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144-408: Virumaandi is a 2004 Indian Tamil-language action drama film written, co-edited, produced, and directed by Kamal Haasan , who also performed in the title role. The cast also includes Pasupathy , Napoleon , Abhirami , Rohini , Shanmugarajan and Nassar in pivotal roles. The film's score and soundtrack were composed by Ilaiyaraaja . The film won critical acclaim and was a commercial success at

288-586: A "desperate attempt to mask the lack of content." Geoff King argued that the spectacle can also be a vehicle for narrative, opposed to interfering with it. Soberson stated that Harvey O'Brien had "perhaps the most convincing understanding of the genre", stating that the action film was "best understood as a fusion of form and content. It represents the idea and ethic of action through a form in which action, agitation and movement are paramount." O'Brien wrote further in his book Action Movies: The Cinema of Striking Back to suggest action films being unique and not just

432-510: A Global release status of Chinese-language martial arts films, most notably Zhang Yimou 's Hero (2002) and House of Flying Daggers (2004), Stephen Chow 's Kung Fu Hustle (2004) and Chen Kaige 's The Promise (2005). Most Hong Kong action films in the first quarter of the 21st century, such as those in Cold War (2012), Cold War 2 (2016) and The White Storm film series have their violence toned down, especially compared to

576-436: A fight sequence. In the 1980s, American martial arts films reflected the national move towards conservatism, reflected in films of Chuck Norris and other actors such as Sho Kosugi . The genre would shift from theatrical releases towards the end of the decade with the rise of home video, the lower box-office of American martial arts productions, and a significant portion of direct-to-video action films that first were made in

720-402: A five-year sentence for raping Annalakshmi and then the death penalty for the six-people murder case. Here, Kothala stops and says that God has given justice, but Virumaandi is still angry. Angela tries to make Virumaandi talk, but Virumaandi verbally assaults her. Finally, Angela says that she is doing a PhD against the death penalty as her father, who toiled to raise her, and got her married to

864-426: A foreign currency into the currency of one's own country, as well as the return of military personnel to their place of origin following a war . It also applies to diplomatic envoys, international officials as well as expatriates and migrants in time of international crisis. For refugees , asylum seekers and illegal migrants , repatriation can mean either voluntary return or deportation . Voluntary return

1008-491: A foreign national is in the United States with a visa and becomes ill, the insurance that the visa holder has in his or her native country may not apply in the United States, especially if it is a country with universal health care coverage. This scenario forces hospitals to choose one of three options: Determining which option is the most ethical is often very challenging for hospital administrators. In some cases,

1152-437: A global audience of these films in the United States and Europe, but was cut short on Lee's death in 1973 leading the phases popularity to decline. Following a period of stagnation, Chang Cheh and Lau Kar-leung revitalized the genre with shaolin kung fu films and Chor Yuen 's series of darker swordplay films based on the novels of Gu Long . Kung Fu comedies appeared featuring Jackie Chan as martial arts films flourished into

1296-427: A henchman of Kothala, but his explicit charge sheet got him a death sentence. A revolt among the jail staff leads to a jailbreak, as Jayanth gets stabbed and Virumaandi saves the evidence and Angela from Peykkaman and his henchmen. Jayanth insists that Virumaandi wear a police uniform and safely get Angela out of jail. When Virumaandi and Angela are about to leave the jail, Kothala stabs Virumaandi, proving that Virumaandi

1440-566: A hero overcoming enemies or obstacles and physical conflicts or challenge, usually battling other humans or alien opponents. By late 2010s studies of genre analysis, the term "genre" itself is often replaced or supplemented with the words "mode" and "narrative form" with all three terms often being used interchangeably. Johan Höglund and Agnieszka Soltysik Monnet said that the difference between these concepts are elusive, but stated that genre could be defined as belonging to specific historical and cultural moments while "mode" and "form" can refer to

1584-454: A larger pattern that operates across a wider historical and cultural field. In their book Action Cinema Since 2000 (2024), Tasker, Lisa Purse, and Chris Holmlund stated that thinking of action as a mode is more helpful than thinking of it as a genre. The three authors suggested that action frames a certain manner of filmmaking and viewing exceed genre without eclipsing it stating that websites such as IMDb and Misplaced Pages rarely label films by

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1728-509: A man named James, was forced to kill James to save her from marital abuse. Her father was hanged in the same prison years ago, and then she chose law as a career. After much resentment and objection, Virumaandi agrees to turn to tell his version to Angela. Virumaandi, 28 was sent back to home from Singapore for taking responsibility for his cousin's actions. His only close relation was his grandmother, who practices natural farming without artificial fertilizers and avoids deep bore wells. Kothala had

1872-720: A matter of government policy. Repatriation measures of voluntary return , with financial assistance, as well as measures of deportation are used in many countries. As repatriation can be voluntary or forced, the term is also used as a euphemism for deportation. Involuntary or forced repatriation is the return of refugees, prisoners of war, or civil detainees to their country of origin under circumstances that leave no other viable alternatives. According to Universal Declaration of Human Rights refugees under political persecution should be given political asylum . The forced return of people to any country where "life or freedom would be threatened" due to "race, religion, nationality, membership of

2016-554: A mentor program to assist the repatriate. The expatriate and his/her family should feel understood by his or her company. Support can increase job satisfaction, thereby protecting the investment made by the company. Return of human remains to their nation of origin. In the United States, Native Americans' human remains are uncovered and removed from their burial sites in the construction/land development process or as part of archaeological excavations. The Native American Graves Protection and Repatriation Act (NAGPRA) of 1990 established

2160-410: A number of factors including self-management , spouse's adjustment, time spent abroad and skill utilisation. What is crucial is that every individual perceives these factors in a different way. Reintegration is a process of re-inclusion or re-incorporation of a person into a group or a process, and may contribute to overcoming repatriation. Direct managers and HR staff often notice the difficulties

2304-461: A particular social group or political opinion" is against Protocol Relating to the Status of Refugees according to non-refoulement . While repatriation necessarily brings an individual to his or her territory of origin or citizenship, a return potentially includes bringing the person back to the point of departure. This could be to a third country, including a country of transit, which is a country

2448-554: A propensity for violent action, identified with the films of Chang Cheh . Violent female characters have been part of cinema since its early inception, with characters such as Kate Kelly brandishing a shotgun in The Story of the Kelly Gang (1906). Women traditionally appear in action films as romantic interests, tomboys , or sidekicks to male protagonists. Violent white women would appear in other genres as well such as

2592-421: A repatriate experiences, but they are not always able to act on it. Budget shortcomings and time constraints are frequently cited as reasons why it fails to be an agenda priority. Solutions for repatriation difficulties do not have to be expensive and can lead to great benefits for the company. Basic support can consist, for example, of good communication in advance, during and after the international assignment, or

2736-511: A series of action sequences, stating that that the difference between Raiders of the Lost Ark (1981) and Die Hard (1988), that while both were mainstream Hollywood blockbusters with hero asserting masculinity and overcoming obstacles to a personal and social solution, John McClane in Die Hard repeatedly firing his automatic pistol while swinging from a high rise was not congruent with

2880-745: A significant portion. These films include Taxi 2 (2000), Kiss of the Dragon (2001), District 13 (2004) and Unleashed (2005). Whan asked about the Americanization of these French films, Christophe Gans , director of Brotherhood of the Wolf (2001) stated that "Hollywood ownership of certain elements [...] must be challenged, in order to show that these elements have also long been present in European culture." The most significant producers of French action films with international ambitions

3024-399: A silent eye on the fertile land owned by Virumaandi as it had the only rich underground water available. He treats Virumaandi as his nephew. Virumaandi falls in love with Annalakshmi after he tames her stubborn bull at a jallikattu event. That night, his grandmother dies, and he rejects all offers for his land at the ensuing funeral. 7 days later, an attempt is made on Virumaandi's life during

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3168-658: A similar level of popularity to that of the Western in the United States. The most internationally known films of this era were the films Kurosawa with Seven Samurai (1954), The Hidden Fortress (1958), and Yojimbo (1961). By at least the 1950s, Japanese films were looked upon as a model to be emulated by Hong Kong film production, and Hong Kong film companies began actively enlisting professionals from Japan, such as cinematographer Tadashi Nishimoto to contribute to color and widescreen cinematography. New literary sources also developed in martial arts films of this period, with

3312-406: A single genre and that streaming services such as Amazon Prime and Netflix similarly dilutes what is marketed and received as action. In transnational cinema, there are two major trends in action films: Hollywood action films and their style being imitated around the globe and the other being Chinese-language martial arts films. The roots of action films extend into the beginning of film but it

3456-648: A successful body part repatriation, see Yagan . Another example can be seen through the dedicated work of the Karanga Aotearoa Repatriation Programme, established in partnership between Māori and the New Zealand government in 2003. This programme is administered by the Museum of New Zealand Te Papa Tongarewa (Te Papa), and since 2003 has repatriated over 350 Māori and Moriori ancestral remains to Aotearoa New Zealand. Article 12 of

3600-451: A three-act structure centered on survival, resistance and revenge with narratives where the physical body of the hero is tested, traumatized and ultimately triumphant. The third shift in action cinema, the postclassical, was defined by the predominance of Eastern cinema and its aesthetics, primarily the wire-work of Hong Kong action cinema from the classical era, through the convention of the increasingly computer generated effects. This saw

3744-594: A tough police officer protects society by upholding the law against systematic corruption. This extended into films which O'Brien described as "knee-jerk responses" to perceived threats with rogue cop and vigilante films such as Dirty Harry (1971) and Death Wish (1974) where the restoration of order is only possible by force and antisocial characters prepared to act when society does not. The vigilantism reappears in other films that were exploitative of southern society such as Billy Jack (1971) and White Lightning (1973) and "good ol' boy" comedies like Smokey and

3888-496: A traveler's personal insurance company may repatriate the patient back to their home country for medical treatment due to the cost of medical expenses in the current country. The method of repatriation could be via regular flight, by ground, or by air ambulance which ever is deemed necessary subjected to the medical condition of patient and cost in mind. Medical repatriation is different from the act of medical evacuation . Countries have repatriated their nationals who are abroad during

4032-463: Is Luc Besson 's France-based EuropaCorp , who released films like Taxi (1998) and From Paris with Love (2010). EuropaCorp produced Transporter franchise starred British actor Jason Statham and made him an action film star, which led him to feature in The Expendables series by the end of the 2010s. The action film genre has been a staple of Bollywood cinema . In the 1970s,

4176-487: Is a disturbing but brave attempt with a provocative message--It is an eloquent argument against capital punishment", but criticised the excessive violence. Visual Dasan of Kalki praised Haasan for screenplay and direction while also praising Prabhakar's work for recreating real prison set, Ilaiyaraaja for using songs and background score effectively in sync with the story and that their contributions lent helping hand to Haasan. Cinesouth wrote "Once again, Kamal has taken up

4320-574: Is a generic term to refer to several types of films containing martial arts. The wuxia film is the oldest genre in Chinese cinema. Stephen Teo wrote in his book on Wuxia that there is no satisfactory English translation of the term, with it often being identified as "the swordplay film" in critical studies. It is derived from the Chinese words wu denoting militarist or martial qualities and xia denoting chivalry, gallantry, and qualities of knighthood. The term wuxia entered into popular culture in

4464-517: Is about to leave, she is covertly told about the immoral practices of Deputy Jailer Peykkaman and his drug peddling racket by the death penalty convict Narayanan. As she enters the prison for the second day, there is a sit-in protest, demanding the reason for the sudden death of Narayanan due to cardiac arrest. Angela meets Kothala Thevar, who is serving a double life sentence for assisting in the murder of 24 people in Theni district . He tells his version of

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4608-729: Is based on Twin Dragons (1992). Other films such as the martial arts film Bhadrachlam (2001), borrows from American cinema with the Jean-Claude Van Damme film Kickboxer (1989). SS Rajamouli 's RRR (2022) was among the highest budgeted films made in India, and became a rare hit film outside of Indian diaspora, where it broke box office records in Japan and performed exceptionally well in American box office. Japan

4752-547: Is based on the Rashomon effect . In Chennai , Angela Kathamuthu, a civil rights activist, and her cameraman in Madras Central Prison interview prisoners serving life imprisonment and awaiting the death sentence , for her PhD thesis in law, against the death penalty. On her first day inside the prison, she interviews multiple death penalty convicts. She records their perspectives on the death penalty. When she

4896-410: Is called to solve this issue, and in the meeting of eight villages, Virumaandi's gang is verbally humiliated. Virumaandi goes to Nayakkar's village to take revenge at night, and Kothala's gang is forced to save him, where 24 lives are taken. Virumaandi saves all of them by his false testification so that he can marry Annalakshmi, but Kothala seemingly refuses the marriage. According to Kothala, Annalakshmi

5040-427: Is injured and secretly brought to the police station by Annalakshmi, and eventually, he is saved. Virumandi realizes his love for Annalakshmi and rejoins with Kothala. Annalakshmi secretly gives Virumandi the evidence that Kothala is the one who tried to kill him. Virumandi attacks Kothala and his gang, but Kothala again blames the murder attempt on Nayakkar, and Virumandi goes to file a complaint on Nayakkar. A Panchayat

5184-442: Is itself empowering and, if not, whether a hypersexualized female character can still represent strength and autonomy. Hypersexualized female action leads had tight fitting or revealing costumes that Tasker identified as "exaggerated statements of sexuality" and in the tradition of "fetishistic figure of fantasy" derives from comic books and soft pornography . This originated in television with characters like Buffy Summers ( Buffy

5328-456: Is killed. Virumaandi turns up in court, where he finds that all evidence is framed against him. He is convicted of having raped and killed Annalakshmi and later on, being the main reason for killing Kothala's four relatives, and also the main accused for the murder of 26 lives in Nayakkar's village. He is sentenced to the first six years in jail, followed by death by hanging. He turns approver in

5472-416: Is not uncommon for diasporas to be found living abroad. When someone passes away overseas, a next of kin usually has to physically fly over to verify the body before the body gets repatriated back home by a funeral home. The Korean War marked the first time that the United States or any nation began returning the bodies of battlefield casualties as soon as possible. During Operation Glory , which followed

5616-443: Is sometimes known as the exercise of the right of return . Repatriation laws give members of the diaspora the right to immigrate to their kin-state and they serve to maintain close ties between the state and its diaspora and gives preferential treatment to diaspora immigrants. Most countries in central and eastern Europe as well as Armenia , Finland , France , Germany , Greece , Ireland , Israel , Italy , Japan , Kazakhstan ,

5760-832: Is the return of eligible persons, such as refugees, to their country of origin or citizenship based on freely expressed willingness to such return. Voluntary return, unlike expulsion and deportation, which are actions of sovereign states, is defined as a personal right under specific conditions described in various international instruments, such as the OAU Convention , along with customary international law. Examples of contemporary repatriation include Germany repatriating around 320,000 Bosnian refugees starting 1997, German readmission agreements with Romania and Bulgaria in 1993, expulsion of 21,000 Albanians in 1996 from Italy, expulsion of 51,000 from Netherlands in 1996. Sweden and Italy applied in some cases detention prior to expulsion, which

5904-479: Is true all the time. Virumaandi then barehandedly almost kills Kothala, but Angela insists not to kill him. Kothala ends up being killed in the melee, while Virumaandi and Angela escape. The riot is stopped, and Angela presents the evidence in court. Angela applies for Virumaandi's clemency to the President of India , stating that the six-year prison sentence is enough as he did not commit any other offence other than

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6048-578: The femme fatales in film noir and horror films of the 1970s. Violent women were common in action films since the 1960s. These films featured working-class women exacting revenge. Films of the 1970s featured black women such as Pam Grier in films like Foxy Brown (1974). In the 1980s, a new symbolically transgressive character emerged in the form of Ellen Ripley in Aliens (1986) and Sarah Connor in Terminator 2: Judgment Day (1991) and

6192-550: The Bollywood action film consolidated with two films starring Amitabh Bachchan : Prakash Mehra 's Zanjeer (1973) and Yash Chopra 's Deewaar (1975). The box office success of these films made Bachchan a star and spawned the "angry young man" film in Bollywood cinema. Throughout the 1980s and 1990s, the action genre film declined considerably with new films predominantly featuring former bodybuilders failing to reach

6336-540: The Coffin of Nedjemankh being returned to Egypt after its illegal purchase by the Metropolitan Museum of Art . Cultural or art repatriation is the return of cultural objects or works of art to their country of origin (usually referring to ancient art), or (for looted material) its former owners (or their heirs). Repatriation of cultural artifacts also includes items that fall under the purview of NAGPRA and

6480-517: The Hong Kong action cinema , such melodramatic male bonding and marginalized women characters, while the Korean films also have greater elements of tragedy and romance emphasized. Most martial arts films made before the mid-1960s were Cantonese-language productions. In comparison, Mandarin-language films were an integral part of Hong Kong cinema due to the influx of Shanghai film talent in

6624-689: The Korean Armistice Agreement , thousands of remains were exchanged by both sides. The practice of immediately recovering casualties continued for United States during the Vietnam War . Repatriation laws give non-citizen foreigners who are part of the titular majority group the opportunity to immigrate and receive citizenship . Repatriation of their titular diaspora is practiced by most ethnic nation states. Repatriation laws have been created in many countries to enable diasporas to immigrate ("return") to their "kin-state". This

6768-662: The Philippines , Spain , South Korea , Taiwan , and Turkey have longstanding repatriation legislation. China , Japan , Norway and Serbia also have repatriation laws for their diaspora populations. The number of countries with repatriation laws has mushroomed since the end of Soviet communism and most independent nations that were once part of the communist domain in Europe have since legislated repatriation laws. Many other countries such as Jordan and Sweden have (or have had) generous immigration policies with regard to

6912-564: The September 11 attacks in 2001, which suggested an end to fantastical elements that defined the action hero and genre. Following the release of Quentin Tarantino 's Kill Bill: Volume 1 (2003) and Kill Bill: Volume 2 (2004) revisited the tropes of 1970s action films leading a renaissance of vengeance narratives in films like The Brave One (2007) and Taken (2008). O'Brien found that Tarantino's films were post-modern takes on

7056-702: The Smithsonian Institution , which is covered under the repatriation provisions of the National Museum of the American Indian Act (NMAI Act) of 1989. In previous eras, it was common for British colonial authorities to collect heads and other body parts of indigenous peoples such as Indigenous Australians and Māori for display in British museums. The repatriation of these body parts is currently ongoing. For an example of

7200-720: The United Nations Declaration on the Rights of Indigenous Peoples affirms that indigenous peoples have the right to repatriate their human remains. The declaration was passed in September 2007 with the support of 143 countries. The four opposing countries—Australia, New Zealand, Canada, and the United States—subsequently endorsed the declaration. This also applies to the return of mummified human remains. An example of this kind of repatriation would be

7344-445: The right of return to Africa, although as individuals they are free to try to emigrate . Repatriation is often the "forgotten" phase of the expatriation cycle; the emphasis for support is mostly on the actual period abroad. However, many repatriates report experiencing difficulties on return: one is no longer special, practical problems arise, new knowledge gained is no longer useful, etc. These difficulties are highly influenced by

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7488-510: The xinpai wuxia xiaoshuo (or "new school martial arts fiction") coming into prominence with the success of Liang Yusheng 's Longhu Dou Jinghua (1954) and Jin Yong 's Shujian enchou lu (1956) which showed influence of the Shanghai martial arts films but also circulated from Hong Kong to Taiwan and Chinese communities overseas. This led to a growing demand in both local and regional markets in

7632-428: The 1960s with films like The Born Losers (1967) which was predominantly a drama, interspersed with martial arts scenes. American martial arts films predominantly came into production following the release of Enter the Dragon (1973), with the only higher-budgeted American film to follow in its wake being The Yakuza (1974). Lott noted the two films would lead to the two subsequent styles of martial arts films in

7776-609: The 1970s. James Monaco wrote in 1979 in American Film Now: The People, The Power, The Money, the Movies that "the lines that separate on genre from another have continued to disintegrate." Tasker said that most post-classical action films are hybrids, drawing from genres as varied as war films, science fiction , horror , crime, martial arts , and comedy films . In Chinese-language films, both wuxia and kung fu are genre-specific terms, while martial arts

7920-784: The 1980s. Other films again modernized the form with gangster films of John Woo ( A Better Tomorrow (1986), The Killer (1989)) and the Wong Fei Hung saga returning in Tsui Hark 's Once Upon a Time in China featuring Jet Li which again revitalized the swordplay styled films. By the turn of the century Hollywood action films would look towards Hong Kong cinema and bringing some of their major actors and directors over to apply their style to their films, such as Chan, Woo, Li, Michelle Yeoh and Yuen Woo-Ping . The release of Ang Lee 's Crouching Tiger, Hidden Dragon (2000) led to

8064-486: The 1980s. This was followed by the post-classical era where American action films were influenced by Hong Kong action cinema and the growing using of computer generated imagery in film. Following the September 11 attacks , a return to the early forms of the genre appeared in the wake of Kill Bill and The Expendables films. Scott Higgins wrote in 2008 in Cinema Journal that action films are both one of

8208-597: The 20th century, following all European wars, several repatriation commissions were created to supervise the return of war refugees, displaced persons , and prisoners of war to their country of origin. Repatriation hospitals were established in some countries to care for the ongoing medical and health requirements of returned military personnel. In the Soviet Union , the refugees seen as traitors for surrendering were often killed or sent to Siberian concentration camps. Issues surrounding repatriation have been some of

8352-706: The 21st century have been comic book adaptations, which commenced with the X-Men and is seen in other series such as Spider-Man , and Iron Man series. Tasker wrote that despite the central characters in superhero cinema being extraordinary, occasionally even God-like, they often followed the traces of the central character becoming powerful of which is fundamental to action films, often dealt with origin stories in superhero films. Action films often interface with other genres. Tasker wrote that films are often labelled action thrillers, action-fantasy and action-adventure films with different nuances. Tasker later discussed that

8496-522: The Bandit (1977). This era also emphasizes the car chase scenes as moments of spectacle in films like Bullitt and The French Connection (1971). O'Brien described these films as emphasizing "the fusion of man and machine" with the drivers and vehicles acting as one, concluding with what he described as "the ultimate in apocalyptic modernity and social erasure" in Mad Max 2 (1981). O'Brien described

8640-754: The Bollywood press who reported on him in the headlines of Bollywood magazines for his public brawls and affairs with leading actresses. In Dabangg (2010), Khan continued with this public persona, which was repeated in several of his later films such as Ready (2011), Bodyguard (2011), Ek Tha Tiger (2012) and Dabangg 2 (2012). From the 1980s, generations of actors in Telugu cinema have invoked Hong Kong action films, such as Srihari who stated he wanted to become an actor after watching his first Bruce Lee film. Several films in Telugu cinema were remakes of Hong Kong films, such as Hello Brother (1994) which

8784-574: The CFC is taxed only by the country where it is incorporated until repatriation. At that time, income is subject to the (typically higher) U.S. tax rate minus the Foreign Tax Credits. (FN: See IRC 951–965) There are currently hundreds of billions of dollars of Foreign direct investment in CFC's because of the disincentive to repatriate those earnings. (See Bureau of Economic Analysis, National Economic Accounts, Integrated Macroeconomic Accounts for

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8928-598: The Dragon briefly allowed an influx of Hong Kong films to Japan, but the trend did not last, with 28 Hong Kong films, mostly kung fu films, being released in 1974, and the number decreasing to five in 1975, four in 1977 and only two in 1978. Ryuhei Kitamura , director of Versus (2000), said in 2004 that he grew frustrated with the Japanese film industry as producers felt they couldn't make action films in competition with Hong Kong or American productions. Versus grew to become popular outside of Japan, and Kitamura said he

9072-602: The Hong Kong film industry after the handover in 1997. Anglophone action film scholarship has tended to emphasize bigger budget American action films, with academics tending to find films that fall out of Hollywood productions as not quite fitting definitions of the genre. By 2024, many national and regional industries were known for action films. These include international films such as Hindi, Tamil, Telugu, Malayalam , South Korean, Japanese, Thai , Brazilian , Chinese , South African , French and Italian action titles. At

9216-661: The NMAI Act such as Native American sacred items, funerary objects , and items of cultural patrimony. The Iroquois Wampum belts are an example of objects of cultural patrimony subject to repatriation under NAGPRA. The "Utimut Process" of returning cultural objects from Denmark to Greenland between 1982 and 2001, was an early example of repatriation. The no:Bååstede project saw the transfer of over 1600 cultural objects from museums in Oslo to institutions under Sámi management between 2012 and 2019. Economic repatriation refers to

9360-807: The Red Lotus (1965) and King Hu 's Come Drink with Me (1966). In the 1970s, the Hong Kong martial arts films began to grow under the format of yanggang ("staunch masculinity") mostly through the films of Chang Cheh which were popular. This transition led to the kung fu film sub-genre at beginning of the decade and moved beyond the swordplay films with contemporary settings of late Qing or early Republican periods and had more hand-to-hand combat over supernatural swordplay and special effects. A new studio, Golden Harvest quickly became one of independent filmmakers to grant creative freedom and pay and attracted new directors and actors, including Bruce Lee . The popularity of kung fu films and Bruce Lee led to attract

9504-817: The Soviet Union, although deported to the State of Poland, were settled in the annexed former German territories (referred to in Polish as the Regained Territories ). In the process they were told that they had returned to their Motherland. After the fall of the Iron Curtain and end of Bosnian War increased repatriation, deportation and readmission agreements were observed in Europe. In modern society where everything has become interconnected, it

9648-508: The Swedish government began offering £3,500 each. 544 Nigerians returned home from Switzerland in 2013. This financial support may also be considered as residency buyouts. Two countries may have a re-admission agreement, which establishes procedures, on a reciprocal basis, for one state to return irregular non-nationals to their country of origin or a country through which they have transited. Illegal immigrants are frequently repatriated as

9792-484: The United States, Europe and Japan had during this period. Yip described Japanese cinema as the most advanced in Asia at the time. This was showcased by the international breakthrough of Akira Kurosawa 's films like Rashomon (1950). The film genre known as the chanbara was at its height in Japan. The style was a sub-genre to the jidai-geki , or period drama with an emphasis on sword fighting and action. It had

9936-406: The United States, with films like Enter the Dragon about people who reveled in combat, often in a tournament setting, and The Yakuza which had several genres attached to it, but featured several martial arts sequences. By the end of the 1970s, the style was an established genre in American cinema, often featuring tough heroic characters who would fight and not think about their actions until after

10080-591: The Vampire Slayer (1997–2003)) and Xena ( Xena: Warrior Princess (1995–2001)). These series popularity demonstrated a growing market for female action film heroes, in films of the 2000s like Lara Croft: Tomb Raider (2001), Charlie's Angels (2000), Ultraviolet (2006), Salt (2010) and series like Underworld and Resident Evil . These series like their television series earlier, had their leads eroticized as active and physically capable while also being scantily-clad, hyper-feminized similar to

10224-594: The action film genre has been a subject of scholarly debate since the 1980s. Soberson wrote that repeated traits of the genre include chase sequences, fights, shootouts, explosions, and stunt work while other scholars asserted there were more underlying traits that define the genre. David Bordwell in The Way Hollywood Tells It wrote that audiences are "told that spectacle overrides narrative" in action cinema while Wheeler Winston Dixon echoed that these films were typified by "excessive spectacle" as

10368-553: The action heroine's dual status of an active subject and sexual object was overturning the traditional gender binary because the films "assume that women are powerful" without resorting to justify her physical aggression through narratives involving maternal drive, mental instability or trauma. Purse found that female leads in films like Elektra (2005), Kill Bill , Underworld , Charlie's Angels and Mr. & Mrs. Smith (2005) did showcase women having expensive cars, clothing, travel, homes and often high-paying jobs, but that this

10512-524: The action of instant emotion, and to release him immediately. Virumaandi, on TV, pleas for a quick judgement, either to reach Annalakshmi by hanging to death or to live life as a silent man, seeking retribution. The film was launched on 18 April 2003 under the title Sandiyar ( transl.  Ruthless/troublesome person ) at Madurai. K. Krishnasamy , the leader of Pudhiya Tamizhagam, a caste-based political organisation in Tamil Nadu protested against

10656-592: The age of 28, he was convicted for a small crime, whipped and sent back to India. He comes back to live with his paternal grandmother in Chinna Kolarupatti and practices agriculture. His support for his distant relative Kothala in his clash against Nallama Nayakkar brings about a bonding between the two, as Nayakkar killed Kothala's father Thavasi Thevar in a melee caused during a peace meeting between Virumandi and Kothala's father. Annalakshmi, Kothala's niece, falls in love with Virumaandi. Kothala, with an eye on

10800-435: The book Australian Genre Film , Amanda Howell suggested that this label was used to help distance Australian cinema from Hollywood films as it would be suggesting commerce over culture and that it would be "quite unacceptable to make Australian movies using conventions established in the U.S.A." Howell stated this to be the case with action films of the 1970s and 1980s with Brian Trenchard-Smith 's Turkey Shoot (1982) being

10944-475: The box office. It also marked Abhirami's last film before her marriage and Rohini’s comeback film after an 8-year hiatus from acting. The film revolves around the interview of two prison inmates, firstly, Kothala Thevar's ( Pasupathy ) life sentence, and secondly, Virumaandi ( Kamal Haasan ), who is sentenced to be hanged. The criminals express how they feel about the direction that their lives have taken and how they have ended up where they are. The film's narrative

11088-550: The classical form of action cinema to be the 1980s. The decade continued the trends of formative period with heroes as avengers ( Lethal Weapon (1987)), rogue police officers ( Die Hard (1988)) and mercenary warriors ( Commando (1985)). Following the continuity of the car and man hybrid of the previous decade, the 1980s featured weaponized men with who were either also carrying weapons such as Sudden Impact (1983), trained to be weapons ( American Ninja (1985)) or imbued with technology ( RoboCop (1987)). O'Brien noted that

11232-464: The decline of overt masculinity in the action film which corresponded with the end of the Cold War in 1991, while the rise of self-referential and parodies of this era grew in films like Last Action Hero (1993). O'Brien described this era as being soft where the hard bodies of the classical era were replaced with computer generated imagery such as that of Terminator 2: Judgment Day (1991). This

11376-559: The direct-to-video field, or in similarly low-budget theatrical releases such as Bulletproof Monk (2003). While the American styled-films were predominantly made in the United States, productions were also made in Australia, Canada, Hong Kong and South Africa, and were predominantly shot in the English-language. Heroic Bloodshed is a that originates with English-language Hong Kong action and crime film fan communities in

11520-429: The director, not Kamal the actor." Malathi Rangarajan of The Hindu wrote "Virumaandi"s case it [..] is backed by a strong story, astute screenplay, stirring dialogue and deft direction". Malini Mannath of Chennai Online wrote, "the film yet again reveals Kamal Haasan’s undying passion for cinema, his desire and boldness to experiment, irrespective of commercial viability." G. Ulaganathan of Deccan Herald wrote, "It

11664-487: The earlier work of directors like Woo and Johnnie To . Antong Chen, in his study on the Hong Kong action film, wrote that the influence of China and the amount of Chinese co-productions made with Hong Kong created a shift in these films, particularly following the release of Infernal Affairs (2002). Harvey O'Brien wrote in 2012 that the contemporary action film emerged through other genres, primarily Westerns , crime and war films and can be separated into four forms:

11808-432: The early 1960s and saw a surge in production of Hong Kong martial arts films that went beyond the stories about Wong Fei-hung which were declining in popularity. These new martial arts films featured magical swordplay and higher production values and more sophisticated special effects than the previous films with Shaw Brothers a campaign of "new school" ( xinpai ) martial arts swordplay films such as Xu Zenghong's Temple of

11952-551: The eighth Puchon International Fantastic Film Festival , held in South Korea, Virumaandi won the International Award for Best Asian Film. Director Vetrimaaran cited Virumaandi as one of the inspiration for the screenplay for his national award-winning 2011 film Aadukalam . Director Lokesh Kanagaraj cited the film as a source of inspiration for his 2019 film Kaithi . Action drama film While

12096-491: The end of the 1990s. Films such as Chunhang (2000) and Memento Mori (2000) and action films Shiri (1999) and Nowhere to Hide (1999) received commercial releases in North America, Asia, and Europe. The success of the latter two films was unprecedented, and was followed by other South Korean action films in the early 2000s reaching the top of the local box office. These South Korean films mimic some traits of

12240-532: The female leads in implausible elements, such as in Charlie's Angels , Fantastic Four (2005) and My Super Ex-Girlfriend (2006). The fighting styles of women also tend towards more traditionally feminine fluid movements of martial arts, over using guns or directly punching. Purse wrote that the contemporary female action film lead's sexualized brand had her in close proximity of post-feminism discourse about choice, power and sexuality. Marc O'Day interprets

12384-404: The fertile land Virumaandi owns, does not object to the romance. Meanwhile, Virumandi's grandmother dies, and at the funeral, then the local Inspector of Police Peykkaman, instead of Nayakkar, offers a huge sum for Virumandi's land. Virumandi rejects the bid, insults both Kothala and Nayakkar and warns everyone from buying his land. Within a week, an assassination attempt is made on Virumaandi. He

12528-414: The following films were voted the top ten best action films of all time. In Hong Kong, the "new school" of martial arts films that Shaw Brothers brought in 1965 featured what featured what Yip described as "strong, active female characters as protagonists." These female-centered films were challenged with the rise of a new male heroic prototype marked by a strong sense of youthful energy and defiance and by

12672-448: The formative trends at this point had become "identifiably generic" as film industries began to reproduced these films during the decade producers like Joel Silver and production companies like The Cannon Group, Inc. began to formulate production of these films with both high and low budgets. The action films of this era have roots in classical story telling, specifically rooted from martial arts films and Westerns, and are built around

12816-610: The formative, the classical, the post-classical and neoclassical phases. Yvonne Tasker reiterated this in her book on action and adventure films , saying that action films became a distinct genre during the New Hollywood period of the 1970s. The formative films would be from the 1960s to the early 1980s where the Anti-hero appears in cinema, featuring characters who act and transcend the law and social conventions. This appears initially in films like Bullitt (1968) where

12960-491: The former was one of the highest-grossing movies of the year in Japan. Following LoveDeath , Kitamura's next directing work was in the United States. The action cinema of South Korea mostly existed on the margins of the film industry in South Korea. The genre was initially called the Hwalkuk ("living theatre") was a term that indicated plays and films driven by action scenes, while this term has not been used regularly since

13104-430: The ground. While heroes in kung fu films often display chivalry, they generally hail from different fighting schools, namely wudang and shaolin . American martial arts films feature what author M. Ray Lott described as a more realistic style of violence over the Hong Kong wuxia films with more realism and are often low-budget productions. Martial arts began routinely appearing in fight scenes in American films in

13248-489: The image of Indiana Jones in Raiders swinging his whip to fend off villains in the backstreets of Cairo. British author and academic Yvonne Tasker expanded on this topic, stating that action films have no clear and constant iconography or settings. In her book The Hollywood Action and Adventure Film (2015), she found that the most broadly consistent themes tend to be a characters quest from freedom from oppression such as

13392-520: The late 1920s. These films were popular during the period, which comprised almost 60% of the total Chinese films. Man-Fung Yip stated that these film were "rather tame" by contemporary standards. He wrote that they lacked the kind of dazzling action choreography as expected today and had crude and rudimentary special effects. These films came under increasing attack by both government officials and cultural elites for their allegedly superstitious and anarchistic tendencies, leading them to be banned in 1932. It

13536-570: The late 1970s, with "action movie" becoming the more familiar term. The Korean action films came from Japanese cinema, James Bond series , and Hong Kong action cinema. As North Korea borders China, it block access to the continent from a South Korean perspective, the Cold War allowed South Koreans to substitute deferred travel beyond the border through films with locations shot in Hong Kong. While melodrama and comedy were staples in South Korean cinema, most action films were sporadic and tied to

13680-508: The late 1980s and early 1990s. In the Chinese language, the term used for these films is jinghungpin , literally meaning "hero films". Academic Laikwan Pang asserts that these gangster films appeared at a time when Hong Kong citizens felt particularly powerless with the handover of Hong Kong from the United Kingdom to China set for 1997. The key directors of the genre were John Woo and Ringo Lam , and producer Tsui Hark , with

13824-458: The late 1980s and early 1990s. Author Bey Logan stated that the term was coined by Rick Baker, in the British fanzine Eastern Heroes . The term is used broadly. Baker described the style as Hong Kong action films which feature gangsters and gunplay and martial arts that were more violent than kung fu films and academic Kristof Van Den Troost described it a term used to distinguish Hong Kong gun-heavy action films from period martial arts films from

13968-431: The late 1980s in the United States were martial arts films. Towards the end of the 1990s, production of low-budget martial arts films declined as no new stars in the genre developed and older actors such as Cynthia Rothrock and Steven Seagal started showing up in less and less films. Even internationally popular films like Crouching Tiger, Hidden Dragon (2000) had negligible effects in American productions in either

14112-421: The latter case, causing the jailing of Kothala and his men. While leaving the jail, Angela's cameraman discreetly films a conversation between Peykkaman and other jail wardens and convicts to bump off Chief Jailer Jayanth I.P.S . This is because all of them traffic drugs into the prison, and this is now under investigation by Jayanth. Peykkaman also reveals that Virumaandi never killed anyone except Kottaisamy and

14256-483: The mantle of a director, actor and producer for the film ‘Virumandi’. The film is not exactly another experimentation, but it has ignored some aspects of commercial cinema to tell us a powerful and strong story on the screen." The film released on 456 screens worldwide and first in Tamil cinema with crossing 400 screens. The film got the best opening among Pongal releases grossing ₹ 6 crores in first weekend worldwide. At

14400-653: The most heatedly debated political topics of the 20th and 21st centuries. Many forced back to the Soviet Union by Allied forces in World War II still hold this forced migration against the United States of America and the United Kingdom . The term repatriation was often used by Communist governments to describe the large-scale state-sponsored ethnic cleansing actions and expulsion of national groups. Poles born in territories that were annexed by

14544-624: The most notorious. Smith had previously released films like Deathcheaters (1976) and Stunt Rock (1979) when financial incentives were available for overtly commercial projects. She commented that action films did tell identifiably Australian stories such as the Sandy Harbutt 's biker film Stone (1974) and Miller's post-apocalyptic film Mad Max (1979) derived from Australia's social and cultural realities, as well as how George Miller 's later Mad Max: Fury Road (2015) derived from Australia's long-standing cinematic fascination with

14688-475: The most popular and popularly derided of contemporary cinema genres, stating that "in mainstream discourse, the genre is regularly lambasted for favoring spectacle over finely tuned narrative." Bordwell echoed this in his book, The Way Hollywood Tells It , writing that the reception to the genre as being "the emblem of what Hollywood does worst." In the Journal of Film and Video , Lennart Soberson stated that

14832-457: The murder charge, but Virumaandi, who was not involved in the bloodbath, is disturbed because he had to lie in court to save Kothala and his kin. As part of the penance, he transfers all his land to the affected villagers. Annalakshmi asks him to marry her and leave the village. He marries her at the village temple, goes away at night with her, and stays with his aunt, whose son he helped. They consummate their marriage that night. Kothala's men come

14976-656: The nation's diaspora without having formally enacted repatriation laws. Such states can be described as practicing common law repatriation . In comparison, one of the central tenets of the Rastafari movement is the desirability of the repatriation of black people from the Americas and elsewhere back to Africa . While Ethiopia specifically has land available in Shashamane to encourage this project, black people who are citizens of countries outside Africa do not have

15120-424: The news, a distraught Virumaandi enters Kothala's house to kill the gang. He takes revenge by hacking Kothala's four men, including Kottaisamy, to death but finds Kothala holding his son upside down on a staircase. Virumaandi places his weapon down, and Kothala escapes. Nayakkar shelters Virumaandi and sends him off to Chennai. Kothala and his men corner Nayakkar to hand over Virumaandi. A melee ensues in which Nayakkar

15264-467: The next day when Virumaandi is away, and abduct Annalakshmi, forcibly taking her home. Kothala and his gang remove her thaali , and forcibly get her married again, to Kothala's nephew Kottaisamy. This is to ensure that Annalakshmi's share in the property does not go to Virumaandi. Kottaisamy is then asked by Kothala to consummate his marriage immediately, by raping Annalakshmi. Unable to tolerate it, Annalakshmi avoids Kottaisamy and hangs herself. Upon hearing

15408-604: The notion that traditional marks of masculinity are not exclusive to men and that musculature was not natural, but something to be achieved. Accusations of these muscular women of the era were levelled at that them by 1993 were that they were "men in drag" and that the films generally have to "explain" why their female leads displayed physical aggression and why they were "driven to do it." As the 1990s went on, Hollywood films began having more conventional looking women in their action films such as The Long Kiss Goodnight (1996). A vibrant debate exists about whether hypersexualization

15552-474: The outbreak of a war. For example when World War II begun in 1939, the United States launched a repatriation effort to repatriate Americans who were either living or visiting Europe with 75,000 Americans being repatriated by early November 1939. At the beginning of the Korean War , the United States repatriated its civilians from Korea sending them to Japan with a total of 1,655 people being repatriated. In

15696-459: The payment of a dividend by a foreign corporation to a U.S. corporation. This happens often where the foreign corporation is considered a " controlled foreign corporation " (CFC), which means that more than 50% of the foreign corporation is owned by U.S. shareholders. Generally, foreign direct investment in CFC's are not taxed until a dividend is paid to the controlling U.S. parent company, and is thus repatriated. The foreign direct investment income of

15840-507: The person has traveled through to get to the country of destination. A return could also be within the territorial boundaries of a country, as in the case of returning internally displaced persons and demobilized combatants. The distinction between repatriation and return, voluntary or involuntary, is not always clear. Repatriation is linked with health care due to the costs and resources associated with providing medical treatment to travelers and immigrants pursuing citizenship. For example, if

15984-435: The physical effort required to completing a task and the abilities and skills acquired over time. Films from the period reflected on the cultural and social climate from the period, as seen in invoking Japanese or Western imperialist forces as foils. The kung fu film came out of the wuxia films. In comparison to the wuxia , film, the focus on the kung fu film is on the martial arts over chivalry, The martial arts films

16128-574: The popularity Bachan had. These films predominantly earned their revenue through longer runs at B-grade theatres. A cycle of action films came from these films in the 1980s and 1990s called the Avenging Woman film, where female protagonists seek justice for a rape victim, where the protagonist seeks revenge through violence. In 2009, the action genre was re-popularized with the box office success of Wanted (2009) starring Salman Khan . Khan reinvented his screen persona with that of his image in

16272-543: The postwar period. These films were targeted at the more educated and more refined middle-class audiences who saw themselves as above the contemporary martial arts films. Scott Higgins wrote in 2008 in Cinema Journal that Hollywood action films are both one of the most popular and popularly derided of contemporary cinema genres, stating that "in mainstream discourse, the genre is regularly lambasted for favoring spectacle over finely tuned narrative." Bordwell echoed this in his book, The Way Hollywood Tells It , writing that

16416-426: The process of a company getting its profits back into their own country. There are four main methods of repatriation: Dividends and Profits, Royalties , Management Service Fees and Intercompany Loans . Repatriation of currency is when foreign currency is converted back to the currency of the home country. An example would be an American converting British pounds back to U.S. dollars. Repatriation also refers to

16560-423: The process whereby federally recognized Indian tribes and Native Hawaiian organizations can request that federal agencies and institutions receiving federal funds return culturally affiliated human remains. The NAGPRA also sets forth provisions that allow for the disposition of Native American human remains found on federal lands to the affiliated Indian tribe or Native Hawaiian organization. NAGPRA does not apply to

16704-402: The reception to the genre as being "the emblem of what Hollywood does worst." Tasker wrote that when action and adventure films secured awards, it is often in categories such as visual effects and sound editing. Time Out magazine conducted a poll with fifty experts in the field of action cinema, including actors, critics, filmmakers and stuntmen. Out of the 101 films ranked in the poll,

16848-441: The road and cars and a history of cultural anxiety towards a bleak and forbidding outback landscape opposed to the optimism of American action films. France is a major European country for film production and has made co-production commitments with 44 countries around the world. Around beginning of the 21st century, France began producing a series of films explicitly intended for international markets, with action films representing

16992-401: The screenplay and performances of the cast, but criticised the excessive violence. Sify called it "vital, sardonic and disturbing brave attempt at good cinema with a provocative message. It is an eloquent argument against capital punishment without excusing the killer for his crimes." Shobha Warrier of Rediff.com wrote, "Virumaandi is definitely a Kamal film but this one belongs to Kamal

17136-529: The serialization of Jinaghu qixia zhuan (1922) ( transl.  Legend of the Strange Swordsmen ). In wuxia , the emphasis is on chivalry and righteousness and allows for phantasmagoric actions over the kung fu film 's more ground-based combat. The Kung fu film emerged in the 1970s from the swordplay films. Its name is derived from the Cantonese term gong fu which has two meanings:

17280-551: The shoot from Madurai to Chennai. Prabhakar, art director recreated the set of Theni villages in Chennai. Cinematographer Keshav Prakash , who was trained in India and the United States, was an assistant to Ravi K. Chandran in Marudhanayagam project. Both Kamal Haasan and Keshav Prakash tried to make the film in high definition mode but had to abandon the project due to some technical snags. He and Haasan wanted to shoot

17424-522: The song "Unna Vida" in night but since it was too dark they decided to try out digital lighting where Keshav hid between the sheeps with the lights to brighten the frames. The music was composed by Ilaiyaraaja . The film was certified " A " (adults only) by the censor board for excessive violence. In 2015, Virumaandi was screened at the Habitat Film Festival. It was released on Amazon Prime Video on 14 January 2021. Critics praised

17568-485: The starting point of the genre being traced to Woo's A Better Tomorrow (1986) make a record-breaking HK$ 34.7 million at the Hong Kong box office. The style of these films would influence American productions, such as Michael Bay 's Bad Boys II (2003) and the Wachowskis ' The Matrix (1999). Korean media recognized the more fatalistic and pessimistic tone of these films, leading to Korean journalists to label

17712-472: The story that led to his conviction. According to Kothala, the root cause of the problem is Virumaandi Thevar, a happy-go-lucky rogue. Two years ago, Virumaandi had a large part of the land in Chinna Kolarupatti, their village, and high underground water levels, which are eyed by every other farmer. Virumaandi lost his mother when he was 10. He was taken to Chennai and later to Singapore by his father. Even after his father died, Virumandi still lived there, but at

17856-433: The style as "Hong Kong noir ". The influence of these films was evident in early Korean films such as Im Kwon-taek 's General's Son (1990) and later films such Song Hae-sung 's A Better Tomorrow (2010), Cold Eyes (2013) and New World (2013). Postcolonial Hong Kong cinema has struggled to maintain its international identity as a provider of these types action films because the talents involved had abandoned

18000-406: The term "action film" or "action adventure film" has been used as early as the 1910s, the contemporary definition usually refers to a film that came with the arrival of New Hollywood and the rise of anti-heroes appearing in American films of the late 1960s and 1970s drawing from war films , crime films and Westerns . These genres were followed by what is referred to as the "classical period" in

18144-450: The term action film genre and adventure are often used in hybrid, and are even used interchangeably. Along with Holmund and Purse, Tasker wrote that the action films expansiveness complicates easy categorization and though the genre is often spoken of as singular genre, it is rarely discussed as singular style. Screenwriter and academic Jule Selbo expanded on this, describing a film as " crime /action" or an "action/crime" or other hybrids

18288-445: The themes that rescinded irony to restore " cinephile re-actualization of the genre's conventions." The genre went into full circle resurrecting films from the classical period with Live Free or Die Hard (2007) and Rambo (2008) finding the characters navigating a contemporary world while also acknowledging their age, culminating into The Expendables (2010) film. The most commercially successful action films and franchise of

18432-465: The title Sandiyar , citing that it might create problems. Kamal Haasan subsequently met then Chief Minister J. Jayalalithaa , and the film was later retitled Virumaandi . Shrutika was initially chosen as the lead actress, but ultimately did not continue. For the scenes involving Jallikattu , real-life bulls were brought in and were recorded live and also Nuendo machine was kept at the shooting venue. Due to political controversy, Kamal had to shift

18576-529: The title character in China O'Brien (1990) who were physically muscular and or enacted more extreme violence that was usually reserve for male action leads. In her book Contemporary Action Cinema (2011), Lisa Purse described the media response to female leads in action films reveal a discomfort about their presence and are often described with hesitant terms of women moving into territories that are perceived as masculine. Revealing woman in this form deconstructs

18720-539: The turn of the millennium, Australian genre films have gained increasing acceptance in the Australian feature film industry, while the action genre represented a small percentage of its output in the 21st century. Scholars of Australian genre film generally used the term "action-adventure" which allows them to apply it to various forms of narratives such as tongue in cheek heroic posturing stories like Crocodile Dundee (1986), road movies or bush/outback films. In

18864-422: The use of locations such as Hong Kong. These films often featured one-legged or otherwise handicapped action characters similar to those of Japanese films ( Zatoichi ) and Hong Kong films ( The One-Armed Swordsmen ). These included Im Kwon-taek's Returned Left-Handed Man (1968), Aekkunun Bak's One-Eyd Park (1970) and Lee Doo-yong's Returned One-Legged Man (1974). In the 1990s, the country's national cinema

19008-583: The village festival. Annalakshmi finds him and admits him to the hospital. Gradually, she falls in love with him. She teaches him the importance of apology and forgiveness. The clash at the peace Panchayat insults Kothala's gang, and their need for revenge infuriates Annalakshmi, who asks Virumaandi to apologize to the elders whom he insulted. He goes to apologize single-handedly at night to Nayakkar's village, but Kothala and his men, thinking he has gone to take revenge, come in groups and hack down innocents to death, despite his pleas. Kothala uses his clout to get out of

19152-475: The woman of exploitation films of the 1970s such as Caged Heat (1974) and Big Bad Mama (1974). While characters like Frank in The Transporter series are permitted to visibly sweat, strain and be bloodied, Purse found a reluctance for filmmakers to have their female leads have any appearance warping injuries to ensure a perfectly made-up face. Comedy is often used in films of this period to place

19296-448: Was "only a semantic exercise" as both genres are important in the construction phase of the narrative. Mark Bould in A Companion to Film Noir (2013) said that categorization of multiple generic genre labels was common in film reviews who are rarely concerned with succinct descriptions that evoke elements of the film's form, content and make no claims beyond on how these elements combine. Film Studies began to engage generic hybridity in

19440-408: Was a difficult market for Hong Kong action cinema to break into. Prompted by the success of Enter the Dragon and the popularity of Bruce Lee, Toei made their own Bruce Lee-style martial arts films, with The Street Fighter and its two sequels starring Sonny Chiba as well as a spin-off with a female lead similar to Hong Kong's Angela Mao called Sister Street Fighter . The success of Enter

19584-447: Was abducted by Virumaandi and brutally raped. She later escapes from him, comes home, tells him what happened, and commits suicide by hanging herself. A clash between Virumaandi and Kothala takes place in which six henchmen are killed. Virumaandi then escapes and kills Nayakkar but is later caught by the police. In the 26-people murder case, Virumaandi testifies against Kothala's gang, getting them all 15-year sentences, while Virumaandi gets

19728-466: Was aiming for the foreign audience, as he was disappointed with the current state of Japanese films. Kitamura's characters have been described as "a careful combination of the maverick independence of 1980s Hollywood action heroes and the calmness and acceptance of Japanese samurai, a consistent criticism of Japanese people today." Kitamura followed up Versus with two manga-inspired big-budget action films, Azumi and Sky High . Both released in 2003,

19872-588: Was described as deterrence . Certain countries offer financial support to refugees and immigrants to facilitate the process of starting a new life in their country of origin. Examples of 21st-century voluntary return include the Danish government, which in 2009 began offering £12,000 each to immigrants to return, Switzerland offering approximately 6,500 Francs, targeted for business startups upon returning home, as well as Ireland. In 2016, Germany allocated €150 million over three years for migrants willing to return, and

20016-417: Was displayed in corresponding with corresponded with millennial angst and apocalypticism showcased in films like Independence Day (1996) and Armageddon (1998). Action films of mass destruction began requiring more overtly super heroic characters with further comic book adaptations being made with increased non-realistic settings with films like The Matrix (1999). The fourth phase arrived following

20160-469: Was in decline by the mid-1970s in Hong Kong in relation to the stock market crash which went from over 150 films in 1972 to just over 80 in 1975, which led to a downfall in martial arts films produced. When the economy became to rebound, a new trend of martial arts films, the Shaolin kung fu films emerged and sparked a revival of the genre. Unlike the wuxia , the kung fu film primarily focuses on fighting on

20304-509: Was in decline leading to Hong Kong gangster films filled in this void leading to large commercial success at the national box office. Early Korean heirs to Hong Kong action films include Rules of The Game (1994), Beat (1997), and Green Fish (1997) involving men who gain confidence and achieve personal growth as they embark on journeys to protect national state and meet devastating ends. South Korean cinema only received international attention in both art film and blockbuster formats towards

20448-599: Was not until the base of Chinese commercial filmmaking was relocated from Shanghai to Hong Kong in the late 1940s that martial arts cinema was revived. These films contained much of the characteristics of the previous era. During this period, over 100 films were based on the adventures of real life Cantonese folk hero Wong Fei-hung who first appeared in film in 1949. These films primarily on circuited within Hong Kong and Cantonese-speaking areas with Chinese diaspora . Yip continued that these Hong Kong films were still lagging behind in aesthetic and technical standards that films from

20592-504: Was only in the mid-20th century when action films developed into their own recognizable genre instead of being a collection of other types of films such as Westerns, swashbucklers or adventure films. Films have been described "action films" or "action-adventure film" as early as the 1910s. Only by the 1980s was the term action as its own unique genre used routinely in terms of promotion and reviewing practices. The first Chinese-language martial arts films can be traced to Shanghai cinema of

20736-595: Was only shown as being applicable to white middle-class women. Purse found that these women were empowered at the price of women of other ethnicities. This is seen in Aeon Flux (2005) where Sithandra dies protecting Aeon and Rain's death to make way for Alice in Resident Evil (2002). Repatriation Repatriation is the return of a thing or person to its or their country of origin, respectively. The term may refer to non-human entities, such as converting

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