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Galleria Estense

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133-567: The Galleria Estense is an art gallery in the heart of Modena , centred around the collection of the d’Este family : rulers of Modena, Reggio and Ferrara from 1289 to 1796. Located on the top floor of the Palazzo dei Musei , on the St. Augustine square, the museum showcases a vast array of works ranging from fresco and oil painting to marble, polychrome and terracotta sculpture; musical instruments; numismatics ; curios and decorative antiques. It

266-599: A Madonna and Child and a Telamon by the Modenese sculptor Wiligelmo , an 18th century coral nativity scene and a still-life carved in wood celebrating the ascension of James II of England . In 1598, the Este dukes were forced to yield their seat of Ferrara to Pope Clement VIII and the capital of the dukedom was relocated to Modena. Duke Cesare tried to bring with him as much of the Este inheritance as possible, including many cases full of rare and precious objects. As for

399-477: A humid subtropical climate , with continental influences. It has an average annual precipitation of 809 millimetres (31.9 in). Summers are hot and winters are cool, with snowfall . This climate is described by the Köppen climate classification as Cfa . From 1946 to 1992, Modena had a series of Communist mayors. From the 1990s, the city has been governed by center-left coalitions . The legislative body of

532-488: A command to come to the court from Gaspar de Guzmán, Count-Duke of Olivares , the powerful minister of Philip   IV. He was offered 50 ducats (175 g of gold) to defray his expenses, and he was accompanied by his father-in-law. Fonseca lodged the young painter in his home and sat for a portrait, which, when completed, was conveyed to the royal palace. A portrait of the king was commissioned, and on 30 August 1623, Philip   IV sat for Velázquez. The portrait pleased

665-568: A crowd of men and women being led away by soldiers, while the female personification of Spain sits in calm repose. Velázquez was appointed gentleman usher as reward. Later he also received a daily allowance of 12 réis , the same amount allotted to the court barbers, and 90 ducats a year for dress. In September 1628, Peter Paul Rubens was positioned in Madrid as an emissary from the Infanta Isabella, and Velázquez accompanied him to view

798-534: A deception, and the mythological scene depicting the revelation of a deception. As he had done in The Triumph of Bacchus , Velázquez presented his characters as contemporary people whose gestures and facial expressions were those of everyday life. Following the example of Bolognese painters such as Guido Reni , Velázquez painted Apollo in the Forge of Vulcan on canvas prepared with a light gray ground rather than

931-415: A depiction of Ovid's Fable of Arachne . The tapestry in the background is based on Titian 's The Rape of Europa , or, more probably, the copy that Rubens painted in Madrid. It is full of light, air and movement, featuring vibrant colors and careful handling. Anton Raphael Mengs said this work seemed to have been painted not by the hand but by the pure force of will. It displays a concentration of all

1064-461: A few months, the number increased to seventy. This period marks the most significant ransacking of Modena’s collections of paintings, drawings, archival books, and the d'Este's glyptic collection. On 14 October 1796 Napoleon entered Modena with two new commissars, Pierre-Anselme Garrau and Antoine Christophe Saliceti . Both went several times to sift through the Gallery of Drawings and Medals in

1197-693: A flexible mounting representing story, figures, places and races of the Modenese sport motor racing. Founded in 1986 by Giuseppe Panini, who then decided to donate his collection to the city, the Museo della figurina was opened to the public on 15 December 2006. It is located inside the Santa Margherita Palace, which also houses the Delfini Library and the City Gallery. The Museum houses several collections, including, apart from

1330-562: A formula used by Pacheco, but replaces the idealized facial type and smoothly finished surfaces of his teacher with the face of a local girl and varied brushwork. His other religious works include The Adoration of the Magi (1619) and Saint John the Evangelist on the Island of Patmos (1618–19), both of which begin to express his more pointed and careful realism. Also from this period are

1463-403: A free comune starting from the 12th century. In the wars between Emperor Frederick II and Pope Gregory IX Modena sided with the emperor. The Este family were identified as lords of Modena from 1288 ( Obizzo d'Este ). After the death of Obizzo's successor ( Azzo VIII , in 1308) the comune reasserted itself, but by 1336 the Este family was permanently in power. Under Borso d'Este , Modena

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1596-501: A large clothing company. Modena is, along with Turin , one of Italy's main centres of the automotive industry, with a rich history and tradition in this field. The iconic Ferrari brand was founded in Modena by Modenese legendary car tycoon Enzo Ferrari , and today is headquartered just outside the city, in the suburb of Maranello . Several other Italian luxury automobile manufacturers such as Pagani and Maserati are headquartered in

1729-440: A mass of dark tangled hair conceals part of the face, visually reinforcing the idea of death. The figure is presented alone before a dark background. Velázquez's son-in-law Juan Bautista Martínez del Mazo had succeeded him as usher in 1634, and Mazo himself had received a steady promotion in the royal household. Mazo received a pension of 500 ducats in 1640, increased to 700 in 1648, for portraits painted and to be painted, and

1862-491: A model for 19th century realist and impressionist painters. In the 20th century, artists such as Pablo Picasso , Salvador Dalí , and Francis Bacon paid tribute to Velázquez by re-interpreting some of his most iconic images. Most of his work entered the Spanish royal collection , and by far the best collection is in the Museo del Prado in Madrid, although some portraits were sent abroad as diplomatic gifts, especially to

1995-473: A newfound interest in early Italian "Primitive" paintings prompted the acquisitions from the rich collection of Marquis Tommaso degli Obizzi , including works by Barnaba da Modena , Apollonio di Giovanni , Bartolomeo Bonascia and Francesco Bianchi Ferrari . His son Francis V also made some new purchases and reopened the gallery relocated during the reign of his father to the Palazzo Ducale. With

2128-446: A painting of a group of men in contemporary dress paying homage to a half-naked ivy-crowned young man seated on a wine barrel. Velázquez's first mythological painting, it has been interpreted variously as a depiction of a theatrical performance, as a parody, or as a symbolic representation of peasants asking the god of wine to give them relief from their sorrows. The style shows the naturalism of Velázquez's early works slightly touched by

2261-456: A performance of Gandini 's Adelaide di Borgogna al Castello di Canossa , an opera specially commissioned for the occasion. Modena has a rich and diversified cuisine, often including meats, hams and salamis. One of the most famous modenese dishes is zampone (the fatter and heartier version) or cotechino Modena ( cotechino is leaner and less fat than zampone ). Cotechino dates back to around 1511 to Mirandola , where, whilst besieged,

2394-513: A period of economic crisis. The Prince of Wales (afterwards Charles I ) arrived at the court of Spain in 1623. Records indicate that he sat for Velázquez, but the picture is now lost. In 1627, Philip set a competition for the best painters of Spain with the subject to be the expulsion of the Moors . Velázquez won, with a painting (destroyed in a fire at the palace in 1734) which records say depicted Philip III pointing with his baton to

2527-461: A rather limited palette, but he mixed the available paints with great skill to achieve varying hues. His pigments were not significantly different from those of his contemporaries and he mainly employed azurite , smalt , vermilion , red lake , lead-tin-yellow and ochres . His early works were painted on canvases prepared with a red-brown ground. He adopted the use of light-gray grounds during his first trip to Italy, and continued using them for

2660-451: A short time under Francisco de Herrera before beginning his apprenticeship under Pacheco, but this is undocumented. A contract signed on 17 September 1611, formalized a six-year apprenticeship with Pacheco, backdated to December 1610, and it has been suggested that Herrera may have substituted for a traveling Pacheco between December 1610 and September 1611. Although considered a dull and undistinguished painter, Pacheco sometimes expressed

2793-442: A simple, direct realism , though his work remained essentially Mannerist . As a teacher, he was highly learned and encouraged his students' intellectual development. In Pacheco's school, Velázquez studied the classics , was trained in proportion and perspective, and witnessed the trends in the literary and artistic circles of Seville. On 23 April 1618, Velázquez married Juana Pacheco (1 June 1602 – 10 August 1660),

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2926-755: A state severely affected by the outbreak of plague and the Thirty Years' War . The gallery was not enriched, but depleted during the successive reigns of Francesco II. In order to raise funds, the duke decided to sell the finest pieces of the collection to Augustus III of Poland for the considerable sum of 100,000 Venetian zecchini (the equivalent of around 650 kg of gold). Thus, in July 1746, works by Giulio Romano , Andrea del Sarto , Rubens , Velázquez , Holbein , Titian , Parmigianino , Correggio , Guercino , Guido Reni , Carracci , and many others embarked for Dresden . Such works may still be admired in

3059-574: A strong sporting tradition, linked mainly to motor racing as the birthplace of Enzo Ferrari , founder of the eponymous motor racing team and car manufacturer based in nearby Maranello . The Ferrari 360 Modena was named after the city. Modena is known as the world's 'Supercar Capital', being the nearest large town to the homes of Maserati , Lamborghini , Pagani and previously also Ducati and De Tomaso . The city has had two major football clubs: Modena F.C. , who played in Serie B for many years but

3192-552: A suitable distance to get the impression of complete, three-dimensional spatiality. His only surviving portrait of the delicate and sickly Prince Felipe Prospero is remarkable for its combination of the sweet features of the child prince and his dog with a subtle sense of gloom. The hope that was placed at that time in the sole heir to the Spanish crown is reflected in the depiction: fresh red and white stand in contrast to late autumnal, morbid colors. A small dog with wide eyes looks at

3325-473: A taint of heresy in their lineage—that is, a trace of Jewish or Moorish blood or contamination by trade or commerce in either side of the family for many generations. The records of this commission have been found among the archives of the Order of Santiago. Velázquez was awarded the honor in 1659. His occupation as plebeian and tradesman was justified because, as painter to the king, he was evidently not involved in

3458-480: A wise and well-educated man. Pablo de Valladolid (1635), a buffoon evidently acting a part, and The Buffoon of Coria (1639) belong to this middle period. As court painter, Velázquez had fewer commissions for religious works than any of his contemporaries. Christ Crucified (1632), painted for the Convent of San Plácido in Madrid, depicts Christ immediately after death. The Savior's head hangs on his breast and

3591-469: A work which remains a precious treasure of the Estense collection. An equally revered marble portrait executed by Bernini now welcomes viewers entering the gallery. Not only does it effortlessly capture the duke's likeness and bravura , Bernini also never once laid eyes on his subject in the flesh, using effigies by Justus Sustermans and Jean Boulanger as prompts instead. To overcome the reluctance of

3724-532: Is 44 compared to the Italian average of 42. Between 2002 and 2007, Modena grew by 2.4%, while Italy as a whole grew by 3.6%. The current birth rate of Modena is 9.62 births per 1,000 inhabitants compared to the Italian average of 9.45 births. As of 2006 , 89.6% of the population was Italian . The largest foreign group comes from other parts of Europe (namely Romania and Albania ): 3.9%, followed by North Africa : 2.4%, and Sub-Saharan Africa : 1.9%. Modena has

3857-721: Is a city and comune ( municipality ) on the south side of the Po Valley , in the Province of Modena , in the Emilia-Romagna region of northern Italy . A town, and seat of an archbishop , it is known for its car industry since the factories of the famous Italian upper-class sports car makers Ferrari , De Tomaso , Lamborghini , Pagani and Maserati are, or were, located there and all, except Lamborghini, (having their factory in Sant'Agata Bolognese ), have headquarters in

3990-407: Is a faintly comic incongruity. The equivocal image has been interpreted in various ways: Javier Portús describes it as a "reflection on reality, representation, and the artistic vision", while Alfonso E. Pérez Sánchez says it "has also been seen as a melancholy meditation on the arms of Spain in decline". Had it not been for his royal appointment, which enabled Velázquez to escape the censorship of

4123-516: Is a mystery: are the royal pair standing in the viewer's space, or does the mirror reflect the painting on which Velázquez is working? Dale Brown says Velázquez may have conceived the faded image of the king and queen on the back wall as a foreshadowing of the fall of the Spanish Empire that was to gain momentum following Philip's death. In the 1966 book Les Mots et Les Choses ( The Order of Things ), philosopher Michel Foucault devotes

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4256-663: Is also a baseball club with 50 years' tradition—the Modena BBC , currently playing in the A-Series of the Italian Baseball League . Diego Vel%C3%A1zquez Diego Rodríguez de Silva y Velázquez , (baptized 6 June 1599 – 6 August 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age . He

4389-445: Is based in Modena. Modena and its province is one of Italy's most affluent areas, thanks to a rich agriculture and numerous small and medium manufacturing enterprises. Among the largest employers are BPER Banca , the publishing company Panini Group ; Cremonini Group , one of Europe's largest meat packaging and catering companies; Grandi Salumifici Italiani and Parmareggio, Gruppo Fini other large food processing companies; Liu Jo ,

4522-463: Is characterized by a Clock Tower ( Torre dell'Orologio , late 15th century), once paired with another tower ( Torre Civica ) demolished after an earthquake in 1671. In the interior, noteworthy is the Sala del Fuoco ("Fire Hall"), with a painted frieze by Niccolò dell'Abbate (1546) portraying famous characters from Ancient Rome against a typical Emilia background. The Camerino dei Confirmati ("Chamber of

4655-405: Is cured pork back fat pounded with garlic, rosemary and Parmesan , used to fill borlenghi and crescentine. Balsamic vinegar of Modena became a protected geographical indication under EU law in 2000. The Balsamic Vinegar is a condiment for salad, cheese, strawberries and many other dishes. The practice of cooking the must of grapes can be traced back to the ancient Romans: the so-called sapum

4788-661: Is estimated that 1,300 pictures were exported to the Louvre.   From his exile in Treviso , Ercole III sold various objects he had brought with him, but he also made some additions to his collection, in an attempt to remedy the Napoleonic plundering. With the restoration of Duke Francis IV of Austria-Este in Modena and the Treaty of Paris (1815) came the recovering of many important works. Only 21 paintings previously part of

4921-430: Is full-length, stately and dignified, in which he wears the green cross of the order of Alcantara and holds a wand, the badge of his office as master of the horse; in the other, The Count-Duke of Olivares on Horseback ( c.  1635 ), he is flatteringly represented as a field marshal during action. In these portraits, Velázquez well repaid the debt of gratitude that he owed to the patron who had first brought him to

5054-402: Is typical in such scenes, in which a general on horseback looks down on his vanquished, kneeling opponent. Instead, Velázquez shows the Spanish general standing before his Dutch counterpart as an equal, and extending to him a hand of consolation. The impassive, saturnine face of the influential minister Olivares is familiar to us from the many portraits painted by Velázquez. Two are notable: one

5187-611: The Austrian Habsburgs . Velázquez was born in Seville , Spain, the first child of Juan Rodríguez de Silva, a notary , and Jerónima Velázquez. He was baptized at the church of St. Peter in Seville on Sunday, 6 June 1599. The baptism most probably occurred a few days or weeks after his birth. His paternal grandparents, Diego da Silva and María Rodríguez, were Portuguese and had moved to Seville decades earlier. When Velázquez

5320-821: The Bibliothèque Nationale in Paris, including numerous manuscripts and ancient codices. Napoleon personally took two 16th to 18th-century editions of Caesar 's Commentarii whilst rapidly passing through Modena. As for the collection of coins, the Bibliothèque received 900 imperial bronze coins, 124 of which were from Roman colonies; 10 silver; 31 incised; as well as 44 Greek and 103 from the Papal mint. Napoleon’s wife Joséphine followed suite. During her sojourn in Modena's Palazzo Ducale in February 1797, she

5453-486: The Gemäldegalerie Alte Meister today. Neither was Rinaldo I , his uncle and successor, able to enrich the duchy artistically. Ercole III and his predecessor, Francesco III , used the same pillaging method as Francesco I to salvage the gallery: depredating the duchy’s churches, but also aided by the use of raw impositions. One such example lies with Niccolò dell'Abbate ’s frescoes detached from

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5586-471: The Inquisition , he would not have been able to release his La Venus del espejo ( c.  1644–1648 , English: Venus at her Mirror ) also known as The Rokeby Venus . It is the first known female nude painted by a Spanish artist, and the only surviving female nude by Velázquez. Besides the many portraits of Philip by Velázquez—thirty-four by one count —he painted portraits of other members of

5719-599: The Military Academy of Modena , and partly housed in the Baroque Ducal Palace . The Biblioteca Estense houses historical volumes and 3,000 manuscripts. The Cathedral of Modena , the Torre della Ghirlandina and Piazza Grande are a UNESCO World Heritage Site since 1997. Modena is also known in culinary circles for its production of balsamic vinegar . Famous Modenesi include Mary of Modena ,

5852-729: The Pianura Padana , and is bounded by the two rivers Secchia and Panaro , both affluents of the Po River . Their presence is symbolized by the Two Rivers Fountain in the city's center, by Giuseppe Graziosi . The city is connected to the Panaro by the Naviglio channel. The Apennines begin some 10 kilometres (6 miles) from the city, to the south. The comune is divided into four circoscrizioni . These are: Modena has

5985-499: The Po . The Gothic campanile (1224–1319) is called Torre della Ghirlandina from the bronze garland surrounding the weathercock. The Museum Palace, on the St. Augustine square, is an example of civil architecture from the Este period, built as a Hostel for the poor, together with the nearby Hospital in the late 18th century. Today it houses the main museums of Modena: The Estense Gallery and Library have reopened on 29 May 2015 after

6118-522: The Queen consort of England and Scotland; operatic tenor Luciano Pavarotti and soprano Mirella Freni , born in Modena itself; Enzo Ferrari , eponymous founder of the Ferrari motor company; Catholic priest Gabriele Amorth ; chef Massimo Bottura ; comics artist Franco Bonvicini ; the band Modena City Ramblers and singer-songwriter Francesco Guccini , who lived here for several decades. Modena lies on

6251-942: The Room of Mirrors at the Royal Alcazar of Madrid , Velázquez commissioned Matteo Bonuccelli to cast twelve bronze copies of the Medici lions . The copies are now in the Royal Palace of Madrid and the Museo del Prado . During his time in Rome, Velázquez fathered a natural son, Antonio, whom he is not known ever to have seen. From February 1650, Philip repeatedly sought Velázquez's return to Spain. Accordingly, after visiting Naples —where he saw his old friend Jose Ribera—and Venice, Velázquez returned to Spain via Barcelona in 1651, taking with him many pictures and 300 pieces of statuary, which afterwards were arranged and catalogued for

6384-584: The Titians at the Escorial . Rubens, who demonstrated his brilliance as painter and courtier during the seven months of the diplomatic mission, had a high opinion of Velázquez but had no significant influence on his painting. He did, however, galvanize Velázquez's desire to see Italy and the works of the great Italian masters. In 1629, Velázquez received 100 ducats for the picture of Bacchus ( The Triumph of Bacchus ), also called Los Borrachos (The Drunks),

6517-415: The census of 2011 , there were 179,149 people residing in the city. The population density (persons per square kilometre) was 978.9/km (2,535.3/sq mi). Minors (children ages 18 and younger) totaled 16.2 percent of the population compared to pensioners who number 22.5 percent. This compares with the Italian average of 18.1 percent (minors) and 19.9 percent (pensioners). The average age of Modena resident

6650-599: The earthquake of 2012 . The Gallery has been completely restored but some pieces are still damaged and thus cannot be seen. Opened for the Great Jubilee in 2000, the Museum of the Cathedral houses a rich collection of artistic heritage, in particular liturgical ornaments and furnishings. Apart from the finds of the cathedral building site by Wiligelmus and Lanfranco, such as romanesque metopes and roof decorations, in

6783-469: The "theology of painting", and in 1827 the president of the Royal Academy of Arts Sir Thomas Lawrence described it in a letter as "the true philosophy of the art". However, it is unclear as to who or what is the true subject of the picture. Is it the royal daughter, or perhaps the painter himself? The king and queen are seen reflected in a mirror on the back wall, but the source of the reflection

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6916-544: The 17th-century Incoronation of Bradamante by Marco Antonio Franceschini . The Salottino d'Oro ("Golden Hall"), covered with gilted removable panels, was used by Duke Francis III as his main cabinet of work. Facing the Piazza Grande (a UNESCO World Heritage Site ), the Town Hall of Modena was put together in the 17th and 18th centuries from several pre-existing edifices built from 1046 as municipal offices. It

7049-474: The 3rd century BC, for in 218 BC, during Hannibal's invasion of Italy , the Boii revolted and laid siege to the city. Livy described it as a fortified citadel where Roman magistrates took shelter. The outcome of the siege is not known, but the city was most likely abandoned after Hannibal's arrival. Mutina was refounded as a Roman colony in 183 BC, to be used as a military base by Marcus Aemilius Lepidus , causing

7182-692: The Confirmed") houses one of the symbols of the city, the Secchia Rapita , a bucket kept in memory of the victorious Battle of Zappolino (1325) against Bologna . This relic inspired the poem of the same title by Alessandro Tassoni . Another relic from the Middle Ages in Modena is the Preda Ringadora , a rectangular marble stone next to the palace porch, used as a speakers' platform, and the statue called La Bonissima ("The Very Good"):

7315-453: The Duomo of Modena was finished in 1184. The building of a great cathedral in this flood-prone ravaged former center of Arianism was an act of urban renewal in itself, and an expression of the flood of piety that motivated the contemporary First Crusade . Unusually, the master builder's name, Lanfranco , was celebrated in his own day: the city's chronicler expressed the popular confidence in

7448-555: The Este pictures were sold and many of them wound up in Dresden . Ercole III died in exile at Treviso , having refused Napoleonic offers of compensation when Modena was made part of the Napoleonic Cispadane Republic . His only daughter, Maria Beatrice d'Este , married Ferdinand I, Archduke of Austria-Este , son of Empress Maria Theresa of Austria ; and in 1814 their eldest son, Francis IV , received back

7581-635: The Estense Gallery remains a nucleus of culture to both locals and tourists travelling off the beaten track on their way from Venice to Rome. [REDACTED] Media related to Galleria Estense at Wikimedia Commons 44°38′55″N 10°55′18″E  /  44.6485°N 10.9216°E  / 44.6485; 10.9216 Modena Modena ( UK : / ˈ m ɒ d ɪ n ə / , US : / ˈ m oʊ d -/ ; Italian: [ˈmɔːdena] ; Modenese : Mòdna [ˈmɔdnɐ] ; Etruscan : Mutna ; Latin : Mutina )

7714-469: The Estense collection returned to Modena, in addition to two new paintings acquired as remuneration by Charles Le Brun . On the backdrop of the Church's diminishing status came the growing trend for art collection as a means of upholding the local authority of the nobility. Francis IV thus contributed works to the gallery from nearby towns through the tried and tested Este method of looting churches. In 1822,

7847-542: The House of Martha (1618) and Kitchen Scene with Christ at Emmaus ( c.  1618 ), feature religious scenes in the background, painted in a way that creates ambiguity as to whether the religious scene is a painting on the wall, a representation of the thoughts of the kitchen maid in the foreground, or an actual incident seen through a window. The Virgin of the Immaculate Conception (1618–19) follows

7980-532: The Island of Pheasants, a small swampy island in the Bidassoa . Velázquez was charged with the decoration of the Spanish pavilion and with the entire scenic display. He attracted much attention from the nobility of his bearing and the splendor of his costume. On 26 June he returned to Madrid, and on 31 July he was stricken with fever. Feeling his end approaching, he signed his will, appointing as his sole executors his wife and his firm friend named Fuensalida, keeper of

8113-527: The King. Velázquez was not allowed to paint the new king, Philip IV , but portrayed the poet Luis de Góngora at the request of Pacheco. The portrait showed Góngora crowned with a laurel wreath, which Velázquez later painted over. He returned to Seville in January 1623 and remained there until August. In December 1622, Rodrigo de Villandrando , the king's favorite court painter, died. Velázquez received

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8246-513: The Lapidary there are also reliefs, sculptures and inscriptions of the Roman, Medieval and Renaissance era found in the cathedral area during the restoration works between the 19th and the 20th century. Inaugurated on 10 March 2012, the museum complex includes Enzo Ferrari 's birthplace and a futuristic automotive design gallery, painted in the yellow that Enzo Ferrari chose as the background for

8379-787: The Ligurians to sack it in 177 BC. Nonetheless, it was rebuilt, and quickly became the most important centre in Cisalpine Gaul , both because of its strategic importance and because it was on an important crossroads between Via Aemilia and the road going to Verona . In the 1st century BC, Mutina was besieged twice. The first siege was by Pompey in 78 BC, when Mutina was defended by Marcus Junius Brutus (a populist leader, not to be confused with his son, Caesar's best known assassin). The city eventually surrendered out of hunger, and Brutus fled, only to be slain in Regium Lepidi . In

8512-519: The Modena area. The electric motorcycle maker Energica Motor Company is headquartered in the city. Modena railway station , opened in 1859, forms part of the Milan–Bologna railway , and is also a terminus of two secondary railways, linking Modena with each of Verona and Sassuolo . Modena's urban public transport network is operated by SETA. The network includes the Modena trolleybus system . At

8645-540: The Modena sale of 1746. Those works presage the advent of the painter's third and latest manner, a noble example of which is the great portrait of Pope Innocent X in the Doria Pamphilj Gallery in Rome, where Velázquez now proceeded. There he was received with marked favor by the Pope, who presented him with a medal and golden chain. Velázquez took a copy of the portrait—which Sir Joshua Reynolds thought

8778-510: The Most Illustrious Community), architect Francesco Vandelli was engaged to design the Teatro dell'Illustrissima Comunità, as the theatre was first called, "for the dignity of the city and for the transmission of the scenic arts". Paid for in the manner typical of the time – from the sale of boxes – in addition to a significant gift from Duke Friedrich IV, Vandelli created a design for the new theatre combining ideas from those in Piacenza , Mantua , and Milan , and it opened on 2 October 1841 with

8911-440: The Palazzo Ducale, selecting works cited by visitors to the palace. Gilded enamel cameos and engraved semi-precious stones were sent to the Louvre and to their own estates. Some drawings were delegated to Modena's Academy of Fine Arts for didactic purposes, however an overwhelming number were sent to Paris, where they have remained ever since. Of the previously enviable selection reflecting high Renaissance practices which included

9044-539: The Pope. It captures in great detail Pareja's countenance and his somewhat worn and patched clothing with an economic use of brushwork. In November 1650, Juan de Pareja was freed from slavery by Velázquez. To this period also belong two small landscape paintings both titled View of the Garden of the Villa Medici . As landscapes apparently painted directly from nature, they were exceptional for their time, and reveal Velázquez's close study of light at different times of day. As part of his mission to procure decorations for

9177-407: The Pope; in fact Innocent was pleased with the work, and hung it in his official visitor's waiting room. In 1650 in Rome Velázquez also painted a portrait of Juan de Pareja , now in the Metropolitan Museum of Art in New York City, US. This portrait procured his election into the Accademia di San Luca . Purportedly Velázquez created this portrait as a warm-up of his skills before his portrait of

9310-417: The Prancing horse on his logo. The exhibition gallery was designed by the famous architect Jan Kaplický , who suddenly died in 2009, and carried on by his associate and loyal assistant Andrea Morgante. The interior features a multimedia display of pictures, unpublished films and precious mementoes of Enzo Ferrari's life as a man, driver and car-maker throughout the 20th century. The Exhibition Gallery houses

9443-441: The archaeologist in charge of the dig, stated. Its exiles founded a new city a few miles to the northwest, still represented by the village of Cittanova (literally "new city"). About the end of the 9th century, Modena was restored and refortified by its bishop, Ludovicus . At about this time the Song of the Watchmen of Modena was composed. Later the city was part of the possessions of the Countess Matilda of Tuscany , becoming

9576-428: The art lover, Francesco began appropriating paintings from churches and monasteries within the duchy: a habit to be routinely adopted by his successors in the years to come. The works were replaced by second-rate copies, often veiled from the eyes of the priests who tried to resist. Pieces by Correggio , Parmigianino and Cima da Conegliano all entered into the ducal collection in this way. Francesco's son Alfonso IV

9709-571: The art-knowledge Velázquez had gathered during his long artistic career of more than forty years. The scheme is simple—a confluence of varied and blended red, bluish-green, gray and black. Velázquez's final portraits of the royal children are among his finest works and in the Infanta Margarita Teresa in a Blue Dress the painter's personal style reached its high-point: shimmering spots of color on wide painting surfaces produce an almost impressionistic effect—the viewer must stand at

9842-500: The artistic atmosphere characteristic of the Ferrarese court in Modena. For the new capital of the diminished Duchy of Modena and Reggio, he envisioned an imposing ducal residence, entrusting the project to Bartolomeo Avanzini . The Roman architect was advised by Bernini , whose engagement with the Pope prevented him from accepting the task. During a diplomatic trip to Spain , Francesco had his portrait painted by Diego Velázquez ,

9975-406: The canvas. However, Velázquez did not receive this honor of knighthood until three years after execution of this painting. Even the King of Spain could not make his favorite court painter a belted knight without the consent of the commission established to inquire into the purity of his lineage . The aim of these inquiries would be to prevent the appointment to positions of anyone found to have even

10108-541: The city or nearby. One of Ferrari's cars, the 360 Modena , was named after the town itself. Ferrari's production plant and Formula One team Scuderia Ferrari are based in Maranello south of the city. The University of Modena , founded in 1175 and expanded by Francesco II d'Este in 1686, focuses on economics , medicine and law , and is the second oldest athenaeum in Italy. Italian military officers are trained at

10241-472: The civil war following Caesar's assassination , the city was besieged again, this time by Mark Antony , in 44 BC, and defended by Decimus Junius Brutus . Octavian relieved the city with the help of the Senate (see: Battle of Mutina ). Cicero called it Mutina splendidissima ("most beautiful Mutina") in his Philippics (44 BC). Until the 3rd century AD, it kept its position as the most important city in

10374-506: The classic stickers, cigarette cards, letter seals, matchboxes and calendars, all of which represent a very important historical document of the development of picture cards throughout the years. The Teatro Comunale Modena (Community Theatre of Modena, but renamed in October 2007 as "Teatro Comunale Luciano Pavarotti") is an opera house in Modena. The idea for the creation of the present theatre dates from 1838, when it became apparent that

10507-504: The dark reddish ground of all his earlier works. The change resulted in a greater luminosity than he had previously achieved, and he made the use of light-gray grounds his regular practice. Velázquez returned to Madrid in January 1631. That year he completed the first of his many portraits of the young prince, beginning with Prince Balthasar Charles with a Dwarf (Boston, Museum of Fine Arts). ln portraits such as Equestrian portrait of prince Balthasar Charles (1635), Velázquez depicts

10640-408: The daughter of his teacher. They had two daughters. The elder, Francisca de Silva Velázquez y Pacheco (1619–1658), married painter Juan Bautista Martínez del Mazo at the Church of Santiago in Madrid on 21 August 1633. The younger, Ignacia de Silva Velázquez y Pacheco, born in 1621, died in infancy. Velázquez's earliest works are bodegones (kitchen scenes with prominent still-life ). He was one of

10773-442: The death of King Philip, that they were finally settled. It is canonical to divide Velázquez's career by his two visits to Italy. He rarely signed his pictures, and the royal archives give the dates of only his most important works. Internal evidence and history pertaining to his portraits supply the rest to a certain extent. Although acquainted with all the Italian schools and a friend of the foremost painters of his day, Velázquez

10906-434: The decorative objects of note, the mannerist "Estense Harp" stands out. A rare musical instrument, the double harp's 148 cm were crafted entirely by hand through a collaboration between five Ferrarese and Flemish artists: Giacometti , Marescotti , Bastarolo , Rosselli and Lamberti . It then comes as no surprise that it featured on Italian 1,000 lire banknotes next to Verdi from 1961 to 1981. The gallery also houses

11039-669: The design process had been sought from the contemporary luminaries, Cortona , Bernini , and Borromini . The Palace currently houses the Accademia Militare di Modena , the Military Museum and a precious library. The Palace has a Baroque façade, from which the Honour Court (where the military ceremonies are held) and the Honour Staircase can be accessed. The Central Hall has a frescoed ceiling with

11172-543: The estates of the Este. Quickly, in 1816, he dismantled the fortifications and began Modena's years under Austrian rule. His son Francis V was considered a just ruler, and famously tended the victims of war and cholera with his own hands. However, he too had to face yet more foreign-inspired revolutions and was temporarily expelled from Modena in the Revolutions of 1848 . He was restored, amidst wide popular acclaim, by Austrian troops. Ten years later, on 20 August 1859,

11305-474: The first Spanish artists to paint such scenes, and his Old Woman Frying Eggs (1618) demonstrates the young artist's unusual skill in realistic depiction. The realism and dramatic lighting of this work may have been influenced by Caravaggio 's work—which Velázquez could have seen second-hand, in copies—and by the polychrome sculpture in Sevillian churches. Two of his bodegones, Kitchen Scene with Christ in

11438-434: The form of a ring and stuffed with meat or cheese. Cappello del prete is also a popular meal, which is a very fatty pig's trotter. Other dishes include torta Barozzi or torta nera , which is a black tart (a dessert made with a coffee/cocoa and almond filling encased in a fine pastry dough), ciccioli , made by slowly cooking, compressing, drying, and aging fatty, leftover pieces of pork, and pesto modenese , which

11571-402: The highest examples of his style. One of the infantas , Margaret Theresa , the eldest daughter of the new queen, appears to be the subject of Las Meninas (1656, English: The Maids of Honour ), Velázquez's magnum opus . Created four years before his death, it serves as an outstanding example of European baroque art. Luca Giordano , a contemporary Italian painter, referred to it as

11704-573: The influence of Titian and Rubens. In 1629, Velázquez was given permission to spend a year and a half in Italy. Although this first visit is recognized as a crucial chapter in the development of his style—and in the history of Spanish Royal Patronage, since Philip   IV sponsored his trip—few details and specifics are known of what the painter saw, whom he met, how he was perceived and what innovations he hoped to introduce into his painting. He traveled to Venice , Ferrara , Cento , Loreto , Bologna , and Rome . In 1630, he visited Naples to paint

11837-403: The interior. In Wiligelmus' sculpture at Modena, the human body takes on a renewed physicality it had lost in the schematic symbolic figures of previous centuries. At the east end, three apses reflect the division of the body of the cathedral into nave and wide aisles with their bold, solid masses. Modena's Duomo inspired campaigns of cathedral and abbey building in emulation through the valley of

11970-520: The king is represented in profile in an image of imperturbable majesty, demonstrating expert horsemanship by executing an effortless levade . The large The Surrender of Breda (1634–35), also painted for the Palacio, is Velázquez's only extant painting depicting contemporary history. Its symbolic treatment of a Spanish military victory over the Dutch eschews the rhetoric of conquest and superiority that

12103-518: The king's attention. The sculptor Juan Martínez Montañés modeled a statue on one of Velázquez's equestrian portraits of the king (painted in 1636; now lost) which was cast in bronze by the Florentine sculptor Pietro Tacca and now stands in the Plaza de Oriente in Madrid. Velázquez was in close attendance to Philip, and accompanied him to Aragon in 1644, where the artist painted a portrait of

12236-403: The king, and Olivares commanded Velázquez to move to Madrid, promising that no other painter would ever paint Philip's portrait and all other portraits of the king would be withdrawn from circulation. In the following year, 1624, he received 300 ducats from the king to pay the cost of moving his family to Madrid, which became his home for the remainder of his life. Velázquez secured admission to

12369-495: The king. Elisabeth of France had died in 1644, and the king had married Mariana of Austria , whom Velázquez now painted in many attitudes. In 1652 he was specially chosen by the king to fill the high office of aposentador mayor , which imposed on him the duty of looking after the quarters occupied by the court—a responsible function which was no sinecure and one which interfered with the exercise of his art. Yet far from indicating any decline, his works of this period are amongst

12502-469: The latter, portraying a female figure, was erected in the square in 1268 and later installed over the porch. The Cathedral of Modena and the annexed campanile are a UNESCO World Heritage Site . Begun under the direction of the Countess Matilda of Tuscany with its first stone laid 6 June 1099 and its crypt ready for the city's patron, Saint Geminianus , and consecrated only six years later,

12635-456: The likes of Correggio, Parmigianino, Giulio Romano, Perino del Vaga , the Carracci brothers, Botticelli 's Calumny of Apelles , and a Judgement of Solomon by the workshop of Mantegna , only 700 remain. Currently housed in storage in Modena, the digital collection may now be viewed on the gallery's website. On 17 October, 94 volumes were chosen to be transferred from the ducal library to

12768-518: The master-mason from Como , Lanfranco: by God's mercy the man was found ( inventus est vir ). The sculptor Wiligelmus who directed the mason's yard was praised in the plaque that commemorated the founding. The program of the sculpture is not lost in a welter of detail: the wild dangerous universe of the exterior is mediated by the Biblical figures of the portals leading to the Christian world of

12901-509: The monarch in the costume as he reviewed his troops in Fraga . Velázquez's paintings of Aesop and Menippus (both c.  1636–1638 ) portray ancient writers in the guise of portraits of beggars. Mars Resting ( c.  1638 ) is both a depiction of a mythological figure and a portrait of a weary-looking, middle-aged man posing as Mars. The model is painted with attention to his individuality, while his unkempt, oversized mustache

13034-525: The municipality ( comune ) is the City Council ( Consiglio Comunale ), which is composed by 32 members elected (jointly with the mayor) by the citizens every five years. Modena's executive body is the City Committee ( Giunta Comunale ), which is composed by 9 assessors (appointed and dismissed by the mayor), of which one is deputy-mayor, and the mayor. The mayor from 2019 to 2024 of Modena

13167-521: The newly formed province Aemilia , but the fall of the Empire brought Mutina down with it, as it was used as a military base both against the barbarians and in the civil wars. It is said that Mutina was never sacked by Attila , for a dense fog hid it (a miracle said to be provided by Saint Geminianus , bishop and patron of Modena), but it was eventually buried by a great flood in the 7th century and abandoned. In December 2008, Italian researchers discovered

13300-478: The opening chapter to a detailed analysis of Las Meninas . He describes the ways in which the painting problematizes issues of representation through its use of mirrors, screens, and the subsequent oscillations that occur between the image's interior, surface, and exterior. It is said the king painted the honorary Cross of Saint James of the Order of Santiago on the breast of the painter as it appears today on

13433-614: The palace became the headquarters of the Military Academy , depriving the city of its use. The gallery was forced to relocate to the eighteenth-century palace built by Francesco III , now known as the Palazzo dei Musei , where it coexists with the Lapidary Museum , the Civic Museum and Archives on the ground floor and the Estense library on the third floor. The gallery's itinerary has undergone several rearrangements over

13566-405: The people had to find a way to preserve meat and use the less tender cuts, so made the cotechino . By the 18th century it had become more popular than the yellowish sausage had been around at the time, and in the 19th century was in mass production in and around the area. Modena's contribution to the Italian pasta culture are tortellini and tortelloni , which are squares of pasta shaped in

13699-528: The portrait of Maria Anna of Spain , and there he probably met Ribera . The major works from his first Italian period are Joseph's Bloody Coat brought to Jacob (1629–30) and Apollo in the Forge of Vulcan (1630), both of which reveal his ambition to rival the Italians as a history painter in the grand manner. The two compositions of several nearly life-sized figures have similar dimensions, and may have been conceived as pendants—the biblical scene depicting

13832-565: The portrait of Sor Jerónima de la Fuente (1620)—Velázquez's first full-length portrait —and the genre The Water Seller of Seville (1618–1622). The Water Seller of Seville has been termed "the peak of Velázquez's bodegones " and is admired for its virtuoso rendering of volumes and textures as well as for its enigmatic gravitas. Velázquez had established his reputation in Seville by the early 1620s. He traveled to Madrid in April 1622, with letters of introduction to Don Juan de Fonseca, chaplain to

13965-422: The pottery center where the oil lamps that lit the ancient Roman empire were made. Evidence of the pottery workshops emerged in Modena, during construction work to build a residential complex near the ancient walls of the city. "We found a large ancient Roman dumping filled with pottery scraps. There were vases, bottles, bricks, but most of all, hundreds of oil lamps, each bearing their maker's name", Donato Labate ,

14098-469: The practice of "selling" pictures. There were essentially only two patrons of art in Spain—the church and the art-loving king and court. Bartolomé Esteban Murillo , who toiled for a rich and powerful church, left little means to pay for his burial, while Velázquez lived and died in the enjoyment of a good salary and pension. One of his final works was Las hilanderas ( The Spinners ) , painted circa 1657,

14231-504: The prince looking dignified and lordly, or in the dress of a field marshal on his prancing steed. In one version, the scene is in the riding school of the palace, the king and queen looking on from a balcony, while Olivares attends as master of the horse to the prince. To decorate the king's new palace, the Palacio del Buen Retiro , Velázquez painted equestrian portraits of the royal family. In Philip   IV on Horseback (1634–35),

14364-531: The progressing tastes of an Italian court of nobility. The Estense Gallery consists of sixteen exhibition rooms with four large salons arranged thematically. The collection houses an eclectic range of oeuvres executed by both notable and local artists. Although for the most part centred around Italian painters , it also includes a modest number of Flemish , German and French artworks (Workshop of van Eyck ; Aelbrecht Bouts ; Charles Le Brun ), as well as non-Western examples from Sierra Leone and Iran . Among

14497-528: The remaining works in Ferrara, Cesare, who was perhaps not as fond of art patronage as his ancestors, did not hesitate to donate large parts of the collection to seek favour with powerful political figures, notably the Cardinal Borghese and Ferdinand II, Holy Roman Emperor . Francesco I , successor of Alfonso III , was a man of great ambition. He was determined to both regain Ferrara and restore

14630-557: The revolutionaries again invaded (this time the Piedmontese), annexing Modena to the revolutionary Savoyard Kingdom of Italy . The Ducal Palace of Modena , initiated by Francesco I d'Este in 1634 and completed by Francis V , was the seat of the Este court from the 17th to 19th century. The palace occupies the site of the former Este Castle, once located in the periphery of the city. Although generally credited to Bartolomeo Avanzini , it has been suggested that advice and guidance in

14763-706: The royal family: Philip's first wife, Elisabeth of Bourbon , and her children, especially her eldest son, Don Baltasar Carlos , whom Velázquez first depicted at about two years of age. Cavaliers, soldiers, churchmen, and the poet Francisco de Quevedo (now at Apsley House ), sat for Velázquez. Velázquez also painted several buffoons and dwarfs in Philip's court, whom he depicted sympathetically and with respect for their individuality, as in The Jester Don Diego de Acedo (1644), whose intelligent face and huge folio with ink-bottle and pen by his side show him to be

14896-531: The royal records. He died on 6 August 1660. He was buried in the Fuensalida vault of the church of San Juan Bautista , and within eight days his wife Juana was buried beside him. This church was destroyed by the French around 1809, so his place of interment is now unknown. There was much difficulty in adjusting the tangled accounts outstanding between Velázquez and the treasury, and it was not until 1666, after

15029-414: The royal service with a salary of 20 ducats per month, lodgings and payment for the pictures he might paint. His portrait of Philip was exhibited on the steps of San Felipe and received with enthusiasm. It is now lost (as is the portrait of Fonseca). The Museo del Prado , however, has two of Velázquez's portraits of the king (nos. 1070 and 1071) in which the severity of the Seville period has disappeared and

15162-583: The sculptor, who in a letter to the duke’s brother, Cardinal Rinaldo , judged the task as not only extremely difficult but reckless, an exorbitant sum of 3000 scudi was offered, the exact amount paid to Bernini by the Pope Innocent X for his Four Rivers Fountain in Rome. Other valuable works donated or purchased by the duke joined the collection at this time, such as paintings by Paolo Veronese , Salvator Rosa , Hans Holbein and another marble bust by Bernini, this time dedicated to his lover. Ever

15295-546: The then-existing Teatro Comunale di via Emilia (in dual private and public ownership) was no longer suitable for staging opera. However, this house had been the venue for presentations of all of the works of Donizetti , Bellini and Rossini up to this time, and a flourishing operatic culture existed in Modena. Under the Mayor of Modena in collaboration with the Conservatorio dell'Illustrissima Comunità (Conservatory of

15428-436: The tones are more delicate. The modeling is firm, recalling that of Antonio Mor , the Dutch portrait painter of Philip II , who exercised a considerable influence on the Spanish school. Velázquez depicts Philip wearing the golilla ( es ), a stiff linen collar projecting at right angles from the neck. The golilla replaced the earlier court fashion of elaborate ruffed collars as part of Philip's dress reform laws during

15561-452: The unification of Italy in 1859, the Este line came to an end. During the transition there were inevitably some losses and thefts. Luigi Carlo Farini , reigning dictator over the Modenese provinces on behalf of the new Italian government , was accused by some of having appropriated valuables kept in the Palazzo Ducale in which he and his government resided, although it is as of yet unclear on what grounds such allegations were made. In 1879,

15694-403: The viewer as if questioningly, and the largely pale background hints at a gloomy fate: the little prince was barely four years old when he died. As in all of the artist's late paintings, the handling of the colors is extraordinarily fluid and vibrant. In 1660, a peace treaty between France and Spain was consummated by the marriage of Maria Theresa with Louis XIV , and the ceremony took place on

15827-665: The walls of the Rocca di Scandiano , from which some paintings also arrived. Such was the reputation of the d’Este collections, (the French letterato Charles de Brosses considered it "undoubtedly the finest in Italy”) it also attracted the eye of Napoleon . At the Armistice of Cherasco , he decreed that twenty of the Estensi paintings should go to Paris as payment for expenses of war incurred during his Italian campaigns of 1796. After

15960-459: The years, with the curation of the rooms remaining in a constant state of revision. A notably recent change occurred following the earthquake in May 2012. After a three year renovation period, it was reopened to the public in 2015. Never-before-seen works were retrieved from storage, new lighting and a microclimate system supporting the conservation of exhibits and digital displays were installed, ensuring

16093-645: Was Gian Carlo Muzzarelli , a member of the Democratic Party . The territory around Modena ( Latin : Mutina , Etruscan : Mutna ) was inhabited by the Villanovans in the Iron Age , and later by Ligurian tribes, Etruscans , and the Gaulish Boii (the settlement itself being Etruscan). Although the exact date of its foundation is unknown, it is known that it was already in existence in

16226-431: Was a slave and who had been trained in painting by Velázquez. Velázquez sailed from Málaga , landed at Genoa , and proceeded from Milan to Venice, buying paintings of Titian , Tintoretto and Veronese as he went. At Modena he was received with much favor by the duke, and here he painted the portrait of the duke at the Modena gallery and two portraits that now adorn the Dresden gallery, for these paintings came from

16359-503: Was an individualistic artist of the Baroque period ( c.  1600–1750 ). He began to paint in a precise tenebrist style, later developing a freer manner characterized by bold brushwork. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family and commoners, culminating in his masterpiece Las Meninas (1656). Velázquez's paintings became

16492-402: Was appointed inspector of works in the palace in 1647. Philip now entrusted Velázquez with the mission of procuring paintings and sculpture for the royal collection. Rich in pictures, Spain was weak in statuary, and Velázquez was commissioned once again to proceed to Italy to make purchases. When he set out in 1649, he was accompanied by his assistant Juan de Pareja who at this point in time

16625-441: Was dissolved in 2017, and Serie B team Carpi F.C. 1909 . In 2018, Modena F.C. was reincarnated as Modena F.C. 2018 who play at the 21,151-seat Stadio Alberto Braglia , the former home of Modena F.C. which has also hosted international rugby union . Volleyball plays an important role in Modena's sport history, with Modena Volley having won 12 National championships, four Champion's League seasons, and other trophies. There

16758-453: Was made a duchy. Enlarged and fortified by Ercole II , it was made the primary ducal residence when Ferrara , the main Este seat, fell to the Pope in 1598. Francesco I d'Este, Duke of Modena (1629–1658) built the citadel and began the palace, which was largely embellished by Francesco II . In the 18th century, Rinaldo d'Este was twice driven from his city by French invasions, and Francesco III built many of Modena's public buildings, but

16891-521: Was offered knighthood in 1658, he claimed descent from the lesser nobility in order to qualify, however, his grandparents may have been tradespeople. Some authors have suggested that his grandparents were Jewish conversos . Rafael Cómez proposes Velázquez may have had Morisco lineage. Raised in modest circumstances, he showed an early gift for art, and was apprenticed to Francisco Pacheco , an artist and teacher in Seville. An early-18th century biographer, Antonio Palomino, said Velázquez studied for

17024-893: Was publicly established in 1854 by the last duke, Francis V of Austria-Este , and was relocated in 1894 to its current situation from the Palazzo Ducale . Since 2014, the Gallery has formed a part the Gallerie Estensi , an independent complex of museums merging the Biblioteca Estense , and the Estense Lapidary Museum in Modena, the Palazzo Ducale in Sassuolo and the Pinacoteca Nazionale in Ferrara . Together, they reflect

17157-408: Was strong enough to withstand external influences and work out for himself the development of his own nature and his own principles of art. He rejected the pomp that characterized the portraiture of other European courts, and instead brought an even greater reserve to the understated formula for Habsburg portraiture established by Titian, Antonio Mor , and Alonso Sánchez Coello . He is known for using

17290-611: Was the finest picture in Rome—with him to Spain. Several copies of it exist in different galleries, some of them possibly studies for the original or replicas painted for Philip. Velázquez, in this work, had now reached the manera abreviada , a term coined by contemporary Spaniards for this bolder, sharper style. The portrait shows such ruthlessness in Innocent's expression that some in the Vatican feared that it would be seen unfavorably by

17423-416: Was the first to open the gallery to the public. His wife Laura Martinozzi , granddaughter of Cardinal Mazzarino , became regent to the duchy on the death of her husband, given their son, Francesco II , was only two years old. The duchess did not contribute to the gallery purchases, dedicating herself for the most part to charitable works and the construction of churches and convents, with the aim of repairing

17556-747: Was unsatisfied with merely 'looking at' the numismatic collection. The empress took about two hundred, in addition to those selected by the court members of her husband who accompanied her. Numerous paintings of the Emilian school such as Guercino ’s altarpiece depicting Modena’s patron saints (1651) and his St. Paul (1644), as well as The Purification of the Virgin by Guido Reni , The Virgin Appears to Saints Luke and Catherine (1592) by Annibale Carracci , The Dream of Job (1593) by Cigoli , The Mocking of Christ by Giambologna and others never returned. It

17689-652: Was used both as a medicinal product and in the kitchen as a sweetener and condiment. The long history of the Balsamic Vinegar came to us through centuries and now is most consumed abroad than in Italy. Modena contains Italy's most acclaimed restaurant, Osteria Francescana , which holds three stars in the Michelin Guide since 2013 and, as of 2018, has been named as the best restaurant in the world in The World's 50 Best Restaurants . Art studio fuse*

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