1966. They signed
15215-522: The Rolling Stones on their American tour the following year. They had a hit in England with a version of " Can't You Hear My Heartbeat ". The Continental Co-ets from Fulda, Minnesota, were active from 1963 to 1967 and had a hit in Canada with "I Don't Love You No More". The Pleasure Seekers (later known as Cradle), from Detroit, featured Suzi Quatro and her sisters. Quatro went on to greater fame as
15394-588: The Searchers from Liverpool and Freddie and the Dreamers , Herman's Hermits and the Hollies from Manchester. They drew on a wide range of American influences including 1950s rock and roll, soul, rhythm and blues, and surf music, initially reinterpreting standard American tunes and playing for dancers. Bands like the Animals from Newcastle and Them from Belfast , and particularly those from London like
15573-672: The Seeds ) to near-studio musician quality (including the Knickerbockers , the Remains , and the Fifth Estate ). There were also regional variations in many parts of the country with flourishing scenes particularly in California and Texas. The Pacific Northwest states of Washington and Oregon had perhaps the most defined regional sound. The style had been evolving from regional scenes as early as 1958. "Tall Cool One" (1959) by
15752-581: The Smoke , the Sorrows , and Wimple Winch . Some commentators have branded the Troggs as garage rock. Extolling the virtues of their seemingly unrepentant primitivism and sexually charged innuendo, in 1971 Lester Bangs memorialized the Troggs as a quintessential "punk" [i.e. garage] band of the 1960s. They had a worldwide hit in 1966 with " Wild Thing ", written by American Chip Taylor . The Equals ,
15931-499: The Standells who are seen during the opening credits performing the theme song, as well as San Jose's the Chocolate Watchband . The Seeds and the Leaves were favorites with the "in-crowd" and managed to achieve national hits with songs that have come to be regarded as garage classics: the Seeds with " Pushin' Too Hard " and the Leaves with their version of " Hey Joe ", which became a staple in countless bands' repertoires. Love ,
16110-418: The Troggs . Their 1966 worldwide hit " Wild Thing " became a staple in countless American garage bands' repertoires. By 1965, the influence of the British Invasion prompted folk musicians such as Bob Dylan and members of the Byrds to adopt the use of electric guitars and amplifiers, resulting in what became termed folk rock . The resulting success of Dylan, the Byrds, and other folk rock acts influenced
16289-536: The US prior to the arrival of the Beatles ;... [T]he indigenous popular music which functioned in this way ... was the proto-punk more commonly identified as garage rock ". As a result of cross-pollination between surf rock, hot rod music, and other influences, a new style of rock sometimes referred to as frat rock emerged, which has been mentioned as an early subgenre of garage rock. The Kingsmen 's 1963 off-the-cuff version of "Louie Louie" became
16468-676: The US was becoming dominated by lightweight pop and ballads, British rock groups at clubs and local dances were developing a style more strongly influenced by blues-rock pioneers, and were starting to play with an intensity and drive seldom found in white American acts; this influence would go on to shape the future of rock music through the British Invasion . The first four years of the 1960s has traditionally been seen as an era of hiatus for rock and roll. More recently some authors have emphasised important innovations and trends in this period without which future developments would not have been possible. While early rock and roll, particularly through
16647-619: The USSR and South Africa from 1955 to 1957, influencing the globalisation of rock. Johnny O'Keefe 's 1958 record " Wild One " was one of the earliest Australian rock and roll hits. By the late 1950s, as well as in the American-influenced Western world, rock was popular in communist states such as Yugoslavia, and the USSR, as well as in regions such as South America. In the late 1950s and early 1960s, American blues music and blues rock artists, who had been surpassed by
16826-658: The United States, and several thousand US garage acts made records during the era. Garage bands performed in a variety of venues. Local and regional groups typically played at parties, school dances, and teen clubs. For acts of legal age (and in some cases younger), bars, nightclubs, and college fraternity socials also provided regular engagements. Occasionally, groups had the opportunity to open at shows for famous touring acts. Some garage rock bands went on tour, particularly those better-known, but even more obscure groups sometimes received bookings or airplay beyond their immediate locales. Groups often competed in " battles of
17005-399: The United States, the Beatles made an historic appearance on The Ed Sullivan Show watched by a record-breaking viewing audience of a nation mourning the recent death of President John F. Kennedy . For many, particularly the young, the Beatles' visit re-ignited the sense of excitement and possibility that had momentarily faded in the wake of the assassination. Much of this new excitement
17184-475: The Wailers and " Louie Louie " by the Kingsmen (1963) are mainstream examples of the genre in its formative stages. By 1963, garage band singles were creeping into the national charts in greater numbers, including Paul Revere and the Raiders (Boise), the Trashmen (Minneapolis) and the Rivieras (South Bend, Indiana). Other influential garage bands, such as the Sonics (Tacoma, Washington), never reached
17363-464: The White Stripes . According to Peter Blecha , they "were the unholy practitioners of punk rock long before anyone knew what to call it". Founded in 1960, they eventually enlisted the services of vocalist Gerry Rosalie and saxophonist Rob Lind and proceeded to cut their first single, " The Witch " in 1964. The song was re-issued again in 1965, this time with the even more intense "Psycho" on
17542-674: The Who and the Small Faces tailored their appeal to the mod subculture centered in London. Some of the harder-driving and more obscure bands associated with the mod scene in the UK are sometimes referred to as Freakbeat , which is sometimes viewed as a more stylish British equivalent of garage rock. Several bands often mentioned as Freakbeat are the Creation , the Action , the Move ,
17721-454: The advent of psychedelia , numerous garage bands incorporated exotic elements into the genre's primitive stylistic framework. After 1968, as more sophisticated forms of rock music came to dominate the marketplace, garage rock records largely disappeared from national and regional charts, and the movement faded. Other countries in the 1960s experienced similar rock movements that have sometimes been characterized as variants of garage rock. During
17900-527: The advent of rockabilly, saw the greatest commercial success for male and white performers, in this era, the genre was dominated by black and female artists. Rock and roll had not disappeared entirely from music at the end of the 1950s and some of its energy can be seen in the various dance crazes of the early 1960s, started by Chubby Checker 's record " The Twist " (1960). Some music historians have also pointed to important and innovative technical developments that built on rock and roll in this period, including
18079-671: The bands ", which allowed musicians to gain exposure and a chance to win a prize, such as free equipment or recording time in a local studio. Contests were held, locally, regionally and nationally, and three of the most prestigious national events were held annually by the Tea Council of the US, the Music Circus , and the United States Junior Chamber . Performances often sounded amateurish, naïve, or intentionally raw, with typical themes revolving around
18258-532: The biggest selling rock band of all time and they were followed into the US charts by numerous British bands. During the next two years British acts dominated their own and the US charts with Peter and Gordon , the Animals, Manfred Mann , Petula Clark , Freddie and the Dreamers, Wayne Fontana and the Mindbenders , Herman's Hermits, the Rolling Stones, the Troggs , and Donovan all having one or more number one singles. Other major acts that were part of
18437-405: The chart. Their first appearance on The Ed Sullivan Show on 9 February 1964, drawing an estimated 73 million viewers (at the time a record for an American television program) is considered a milestone in American pop culture. During the week of 4 April 1964, the Beatles held 12 positions on the Billboard Hot 100 singles chart, including the entire top five. The Beatles went on to become
18616-518: The country picked up guitars and started bands by the thousands. In many cases, garage bands were particularly influenced by the increasingly bold sound of a second wave of British groups with a harder, blues-based attack, such as the Kinks , the Who , the Animals , the Yardbirds , Small Faces , Pretty Things , Them , and the Rolling Stones often resulting in a raw and primitive sound. Numerous acts sometimes characterized as garage rock formed in countries outside North America, such as England's
18795-474: The de facto "big bang" for three-chord rock, starting as a regional hit in Seattle, then rising to No. 1 on the national charts and eventually becoming a major success overseas. The group unwittingly became the target of an FBI investigation in response to complaints about the song's alleged use of profanity in its nearly indecipherable lyrics. Though often associated with Pacific Northwest acts such as
18974-424: The delights and limitations of the regional , and to deal with the depredations and benefits of mass culture itself. — Robert Christgau in Christgau's Record Guide (1981) Unlike many earlier styles of popular music, rock lyrics have dealt with a wide range of themes, including romantic love, sex, rebellion against " The Establishment ", social concerns, and life styles. These themes were inherited from
19153-455: The distortion-driven "She Lied" in 1964, which Rob Fitzpatrick called "a truly spectacular piece of proto-punk, the sort of perfect blend of melody and aggression that the Ramones would go on to transform the planet with a dozen or more years later". The Squires from Bristol, Connecticut, issued a song now regarded as a garage rock classic, "Going All the Way". Garage rock flourished up and down
19332-455: The early 1970s among existing blues-rock and psychedelic bands, as well as newly formed acts. The vibrant Canterbury scene saw acts following Soft Machine from psychedelia, through jazz influences, toward more expansive hard rock, including Caravan , Hatfield and the North , Gong , and National Health . The French group Magma around drummer Christian Vander almost single-handedly created
19511-460: The early 1970s, Robert Christgau wrote in Christgau's Record Guide: Rock Albums of the Seventies (1981): The decade is, of course, an arbitrary schema itself—time doesn't just execute a neat turn toward the future every ten years. But like a lot of artificial concepts—money, say—the category does take on a reality of its own once people figure out how to put it to work. "The '60s are over,"
19690-407: The early stages, considerable musical crossover between the two tendencies. By 1963, led by the Beatles, beat groups had begun to achieve national success in Britain, soon to be followed into the charts by the more rhythm and blues focused acts. " I Want to Hold Your Hand " was the Beatles' first number one hit on the Billboard Hot 100 , spending seven weeks at the top and a total of 15 weeks on
19869-519: The electronic treatment of sound by such innovators as Joe Meek , and the elaborate production methods of the Wall of Sound pursued by Phil Spector . The instrumental rock and roll of performers such as Duane Eddy , Link Wray and the Ventures was further developed by Dick Dale , who added distinctive "wet" reverb , rapid alternate picking, and Middle Eastern and Mexican influences. He produced
20048-558: The end of the decade. The Unrelated Segments recorded a string of songs beginning with local hit "The Story Of My Life", followed by "Where You Gonna Go". In 1966, the Litter from Minneapolis released the guitar-overdriven " Action Woman ", a song which Michael Hann described as "one of garage's gnarliest, snarliest, most tight-trousered pieces of hormonal aggression". In Texas, the 13th Floor Elevators from Austin, featured Roky Erickson on guitar and vocals and are considered one of
20227-581: The example set by the Beatles ' 1965 LP Rubber Soul in particular, other British rock acts released rock albums intended as artistic statements in 1966, including the Rolling Stones ' Aftermath , the Beatles' own Revolver , and the Who 's A Quick One , as well as American acts in the Beach Boys ( Pet Sounds ) and Bob Dylan ( Blonde on Blonde ). Garage rock was a raw form of rock music, particularly prevalent in North America in
20406-458: The first form of music to bear the description, predating the more familiar use of the term appropriated by the later punk rock movement that it influenced. The term "garage rock" gained favor amongst commentators and devotees during the 1980s. The style has also been referred to as " proto-punk ", or, in certain instances, "frat rock". In the early to mid-1980s, several revival scenes emerged featuring acts that consciously attempted to replicate
20585-498: The first record, and worldwide hit, for the Virgin Records label, which became a mainstay of the genre. Instrumental rock was particularly significant in continental Europe, allowing bands like Kraftwerk , Tangerine Dream , Can , Focus (band) and Faust to circumvent the language barrier. Their synthesiser-heavy " krautrock ", along with the work of Brian Eno (for a time the keyboard player with Roxy Music ), would be
20764-512: The first rock-and-roll act to be signed to Columbia Records , but did not achieve their commercial breakthrough until 1965 with the song "Steppin Out", which was followed by string of chart-topping hits such as " Just Like Me " (originally recorded by the Wilde Knights ) and " Kicks ". The Sonics from Tacoma had a raunchy, hard-driving sound that influenced later acts such as Nirvana and
20943-445: The flip side. They released several albums and are also known for other "high-octane" rockers such as "Cinderella" and "He's Waitin ' ". Prompted by the Sonics, the Wailers entered the mid-1960s with a harder-edged sound in the fuzz-driven "Hang Up" and "Out of Our Tree". The Barbarians from Cape Cod , wearing sandals and long hair and cultivating an image of "noble savages", recorded an album and several singles, such as " Are You
21122-455: The folk scene. The first group to advertise themselves as psychedelic rock were the 13th Floor Elevators from Texas. The Beatles introduced many of the major elements of the psychedelic sound to audiences in this period, such as guitar feedback , the Indian sitar and backmasking sound effects . Psychedelic rock particularly took off in California's emerging music scene as groups followed
21301-615: The following year. Other regional scenes of teenage bands playing R&B-oriented rock were well-established in the early 1960s, several years before the British Invasion , in places such as Texas and the Midwest . At the same time, in Southern California surf bands formed, playing raucous guitar- and saxophone-driven instrumentals. Writer Neil Campbell commented: "There were literally thousands of rough-and-ready groups performing in local bars and dance halls throughout
21480-513: The format of rock operas and opened the door to concept albums , often telling an epic story or tackling a grand overarching theme. King Crimson 's 1969 début album, In the Court of the Crimson King , which mixed powerful guitar riffs and mellotron , with jazz and symphonic music , is often taken as the key recording in progressive rock, helping the widespread adoption of the genre in
21659-617: The fuzz-driven " It's a Cry'n Shame ", which in Mike Markesich's Teenbeat Mayhem is ranked as one of the top two garage rock songs of all time, second only to "You're Gonna Miss Me", by the 13th Floor Elevators. The Outcasts from San Antonio cut two highly regarded songs, "I'm in Pittsburgh and It's Raining", which became a local hit, and "1523 Blair", that Jason Ankeny described as "Texas psychedelia at its finest". The Five Americans were from Durant, Oklahoma, and released
21838-463: The garage outfit Thee Sixpence and had a No. 1 hit in 1967 with psychedelic " Incense and Peppermints ". Garage rock was not an exclusively male phenomenon—it fostered the emergence of all-female bands whose members played their own instruments. One of the first of such acts was New York's Goldie and the Gingerbreads , who appeared at New York's Peppermint Lounge in 1964 and accompanied
22017-472: The group's swan song live album To the Bone . All lyrics are written by Ray Davies , except where noted The Kinks Additional personnel This 1980s rock album–related article is a stub . You can help Misplaced Pages by expanding it . Rock music Rock is a broad genre of popular music that originated as " rock and roll " in the United States in the late 1940s and early 1950s, developing into
22196-461: The hit "Talk Talk". The Electric Prunes were one of the more successful garage bands to incorporate psychedelic influences into their sound, such as in the hit " I Had Too Much to Dream (Last Night) ", whose opening featured a buzzing fuzz -toned guitar, and which appeared on their self titled debut LP . Garage rock was also present in the Latino community of East L.A. The Premiers , who had
22375-403: The impact of the Beatles and the British Invasion shifted the musical landscape, presenting not only a challenge, but also a new impetus, as previously established acts in the Pacific Northwest adapted to the new climate, often reaching greater levels of commercial and artistic success, while scores of new bands formed. After relocating to Portland, Paul Revere & the Raiders in 1963 became
22554-458: The impetus was soon taken up by a second wave of bands that drew their inspiration more directly from American blues , including the Rolling Stones and the Yardbirds . British blues musicians of the late 1950s and early 1960s had been inspired by the acoustic playing of figures such as Lead Belly , who was a major influence on the Skiffle craze, and Robert Johnson . Increasingly they adopted
22733-460: The instrumental "Tall Cool One". After the demise of the Blue Notes, "Rockin' Robin" did a brief stint with the Wailers, and with him on vocals in 1962, they recorded a version of Richard Berry's 1957 song " Louie Louie "—their arrangement became the much-replicated blueprint for practically every band in the region, including Portland's the Kingsmen who went on to achieve a major hit with it
22912-467: The invasion included the Kinks and the Dave Clark Five . The British Invasion helped internationalize the production of rock and roll, opening the door for subsequent British (and Irish) performers to achieve international success. In America it arguably spelled the end of instrumental surf music, vocal girl groups and (for a time) the teen idols , that had dominated the American charts in
23091-517: The label were R&B oriented white rock bands that made use of jazzy horn sections, like Electric Flag , Blood, Sweat & Tears and Chicago , to become some of the most commercially successful acts of the later 1960s and the early 1970s. British acts to emerge in the same period from the blues scene, to make use of the tonal and improvisational aspects of jazz, included Nucleus and the Graham Bond and John Mayall spin-off Colosseum . From
23270-446: The late 1950s and 1960s. It dented the careers of established R&B acts like Fats Domino and Chubby Checker and even temporarily derailed the chart success of surviving rock and roll acts, including Elvis. The British Invasion also played a major part in the rise of a distinct genre of rock music, and cemented the primacy of the rock group, based on guitars and drums and producing their own material as singer-songwriters. Following
23449-627: The late 1950s and early 1960s other instrumental groups playing in the region, such as the Ventures , formed in 1958 in Tacoma, Washington , who came to specialize in a surf rock sound, and the Frantics from Seattle. The Blue Notes from Tacoma, Washington, fronted by "Rockin' Robin" Roberts , were one of the city's first teenage rock & roll bands. The Wailers (often referred to as the Fabulous Wailers) had national chart hit in 1959,
23628-494: The look and sound of 1960s garage bands. Later in the decade, a louder, more contemporary garage subgenre developed that combined garage rock with modern punk rock and other influences, sometimes using the garage punk label originally and otherwise associated with 1960s garage bands. In the 2000s, a wave of garage-influenced acts associated with the post-punk revival emerged, and some achieved commercial success. Garage rock continues to appeal to musicians and audiences who prefer
23807-410: The loudest, wildest, most electrified fusion bands from the jazz camp, but most often it describes performers coming from the rock side of the equation." Jazz-rock "...generally grew out of the most artistically ambitious rock subgenres of the late '60s and early '70s", including the singer-songwriter movement. Many early US rock and roll musicians had begun in jazz and carried some of these elements into
23986-476: The many recordings which have been suggested as "the first rock and roll record ". Contenders include " Strange Things Happening Every Day " by Sister Rosetta Tharpe (1944); " That's All Right " by Arthur Crudup (1946), which was later covered by Elvis Presley in 1954; " The House of Blue Lights " by Ella Mae Morse and Freddie Slack (1946); Wynonie Harris ' " Good Rocking Tonight " (1948); Goree Carter 's "Rock Awhile" (1949); Jimmy Preston 's " Rock
24165-674: The mid-1950s by white singers such as Carl Perkins , Jerry Lee Lewis, Buddy Holly and with the greatest commercial success, Elvis Presley . Hispanic and Latino American movements in rock and roll, which would eventually lead to the success of Latin rock and Chicano rock within the US, began to rise in the Southwest ; with rock and roll standard musician Ritchie Valens and even those within other heritage genres, such as Al Hurricane along with his brothers Tiny Morrie and Baby Gaby as they began combining rock and roll with country- western within traditional New Mexico music . In addition,
24344-609: The mid-1960s the Left Banke , the Beatles, the Rolling Stones and the Beach Boys, had pioneered the inclusion of harpsichords , wind , and string sections on their recordings to produce a form of Baroque rock and can be heard in singles like Procol Harum 's " A Whiter Shade of Pale " (1967), with its Bach -inspired introduction. The Moody Blues used a full orchestra on their album Days of Future Passed (1967) and subsequently created orchestral sounds with synthesizers. Classical orchestration, keyboards, and synthesizers were
24523-479: The mid-1960s and so called because of the perception that it was rehearsed in the suburban family garage. Garage rock songs often revolved around the traumas of high school life, with songs about "lying girls" and unfair social circumstances being particularly common. The lyrics and delivery tended to be more aggressive than was common at the time, often with growled or shouted vocals that dissolved into incoherent screaming. They ranged from crude one-chord music (like
24702-435: The mid-1960s as acts developed a sound similar to British blues musicians. Key acts included Paul Butterfield (whose band acted like Mayall's Bluesbreakers in Britain as a starting point for many successful musicians), Canned Heat , the early Jefferson Airplane , Janis Joplin , Johnny Winter , the J. Geils Band and Jimi Hendrix with his power trios , the Jimi Hendrix Experience (which included two British members, and
24881-401: The mid-1960s onwards, rock music often used the verse–chorus structure derived from blues and folk music, but there has been considerable variation from this model. Critics have stressed the eclecticism and stylistic diversity of rock. Because of its complex history and its tendency to borrow from other musical and cultural forms, it has been argued that "it is impossible to bind rock music to
25060-465: The new music genre zeuhl with their first albums in the early 1970s. Greater commercial success was enjoyed by Pink Floyd, who also moved away from psychedelia after the departure of Syd Barrett in 1968, with The Dark Side of the Moon (1973), seen as a masterpiece of the genre, becoming one of the best-selling albums of all time. There was an emphasis on instrumental virtuosity, with Yes showcasing
25239-608: The new music. In Britain the subgenre of blues rock, and many of its leading figures, like Ginger Baker and Jack Bruce of the Eric Clapton -fronted band Cream , had emerged from the British jazz scene. Often highlighted as the first true jazz-rock recording is the only album by the relatively obscure New York–based the Free Spirits with Out of Sight and Sound (1966). The first group of bands to self-consciously use
25418-505: The prominent bands of the era. They had a regional hit with " You're Gonna Miss Me " and a string of albums, but the band was hampered by drug busts and related legal problems that hastened their demise. Richie Unterberger singled out The Zakary Thaks , from Corpus Christi, for their songwriting skills, and they are best known for the frantic and sped-up "Bad Girl". The Moving Sidewalks , from Houston, featured Billy Gibbons on guitar, later of ZZ Top . The Gentlemen from Dallas cut
25597-471: The psychedelic rock and the Canterbury scenes came Soft Machine, who, it has been suggested, produced one of the artistically successfully fusions of the two genres. Perhaps the most critically acclaimed fusion came from the jazz side of the equation, with Miles Davis , particularly influenced by the work of Hendrix, incorporating rock instrumentation into his sound for the album Bitches Brew (1970). It
25776-582: The regional hit " Let's Go Trippin ' " in 1961 and launched the surf music craze, following up with songs like " Misirlou " (1962). Like Dale and his Del-Tones , most early surf bands were formed in Southern California, including the Bel-Airs , the Challengers , and Eddie & the Showmen . The Chantays scored a top ten national hit with " Pipeline " in 1963 and probably the best-known surf tune
25955-498: The revival of interest in 1960s garage rock can be traced to the release of the 1972 album Nuggets compiled by Lenny Kaye. In the liner notes, Kaye used "punk rock" as a collective term for 1960s garage bands and also "garage-punk" to describe a song recorded in 1966 by the Shadows of Knight. In the January 1973 Rolling Stone review of Nuggets , Greg Shaw commented: "Punk rock is a fascinating genre ... Punk rock at its best
26134-400: The rise of rock and roll in the US, found new popularity in the UK, visiting with successful tours. Lonnie Donegan 's 1955 hit " Rock Island Line " was a major influence and helped to develop the trend of skiffle music groups throughout the country, many of which, including John Lennon 's Quarrymen (later the Beatles ), moved on to play rock and roll. While former rock and roll market in
26313-475: The romantic concept of art as artistic expression, original and sincere". In the new millennium, the term rock has occasionally been used as a blanket term including forms like pop music, reggae music , soul music , and even hip hop , which it has been influenced with but often contrasted through much of its history. Christgau has used the term broadly to refer to popular and semipopular music that caters to his sensibility as "a rock-and-roller", including
26492-522: The same era, and by percussion produced from a drum kit that combines drums and cymbals. This trio of instruments has often been complemented by the inclusion of other instruments, particularly keyboards such as the piano, the Hammond organ , and the synthesizer. The basic rock instrumentation was derived from the basic blues band instrumentation (prominent lead guitar, second chordal instrument, bass, and drums). A group of musicians performing rock music
26671-555: The second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave , post-punk and eventually alternative rock . From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge , Britpop , and indie rock . Further fusion subgenres have since emerged, including pop-punk , electronic rock , rap rock , and rap metal . Some movements were conscious attempts to revisit rock's history, including
26850-546: The singles format to albums and achieved cultural legitimacy in the mainstream. Led by the Beatles in the mid-1960s, rock musicians advanced the LP as the dominant form of recorded music expression and consumption, initiating a rock-informed album era in the music industry for the next several decades. Progressive rock, a term sometimes used interchangeably with art rock , moved beyond established musical formulas by experimenting with different instruments, song types, and forms. From
27029-413: The skills of both guitarist Steve Howe and keyboard player Rick Wakeman , while Emerson, Lake & Palmer were a supergroup who produced some of the genre's most technically demanding work. Jethro Tull and Genesis both pursued very different, but distinctly English, brands of music. Renaissance , formed in 1969 by ex-Yardbirds Jim McCarty and Keith Relf, evolved into a high-concept band featuring
27208-453: The sound and approach of numerous garage bands. In the wake of the British Invasion, garage rock experienced a boom in popularity. With thousands of garage bands active in the US and Canada, hundreds produced regional hits during the period, often receiving airplay on local AM radio stations. Several acts gained wider exposure just long enough to have one or occasionally more national hits in an era rife with " one-hit wonders ". In 1965,
27387-480: The sound garage rock. According to Lester Bangs , "the origins of garage rock as a genre can be traced to California and the Pacific Northwest in the early Sixties". The Pacific Northwest , which encompasses Washington , Oregon , and Idaho , played a critical role in the inception of garage rock, hosting the first scene to produce a sizable number of acts, and pre-dated the British Invasion by several years. The signature garage sound that eventually emerged in
27566-448: The term " punk rock " to characterize it, making it the first musical form to bear the description. While the coinage of the term "punk" in relation to rock music is unknown, it was sometimes used then to describe primitive or rudimentary rock musicianship, but more specifically 1960s garage as a style. In the May 1971 issue of Creem , Dave Marsh described a performance by ? and
27745-615: The three-octave voice of Annie Haslam . Most British bands depended on a relatively small cult following, but a handful, including Pink Floyd, Genesis, and Jethro Tull, managed to produce top ten singles at home and break the American market. The American brand of progressive rock varied from the eclectic and innovative Frank Zappa , Captain Beefheart and Blood, Sweat & Tears , to more pop rock orientated bands like Boston , Foreigner , Kansas , Journey , and Styx . These, beside British bands Supertramp and ELO , all demonstrated
27924-459: The traumas of high school life and songs about "lying girls" being particularly common. The lyrics and delivery were frequently more aggressive than that of the more established acts of the time, often with nasal, growled, or shouted vocals, sometimes punctuated by shrieks or screams at climactic moments of release. Instrumentation was frequently characterized by basic chord structures played on electric guitars or keyboards often distorted through
28103-574: The travails of his disfigurement, released under the Barbarians' name, but backed by future members of the Band . Boston's the Remains (sometimes called Barry & the Remains), led by Barry Tashian , became one of the region's most popular bands and, in addition to issuing five singles and a self-titled album , toured with the Beatles in 1966. Also from Boston, the Rockin' Ramrods released
28282-409: The vehicle for cultural and social movements, leading to major subcultures including mods and rockers in the U.K., the hippie movement and the wider Western counterculture movement that spread out from San Francisco in the U.S. in the 1960s, the latter of which continues to this day. Similarly, 1970s punk culture spawned the goth , punk, and emo subcultures. Inheriting the folk tradition of
28461-480: The work of the Beach Boys , formed in 1961 in Southern California. Their early albums included both instrumental surf rock (among them covers of music by Dick Dale) and vocal songs, drawing on rock and roll and doo wop and the close harmonies of vocal pop acts like the Four Freshmen . The Beach Boys first chart hit, " Surfin ' " in 1961 reached the Billboard top 100 and helped make the surf music craze
28640-533: The work of established performers such as the Rolling Stones' Beggar's Banquet (1968) and the Beatles' Let It Be (1970). Reflecting on this change of trends in rock music over the past few years, Christgau wrote in his June 1970 "Consumer Guide" column that this "new orthodoxy" and "cultural lag" abandoned improvisatory, studio-ornamented productions in favor of an emphasis on "tight, spare instrumentation" and song composition: "Its referents are '50s rock, country music, and rhythm-and-blues, and its key inspiration
28819-404: The world, except as a new brand of painkiller ... In the '70s the powerful took over, as rock industrialists capitalized on the national mood to reduce potent music to an often reactionary species of entertainment—and to transmute rock's popular base from the audience to market." Roots rock is the term now used to describe a move away from what some saw as the excesses of the psychedelic scene, to
28998-462: Was John Mayall ; his band, the Bluesbreakers , included Eric Clapton (after Clapton's departure from the Yardbirds) and later Peter Green . Particularly significant was the release of Blues Breakers with Eric Clapton (Beano) album (1966), considered one of the seminal British blues recordings and the sound of which was much emulated in both Britain and the United States. Eric Clapton went on to form supergroups Cream, Blind Faith , and Derek and
29177-460: Was 1963's " Wipe Out ", by the Surfaris , which hit number 2 and number 10 on the Billboard charts in 1965. Surf rock was also popular in Europe during this time, with the British group the Shadows scoring hits in the early 1960s with instrumentals such as " Apache " and " Kon-Tiki ", while Swedish surf group the Spotnicks saw success in both Sweden and Britain. Surf music achieved its greatest commercial success as vocal pop music, particularly
29356-473: Was a major influence on subsequent rock-influenced jazz artists, including Herbie Hancock , Chick Corea and Weather Report . The genre began to fade in the late 1970s, as a mellower form of fusion began to take its audience, but acts like Steely Dan , Frank Zappa and Joni Mitchell recorded significant jazz-influenced albums in this period, and it has continued to be a major influence on rock music. Reflecting on developments that occurred in rock music in
29535-429: Was around". In the early 1970s, Kaye and other US rock critics, such as Dave Marsh , Lester Bangs , and Greg Shaw , began to retroactively draw attention to the music, speaking nostalgically of mid-1960s garage bands (and subsequent artists then perceived to be their stylistic inheritors) for the first time as a genre. "Garage rock" was not the initial name applied to the style. In the early 1970s such critics used
29714-424: Was continued in the 1970s by figures such as George Thorogood and Pat Travers , but, particularly on the British scene (except perhaps for the advent of groups such as Status Quo and Foghat who moved towards a form of high energy and repetitive boogie rock ), bands became focused on heavy metal innovation, and blues rock began to slip out of the mainstream. By the 1960s, the scene that had developed out of
29893-458: Was expressed in rock music, often to the chagrin of parents and elders. In the wake of the Beatles' first visit, a subsequent string of successful British beat groups and acts achieved success in America between 1964 and 1966, often referred to in the US as "the British Invasion". Such acts had a profound impact, leading many (often surf or hot rod groups) to respond by altering their style, and countless new bands to form, as teenagers around
30072-449: Was founded in Britain), and Band of Gypsys , whose guitar virtuosity and showmanship would be among the most emulated of the decade. Blues rock bands from the southern states, like the Allman Brothers Band , Lynyrd Skynyrd , and ZZ Top , incorporated country elements into their style to produce the distinctive genre Southern rock . Early blues rock bands often emulated jazz, playing long, involved improvisations, which would later be
30251-532: Was largely devoted to discussion of 1960s garage and psychedelic acts. Greg Shaw's seasonal publication, Who Put the Bomp! , was influential amongst enthusiasts and collectors of the genre in the early 1970s. Though the phrase "punk rock" was the favored generic term in the early 1970s, "garage band" was also mentioned in reference to groups. In Rolling Stone in March 1971, John Mendelsohn made an oblique reference to "every last punk teenage garage band having its Own Original Approach". The term "punk rock"
30430-480: Was later appropriated by the more commonly-known punk rock movement that emerged in the mid-1970s and is now most commonly applied to groups associated with that movement or who followed in its wake. For the 1960s style, the term "garage rock" came into favor in the 1980s. According to Mike Markesich: "Initially launched into the underground vernacular at the start of the '80s, the garage tag ... slowly sifted its way amid like-minded fans to finally be recognized as
30609-433: Was later covered by acts such as the Dead Boys , the Banned , and the Chesterfield Kings . In 1965, a Pittsburgh disc jockey discovered " Hanky Panky ", a 1964 song by a since-defunct group, the Shondells; the song's belated success revived the career of Tommy James , who assembled a new group under the name Tommy James and the Shondells and produced 12 more top-40 singles. In 1967, Strawberry Alarm Clock emerged from
30788-407: Was later memorialized by Lester Bangs in his 1971 piece "Psychotic Reactions and Carburetor Dung". " 96 Tears " (1966) by Question Mark and the Mysterians , from Saginaw, Michigan, became a No. 1 hit in the US. The song's organ riffs and theme of teenage heartbreak have been mentioned as a landmark recording of the garage rock era and recognized for influencing the works of acts as diverse as
30967-459: Was not exclusive to it. As part of the international beat trend of the 1960s, other countries developed grass-roots rock movements that closely mirrored what was happening in North America, which have sometimes been characterized as variants of garage rock or as closely related forms. Although Britain did not develop a distinct garage rock genre in the same way as the United States, many British beat groups shared important characteristics with
31146-411: Was taken up by bands including Pentangle , Steeleye Span and the Albion Band , which in turn prompted Irish groups like Horslips and Scottish acts like the JSD Band , Spencer's Feat and later Five Hand Reel , to use their traditional music to create a brand of Celtic rock in the early 1970s. Folk-rock reached its peak of commercial popularity in the period 1967–68, before many acts moved off in
31325-548: Was taking place globally in the aftermath of the Second World War . Cliff Richard is credited with one of the first rock and roll hits outside of North America with " Move It " (1959), effectively ushering in the sound of British rock . Several artists, most prominently Tommy Steele from the UK, found success with covers of major American rock and roll hits before the recordings could spread internationally, often translating them into local languages where appropriate. Steele in particular toured Britain, Scandinavia, Australia,
31504-414: Was the center of L.A. nightlife, providing bands with high-profile venues to attract a larger following and possibly capture the attention of record labels looking to sign a new act. Exploitation films such as Riot on Sunset Strip , Mondo Hollywood , captured the musical and social milieu of life on the strip. In Riot on Sunset Strip , several bands make appearances at the Pandora's Box , including
31683-439: Was the first commercially successful folk song to be recorded with rock and roll instrumentation and the Beatles " I'm a Loser " (1964), arguably the first Beatles song to be influenced directly by Dylan. The folk rock movement is usually thought to have taken off with the Byrds ' recording of Dylan's " Mr. Tambourine Man " which topped the charts in 1965. With members who had been part of the café-based folk scene in Los Angeles,
31862-430: Was the major force in American record sales and crooners , such as Eddie Fisher , Perry Como , and Patti Page , who had dominated the previous decade of popular music, found their access to the pop charts significantly curtailed. Rock and roll has been seen as leading to a number of distinct subgenres, including rockabilly, combining rock and roll with "hillbilly" country music, which was usually played and recorded in
32041-400: Was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s. Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated
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