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143-640: Joseph and the Amazing Technicolor Dreamcoat is a sung-through musical with music by Andrew Lloyd Webber and lyrics by Tim Rice , based on the character of Joseph from the Bible 's Book of Genesis . This was the first Lloyd Webber and Rice musical to be performed publicly; their first collaboration, The Likes of Us , written in 1965, was not performed until 2005. Its family-friendly retelling of Joseph, familiar themes, and catchy music have resulted in numerous stagings. According to

286-565: A Little Christmas", "I Am What I Am", "Mame", "The Best of Times", "Before the Parade Passes By", "Put On Your Sunday Clothes", "It Only Takes a Moment", "Bosom Buddies" and "I Won't Send Roses", recorded by such artists as Louis Armstrong , Eydie Gormé , Barbra Streisand , Petula Clark and Bernadette Peters. Herman's songbook has been the subject of two popular musical revues, Jerry's Girls (Broadway, 1985) and Showtune (off-Broadway, 2003). The musical started to diverge from

429-579: A book musical are its music , lyrics and book . The book or script of a musical refers to the story, character development and dramatic structure, including the spoken dialogue and stage directions, but it can also refer to the dialogue and lyrics together, which are sometimes referred to as the libretto (Italian for "small book"). The music and lyrics together form the score of a musical and include songs, incidental music and musical scenes, which are "theatrical sequence[s] set to music, often combining song with spoken dialogue." The interpretation of

572-407: A brothel. Joseph's brothers regret what they did to him and how they lied to their father, thinking that things might have turned out differently if Joseph was still with them ("Those Canaan Days"). Hearing that Egypt still has food, they travel there to beg for supplies ("The Brothers Come to Egypt"). In Egypt, the brothers beg for food from Joseph, not realising who he is and Joseph realises that as

715-518: A completely new genre – the musical play as distinguished from musical comedy. Now ... everything else was subservient to that play. Now ... came complete integration of song, humor and production numbers into a single and inextricable artistic entity." As the Great Depression set in during the post-Broadway national tour of Show Boat , the public turned back to mostly light, escapist song-and-dance entertainment. Audiences on both sides of

858-520: A few exceptions, compared with London runs, until the 1920s. Gilbert and Sullivan were widely pirated and also were imitated in New York by productions such as Reginald De Koven 's Robin Hood (1891) and John Philip Sousa 's El Capitan (1896). A Trip to Coontown (1898) was the first musical comedy entirely produced and performed by African Americans on Broadway (largely inspired by the routines of

1001-402: A few players . Rock musicals usually employ a small group of mostly rock instruments, and some musicals may call for only a piano or two instruments. The music in musicals uses a range of "styles and influences including operetta , classical techniques, folk music , jazz [and] local or historical styles [that] are appropriate to the setting." Musicals may begin with an overture played by

1144-641: A five-minute song than are spoken in a five-minute block of dialogue. Therefore, there is less time to develop drama in a musical than in a straight play of equivalent length, since a musical usually devotes more time to music than to dialogue. Within the compressed nature of a musical, the writers must develop the characters and the plot. The material presented in a musical may be original, or it may be adapted from novels ( Wicked and Man of La Mancha ), plays ( Hello, Dolly! and Carousel ), classic legends ( Camelot ), historical events ( Evita and Hamilton ) or films ( The Producers and Billy Elliot ). On

1287-517: A love relationship sanctioned and restricted by Protestant ideals of marriage; that a married couple should make a moral home with children away from the city in a suburb or small town; that the woman's function was as homemaker and mother; and that Americans incorporate an independent and pioneering spirit or that their success is self-made. The 1950s were crucial to the development of the American musical. Damon Runyon 's eclectic characters were at

1430-510: A musical adaptation of Oscar Wilde 's 1895 hit The Importance of Being Earnest . West Side Story (1957) transported Romeo and Juliet to modern day New York City and converted the feuding Montague and Capulet families into opposing ethnic gangs, the Jets and the Sharks. The book was adapted by Arthur Laurents , with music by Leonard Bernstein and lyrics by newcomer Stephen Sondheim . It

1573-416: A musical generally became more expensive. Shuffle Along (1921), an all-African American show, was a hit on Broadway. A new generation of composers of operettas also emerged in the 1920s, such as Rudolf Friml and Sigmund Romberg , to create a series of popular Broadway hits. In London, writer-stars such as Ivor Novello and Noël Coward became popular, but the primacy of British musical theatre from

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1716-497: A musical is the responsibility of its creative team, which includes a director, a musical director, usually a choreographer and sometimes an orchestrator . A musical's production is also creatively characterized by technical aspects, such as set design , costumes , stage properties (props) , lighting and sound . The creative team, designs and interpretations generally change from the original production to succeeding productions. Some production elements, however, may be retained from

1859-467: A musical style more aptly suited to twentieth-century society and its vernacular idiom. It was from America that the more direct style emerged, and in America that it was able to flourish in a developing society less hidebound by nineteenth-century tradition." In France, comédie musicale was written between in the early decades of the century for such stars as Yvonne Printemps . Progressing far beyond

2002-547: A new Broadway record. In Britain, Me and My Girl ran for 1,646 performances. Still, a few creative teams began to build on Show Boat ' s innovations. Of Thee I Sing (1931), a political satire by the Gershwins, was the first musical awarded the Pulitzer Prize . As Thousands Cheer (1933), a revue by Irving Berlin and Moss Hart in which each song or sketch was based on a newspaper headline, marked

2145-464: A number of blockbusters, like Fiddler on the Roof (1964; 3,242 performances), Hello, Dolly! (1964; 2,844 performances), Funny Girl (1964; 1,348 performances) and Man of La Mancha (1965; 2,328 performances), and some more risqué pieces like Cabaret , before ending with the emergence of the rock musical . In Britain, Oliver! (1960) ran for 2,618 performances, but the long-run champion of

2288-569: A part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the light opera works of Jacques Offenbach in France, Gilbert and Sullivan in Britain and the works of Harrigan and Hart in America. These were followed by Edwardian musical comedies , which emerged in Britain, and the musical theatre works of American creators like George M. Cohan at

2431-519: A piece for the school's choir. Doggett requested a "pop cantata " along the lines of Herbert Chappell 's The Daniel Jazz (1963) and Michael Hurd 's Jonah-Man Jazz (1966), both of which had been published by Novello and were based on the Old Testament . The request for the new piece came with a 100- guinea advance from Novello. This resulted in Joseph and the Amazing Technicolor Dreamcoat ,

2574-490: A retelling of the biblical story of Joseph , in which Lloyd Webber and Rice humorously pastiched a number of pop-music styles. The piece was first presented as a 15-minute pop cantata at Colet Court School in London on 1 March 1968. Lloyd Webber's composer father William arranged for a second performance at his church, Methodist Central Hall , with a revised and expanded 20-minute format; the boys of Colet Court and members of

2717-702: A return the following year. On 17 February 2020, a 50th anniversary concert production of Joseph was staged at Lincoln Center 's David Geffen Hall in New York City. Produced by Manhattan Concert Productions, directed by Michael Arden conducted by Stephen Oremus , and accompanied by the New York City Chamber Orchestra with over 300 singers, the one night only sold-out concert presentation starred Noah Galvin (a last minute replacement for Ari'el Stachel ) as Joseph along with Eden Espinosa , Alex Newell , and Jessica Vosk sharing

2860-468: A river ... with lots of obstacles and mishaps along the way". As transportation improved, poverty in London and New York diminished, and street lighting made for safer travel at night, the number of patrons for the growing number of theatres increased enormously. Plays ran longer, leading to better profits and improved production values, and men began to bring their families to the theatre. The first musical theatre piece to exceed 500 consecutive performances

3003-497: A run of 931 performances. Gilbert and Sullivan's influence on later musical theatre was profound, creating examples of how to "integrate" musicals so that the lyrics and dialogue advanced a coherent story. Their works were admired and copied by early authors and composers of musicals in Britain and America. A Trip to Chinatown (1891) was Broadway's long-run champion (until Irene in 1919), running for 657 performances, but New York runs continued to be relatively short, with

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3146-544: A series of 2.5D musicals based on popular anime and manga comics has developed in recent decades. Shorter or simplified "junior" versions of many musicals are available for schools and youth groups, and very short works created or adapted for performance by children are sometimes called minimusicals . The antecedents of musical theatre in Europe can be traced back to the theatre of ancient Greece , where music and dance were included in stage comedies and tragedies during

3289-547: A series of successful Broadway shows, including On Your Toes (1936, with Ray Bolger , the first Broadway musical to make dramatic use of classical dance), Babes in Arms (1937) and The Boys from Syracuse (1938). Porter added Du Barry Was a Lady (1939). The longest-running piece of musical theatre of the 1930s in the US was Hellzapoppin (1938), a revue with audience participation, which played for 1,404 performances, setting

3432-789: A story-telling device in On Your Toes in 1936, which was followed by Agnes de Mille 's ballet and choreography in Oklahoma! . After Abbott collaborated with Jerome Robbins in On the Town and other shows, Robbins combined the roles of director and choreographer, emphasizing the story-telling power of dance in West Side Story , A Funny Thing Happened on the Way to the Forum (1962) and Fiddler on

3575-598: Is ("Joseph All the Time"), then sends for Jacob ("Jacob in Egypt"). Upon meeting Jacob for the first time in years, Joseph sings "Any Dream Will Do" again, and the lyrics are revealed to be a vague overview of the story. Jacob returns Joseph's coat to him, now fully repaired ("Give Me My Coloured Coat") In some productions, the cast perform a medley of songs from the show as they take their bows ("Joseph Megamix"). The 17-year-old budding musical-theatre composer Andrew Lloyd Webber

3718-430: Is ecstatic about this gift ("Joseph's Coat"), while his brothers look on with jealousy. The brothers’ jealousy is compounded by Joseph's dreams, which suggest that he is destined to rule over them ("Joseph's Dreams"). To stop this from happening, they try to kill him by throwing him down a pit, before changing their minds and selling him as a slave to some passing Ishmaelites . The Narrator comments on how powerless Joseph

3861-451: Is frequently longer than the second. The first act generally introduces nearly all of the characters and most of the music and often ends with the introduction of a dramatic conflict or plot complication while the second act may introduce a few new songs but usually contains reprises of important musical themes and resolves the conflict or complication. A book musical is usually built around four to six main theme tunes that are reprised later in

4004-477: Is often difficult to distinguish among the various kinds of musical theatre, including "musical play", "musical comedy", "operetta" and "light opera". Like opera, the singing in musical theatre is generally accompanied by an instrumental ensemble called a pit orchestra , located in a lowered area in front of the stage. While opera typically uses a conventional symphony orchestra , musicals are generally orchestrated for ensembles ranging from 27 players down to only

4147-582: Is one in which songs entirely or almost entirely replace any spoken dialogue . Conversations, speeches, and musings are communicated musically, for example through a combination of recitative , aria , and arioso . Early versions of this include the Italian genre of opera buffa , a light-hearted form of opera that gained prominence in the 1750s. A through-sung opera or other form of narrative work with continuous music may also be described as through-composed . Musical theatre Although music has been

4290-464: Is primarily a singer and only secondarily an actor (and rarely needs to dance), a musical theatre performer is often an actor first but must also be a singer and dancer. Someone who is equally accomplished at all three is referred to as a "triple threat". Composers of music for musicals often consider the vocal demands of roles with musical theatre performers in mind. Today, large theatres that stage musicals generally use microphones and amplification of

4433-437: Is taken to Egypt, where he is bought as a slave by the wealthy Potiphar. He works hard and is promoted, eventually running the household. Joseph catches the eye of Mrs Potiphar and although he turns down her advances, Potiphar sees them together and jumps to the wrong conclusion ("Potiphar"). Enraged, he throws Joseph in jail. A heartbroken Joseph laments his situation (" Close Every Door "). Two prisoners, both former servants of

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4576-569: The London Palladium production at the Adelphi Theatre starred a Joseph cast with the winner of BBC One 's Any Dream Will Do , presided over by Lloyd Webber. This was the second reality talent show to search for a West End star, capitalising on the success of the 2006 BBC–Lloyd Webber series, How Do You Solve a Problem like Maria? . Viewers voted for Lee Mead as Joseph. Mead had previously played both Levi and Pharaoh in

4719-952: The Olympia Theatre in Dublin, moving on to the Cork Opera House for a two-week run, then to Limerick and then the Gaiety Theatre in Dublin, followed by several other venues over the next 4 years. A cast recording was produced by Ram Records. In 1974, Joseph and the Amazing Technicolor Dreamcoat was performed at the Playhouse in the Park in Philadelphia . The musical ran at the Brooklyn Academy of Music in New York in 1976 and in 1977 as "holiday fare". In

4862-712: The Pantages Theatre for 18 weeks, and in San Francisco at the Golden Gate Theatre for an 8-week run, before moving to Broadway, where it played for 231 performances at the Minskoff Theatre from 10 November 1993 to 29 May 1994. The cast featured Michael Damian (Joseph), Kelli Rabke (Narrator), Clifford David (Jacob), and Robert Torti (Pharaoh). Patrick Cassidy and Debbie Gibson performed 16 shows between 6–16 December 1999, at

5005-640: The Roaring Twenties , borrowing from vaudeville, music hall and other light entertainments, tended to emphasize big dance routines and popular songs at the expense of plot. Typical of the decade were lighthearted productions like Sally ; Lady, Be Good ; No, No, Nanette ; Oh, Kay! ; and Funny Face . Despite forgettable stories, these musicals featured stars such as Marilyn Miller and Fred Astaire and produced dozens of enduring popular songs by Kern, George and Ira Gershwin , Irving Berlin , Cole Porter and Rodgers and Hart . Popular music

5148-1018: The Shubert Theatre in Chicago, IL . Students from Lake Bluff Middle School performed as part of the dream Choir. A production starring Stephen Gately previewed in Oxford in December 2002, before moving to Liverpool over Christmas 2002. This production reached the West End at the New London Theatre in March 2003. Ian "H" Watkins took over the role of Joseph in 2005. A US national tour began in September 2005 in Milwaukee , Wisconsin, starring Patrick Cassidy . A 2007 revival of

5291-491: The Tudor period that involved music, dancing, singing and acting, often with expensive costumes and a complex stage design . These developed into sung plays that are recognizable as English operas, the first usually being thought of as The Siege of Rhodes (1656). In France, meanwhile, Molière turned several of his farcical comedies into musical entertainments with songs (music provided by Jean-Baptiste Lully ) and dance in

5434-557: The minstrel shows ), followed by ragtime -tinged shows. Hundreds of musical comedies were staged on Broadway in the 1890s and early 20th century, composed of songs written in New York's Tin Pan Alley , including those by George M. Cohan , who worked to create an American style distinct from the Gilbert and Sullivan works. The most successful New York shows were often followed by extensive national tours. Meanwhile, musicals took over

5577-480: The "Golden Age" of American musical theatre. Americana was displayed on Broadway during the "Golden Age", as the wartime cycle of shows began to arrive. An example of this is On the Town (1944), written by Betty Comden and Adolph Green , composed by Leonard Bernstein and choreographed by Jerome Robbins . The story is set during wartime and concerns three sailors who are on a 24-hour shore leave in New York City, during which each falls in love. The show also gives

5720-622: The 1850s to the 1870s and Johann Strauss II in the 1870s and 1880s. Offenbach's fertile melodies, combined with his librettists' witty satire, formed a model for the musical theatre that followed. Adaptations of the French operettas (played in mostly bad, risqué translations), musical burlesques , music hall, pantomime and burletta dominated the London musical stage into the 1870s. In America, mid-19th century musical theatre entertainments included crude variety revue , which eventually developed into vaudeville , minstrel shows , which soon crossed

5863-504: The 1910s, the team of P. G. Wodehouse , Guy Bolton and Jerome Kern , following in the footsteps of Gilbert and Sullivan , created the " Princess Theatre shows" and paved the way for Kern's later work by showing that a musical could combine light, popular entertainment with continuity between its story and songs. Historian Gerald Bordman wrote: These shows built and polished the mold from which almost all later major musical comedies evolved. ... The characters and situations were, within

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6006-470: The 1976 production, which opened on 30 December, direction was by Frank Dunlop, with a cast that featured Cleavon Little as the Narrator and David-James Carroll as Joseph. In the 1977 production, running in December through 1 January 1978, staging was by Graciela Daniele , with Carroll as Joseph, Alan Weeks as the Narrator and William Parry as Pharaoh/Elvis. In 1979, Joseph made its Connecticut debut at

6149-555: The 19th century through 1920 was gradually replaced by American innovation, especially after World War I, as Kern and other Tin Pan Alley composers began to bring new musical styles such as ragtime and jazz to the theatres, and the Shubert Brothers took control of the Broadway theatres. Musical theatre writer Andrew Lamb notes, "The operatic and theatrical styles of nineteenth-century social structures were replaced by

6292-412: The 19th century, such as music hall , melodrama and burletta , which were popularized partly because most London theatres were licensed only as music halls and not allowed to present plays without music. Colonial America did not have a significant theatre presence until 1752, when London entrepreneur William Hallam sent a company of actors to the colonies managed by his brother Lewis . In New York in

6435-596: The 2005 UK Touring production. Mead had given up his ensemble role in The Phantom of the Opera , where he also understudied Raoul. The new Joseph production, which began on 6 July 2007, used Steven Pimlott 's original direction (Pimlott had died since staging the Palladium production), with Preeya Kalidas as the Narrator. Any Dream Will Do finalist Lewis Bradley played Joseph for several shows in 2008 whilst Mead

6578-462: The 2014 UK Tour as Joseph with Danielle Hope as the Narrator. The 2016 UK touring production starred Joe McElderry as Joseph and Lucy Kay as the Narrator. Former Any Dream Will Do contestant Ben James-Ellis appeared as both Pharaoh and Issachar . The tour started again in February 2019 with Jaymi Hensley taking the lead role, with Trina Hill portraying the Narrator. In November 2018 it

6721-810: The 5th century BCE. The music from the ancient forms is lost, however, and they had little influence on later development of musical theatre. In the 12th and 13th centuries, religious dramas taught the liturgy . Groups of actors would use outdoor Pageant wagons (stages on wheels) to tell each part of the story. Poetic forms sometimes alternated with the prose dialogues, and liturgical chants gave way to new melodies. The European Renaissance saw older forms evolve into two antecedents of musical theatre: commedia dell'arte , where raucous clowns improvised familiar stories, and later, opera buffa . In England, Elizabethan and Jacobean plays frequently included music, and short musical plays began to be included in an evenings' dramatic entertainments. Court masques developed during

6864-551: The Angry Inch and other shows in recent decades. Parade is a sensitive exploration of both anti-Semitism and historical American racism, and Ragtime similarly explores the experience of immigrants and minorities in America. After the success of Hair , rock musicals flourished in the 1970s, with Jesus Christ Superstar , Godspell , The Rocky Horror Show , Evita and Two Gentlemen of Verona . Some of those began as " concept albums " which were then adapted to

7007-677: The Atlantic had little money to spend on entertainment, and only a few stage shows anywhere exceeded a run of 500 performances during the decade. The revue The Band Wagon (1931) starred dancing partners Fred Astaire and his sister Adele , while Porter's Anything Goes (1934) confirmed Ethel Merman 's position as the First Lady of musical theatre, a title she maintained for many years. Coward and Novello continued to deliver old fashioned, sentimental musicals, such as The Dancing Years , while Rodgers and Hart returned from Hollywood to create

7150-425: The Atlantic to Britain, and Victorian burlesque, first popularized in the US by British troupes. A hugely successful musical entertainment that premiered in New York in 1866, The Black Crook , combined dance and some original music that helped to tell the story. The spectacular production, famous for its skimpy costumes, ran for a record-breaking 474 performances. The same year, The Black Domino/Between You, Me and

7293-478: The Book of Genesis. A Narrator opens the show by introducing Joseph, the dreamer ("Prologue"). Joseph sings an inspiring, but seemingly meaningless song to the audience (" Any Dream Will Do "). The Narrator then draws the audience's attention to Joseph's father Jacob and his 12 sons ("Jacob and Sons"). Jacob favours Joseph over his other sons, and he gives Joseph a multicoloured coat to show his affection for him. Joseph

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7436-636: The Capitol Theatre on 11 February, 2023. On 21 February 2024, it was announced that the London Palladium production would play a limited season at the Edinburgh Playhouse over Christmas 2024, opening on 3 December 2024, with Donny Osmond playing the role of Pharaoh. The production is to be directed by Laurence Connor, produced by Michael Harrison and choreography again by JoAnn M Hunter, and further casting to be announced,

7579-756: The English-speaking stage by competition from the ubiquitous Edwardian musical comedies, operettas returned to London and Broadway in 1907 with The Merry Widow , and adaptations of continental operettas became direct competitors with musicals. Franz Lehár and Oscar Straus composed new operettas that were popular in English until World War I. In America, Victor Herbert produced a string of enduring operettas including The Fortune Teller (1898), Babes in Toyland (1903), Mlle. Modiste (1905), The Red Mill (1906) and Naughty Marietta (1910). In

7722-586: The Golden Age, automotive companies and other large corporations began to hire Broadway talent to write corporate musicals , private shows only seen by their employees or customers. The 1950s ended with Rodgers and Hammerstein 's last hit, The Sound of Music , which also became another hit for Mary Martin. It ran for 1,443 performances and shared the Tony Award for Best Musical. Together with its extremely successful 1965 film version , it has become one of

7865-534: The King"). Joseph declares that Egypt will see seven years of plentiful harvests, followed by an equal period of famine ("Pharaoh's Dreams Explained"). Impressed with what he hears, Pharaoh pardons and frees Joseph, makes him his second-in-command, and puts him in charge of famine preparations ("Stone the Crows"). Meanwhile, Joseph's family back home is now starving and poor, having lost their farm and living off scraps in

8008-583: The London stage in the Gay Nineties , led by producer George Edwardes , who perceived that audiences wanted a new alternative to the Savoy -style comic operas and their intellectual, political, absurdist satire. He experimented with a modern-dress, family-friendly musical theatre style, with breezy, popular songs, snappy, romantic banter, and stylish spectacle at the Gaiety and his other theatres. These drew on

8151-560: The Mountains (1,352 performances) and especially Chu Chin Chow . Its run of 2,238 performances was more than twice as long as any previous musical, setting a record that stood for nearly forty years. Even a revival of The Beggar's Opera held the stage for 1,463 performances. Revues like The Bing Boys Are Here in Britain, and those of Florenz Ziegfeld and his imitators in America, were also extraordinarily popular. The musicals of

8294-560: The Opera (1986), Rent (1996), Wicked (2003) and Hamilton (2015). Musicals are performed around the world. They may be presented in large venues, such as big-budget Broadway or West End productions in New York City or London. Alternatively, musicals may be staged in smaller venues, such as off-Broadway , off-off-Broadway , regional theatre , fringe theatre , or community theatre productions, or on tour . Musicals are often presented by amateur and school groups in churches, schools and other performance spaces. In addition to

8437-935: The Pharaoh, are put in his cell. Joseph interprets their strange dreams and predicts the Butler will return to Pharaoh's service, while the Baker will be executed. As Joseph questions his predictions, the other prisoners encourage Joseph to follow his own dreams ("Go, Go Joseph"). The Narrator opens the second act with news that the Egyptian populace has been plagued by dreams that no one can interpret ("Pharaoh Story"). The Butler, now freed and again serving Pharaoh, tells him of Joseph's skill at deciphering dreams ("Poor, Poor Pharaoh"). Pharaoh has Joseph brought to him and describes his dream involving seven fat cows, seven skinny cows, seven healthy ears of corn, and seven dead ears of corn ("Song of

8580-655: The Post was the first show to call itself a "musical comedy." In 1874, Evangeline or The Belle of Arcadia , by Edward E. Rice and J. Cheever Goodwin , based loosely on Longfellow’s Evangeline , with an original American story and music, opened successfully in New York and was revived in Boston, New York, and in repeated tours. Comedians Edward Harrigan and Tony Hart produced and starred in musicals on Broadway between 1878 ( The Mulligan Guard Picnic ) and 1885. These musical comedies featured characters and situations taken from

8723-582: The Roof (1964). Bob Fosse choreographed for Abbott in The Pajama Game (1956) and Damn Yankees (1957), injecting playful sexuality into those hits. He was later the director-choreographer for Sweet Charity (1968), Pippin (1972) and Chicago (1975). Other notable director-choreographers have included Gower Champion , Tommy Tune , Michael Bennett , Gillian Lynne and Susan Stroman . Prominent directors have included Hal Prince , who also got his start with Abbott, and Trevor Nunn . During

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8866-463: The Shrew for Kiss Me, Kate (1948, 1,077 performances). The American musicals overwhelmed the old-fashioned British Coward/Novello-style shows, one of the last big successes of which was Novello's Perchance to Dream (1945, 1,021 performances). The formula for the Golden Age musicals reflected one or more of four widely held perceptions of the "American dream": That stability and worth derives from

9009-497: The Times Square area until the 1920s and 1930s. New York runs lagged far behind those in London, but Laura Keene 's "musical burletta" Seven Sisters (1860) shattered previous New York musical theatre record, with a run of 253 performances. Around 1850, the French composer Hervé was experimenting with a form of comic musical theatre he called opérette . The best known composers of operetta were Jacques Offenbach from

9152-528: The UK Tour productions included "King of My Heart" performed by Pharaoh which was sung after "Stone the Crows" . In 1999, a direct-to-video film adaptation of the same title starring Donny Osmond was released by Polygram Video , directed by David Mallet and based on Steven Pimlott's 1991 London Palladium production. Osmond had toured North America in the role after opening the Toronto revival in 1992. In

9295-625: The US beginning in 1970, and the first American release of the album was in 1971. The musical had its professional premiere, as a 35-minute musical, at the Haymarket ice rink during the Edinburgh International Festival in 1972. It was Part Two of Bible One , a Young Vic Theatre Company production presented by the National Theatre of Great Britain. While still undergoing various modifications and expansions,

9438-552: The US. It featured Daltrey as Joseph, Rice as Pharaoh, William S. Lloyd Webber on the Hammond organ, Alan Doggett conducting, and the Colet Court choir as the chorus. Lloyd Webber and Rice used the popularity of their subsequent musical, the rock opera Jesus Christ Superstar , to promote Joseph , which was advertised in America as a "follow-up" to Superstar . The rock opera's title song " Superstar " had been an international hit single released in late 1969, and " I Don't Know How To Love Him ", another hit from Jesus Christ Superstar ,

9581-414: The United States and Britain, there are vibrant musical theatre scenes in continental Europe, Asia, Australasia, Canada and Latin America. Since the 20th century, the "book musical" has been defined as a musical play where songs and dances are fully integrated into a well-made story with serious dramatic goals and which is able to evoke genuine emotions other than laughter. The three main components of

9724-430: The West End in the 21st century have been presented in one act. Moments of greatest dramatic intensity in a book musical are often performed in song. Proverbially, "when the emotion becomes too strong for speech, you sing; when it becomes too strong for song, you dance." In a book musical, a song is ideally crafted to suit the character (or characters) and their situation within the story; although there have been times in

9867-507: The actors' singing voices in a way that would generally be disapproved of in an operatic context. Some works, including those by George Gershwin , Leonard Bernstein and Stephen Sondheim , have been made into both musical theatre and operatic productions. Similarly, some older operettas or light operas (such as The Pirates of Penzance by Gilbert and Sullivan ) have been produced in modern adaptations that treat them as musicals. For some works, production styles are almost as important as

10010-406: The band Mixed Bag sang at this performance in May 1968. One of the children's parents in that audience was Derek Jewell , a Sunday Times music critic; he reviewed the piece in the newspaper, calling it a new pop oratorio and praising its innovation and exuberance. By its third performance, at St Paul's Cathedral in November 1968, the musical had been expanded to 35 minutes. Novello published

10153-594: The brothers bow before him this is the dream he had years ago coming true ("Grovel, Grovel"). Joseph gives them sacks of food, but plants a golden cup in the one belonging to Benjamin, his youngest brother. When the brothers attempt to depart, Joseph stops them, accusing them of theft. Each brother empties his sack ("Who's the Thief?"), and when the cup is found in Benjamin's sack Joseph accuses him of stealing. The other brothers beg Joseph to take them prisoner instead and let Benjamin go free ("Benjamin Calypso"). Joseph sees that his brothers have changed and reveals who he really

10296-508: The central role of The Narrator. Additional casting included Chuck Cooper as Jacob, Andy Karl as Potiphar, Orfeh as Mrs. Potiphar, and Merle Dandridge as The Pharaoh. The production returned to the London Palladium in 2021, playing a limited season from 1 July to 5 September. The production, which was postponed from 2020 due to the COVID-19 pandemic , saw Alexandra Burke join the company as The Narrator and Yarrow and Donovan return to

10439-474: The characters express their ideas. It defied musical conventions by raising its first act curtain not on a bevy of chorus girls, but rather on a woman churning butter, with an off-stage voice singing the opening lines of Oh, What a Beautiful Mornin' unaccompanied. It drew rave reviews, set off a box-office frenzy and received a Pulitzer Prize . Brooks Atkinson wrote in The New York Times that

10582-557: The comparatively frivolous musicals and sentimental operettas of the decade, Broadway's Show Boat (1927) represented an even more complete integration of book and score than the Princess Theatre musicals, with dramatic themes told through the music, dialogue, setting and movement. This was accomplished by combining the lyricism of Kern's music with the skillful libretto of Oscar Hammerstein II . One historian wrote, "Here we come to

10725-508: The continent, singspiel , comédie en vaudeville , opéra comique , zarzuela and other forms of light musical entertainment were emerging. The Beggar's Opera was the first recorded long-running play of any kind, running for 62 successive performances in 1728. It would take almost a century afterwards before any play broke 100 performances, but the record soon reached 150 in the late 1820s. Other musical theatre forms developed in England by

10868-452: The controversy surrounding it, ran for 108 performances. Rodgers and Hart's I'd Rather Be Right (1937) was a political satire with George M. Cohan as President Franklin D. Roosevelt , and Kurt Weill 's Knickerbocker Holiday depicted New York City's early history while good-naturedly satirizing Roosevelt's good intentions. The motion picture mounted a challenge to the stage. Silent films had presented only limited competition, but by

11011-548: The core of Frank Loesser 's and Abe Burrows ' Guys and Dolls , (1950, 1,200 performances); and the Gold Rush was the setting for Alan Jay Lerner and Frederick Loewe 's Paint Your Wagon (1951). The relatively brief seven-month run of that show did not discourage Lerner and Loewe from collaborating again, this time on My Fair Lady (1956), an adaptation of George Bernard Shaw 's Pygmalion starring Rex Harrison and Julie Andrews , which at 2,717 performances held

11154-494: The decade was The Black and White Minstrel Show (1962), which played for 4,344 performances. Two men had considerable impact on musical theatre history beginning in this decade: Stephen Sondheim and Jerry Herman . The first project for which Sondheim wrote both music and lyrics was A Funny Thing Happened on the Way to the Forum (1962, 964 performances), with a book based on the works of Plautus by Burt Shevelove and Larry Gelbart , starring Zero Mostel . Sondheim moved

11297-403: The earlier musical forms of comic opera and operetta. The Geisha (1896) was one of the most successful in the 1890s, running for more than two years and achieving great international success. The Belle of New York (1898) became the first American musical to run for over a year in London. The British musical comedy Florodora (1899) was a popular success on both sides of the Atlantic, as

11440-409: The end of the 1920s, films like The Jazz Singer could be presented with synchronized sound. "Talkie" films at low prices effectively killed off vaudeville by the early 1930s. Despite the economic woes of the 1930s and the competition from film, the musical survived. In fact, it continued to evolve thematically beyond the gags and showgirls musicals of the Gay Nineties and Roaring Twenties and

11583-544: The end of the Golden Age, several shows tackled Jewish subjects and issues, such as Fiddler on the Roof , Milk and Honey , Blitz! and later Rags . The original concept that became West Side Story was set in the Lower East Side during Easter-Passover celebrations; the rival gangs were to be Jewish and Italian Catholic . The creative team later decided that the Polish (white) vs. Puerto Rican conflict

11726-409: The everyday life of New York's lower classes. They starred high quality singers ( Lillian Russell , Vivienne Segal and Fay Templeton ) instead of the ladies of questionable repute who had starred in earlier musical forms. In 1879, The Brook by Nate Salsbury was another national success with contemporary American dance styles and an American story about "members of an acting company taking a trip down

11869-460: The film, Maria Friedman appears as the Narrator, Richard Attenborough as Jacob, Ian McNeice as Potiphar, Joan Collins as Mrs. Potiphar and Robert Torti reprised his role from the 1993 Broadway Production as Pharaoh. It also aired on PBS as part of Great Performances . In March 2017, at CinemaCon , STX Entertainment announced an animated film version of the musical with new songs written by Lloyd Webber and Rice. On 12 April, 2023, it

12012-438: The first Broadway show in which an African-American, Ethel Waters , starred alongside white actors. Waters' numbers included " Supper Time ", a woman's lament for her husband who has been lynched. The Gershwins' Porgy and Bess (1935) featured an all African-American cast and blended operatic, folk and jazz idioms. The Cradle Will Rock (1937), directed by Orson Welles , was a highly political pro- union piece that, despite

12155-515: The founding of the state of Israel, and continuing with the blockbuster hits Hello, Dolly! (1964, 2,844 performances), Mame (1966, 1,508 performances), and La Cage aux Folles (1983, 1,761 performances). Even his less successful shows like Dear World (1969) and Mack and Mabel (1974) have had memorable scores ( Mack and Mabel was later reworked into a London hit). Writing both words and music, many of Herman's show tunes have become popular standards, including " Hello, Dolly! ", "We Need

12298-644: The historic Downtown Cabaret Theatre ahead of moving to New York City. Joseph received an Off-Broadway production at the Entermedia Theatre , running from 18 November 1981 through 24 January 1982. Directed by Tony Tanner , the cast starred Bill Hutton as Joseph, Laurie Beechman as the Narrator, and Tom Carder as Pharaoh. The production transferred to Broadway at the Royale Theatre on 27 January 1982 and ran through 4 September 1983, with 747 performances. Judith Dolan designed costumes for

12441-472: The history of the musical (e.g. from the 1890s to the 1920s) when this integration between music and story has been tenuous. As The New York Times critic Ben Brantley described the ideal of song in theatre when reviewing the 2008 revival of Gypsy : "There is no separation at all between song and character, which is what happens in those uncommon moments when musicals reach upward to achieve their ideal reasons to be." Typically, many fewer words are sung in

12584-527: The impression of a country with an uncertain future, as the sailors and their women also have. Irving Berlin used sharpshooter Annie Oakley 's career as a basis for his Annie Get Your Gun (1946, 1,147 performances); Burton Lane , E. Y. Harburg and Fred Saidy combined political satire with Irish whimsy for their fantasy Finian's Rainbow (1947, 725 performances); and Cole Porter found inspiration in William Shakespeare 's The Taming of

12727-447: The interplay of lyrics and music in his shows. Some of Sondheim's notable innovations include a show presented in reverse ( Merrily We Roll Along ) and the above-mentioned Anyone Can Whistle , in which the first act ends with the cast informing the audience that they are mad. Jerry Herman played a significant role in American musical theatre, beginning with his first Broadway production, Milk and Honey (1961, 563 performances), about

12870-548: The late 17th century. These influenced a brief period of English opera by composers such as John Blow and Henry Purcell . From the 18th century, the most popular forms of musical theatre in Britain were ballad operas , like John Gay 's The Beggar's Opera , that included lyrics written to the tunes of popular songs of the day (often spoofing opera), and later pantomime , which developed from commedia dell'arte, and comic opera with mostly romantic plot lines, like Michael Balfe 's The Bohemian Girl (1845). Meanwhile, on

13013-402: The limitations of musical comedy license, believable and the humor came from the situations or the nature of the characters. Kern's exquisitely flowing melodies were employed to further the action or develop characterization. ... [Edwardian] musical comedy was often guilty of inserting songs in a hit-or-miss fashion. The Princess Theatre musicals brought about a change in approach. P. G. Wodehouse,

13156-505: The long-run record for many years. Popular Hollywood films were made of all of these musicals. Two hits by British creators in this decade were The Boy Friend (1954), which ran for 2,078 performances in London and marked Andrews' American debut, and Salad Days (1954), which broke the British long-run record with a run of 2,283 performances. Another record was set by The Threepenny Opera , which ran for 2,707 performances, becoming

13299-535: The longest-running off-Broadway musical until The Fantasticks . The production also broke ground by showing that musicals could be profitable off-Broadway in a small-scale, small orchestra format. This was confirmed in 1959 when a revival of Jerome Kern and P. G. Wodehouse 's Leave It to Jane ran for more than two years. The 1959–1960 off-Broadway season included a dozen musicals and revues including Little Mary Sunshine , The Fantasticks and Ernest in Love ,

13442-601: The lyrics and sheet music of the 20-minute version at the beginning of 1969, as the third of their Old Testament pop cantatas. Decca Records , which had already recorded the St Paul's Cathedral version of the musical in the summer of 1968, released the recording in 1969, credited to the Joseph Consortium, following the Novello publication. David Daltrey, front man of British psychedelic band Tales of Justine, played

13585-445: The most observant, literate and witty lyricist of his day, and the team of Bolton, Wodehouse and Kern had an influence felt to this day. The theatre-going public needed escapist entertainment during the dark times of World War I , and they flocked to the theatre. The 1919 hit musical Irene ran for 670 performances, a Broadway record that held until 1938. The British theatre public supported far longer runs like that of The Maid of

13728-585: The most popular musicals in history. In 1960, The Fantasticks was first produced off-Broadway. This intimate allegorical show would quietly run for over 40 years at the Sullivan Street Theatre in Greenwich Village , becoming by far the longest-running musical in history. Its authors produced other innovative works in the 1960s, such as Celebration and I Do! I Do! , the first two-character Broadway musical. The 1960s would see

13871-423: The music for a story about Rose Thompson Hovick , the mother of the titular stripper Gypsy Rose Lee . Although directors and choreographers have had a major influence on musical theatre style since at least the 19th century, George Abbott and his collaborators and successors took a central role in integrating movement and dance fully into musical theatre productions in the Golden Age. Abbott introduced ballet as

14014-480: The musical beyond its concentration on the romantic plots typical of earlier eras; his work tended to be darker, exploring the grittier sides of life both present and past. Other early Sondheim works include Anyone Can Whistle (1964, which ran only nine performances, despite having stars Lee Remick and Angela Lansbury ), and the successful Company (1970), Follies (1971) and A Little Night Music (1973). Later, Sondheim found inspiration in unlikely sources:

14157-593: The musical was produced in the West End in 1973. In 1974, its full modern format was performed at the Haymarket Theatre in Leicester and was also recorded that year. The musical was mounted on Broadway in 1982. Several major revivals, national tours, and a 1999 direct-to-video film starring Donny Osmond followed. Joseph and the Amazing Technicolor Dreamcoat is based on the story of Joseph from

14300-418: The necessary encouragement for other gifted writers to create musical plays of their own". The two collaborators created an extraordinary collection of some of musical theatre's best loved and most enduring classics, including Carousel (1945), South Pacific (1949), The King and I (1951) and The Sound of Music (1959). Some of these musicals treat more serious subject matter than most earlier shows:

14443-715: The opening of Japan to Western trade for Pacific Overtures (1976), a legendary murderous barber seeking revenge in the Industrial Age of London for Sweeney Todd (1979), the paintings of Georges Seurat for Sunday in the Park with George (1984), fairy tales for Into the Woods (1987), and a collection of presidential assassins in Assassins (1990). While some critics have argued that some of Sondheim's musicals lack commercial appeal, others have praised their lyrical sophistication and musical complexity, as well as

14586-502: The orchestra that "weav[es] together excerpts of the score's famous melodies." There are various Eastern traditions of theatre that include music, such as Chinese opera , Taiwanese opera , Japanese Noh and Indian musical theatre , including Sanskrit drama , Indian classical dance , Parsi theatre and Yakshagana . India has, since the 20th century, produced numerous musical films, referred to as " Bollywood " musicals, and in Japan

14729-464: The original production, for example, Bob Fosse 's choreography in Chicago . There is no fixed length for a musical. While it can range from a short one-act entertainment to several acts and several hours in length (or even a multi-evening presentation), most musicals range from one and a half to three hours. Musicals are usually presented in two acts, with one short intermission , and the first act

14872-643: The other hand, many successful musical theatre works have been adapted for musical films , such as West Side Story , My Fair Lady , The Sound of Music , Oliver! and Chicago . Musical theatre is closely related to the theatrical form of opera, but the two are usually distinguished by weighing a number of factors. First, musicals generally have a greater focus on spoken dialogue. Some musicals, however, are entirely accompanied and sung-through, while some operas, such as Die Zauberflöte , and most operettas , have some unaccompanied dialogue. Second, musicals usually include more dancing as an essential part of

15015-539: The owner of the copyright, the Really Useful Group , by 2008 more than 20,000 schools and amateur theatre groups had staged productions. Joseph was first presented as a 15-minute " pop cantata " at Colet Court School in London in 1968, and was published by Novello and recorded in an expanded form by Decca Records in 1969. After the success of the next Lloyd Webber and Rice piece, Jesus Christ Superstar , Joseph received amateur stage productions in

15158-528: The production will then embark on a UK tour. Lloyd Webber and Rice used a variety of musical styles, including parodies of French ballads ("Those Canaan Days"), Elvis -themed rock and roll ("Song of the King"), Country/Western music ("One More Angel in Heaven"), 1920s Charleston ("Potiphar"), Calypso ("Benjamin Calypso"), jazz ("Joseph's Dreams") and 1970s go-go ("Go, Go, Go Joseph"). "Prologue"

15301-674: The production. This production was recorded on the Chrysalis label, and is the first to feature the Prologue (dubbed on the Chrysalis release "You are what you feel"). The producers were Gail Berman and Susan Rose , who were the youngest producers on Broadway. The show received six Tony Award nominations including Best Musical and Best Original Score but won none. Allen Fawcett replaced Hutton as Joseph in June 1982. David Cassidy took over

15444-764: The relatively narrow confines of the 1950s. Rock music would be used in several Broadway musicals, beginning with Hair , which featured not only rock music but also nudity and controversial opinions about the Vietnam War , race relations and other social issues. After Show Boat and Porgy and Bess , and as the struggle in America and elsewhere for minorities' civil rights progressed, Hammerstein, Harold Arlen , Yip Harburg and others were emboldened to write more musicals and operas that aimed to normalize societal toleration of minorities and urged racial harmony. Early Golden Age works that focused on racial tolerance included Finian's Rainbow and South Pacific . Towards

15587-451: The revolution begun by Show Boat , by tightly integrating all the aspects of musical theatre, with a cohesive plot, songs that furthered the action of the story, and featured dream ballets and other dances that advanced the plot and developed the characters, rather than using dance as an excuse to parade scantily clad women across the stage. Rodgers and Hammerstein hired ballet choreographer Agnes de Mille , who used everyday motions to help

15730-472: The role of Joseph and lead guitar, and Tim Rice was Pharaoh. Other vocalists included members of the Mixed Bag group, such as Terry Saunders and Malcolm Parry, and the choir of Colet Court School. A 32-minute recording of the musical with 19 tracks was issued in the US on Scepter Records in 1971. It was a reissue of the 1969 Decca UK album, capitalising on the success of 1970's Jesus Christ Superstar in

15873-409: The role of Joseph in March 1983 and also performed in the touring cast in 1983–1984. With Jason Donovan in the lead, the expanded show was restaged in 1991 at the London Palladium with Steven Pimlott as director and Anthony Van Laast as choreographer, winning the 1992 Laurence Olivier Award for set design. The cast album of this production was the #1 UK album for two weeks in September 1991, and

16016-733: The role, Osmond was succeeded by David Burnham as Joseph. A major Australian production, based on the 1991 UK version, opened on 31 December 1992 at the State Theatre in Melbourne. It featured Indecent Obsession lead singer David Dixon as Joseph and Tina Arena as the Narrator. The musical then played seasons in Brisbane and Sydney through 1993. The show was revived in the United States in 1993, playing in Los Angeles at

16159-560: The roles of Joseph and Pharaoh respectively. Linzi Hateley reprised her role as the Narrator in specific performances, with choreography once again by Joann M. Hunter and produced by Michael Harrison. In 2022 the production embarked on a UK Tour opening in Manchester in March until 29 October in Edinburgh. In November 2022, the London Palladium production opened in Melbourne, Australia. The production then moved to Sydney opening, at

16302-415: The sentimental romance of operetta, adding technical expertise and the fast-paced staging and naturalistic dialogue style led by director George Abbott . The 1940s began with more hits from Porter, Irving Berlin , Rodgers and Hart, Weill and Gershwin, some with runs over 500 performances as the economy rebounded, but artistic change was in the air. Rodgers and Hammerstein 's Oklahoma! (1943) completed

16445-420: The show's opening number changed the history of musical theatre: "After a verse like that, sung to a buoyant melody, the banalities of the old musical stage became intolerable." It was the first "blockbuster" Broadway show, running a total of 2,212 performances, and was made into a hit film. It remains one of the most frequently produced of the team's projects. William A. Everett and Paul R. Laird wrote that this

16588-407: The show, although it sometimes consists of a series of songs not directly musically related. Spoken dialogue is generally interspersed between musical numbers, although "sung dialogue" or recitative may be used, especially in so-called " sung-through " musicals such as Jesus Christ Superstar , Falsettos , Les Misérables , Evita and Hamilton . Several shorter musicals on Broadway and in

16731-589: The single " Any Dream Will Do " from it was also the #1 UK single for two weeks in June–July 1991. When Donovan left, former children's TV presenter Phillip Schofield portrayed Joseph. Darren Day would take up the role in 1993. The musical opened in Toronto at the Elgin Theatre in June, 1992 until September that same year, with Donny Osmond as Joseph and Janet Metz as the Narrator. Following five years in

16874-476: The stage, most notably Jesus Christ Superstar and Evita . Others had no dialogue or were otherwise reminiscent of opera, with dramatic, emotional themes; these sometimes started as concept albums and were referred to as rock operas . Shows like Raisin , Dreamgirls , Purlie and The Wiz brought a significant African-American influence to Broadway. More varied musical genres and styles were incorporated into musicals both on and especially off-Broadway. At

17017-402: The standard for what was considered a successful show. These shows were designed for family audiences, a marked contrast from the risqué burlesques, bawdy music hall shows and French operettas that sometimes drew a crowd seeking less wholesome entertainment. Only a few 19th-century musical pieces exceeded the run of The Mikado , such as Dorothy , which opened in 1886 and set a new record with

17160-515: The storytelling, particularly by the principal performers as well as the chorus. Third, musicals often use various genres of popular music or at least popular singing and musical styles. Finally, musicals usually avoid certain operatic conventions. In particular, a musical is almost always performed in the language of its audience. Musicals produced on Broadway or in the West End, for instance, are invariably sung in English, even if they were originally written in another language. While an opera singer

17303-623: The summer of 1753, they performed ballad-operas, such as The Beggar's Opera , and ballad-farces. By the 1840s, P. T. Barnum was operating an entertainment complex in lower Manhattan. Other early musical theatre in America consisted of British forms, such as burletta and pantomime, but what a piece was called did not necessarily define what it was. The 1852 Broadway extravaganza The Magic Deer advertised itself as "A Serio Comico Tragico Operatical Historical Extravaganzical Burletical Tale of Enchantment." Theatre in New York moved from downtown gradually to midtown from around 1850 and did not arrive in

17446-552: The title role, Peter Reeves as the narrator, and Gordon Waller as Pharaoh; Alan Doggett was the music director. In October the production played at London's Young Vic Theatre , and in November at the Roundhouse . The production was part of a double bill called Bible One: Two Looks at the Book of Genesis . Part I was Dunlop's reworking of the first six of the medieval Wakefield Mystery Plays , with music by Alan Doggett. Part II

17589-679: The traditions of comic opera and used elements of burlesque and of the Harrigan and Hart pieces. He replaced the bawdy women of burlesque with his "respectable" corps of Gaiety Girls to complete the musical and visual fun. The success of the first of these, In Town (1892) and A Gaiety Girl (1893) set the style for the next three decades. The plots were generally light, romantic "poor maiden loves aristocrat and wins him against all odds" shows, with music by Ivan Caryll , Sidney Jones and Lionel Monckton . These shows were immediately widely copied in America, and Edwardian musical comedy swept away

17732-508: The turn of the 20th century. The Princess Theatre musicals (1915–1918) were artistic steps forward beyond the revues and other frothy entertainments of the early 20th century and led to such groundbreaking works as Show Boat (1927), Of Thee I Sing (1931) and Oklahoma! (1943). Some of the most famous musicals through the decades that followed include My Fair Lady (1956), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1985), The Phantom of

17875-449: The villain in Oklahoma! is a suspected murderer and psychopath; Carousel deals with spousal abuse, thievery, suicide and the afterlife; South Pacific explores miscegenation even more thoroughly than Show Boat ; the hero of The King and I dies onstage; and the backdrop of The Sound of Music is the annexation of Austria by Nazi Germany in 1938 . The show's creativity stimulated Rodgers and Hammerstein's contemporaries and ushered in

18018-464: The work's musical or dramatic content in defining into which art form the piece falls. Sondheim said, "I really think that when something plays Broadway it's a musical, and when it plays in an opera house it's opera. That's it. It's the terrain, the countryside, the expectations of the audience that make it one thing or another." There remains an overlap in form between lighter operatic forms and more musically complex or ambitious musicals. In practice, it

18161-420: Was A Chinese Honeymoon (1901), which ran for a record-setting 1,074 performances in London and 376 in New York. After the turn of the 20th century, Seymour Hicks joined forces with Edwardes and American producer Charles Frohman to create another decade of popular shows. Other enduring Edwardian musical comedy hits included The Arcadians (1909) and The Quaker Girl (1910). Virtually eliminated from

18304-599: Was Joseph and the Amazing Technicolor Dreamcoat . This production of Joseph , still a 35-minute musical, was also broadcast in the UK by Granada Television in 1972. In February 1973, theatre producer Michael White and impresario Robert Stigwood mounted a further expanded version of the Young Vic production at the Albery Theatre in the West End , where it ran for 243 performances. This Young Vic production of Joseph

18447-420: Was a "show, that, like Show Boat , became a milestone, so that later historians writing about important moments in twentieth-century theatre would begin to identify eras according to their relationship to Oklahoma! ". "After Oklahoma! , Rodgers and Hammerstein were the most important contributors to the musical-play form... The examples they set in creating vital plays, often rich with social thought, provided

18590-519: Was announced that Joseph would return to the London Palladium for a limited run over the summer in 2019 to celebrate the show's 50th anniversary. Sheridan Smith starred as the Narrator and Jason Donovan played Pharaoh, with the title role of Joseph being played by drama school graduate Jac Yarrow. The production ran from 27 June 2019 (previews), opening 11 July, to 8 September, produced by Michael Harrison and choreography by Joann M. Hunter. The success of this production led to it being announced to make

18733-577: Was contacted by the 20-year-old aspiring pop-songwriter Tim Rice in 1965, and they created their first musical, The Likes of Us . They produced a demo tape of that work in 1966, but the project failed to gain a backer. In the summer of 1967, Alan Doggett, a family friend of the Lloyd Webber family who had assisted on The Likes of Us and who was the music teacher at the Colet Court school in London, commissioned Lloyd Webber and Rice to write

18876-468: Was dominated by musical theatre standards, such as " Fascinating Rhythm ", " Tea for Two " and " Someone to Watch Over Me ". Many shows were revues , series of sketches and songs with little or no connection between them. The best-known of these were the annual Ziegfeld Follies , spectacular song-and-dance revues on Broadway featuring extravagant sets, elaborate costumes and beautiful chorus girls. These spectacles also raised production values, and mounting

19019-513: Was eventually phased out in favour of a sung-through score that became part of Joseph . The first production of the show in its modern, final form was at the Haymarket Theatre in Leicester , which presented the musical several times from 1974 through 1978. Starting in 1974, Irish stage and screen producer Noel Pearson mounted an Irish production of Joseph , starring Tony Kenny in the title role and with Pearson playing Jacob, which ran off-and-on for several years on several stages, starting in

19162-437: Was first included in the 1982 Broadway production; the inclusion of "Any Dream Will Do" at the start of the show (and the renaming of the closing version as per the above list) dates from the 1991 revival. The UK touring production circa 1983–87 (produced by Bill Kenwright ) included an additional song "I Don't Think I'm Wanted Back at Home", which was originally part of Jacob's Journey . The 2007 West End revival and several of

19305-586: Was fresher. Tolerance as an important theme in musicals has continued in recent decades. The final expression of West Side Story left a message of racial tolerance. By the end of the 1960s, musicals became racially integrated, with black and white cast members even covering each other's roles, as they did in Hair . Homosexuality has also been explored in musicals, starting with Hair , and even more overtly in La Cage aux Folles , Falsettos , Rent , Hedwig and

19448-420: Was on holiday. Gareth Gates took over the role in 2009. Any Dream Will Do contestant, Craig Chalmers was cast in the 2007 UK Tour alongside fellow contestant, Keith Jack as the Narrator. Chris Barton another contestant starred as Benjamin as well as Joseph in several performances. Any Dream Will Do contestant Antony Hansen took over the role of Joseph in 2009. The long-running UK touring production

19591-510: Was praised by critics for its innovations in music and choreography but was less commercially successful than the same year's The Music Man , written and composed by Meredith Willson , which won the Tony Award for Best Musical that year. West Side Story would get a film adaptation in 1961, which proved successful both critically and commercially. Laurents and Sondheim teamed up again for Gypsy (1959), with Jule Styne providing

19734-548: Was re-cast in 2010 with Keith Jack taking on Joseph in July 2010 opposite Jennifer Potts as the Narrator. A new North American touring production began on 4 March 2014 in Cleveland, Ohio starring Diana DeGarmo as the Narrator and Ace Young as Joseph. The 2013 UK touring production starred Ian "H" Watkins as Joseph, who had previously playing the role in the West End in 2005. Former X-Factor star Lloyd Daniels , appeared in

19877-454: Was recorded for an LP released on the RSO label in 1973. The mystery plays that had preceded the original Young Vic productions were dropped, and instead the musical was preceded by a piece called Jacob's Journey , with music and lyrics by Lloyd Webber and Rice and a book by television comedy writers Ray Galton and Alan Simpson . Jacob's Journey , which contained a great deal of spoken dialogue,

20020-729: Was released 1 May 1970. The first American production of Joseph was an amateur stage production in May 1970, at Cathedral College of the Immaculate Conception in Douglaston , Queens , New York City . Following this, other schools and colleges sought to produce the piece. In late August and September 1972, Joseph was presented at the Edinburgh International Festival by the Young Vic Theatre Company , directed by Frank Dunlop . It starred Gary Bond in

20163-641: Was revealed that Lloyd Webber's Really Useful Group had wanted to adapt the musical into a big-budget narrative feature film, and that Amazon MGM Studios had acquired the film rights with Scott Sanders and Mara Jacobs set to produce. Jon M. Chu , for which this film is considered his passion project, will direct and co-produce the film with Andrew Lloyd Webber, Tim Rice, Lance Johnson and Benjamin Lowy set to serve as executive producers. Sung-through A sung-through (also through-sung ) stage musical , musical film , opera , or other work of performance art

20306-482: Was the French operetta The Chimes of Normandy in 1878 (705 performances). English comic opera adopted many of the successful ideas of European operetta, none more successfully than the series of more than a dozen long-running Gilbert and Sullivan comic operas, including H.M.S. Pinafore (1878) and The Mikado (1885). These were sensations on both sides of the Atlantic and in Australia and helped to raise

20449-410: Was to stop this ("Poor, Poor Joseph"). To hide what they have done, Joseph's brothers and their wives tell Jacob that his beloved son has been killed. As proof, they show him Joseph's coat, which they have torn to pieces and covered in goat's blood ("One More Angel in Heaven"). When the devastated Jacob exits, the brothers and wives cheerfully celebrate Joseph's departure ("Hoedown"). Meanwhile, Joseph

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