" Broken Land " is a song by Northern Irish band the Adventures , released in 1988 as the first single from their second album The Sea of Love . It was their biggest hit in the UK, spending 10 weeks on the chart, and reached the top ten in Ireland.
145-597: Written by guitarist Pat Gribben, "Broken Land" peaked at No. 20 on the UK Singles Chart . The song references experiences of the Troubles . In 2022, a cover version was released as a charity single titled "Heal This Broken Land". This version of "Broken Land" features Mark Shaw of Then Jerico , Nick Heyward , T'Pau 's Carol Decker , the Christians , Nathan Moore of Brother Beyond and Doctor and
290-469: A "Next 25" in addition to the Top 75), with the full Top 200 being available to people within the industry. Gallup also began the introduction of computerised compilers, automating the data-collection process. Later in the year, the rules about the kind of free gifts that could come with singles were tightened, as the chart compilers came to the conclusion that a lot of consumers were buying certain releases for
435-486: A CD single. On 1 July 1998, BARD and BPI took over management of the chart from CIN (a Miller Freeman and BPI venture) with new company Music Industry Chart Services (Mics); in August they decided to return to compiling the charts under the name CIN. In the late 1990s, the singles chart became more "frontloaded", with many releases peaking in the first couple of weeks on chart. This helped Irish girl group B*Witched become
580-558: A Top 20 in October 1955 and NME ' s becoming a Top 30 in April 1956. Another rival publication, Melody Maker , began compiling its own chart; it telephoned 19 stores to produce a Top 20 for 7 April 1956. It was also the first chart to include Northern Ireland in its sample. Record Mirror began running a Top 5 album chart in July 1956; from November 1958 onward Melody Maker printed
725-619: A Top 200. Hit Music ceased publication in May 2001 with issue number 439. In February 1997, CIN and BARD agreed to a new 18-month deal for the charts. In 1998 the CSC agreed to new rules reducing the number of tracks on a single from four to three, playing time from 25 minutes to 20 and the compact disc single minimum dealer price to £1.79. This particularly affected the dance music industry which had previously released CDs full of remixes, with some labels editing or fading out remixes early to fit them on
870-465: A Top-40 show in 1978. Bates was succeeded by Tony Blackburn , who presented the show for two-and-a-half years; Tommy Vance , who presented for two years, Bates returned in January 1984 and presented the show until September that year, then Richard Skinner for eighteen months. Bruno Brookes took over in 1986 and, in October 1987, automated data collection allowed the countdown to be announced on
1015-575: A change which placed the programme up against the soap opera Coronation Street on ITV . This began a major decline in audience figures as fans were forced to choose between Top of the Pops and an episode of the soap. In 1997, incoming producer Chris Cowey phased out the use of celebrities and established a rotating team of former presenters from youth music magazine The O-Zone including Jayne Middlemiss and Jamie Theakston , as well as existing Radio 1 DJs Jo Whiley and Zoe Ball . The team
1160-553: A different guest presenter each week, such as Rufus Hound or Richard Bacon . On a number of occasions, however, Reggie Yates would step in, joined by female guest presenters such as Lulu , Cyndi Lauper and Anastacia . Viewing figures during this period averaged around 1 1 ⁄ 2 million. Shortly after the move to BBC Two, Peters resigned as executive producer. He was replaced by the BBC's Creative Head of Music Entertainment Mark Cooper, while producer Sally Wood remained to oversee
1305-522: A lead artist eligible for entry in the top 100 would be limited to three. The streams-to-sales ratio for tracks whose sales (including streams) have declined for three consecutive weeks and have charted for at least ten weeks is changed to 300:1 to accelerate removal of older songs. The BBC aired Pick of the Pops on its Light Programme radio station on 4 October 1955. Initially airing popular songs, it developed an aggregated chart in March 1958. Using
1450-438: A lead artist eligible for entry limited to three. Also the idea of Standard Chart Ratios (SCR) and Accelerated Chart Ratios (ACR) were introduced, with ACR halving streaming points for records that have been in the charts for a while (which includes most catalogue tracks, excepting certain cases), the effect being that a number of hits have plummeted out of the top ten with drops of around 20 places one week only to level off again
1595-443: A minimum sale price of 40 pence. The rules have changed many times as technology has developed, with digital downloads being incorporated in 2005 and streaming in July 2014. The OCC website contains the Top 100 chart. Some media outlets only list the Top 40 (such as the BBC, with their Radio 1 show following the lead of Casey Kasem 's American Top 40 in the 1970s) or the Top 75 (such as Music Week magazine, with all records in
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#17327946307511740-566: A monthly basis until May 1991. Ciani had to step down due to illness in 1991, when Hurll returned as producer to cover for two months (and again for a brief time as holiday cover in 1992). From 1967, the show had become closely associated with the BBC radio station Radio 1, usually being presented by DJs from the station, and between 1988 and 1991 the programme was simulcast on the radio station in FM stereo (that is, until BBC's launch of NICAM stereo for TV made such simulcasts redundant). However, during
1885-485: A poll commissioned to celebrate this Christmas Number 1 race. LadBaby secured their fifth Christmas No.1 in a row on 23 December 2022 with " Food Aid ", officially surpassing the Beatles when it came to overall Christmas Number 1s. On 7 January 2022, after it had returned to number one for an additional week, "Merry Christmas" became the first record with SCR streaming status (Standard Chart Ratio) to completely drop out of
2030-508: A row with " Sausage Rolls for Everyone ", a comedy version of the preceding number one " Merry Christmas " by Ed Sheeran and Elton John (as they were credited by the OCC on the LadBaby version, Sheeran and John happened to be in positions 1 and 2, with these singles acquiring sales of 226,953 between 17 and 23 December 2021). It was the fourth time since 1952 that the number one had been replaced at
2175-434: A rule introduced in 2017 to push down a number of long-running 'recent' hits but applied to all catalogue recordings over three years old, saw all totals for Bush's streaming data halved, so that she got one sale for every 200 plays from her 7,470,792 premium audio stream total and one sale from every 1,200 plays of her 1,029,666 ad-funded audio stream total. Added to premium video streams and digital downloads she ended up with
2320-556: A sample of 250 stores to provide a consistency with the charts of the early 1980s). In January 1991, the CIN became a joint venture between Link House Magazines (formerly Spotlight Publications, later Miller Freeman, Inc. ) and the BPI; they shared the revenue and costs (reportedly between £750,000 and £1 million). During this time, other retailers (such as Woolworths and John Menzies ) began submitting data using EPoS terminals. In late 1991,
2465-474: A second newsletter was created: Hit Music , a sister publication of Music Week featuring (among other charts) the singles Top 75 and a revived "Next 25". In November 1994, Charts Plus ceased publication; Hit Music expanded its chart coverage to an uncompressed (without special rules) Top 200 Singles, Top 150 Artists Albums and Top 50 Compilations. In November 1996, the Artist Albums chart extended to
2610-505: A single vinyl 7 inch EP and all singles needing to be under 20 minutes in length, as releases longer than 20 minutes would be classed as an album (with most longer EPs falling into the budget albums category). In July 1987, Gallup signed a new agreement with the BPI, increasing the sample size to approximately 500 stores and introducing barcode scanners to read data. The chart was based entirely on sales of vinyl single records from retail outlets and announced on Tuesday until October 1987, when
2755-658: A total of 87 (the first was with " Pictures of Matchstick Men " in 1968 and last with " The Party Ain't Over Yet " in 2005). Special editions were broadcast on Christmas Day (and usually, until 1984, a second edition a few days after Christmas), featuring some of the best-selling singles of the year and the Christmas number one . Although the weekly show was cancelled in 2006, the Christmas special continued annually. End-of-year round-up editions have also been broadcast on BBC1 on or around New Year's Eve, albeit largely featuring
2900-559: A year cost". From 1 July 1990, the Chart Information Network (CIN) was formed by Spotlight Publications (publisher of Music Week ), in cooperation with the BBC and the British Association of Record Dealers (BARD) – representing retailers, including WHSmith, Woolworths , HMV and Virgin – who agreed to exclusively supply sales data to the CIN. A Chart Supervisory Committee (CSC) represented
3045-498: Is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a single is currently defined by the OCC as either a "single bundle" having no more than four tracks and not lasting longer than 25 minutes or one digital audio track not longer than 15 minutes with
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#17327946307513190-805: The Pick of the Pops chart. The Official Charts Company and their various Hit Singles books (whether published by Guinness/HiT Entertainment or Virgin), use as sources for the unofficial period, the NME before 10 March 1960 and Record Retailer until 1969. Until 1969 the Record Retailer chart was mainly seen by people working in the industry. The most widely circulated chart was the NME one, as used by Radio Luxembourg 's Sunday night Top 20 show, as well as by ABC TV's Thank Your Lucky Stars , which had an audience of up to six million on ITV . Before 1969 there
3335-454: The BBC that the show was going to move, again, to Sunday evenings on BBC Two , thus losing the prime-time slot on BBC One that it had maintained for more than forty years. This move was widely reported as a final "sidelining" of the show, and perhaps signalled its likely cancellation. At the time, it was insisted that this was so the show would air immediately after the official announcement of
3480-595: The High Street . It also complained that including singles not available physically would confuse customers and create gaps in stores' sale racks. It agreed to the new rules provided that digital sales were only included to a single's sales tally if there was a physical equivalent sold in shops at the time. Since there was no rule governing a minimum number of pressings, Gorillaz released only 300 vinyl copies of their single " Feel Good Inc. " on 12 April 2005 (a month before its general release). This allowed it to debut in
3625-429: The NME , Melody Maker , Disc and Record Mirror charts, the BBC averaged them by totalling points gained on the four charts (one point for a number one, two for a number two, etc.) to give a chart average; this method was prone to tied positions. Record Retailer was included in the average on 31 March 1962, after Record Mirror ceased compiling its chart. David Jacobs and Alan Freeman both had stints presenting
3770-467: The Pick of the Pops chart. Freeman took Pick of the Pops to its regular Sunday afternoon slot in early 1962. Freeman (along with Pete Murray , David Jacobs and Jimmy Savile ) was one of the four original presenters on Top of the Pops , which first aired 1 January 1964 on BBC One (then known as BBC TV). Top of the Pops , like Pick of the Pops , used a combination of predominant periodicals until
3915-462: The interim order was rejected. In June 1995 the case was dropped, after the clause allowing BARD retailers to supply sales information to other chart compilers was deleted; because CIN retained the copyright, other compilers could not use (or sell) the information. On 2 April 1995, the number of eligible formats was reduced from four to three. The decision came after nine months of negotiations with BARD, which objected that it would adversely affect
4060-539: The "first significant download retailer". Legal downloading was initially small, with MyCokeMusic selling over 100,000 downloads during its first three months. In June the iTunes Store was launched in the UK, and more than 450,000 songs were downloaded during the first week. In early September the UK Official Download Chart was launched, and a new live recording of Westlife 's " Flying Without Wings "
4205-790: The 'Year Zero' revamp was quickly undone and the arrival of Ric Blaxill as producer in February 1994 signalled a return to presentation from established Radio 1 DJs Simon Mayo , Mark Goodier , Nicky Campbell and Bruno Brookes . Blaxill expanded the use of "via satellite" performances, taking the acts out of studios and concert halls and setting them against landmark backdrops. As a consequence, Bon Jovi performed Always from Niagara Falls and Celine Dion beamed in Think Twice from Miami Beach. Blaxill also increasingly experimented with handing presenting duties to celebrities, commonly contemporary comedians and pop stars who were not in
4350-487: The 1982 chart record set by Captain Sensible's "Happy Talk" for biggest Top 40 jump to number one, when "So What" vaulted from 38 to 1 (a statistic which was matched in 2022 by Adele). The first number-one song never released physically was " Run " by Leona Lewis , the 11th song in total to reach number one on downloads alone. Unlike the previous 10, it did not receive a physical release in subsequent weeks (although it
4495-513: The American music scene with Jonathan King was introduced in November 1981, and ran every few weeks until February 1985. In January 1985, a Breakers section, featuring short video clips of new tracks in the lower end of the Top 40, was introduced, and this continued for most weeks until March 1994. Although the programme had been broadcast live in its early editions, it had been recorded on
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4640-522: The BBC compiled its own chart based on an average of the music papers of the time; many songs announced as having reached number one on BBC Radio and Top of the Pops before 1969 are not listed as chart-toppers according to the legacy criteria of the Charts Company. The first number one on the UK singles chart was " Here in My Heart " by Al Martino for the week ending 14 November 1952. As of
4785-478: The BBC, CIN and retailers. The BPI were reluctant to join and "consider[ed] the option of launching a rival chart" but in September, an agreement was reached, and it joined the CSC. For this period, the chart was produced by Gallup and owned by CIN and Music Week (who later sold it to the BBC and BPI), with around 900 shops providing the data from point of sale machines (though the data was distilled back down to
4930-555: The BBC, later taking up a new contract at MTV. The show continued to be hosted by Reggie Yates and Fearne Cotton (usually together, but occasionally solo) on Friday evenings until 8 July 2005. On 30 July 2004, the show took place outside a studio environment for the first time by broadcasting outside in Gateshead . Girls Aloud , Busted , Will Young and Jamelia were among the performers that night. Figures had plummeted to below three million, prompting an announcement by
5075-627: The BBC; Top of the Pops went out of production between 29 May and 7 August 1980. During the Musicians' Union strike, BBC1 showed repeats of Are You Being Served? in the regular Top of the Pops Thursday night time slot. Following the strike, Nash was replaced as executive producer by Michael Hurll , who introduced more of a "party" atmosphere to the show, with performances often accompanied by balloons and cheerleaders, and more audible audience noise and cheering. Hurll also laid off
5220-671: The BMRB singles chart was expanded from a Top 50 to a Top 75, while abolishing the system where some falling records were excluded from the 41-50 section, as well as abandoning the additional list of 10 "Breakers". Earlier that year, the Daily Mirror and the BBC's Nationwide television programme both investigated chart hyping, where record company representatives allegedly purchased records from chart return shops. A World in Action documentary exposé in 1980 also revealed corruption within
5365-510: The Beatles , who had four Christmas number ones over five years between 1963 - 1967, with the Liverpudlian group missing out in 1966 (The Spice Girls also had three consecutively in the 1990s). " Sausage Rolls for Everyone " was also credited as the 70th Official Christmas Number 1 by the OCC, who had also announced that "Killing In The Name" by Rage Against The Machine had been named as the 'UK's Favourite Christmas Number 1 of All Time' in
5510-573: The Hollies with " Stay ", the Swinging Blue Jeans with " Hippy Hippy Shake " and the Beatles with " I Want to Hold Your Hand ", that week's number one. Throughout its history, the programme proper always (with very few exceptions) finished with the best-selling single of the week, although there often was a separate play-out track over the end credits. Later in 1964, the broadcast time was moved to one hour later, at 7:35 pm, and
5655-605: The Internet, following the example of Beggars Banquet and Liquid Audio (who made 2,000 tracks available for digital download in the US). On the Official Singles Chart for 22 September 2001, DJ Otzi's " Hey Baby " became the first single ever to jump to number one from outside the Top 40 when it went from number 45 to number one. "Hey Baby" had charted for seven weeks outside the Top 40 due to imported copies from
5800-529: The Medics . On 30 October 2022, the single, credited to Music 4 Ukraine, had reached number 17 on The Heritage Chart, as seen on Talking Pictures TV . This 1980s single –related article is a stub . You can help Misplaced Pages by expanding it . UK Singles Chart The UK singles chart (currently titled the Official Singles Chart , with the upper section more commonly known as
5945-607: The Official Charts Company website is still missing much of the data on regards to records in positions 76 to 100 from 13 April 1991 to 5 February 1994.) The growth of dance music culture in the late 1980s had resulted in records with many remixes, though with a single only officially running to 20 minutes this meant that many of the European-style maxi-singles could not be included. Therefore, in June 1991,
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6090-683: The Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry , listing the top-selling singles in the United Kingdom , based upon physical sales, paid-for downloads and streaming . The Official Chart, broadcast on BBC Radio 1 and formerly MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it
6235-639: The Republic of Ireland being available in UK chart shops and the fact that the officially released UK single had the same catalogue number as the Irish import, meaning that the CIN (Chart Information Network) did not list the two versions as separate versions, as they had done with ATB's " 9 PM (Till I Come) ", which had charted as five separate entries before the official release reached number one. In November 2001, CIN changed its name to " The Official UK Charts Company ". In January 2004, MyCoke Music launched as
6380-466: The Sales Chart that week, "Thinking Out Loud" was streamed 1.6 million times in the same week, resulting in an overall lead of 13,000 chart sales. On 10 March 2017, Ed Sheeran claimed 9 of the top 10 positions in the chart when his album ÷ was released. The large number of tracks from the album on the singles chart, 16 in the top 20, led to a change in how the chart is compiled with tracks from
6525-545: The Stream" with Rob Brydon , Ruth Jones and Robin Gibb. She also replaced Cher at the top of the list of oldest female artist chart-toppers at 63 years and 11 months, compared to the 52 years that Cher was when "Believe" topped the chart in 1998. Jones and Bush are also on the Top 10 list of oldest artists to score a UK Number 1 single with Bush placed fifth. The last record Bush broke was the one held by Wham!'s "Last Christmas", for
6670-541: The Sunday chart show (instead of on Tuesdays). In 1990, Brookes was replaced as presenter by Mark Goodier , but returned 18 months later. Goodier took over from Brookes once more in 1995 and continued presenting the show until 2002. In February 2003 Wes Butters hosted the chart show; two years later his contract was not renewed, and he was replaced by JK and Joel . The duo were made redundant by Radio 1 in September 2007; Fearne Cotton and Reggie Yates replaced them at
6815-485: The T-shirts that came with them and not the actual record (stickers were also banned). Bands like Frankie Goes to Hollywood were still able to release their singles over a wide range of formats, including picture discs and various remixes, with ZTT Records putting out " Two Tribes " over eight formats in 1984. In June 1987, double pack singles were banned as a format with four-track singles having to be released as
6960-400: The Top 10 albums. In March 1960, Record Retailer began compiling an EP chart and had a Top 50 singles chart. Although NME had the largest circulation of charts in the 1960s and was widely followed, in March 1962, Record Mirror stopped compiling its own chart and published Record Retailer ' s instead. Retailer began independent auditing in January 1963, and is now used by
7105-571: The Top 100 from number one, exiting at the same time as "Sausage Rolls For Everyone". The chart published on 7 January 2022 also saw the first instance when the entire previous week's Top 10 singles (actually the Top 13 singles) had exited the chart. It was not only the Top 10 singles that had disappeared from the chart, but a record breaking 54 singles which had disappeared from the UK Top 75 (including 52 Christmas-themed tracks). This week's chart saw those songs replaced by 12 new entries and 42 re-entries,
7250-572: The Top 40 was revealed each Sunday (due to the new, automated process). The 1980s also saw the introduction of the cassette single (or "cassingle") alongside the 7-inch and 12-inch record formats; in 1987, major record labels developed a common format for the compact disc single, which was allowed to count as a chart format from December 1987. In May 1989, chart regulations kept Kylie Minogue 's song " Hand on Your Heart " from entering at number one because sales from cassette singles were not included (they were sold for £1.99 – cheaper than allowed at
7395-449: The Top 75 described as 'hits') of this list. The chart week runs from 00:01 Friday to midnight Thursday. The Top 40 chart is first issued on Fridays by BBC Radio 1 as The Official Chart from 16:00 to 17:45, before the full Official Singles Chart Top 100 is posted on the Official Charts Company's website. A rival chart show, The Official Big Top 40 , is broadcast on Sundays from 16:00 to 19:00 on Capital and Heart stations across
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#17327946307517540-494: The Top of the Pops Orchestra, which was introduced at this time to provide live instrumentation on some performances (previously, acts had generally mimed to the records). In November 1969, with the introduction of colour, the show moved to BBC TV Centre , where it stayed until 1991, when it moved to Elstree Studios Studio C. For a while in the early 1970s, non-chart songs were played on a more regular basis, to reflect
7685-535: The UK Singles Chart earlier in the day. The show ended with Savile ultimately turning the lights off in the empty studio. Fearne Cotton , who was the current presenter, was unavailable to co-host for the final edition due to her filming of ITV 's Love Island in Fiji but opened the show with a quick introduction recorded on location, saying "It's still number one, it's Top of the Pops ". BARB reported
7830-487: The UK singles chart (positions 76–100, with special rules) ceased to be printed in the trade magazine Music Week , who decided to focus on records in the charts described as hits. In April 1991, Record Mirror ceased publication, along with the "Next 25". At this point, Gallup was compiling a Top 200 singles chart and Top 150 albums chart for industry insiders, with the data accessed by subscribing to Music Week 's spin-off newsletter Charts Plus . (Note: As of June 2024,
7975-440: The UK singles chart as the source for number-ones from the week ending 12 March 1960 onward. The choice of Record Retailer as the source has been criticised, but the chart was unique in listing close to 50 positions for the whole decade. With available lists of which record shops were sampled to compile the charts, some shops were subjected to " hyping " but, with Record Retailer being less widely followed than some charts, it
8120-476: The United Kingdom. The final number one on the UK Singles Chart to be based on sales alone was " Gecko (Overdrive) " by Oliver Heldens featuring Becky Hill . On Sunday 6 July 2014, the Official Charts Company announced that Ariana Grande had earned a place in UK chart history when her single " Problem " featuring Iggy Azalea became the first number-one single based on sales and streaming data. On
8265-469: The United Kingdom. The Official Big Top 40 is based on Apple data only, (Apple Music streams and iTunes downloads) plus commercial radio airplay across the Global radio network. The UK singles chart began to be compiled in 1952. According to the Official Charts Company's statistics, as of 1 July 2012, 1,200 singles had topped the Official Singles Chart. The precise number of chart-toppers is debatable due to
8410-487: The Year Zero revamp were replaced on 2 February 1995, when a new set, title sequence, logo and theme tune were introduced (the logo having first appeared on the new programme Top of the Pops 2 , which had debuted five months previously in mid-September 1994). TOTP was traditionally shown on a Thursday night, but was moved to a Friday starting on 14 June 1996, originally at 7 pm, but then shifted to 7.30 pm,
8555-545: The chart at number 22 (eventually reaching number 2), and remain in the Top 40 for a longer period. After pressure from elsewhere in the music industry a second compromise was reached in 2006, which now allowed singles to chart on downloads the week before their physical release. The first song to make the Top 40 on downloads alone was " Pump It " by the Black Eyed Peas , which charted at number 16 on 12 March 2006. Three weeks later, " Crazy " by Gnarls Barkley became
8700-425: The chart of 16 August 2014, Nico & Vinz's "Am I Wrong" jumped from number 52 to number 1 in its sixth week, after the streaming hit (the first single ever to chart in the Top 75 on streams alone) became available to purchase. On 7 December 2014, Ed Sheeran 's " Thinking Out Loud " became the first single to reach number one as a direct result of streaming inclusion. Despite Union J 's " You Got It All " topping
8845-479: The chart. Tracks could be featured in consecutive weeks in different formats. For example, if a song was played over the chart countdown or the closing credits, then it was acceptable for the act to appear in the studio the following week. These rules were sometimes interpreted flexibly. It was originally based on the Top 20. By the 1970s, the Top 30 was being used and the show was extended from thirty to forty-five minutes duration and songs that were featured outside
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#17327946307518990-485: The charts at that time. In an attempt to keep the links between acts as fresh as the performances themselves, the so-called "golden mic" was used by, amongst others, Kylie Minogue , Meat Loaf , Chris Eubank , Damon Albarn , Harry Hill , Jack Dee , Lulu , Björk , Jarvis Cocker , Stewart Lee and Richard Herring . Radio 1 DJs still presented occasionally, including Lisa I'Anson , Steve Lamacq , Jo Whiley and on one show only Chris Evans . The last remnants of
9135-507: The charts on 1 February 1994, increasing the sample size; by the end of the month, each shop sampled used a barcode scanner linking via an Epson terminal with a modem to a central computer (called "Eric"), which logged data from more than 2,500 stores. Gallup attempted to block Millward Brown's new chart by complaining to the Office of Fair Trading about the contractual clause in which BARD retailers exclusively supplied sales data to CIN, but
9280-427: The charts were chosen according to Dorfman and his fellow producer's Melvyn Cornish's personal taste and judgement. The rules were more formally relaxed from 1997 when records descending the charts were featured more regularly, possibly as a response to the changing nature of the Top 40 (in the late 1990s and early 2000s climbers in the charts were a rarity, with almost all singles peaking at their debut position). When
9425-484: The close of trade on Saturday. The sales diaries were translated into punch cards so the data could be interpreted by a computer. A computer then compiled the chart on Monday, and the BBC were informed of the Top 50 on Tuesday in time for it to be announced on Johnnie Walker's afternoon show . The charts were also published in Record Retailer (rebranded Record & Tape Retailer in 1971 and Music Week in 1972) and Record Mirror . The BMRB often struggled to have
9570-521: The day before transmission for many years. However, from May 1981, the show was sometimes broadcast live for a few editions each year, and this practice continued on an occasional basis (often in the week of a bank holiday, when the release of the new chart was delayed, and for some special editions) for the rest of the decade. The programme moved in September 1985 to a new regular half-hour timeslot of 7 pm on Thursdays, following wider reforms to BBC TV scheduling by then-controller Michael Grade . With
9715-528: The exception of special editions, this saw the end of its longer episodes, which had ranged between 35 and 45 minutes in previous years. Coupled with an emphasis on video clips via features such as the aforementioned Breakers section, fewer studio acts could appear due to this, leading to renewed general criticism from both viewers and performers, and occasionally putting the show at a slight disadvantage to other music television programmes (alongside later dedicated channels for music videos) such as The Tube and
9860-543: The fifth time in a row. Influenced by John Otway's 50th birthday hit single fan campaign, which saw Otway's " Disco Inferno "-sampling single "Bunsen Burner" reach number 9 in 2002 without being stocked by Entertainment UK-associated retailers like Woolworths , the Morters encouraged people on Facebook to download the song the week before Christmas. When "Killing in the Name" hit the top spot on 20 December 2009, it became
10005-418: The final show's viewing figures as 3.98 million. As the last episode featured no live acts in the studio, the last act to actually play live on a weekly episode of TOTP was Snow Patrol , who performed " Chasing Cars " in the penultimate edition; the last act ever featured visually on a weekly Top of the Pops was Girls Aloud , as part of the closing sequence of bands performing on the show throughout
10150-556: The first act to get their first three hits at number one, an achievement not matched for another twenty years. Before February 1969 – when the British Market Research Bureau (BMRB) chart was established – there was no official chart or universally accepted source. Readers followed the charts in various periodicals and, during this time, the BBC used aggregated results of charts from the NME , Melody Maker , Disc and (later) Record Mirror to compile
10295-554: The first chart incorporating sales figures on 20 July 1940. Record charts in the UK began in 1952, when Percy Dickins of the New Musical Express ( NME ) gathered a pool of 52 stores willing to report sales figures. For the first British chart Dickins telephoned approximately 20 shops, asking for a list of the 10 best-selling songs. These results were then aggregated into a Top 12 chart published in NME on 14 November 1952, with Al Martino 's " Here in My Heart " awarded
10440-528: The first download-only single to become the UK Christmas number one and received a Guinness World Record for "Fastest-selling digital track in the UK" after selling 502,672 units in its first week. It was announced in June 2014 that as of Sunday, 29 June, audio streams from services such as Spotify , Deezer , Napster , O2 Tracks, Xbox Music , Sony Unlimited, and rara would count for the Official Singles Chart, to reflect changing music consumption in
10585-470: The first edition premièred to improved ratings, the All New format, hosted by MTV presenter Tim Kash , quickly returned to low ratings and brought about scathing reviews. Kash continued to host the show, but Radio 1 DJs Reggie Yates and Fearne Cotton (who had each presented a few shows in 2003, before the revamp) were brought back to co-host alongside him, before Kash was completely dropped by
10730-466: The first of the two shows was broadcast prior to Christmas Day, airing on 23 December, followed by the traditional Christmas Day show two days later. The 1978 Christmas Day show was disrupted due to industrial action at the BBC, requiring a change in format to the broadcast. The first show, due to be screened on 21 December, was not shown at all because BBC1 was off the air. For Christmas Day, Noel Edmonds (presenting his last ever edition of TOTP ) hosted
10875-478: The first pop band to debut at the top with each of their first four releases (with the group's singles found at number one in the period between June 1998 to March 1999). Between 1963 and the 1990s, only a few acts had reached number one with their first three chart hits. In the late 1990s, the Spice Girls and current record holders Westlife also outperformed this feat, with the former getting six and
11020-401: The first song to top the charts on download sales alone. As part of the revised rules, singles would be removed from the chart two weeks after the deletion of their physical formats; "Crazy" left the chart 11 weeks later from number 5. This was in addition to the existing rule that to be eligible for the chart, the physical single had to have been released within the last twelve months, supporting
11165-584: The formation of the BMRB chart in 1969. From 30 September 1967 BBC Radio 1 was launched along with BBC Radio 2 , succeeding the Light Programme, and the Top-20 Pick of the Pops chart was simulcast on both stations. Freeman continued to present the show until September 1972, and was succeeded by Tom Browne who presented the chart, also on Sundays, from October 1972 to March 1978. Simon Bates took over from Browne, and under Bates it became
11310-491: The full sample of sales figures returned by post. The 1971 postal strike meant data had to be collected by telephone (and that the chart was reduced to a Top 40 during this period), but this was deemed inadequate for a national chart; by 1973, the BMRB was using motorcycle couriers to collect sales figures. In March 1978, two record industry publications, Radio & Record News and Record Business both started publishing Top 100 singles charts, so in response, in May 1978,
11455-421: The general view that the chart reflected the top-selling "current" releases. On 1 January 2007, the integration of downloaded music into the charts became complete when all downloads – with or without a physical equivalent – became eligible to chart, redefining the UK singles chart by turning it into a "songs" chart. " Chasing Cars " by Snow Patrol returned at a Top 10 position (number 9, just three places below
11600-509: The helm of the chart show. Cotton left in September 2009, and until 2012 the chart show was hosted by Yates. Yates left Radio 1 at the end of 2012, because he wanted to spend more time with his family, as well as focusing more on television. Jameela Jamil took over from him in January 2013, becoming the first woman to host, alone, the BBC Chart show before being replaced by Clara Amfo . On 10 July 2015, Greg James took over from Amfo, when
11745-646: The history of the show were included in between acts performing in the studio, which included Cliff Richard , Engelbert Humperdinck , Lulu , the Four Tops , David Essex , Mud , Status Quo , Shakin' Stevens , the Tremeloes and from the very first edition, the Swinging Blue Jeans . Sandie Shaw , the Pet Shop Boys and Wet Wet Wet were billed in the Radio Times to appear, but none featured in
11890-555: The industry; stores' chart-returns dealers would frequently be offered bribes to falsify sales logs. From 1983 to 1990, the chart was financed by the British Phonographic Industry (50 percent), Music Week (38 percent) and the BBC (12 percent). On 4 January 1983, the chart compilation was assumed by the Gallup Organization , which expanded the public/ Music Week chart to a Top 100 (with
12035-576: The largest amount in chart history. In June 2022, the Netflix show Stranger Things used " Running Up That Hill " by Kate Bush in their fourth season, which resulted in the record (which had previously charted in 1985 via EMI and in 2012 via Kate Bush's Fish People record label) re-enter the charts at number 8. On the Official Singles Chart Top 100 of 10 June 2022 to 16 June 2022, the record climbed to number two, even though it
12180-465: The last few years of the 1980s the association became less close, and was severed completely (although not permanently) in a radical shake-up known as the 'Year Zero' revamp. Following a fall in viewing figures and a general perception that the show had become 'uncool' (acts like the Clash had refused to appear in the show in previous years), incoming executive producer Stanley Appel (who had worked on
12325-414: The latter seven number ones from the start of their careers. In 1999, Millward Brown began "re-chipping" some retailers' machines, in anticipation of the millennium bug . Some independent retailers lost access to the record-label-funded Electronic Record Ordering System (Eros); it was "too costly to make it Year 2000 compliant ". Toward the end of the 1990s companies anticipated distributing singles over
12470-417: The name Top of the Pops . Cotton, Johnnie Stewart and Stanley Dorfman devised the rules which governed how the show would operate: the programme would always end with the number one record, which was the only record that could appear in consecutive weeks. The show would include the highest new entry and (if not featured in the previous week) the highest climber on the charts, and omit any song going down in
12615-504: The new chart announcement was moved to Friday afternoons. Scott Mills was the regular presenter, taking over from James, from 15 June 2018. Currently, the host is Jack Saunders following Mills' move to rival BBC station Radio 2 . Top of the Pops Top of the Pops ( TOTP ) is a British music chart television programme, made by the BBC and broadcast weekly between 1 January 1964 and 30 July 2006. The programme
12760-446: The new top 40 chart on Radio 1 , as it was thought that by the following Friday, the chart seemed out of date. The final Top of the Pops to be shown on BBC One (barring Christmas and New Year specials) was broadcast on Monday 11 July 2005, which was edition number 2,166. The first edition on BBC Two was broadcast on 17 July 2005 at 7.00 pm with presenter Fearne Cotton . Following the move to Sundays, Cotton continued to host with
12905-728: The next. Due to these factors, on 20 July 2018, " Three Lions " by the Lightning Seeds , Frank Skinner , and David Baddiel beat the Lewisham & Greenwich NHS Choir record for number one chart fall and got the Guinness World Records' award for "largest chart drop from number one on the UK singles chart" by going from number one to number 97. In 2018, Future (publisher of "Louder Sound" publications such as Metal Hammer and Classic Rock magazine ) acquired Music Week publisher NewBay Media. Future ran
13050-469: The number-one position. The chart became a successful feature of the periodical; it expanded into a Top 20 format on 1 October 1954, and rival publications began compiling their own charts in 1955. Record Mirror compiled its own Top 10 chart for 22 January 1955; it was based on postal returns from record stores (which were financed by the newspaper). The NME chart was based on a telephone poll. Both charts expanded in size, with Mirror ' s becoming
13195-449: The orchestra, as the Musicians' Union was loosening enforcement of the 1966 miming ban. Guest co-presenters and a music news feature were introduced for a short while, but had ceased by the end of 1980. The chart rundown was split into three sections in the middle of the programme, with the final Top 10 section initially featuring clips of the songs' videos, although this became rarer over the next few years. An occasional feature showing
13340-501: The peak it had reached the previous September), while " Honey to the Bee " by Billie Piper (following a tongue-in-cheek promotional push by Radio 1 DJ Chris Moyles to test the new chart rules) reappeared at number 17 (nearly eight years after its original appearance on the charts). . This date also saw the reintroduction of maxi physical formats being allowed to have 4 unique tracks and 25 minute running times. In October 2008, P!nk broke
13485-451: The perceived growing importance of album sales; there was an album slot featuring three songs from a new LP, as well as a New Release spot and a feature of a new act, dubbed Tip for the Top . These features were dropped after a while, although the programme continued to feature new releases on a regular basis for the rest of the decade. During its heyday, it attracted 15 million viewers each week. The peak TV audience of 19 million
13630-626: The profusion of competing charts from the 1950s to the 1980s, but the usual list used is that endorsed by the Guinness Book of British Hit Singles and subsequently adopted by the Official Charts Company. The company regards a select period of the New Musical Express chart (only from 1952 to 1960) and the Record Retailer chart from 1960 to 1969 as predecessors for the period up to 11 February 1969, where multiples of competing charts (none official) coexisted side by side. For example,
13775-454: The programme since 1966 as cameraman, production assistant, director and stand-in producer ) introduced a radical new format on 3 October 1991, in which the Radio 1 DJs were replaced by a team of relative unknowns, such as Claudia Simon and Tony Dortie who had previously worked for Children's BBC , 17-year-old local radio DJ Mark Franklin, Steve Anderson, Adrian Rose and Elayne Smith, who
13920-456: The programme's format changed in November 2003, it concentrated increasingly on the top 10. Later, during the BBC Two era, the top 20 was regarded as the main cut-off point, with the exception made for up and coming bands below the top 20. Singles from below the top 40 (within the top 75) were shown if the band were up and coming or had a strong selling album. If a single being performed was below
14065-507: The publication monthly from March 2021, so a bespoke monthly Official Singles Chart Top 75 started to be published from this date alongside monthly albums charts and specialist/genre charts. On 1 January 2021, "Don't Stop Me Eatin'" by LadBaby dropped down the Official Chart Company's singles chart to number 78 and so became the first new track to drop out of the Top 75 ("hit parade") from number one. In doing so it broke
14210-655: The record for shortest stay in the hit parade for a number one single (as in The Guinness Book of British Hit Singles list of Top 75 singles chart records) with only one week in the Top 75. A week later, "Last Christmas" by Wham! became the first record to disappear completely from number one spot, exiting the Official Charts Company Top 100 chart with no placing on the chart (week ending 14 January 2021). As "Last Christmas" replaced "Don't Stop Me Eatin'" by LadBaby , which had dropped down
14355-526: The research contract for the chart was put out to tender , with a new four-year contract beginning 1 February 1994 offered. Millward Brown, Research International and Nielsen Market Research were approached, and Gallup were invited to re-apply. In May 1993, it was announced that Millward Brown had been accepted as the next chart compilers, signing a £1-million-a-year contract. Virgin installed JDA EPoS terminals in September 1993, and began providing sales data to Gallup. Millward Brown took over compiling
14500-457: The revived Whistle Test (though both would end in 1987). The end of 1988 was marked by a special 70-minute edition of the show broadcast on 31 December 1988, to celebrate the 25th anniversary of the first show. The pre-recorded programme featured the return of the original four presenters (Savile, Freeman, Murray and Jacobs) as well as numerous presenters from the show's history, anchored by Paul Gambaccini and Mike Read . Numerous clips from
14645-430: The rights holders). On 17 June 2022, "Running Up That Hill (A Deal With God)" reached number one on the UK chart and not only did Bush get a second number one, but also the OCC revealed that she had broken three of their chart records. With the gap of 44 years she eclipses Tom Jones's 42-year gap between " Green Green Grass of Home " going to number one and Jones being one of the acts on Comic Relief's "(Barry) Islands in
14790-455: The rules were amended to include maxi-singles with versions/remixes of one song lasting 40 minutes, standard four track/four song releases getting an extra five minutes playing time, and now four formats contributing to the chart position. Due to this ruling, ambient duo the Orb were able to have a Top Ten hit with "Blue Room" , a song that was three seconds short of 40 minutes. In February 1993,
14935-593: The same acts and tracks as the Christmas Day shows. In a change of format, the festive specials did not return in 2022 or 2023 and were replaced by an end-of-year review show on BBC Two. It also survives as Top of the Pops 2 , which began in 1994 and features vintage performances from the Top of the Pops archives. Though TOTP2 ceased producing new episodes from 2017, repeats of older episodes are still shown. The Official Charts Company states that "performing on
15080-405: The sample consisted of 500 stores scanning barcodes of all record sales into an Epson PX-4 computer, and 650 other stores providing sales data through their own EPoS computerised tills . These computers were to be telephoned six times a week, providing the data to Gallup. In June 1991, the BPI reduced the number of eligible formats from five to four. In November 1990, the "Next 25" section of
15225-449: The schedule, but initially regularly on 26 December. The first was shown on 26 December 1965. In 2022, the Christmas show was moved to BBC Two and broadcast on 24 December, with no usual studio-based live performances included in the broadcast. In 1973, there was just one show, airing on Christmas Day. In place of the traditional second show, Jimmy Savile hosted a look back at the first 10 years of TOTP , broadcast on 27 December. In 1975,
15370-421: The series from 1964 until 1971, then continued for five years thereafter as an executive producer . In the first few editions, Denise Sampey was the "disc girl", who would be seen to put the record on a turntable before the next act played their track. However, a Mancunian model, Samantha Juste , became the regular disc girl after a few episodes, a role she performed until 1967. Initially acts performing on
15515-423: The show from the 'TOTP Production Office' with clips taken from various editions of the show broadcast during the year and new studio footage performed without an audience. The format was slightly tweaked for the Christmas Day edition in 1981, with the Radio 1 DJs choosing their favourite tracks of the year and the following edition on 31 December featuring the year's number 1 hits. The second programme
15660-409: The show moved from Wednesdays to what became its regular Thursday slot. Additionally its length was extended by 5 minutes to 30 minutes. For the first three years Alan Freeman , David Jacobs , Pete Murray and Jimmy Savile rotated presenting duties, with the following week's presenter also appearing at the end of each show, although this practice ceased from October 1964 onwards. The show
15805-441: The show on a weekly basis. On 20 June 2006, the show was formally cancelled and it was announced that the last edition would be broadcast on 30 July 2006. Edith Bowman co-presented its hour-long swansong, along with Jimmy Savile (who was the main presenter on the first show), Reggie Yates , Mike Read , Pat Sharp , Sarah Cawood , Dave Lee Travis , Rufus Hound , Tony Blackburn and Janice Long . The final day of recording
15950-533: The show on air in Germany, France, the Netherlands , Belgium and Italy by 2003. Finally, the programme returned to its previous home of BBC Television Centre in 2001, where it remained until its cancellation in 2006. On 28 November 2003 (three months after the appointment of Andi Peters as executive producer), the show saw one of its most radical overhauls since the ill-fated 1991 'Year Zero' revamp in what
16095-412: The show other than Shaw in compilation clips. Paul Ciani took over as producer in 1988. The following year, in an attempt to fit more songs in the allocated half-hour again, he restricted the duration of studio performances to three minutes, and videos to two minutes, a practice which was largely continued until May 1997. In July 1990, he introduced a rundown of the Top 5 albums, which continued on
16240-412: The show was considered an honour, and it pulled in just about every major player". The show has seen seminal performances over its history. The March 1971 appearance of T. Rex frontman Marc Bolan wearing glitter and satins as he performed " Hot Love " is often seen as the inception of glam rock , and David Bowie 's performance of " Starman " inspired future musicians. In the 1990s, the show's format
16385-458: The show would mime (lip-sync) to the commercially released record, but in 1966 after discussions with the Musicians' Union , miming was banned. After a few weeks during which some bands' attempts to play as well as on their records were somewhat lacking, a compromise was reached whereby a specially recorded backing track was permitted, as long as all the musicians on the track were present in
16530-423: The show. At the BBC in the 1960s and early 1970s, producers and directors did both jobs simultaneously. From 1964 to 1969, Stewart and Dorfman took it in turns to produce and direct, but each spent five days a week getting the show together. At the end of 1969, Stewart left, and was replaced in early 1970 by Melvyn Cornish, Stewart returned as an executive producer in 1971 until 1973. Dorfman directed and produced
16675-473: The singles chart to number 78 on 1 January, it was the first time in chart history that two back-to-back number ones had disappeared not only from the BBC Radio 1 Top 40, but the Top 75 as well (though as "Last Christmas" didn't have a chart placing, "Three Lions" is still credited with the record-breaking fall at Guinness World Records ). On 24 December 2021, LadBaby secured their fourth Christmas No.1 in
16820-411: The song's instrumental introduction. Short informal interviews were also conducted on stage with the performers, and initially the Top 10 countdown was run without any voiceover. Rules relating to performance were altered, meaning acts had to forcibly sing live as opposed to the backing tracks for instruments and mimed vocals for which the show was known. To incorporate a shift towards USA artists, more use
16965-467: The studio. As a result, Stewart hired Johnny Pearson to conduct an in-studio orchestra to provide musical backing on select performances, beginning with the 4 August 1966 edition. Later, vocal group The Ladybirds began providing vocal backing with the orchestra. With the birth of BBC Radio 1 in 1967, new Radio 1 DJs were added to the roster – Stuart Henry , Emperor Rosko , Simon Dee and Kenny Everett . Local photographer Harry Goodwin
17110-576: The three eligible formats, and at number 71 from sales in a fourth (12-inch) format. Subsequently, CIN sought to develop new marketing opportunities and sponsorship deals; these included premium-rate fax and telephone services and the chart newsletters Charts Plus (published from May 1991 to November 1994) and Hit Music (published from September 1992 to May 2001). Beginning in May 1991 Charts Plus featured singles charts with positions 76–200 (plus artist albums positions 76–150, Top 50 compilations, and several genre and format charts). In September 1992,
17255-411: The time). Following this, the BPI reduced the minimum price for cassette singles to influence sales figures. In September 1989, WHSmith began to send sales data to Gallup directly through electronic point of sale (EPoS) terminals. In January 1990, the BPI gave notice to Gallup, BBC and Music Week ; on 30 June 1990, it terminated its contract with them because it "could no longer afford the £600,000
17400-603: The top 40, just the words "New Entry" were shown and not the chart position. The show was originally intended to run for only a few programmes but lasted over 42 years, reaching landmark episodes of 500, 1,000, 1,500 and 2,000 in the years 1973, 1983, 1992 and 2002 respectively. The first edition of Top of the Pops was broadcast on Wednesday, 1 January 1964 at 6:35 pm. It was produced in Studio A at Dickenson Road Studios in Rusholme , Manchester. The first show
17545-498: The top by another version of the same song, with two versions of "Answer Me" in 1953, two versions of "Singing The Blues" alternating at the top in 1957, and one-hit wonder Frankee having an answer record to the number one by Eamon in 2004. " Sausage Rolls for Everyone " made LadBaby join B*Witched as an act who managed to get their first four singles at number one (with LadBaby having no other hits in their discography), and beat
17690-604: The total of 44,739 sales rather than the 83,613 she would have done with an SCR listing. On 14 June 2022, it was revealed that the Chart Supervisory Committee (CSC) had given the record an exemption from the ACR accelerated decline rule, with the record now on an SCR listing, giving Kate Bush the chance to get another number one, more than 44 years after "Wuthering Heights" and the first number one for her own record label, Fish People (as EMI-Universal are no longer
17835-755: The track that has taken the longest time to reach Number 1 with "Running Up That Hill" first entering the chart in August 1985 and getting to the top 37 years later, beating Wham! by a year. The full regulations may be downloaded from the Official Charts Company website. To qualify for inclusion in the UK singles chart, a single must be available in one or more of the following eligible formats: There are minimum sales prices for all formats apart from on demand digital streams which may be from subscription or advertising funded providers. The streams were initially counted at 100 streams equivalent to one paid download or physical sale, but changed to 150 to 1 in January 2017. Starting with charts published 7 July 2017, tracks by
17980-543: The vinyl record industry. Although record labels were not prohibited from releasing singles in more than three formats, they were required to identify the three eligible formats. This resulted in a reduction in the number of singles released in 7-inch format; the most common three formats were 12-inch single , cassette and CD , or a cassette and two CD versions. The ruling resulted in the Oasis single " Some Might Say " charting twice in one week – at number 1 with sales from
18125-479: The week ending 28 November 2024, the UK singles chart has had 1,433 different number one hits. The current number one single is " That's So True " by Gracie Abrams . Before the compilation of sales of records, the music market measured a song's popularity by sales of sheet music . The idea of compiling a chart based on sales originated in the United States, where the music-trade paper Billboard compiled
18270-480: The youngest female solo artist to top the chart with her single "You Don't Know". As of 14 January 2022, she is one of nine female solo artists to have topped the chart before their 18th birthday (though none of these nine acts wrote their number one hit single-handedly, with that honour falling to 19-year-old Kate Bush with "Wuthering Heights" in 1978). In 1963, Merseybeat band Gerry and the Pacemakers became
18415-593: Was 26 July 2006 and featured archive footage and tributes, including the Rolling Stones – the very first band to appear on Top of the Pops – opening with "The Last Time", the Spice Girls , David Bowie , Wham! , Madonna , Beyoncé , Gnarls Barkley , the Jackson 5 , Sonny & Cher and Robbie Williams . The show closed with a final countdown, topped by Shakira , as her track " Hips Don't Lie " (featuring Wyclef Jean ) had climbed back up to number one on
18560-486: Was discontinued after 1984. The year 1980 marked major production changes to Top of the Pops and a hiatus forced by industrial action. Steve Wright made his presenting debut on 7 February 1980. Towards the end of February 1980, facing a £40 million budget deficit, the BBC laid off five orchestras as part of £130 million in cuts. The budget cuts led to a Musicians' Union strike that suspended operations of all 11 BBC orchestras and performances of live music on
18705-528: Was hired to provide shots of non-appearing artists, and also to provide backdrops for the chart run-down. He continued in the role until 1973. After two years at the Manchester Dickenson Road Studios, the show moved to London (considered to be better located for bands to appear), initially for six months at BBC TV Centre Studio 2 and then to the larger Studio G at BBC Lime Grove Studios in mid-1966 to provide space for
18850-415: Was later augmented by Kate Thornton and Gail Porter . Cowey additionally instigated a wider set of 'back to basics' changes when he took over the show. On 1 May 1998, a remixed version of the classic "Whole Lotta Love" theme tune previously used in the 1970s was introduced, accompanied by a new 1960s-inspired logo and title sequence. Cowey also began to export the brand overseas with localised versions of
18995-479: Was made of out-of-studio performances, with acts in America able to transmit their song to the Top of the Pops audience "via satellite". These changes were widely unpopular and much of the presenting team were axed within a year, leaving the show hosted solely by Dortie and Franklin (apart from the Christmas Day editions, when both presenters appeared) from October 1992, on a week-by-week rotation. By 1994, much of
19140-411: Was no official singles chart. Record Retailer and the BBC commissioned the British Market Research Bureau (BMRB) to compile charts, beginning 15 February 1969. The BMRB compiled its first chart from postal returns of sales logs from 250 record shops. The sampling cost approximately £ 52,000; shops were randomly chosen from a pool of approximately 6,000, and submitted figures for sales taken up to
19285-546: Was presented by Jimmy Savile , with a brief link to Alan Freeman in London to preview the following week's programme. The producer Johnnie Stewart based the show's format on Savile's Teen and Twenty Disc Club on Radio Luxembourg . The first show featured (in order) Dusty Springfield with " I Only Want to Be with You ", the Rolling Stones with " I Wanna Be Your Man ", the Dave Clark Five with " Glad All Over ",
19430-478: Was recorded in 1979, during the ITV strike , with only BBC1 and BBC2 on air. A year-end Christmas show featuring a review of the year's biggest hits was inaugurated on 24 December 1964, and has continued every year since. From 1965 until 2021, the special edition was broadcast on Christmas Day (although not in 1966) and from the same year, a second edition was broadcast in the days after Christmas, varying depending on
19575-583: Was released physically overseas, such as in Germany where the price of a record counted toward the chart position and not just number of units sold). In 2009, " Killing in the Name " by Rage Against the Machine became the Christmas Number One after English DJ Jon Morter and his wife Tracy launched a campaign to make sure that an act from the ITV talent show The X Factor was not number one for
19720-462: Was replaced by Femi Oke in 1992. A brand new theme tune ("Now Get Out of That"), title sequence and logo were introduced, and the entire programme moved from BBC Television Centre in London to BBC Elstree Centre in Borehamwood . The new presenting team would take turns hosting (initially usually in pairs but sometimes solo), and would often introduce acts in an out-of-vision voiceover over
19865-400: Was revealed to be the most popular track of the week in the United Kingdom and even though all versions (regardless of it being an album track, live version or remix) now counted to its chart position. Sales for the week had the number one record, Harry Styles' "As It Was", on an SCR total of 55,768 sales, compared to Kate Bush's number two on an ACR sales total of 44,739. Encumbered with ACR,
20010-448: Was said (by BBC Radio 1 presenters JK and Joel on 17 April 2005) that the incorporation of download sales resulted in an approximate doubling of singles sales for this week, but the impact of this doubling was not readily apparent at the top of the chart, although a few singles in the middle positions benefited. Initially, the British Association of Record Dealers was concerned that the popularity of downloading would siphon business from
20155-534: Was sold to several foreign broadcasters in the form of a franchise package, and at one point various versions of the show were shown in more than 120 countries. Editions of the programme from 1976 onwards started being repeated on BBC Four in 2011 and are aired on most Friday evenings – as of 2024 the repeat run has reached 1996. Episodes featuring disgraced presenters and artists such as Jimmy Savile , Dave Lee Travis , Jonathan King , Rolf Harris , and Gary Glitter are no longer repeated. Bill Cotton devised
20300-576: Was subject to less hyping. Additionally, Retailer was set up by independent record shops and had no funding or affiliation with record companies, but it had a significantly smaller sample size than some rival charts and had all the EPs taken out the listings between March 1960 - December 1967 (the data for the now 'Official' 1960s EP chart can be found in The Virgin Book of British Hit Singles ). On 12 August 1961, 14-year-old Helen Shapiro became
20445-402: Was taped 52 weeks a year with no breaks. The chart came out on Tuesday mornings and the show aired live on Thursday evenings. This led to a process of difficult weekly planning, rescheduling, booking, and rebooking, as well as pre-recording of acts, particularly of American artists who might be advancing up the chart the following weeks, to ensure that each weeks top 20 would be able to appear on
20590-421: Was the first number-one. In 2005, the BBC Radio 1 chart show was rebranded for the chart week ending 16 April, with the first singles chart now combining physical-release sales with legal downloads. Several test charts (and a download-sales chart) were published in 2004; this combination (within the official singles chart) reflected a changing era in which sales of physical singles fell and download sales rose. It
20735-418: Was the world's longest-running weekly music show. For most of its history, it was broadcast on Thursday evenings on BBC One . Each show consisted of performances of some of the week's best-selling popular music records, usually excluding any tracks moving down the chart, including a rundown of that week's singles chart. This was originally the Top 20, though this varied throughout the show's history. The Top 30
20880-408: Was used from 1969, and the Top 40 from 1984. Dusty Springfield 's " I Only Want to Be with You " was the first song featured on TOTP , while the Rolling Stones were the first band to perform, with " I Wanna Be Your Man ". Snow Patrol were the last act to play live on the weekly show when they performed their single " Chasing Cars ". Status Quo made more appearances than any other artist, with
21025-410: Was widely reported as a make-or-break attempt to revitalise the long-running series. In a break with the previous format, the show played more up-and-coming tracks ahead of any chart success, and also featured interviews with artists and a music news feature called "24/7". Most editions of the show were now broadcast live, for the first time since 1991 (apart from a couple of editions in 1994). Although
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