Autocephaly recognized by some autocephalous Churches de jure :
121-491: Ikon is an alternative spelling of icon , and the normal spelling in German and many other languages. Ikon or iKON may also refer to: Icon Autocephaly and canonicity recognized by Constantinople and 3 other autocephalous Churches: Spiritual independence recognized by Georgian Orthodox Church: Semi-Autonomous: An icon (from Ancient Greek εἰκών ( eikṓn ) 'image, resemblance')
242-531: A device to his soldiers' shields, but unlike Lactantius and subsequent Christian tradition, Eusebius does not date the events to October 312 and does not connect Constantine's vision and dream-vision with the Battle of the Milvian Bridge. Before he compiled his church history, Eusebius edited a collection of martyrdoms of the earlier period and a biography of Pamphilus. The martyrology has not survived as
363-554: A pagan or Gnostic context) in his Life of Alexander Severus (xxix) that formed part of the Augustan History . According to Lampridius, the emperor Alexander Severus ( r. 222–235 ), himself not a Christian, had kept a domestic chapel for the veneration of images of deified emperors, of portraits of his ancestors, and of Christ, Apollonius , Orpheus and Abraham . Saint Irenaeus , ( c. 130–202 ) in his Against Heresies (1:25;6) says scornfully of
484-471: A beardless young man. It was some time before the earliest examples of the long-haired, bearded face that was later to become standardized as the image of Jesus appeared. When they did begin to appear there was still variation. Augustine of Hippo (354–430) said that no one knew the appearance of Jesus or that of Mary. However, Augustine was not a resident of the Holy Land and therefore was not familiar with
605-401: A blue undergarment with a red overgarment (representing a human who was granted gifts by God), and thus the doctrine of deification is conveyed by icons. Letters are symbols too. Most icons incorporate some calligraphic text naming the person or event depicted. Even this is often presented in a stylized manner. The historical tradition of icons used for purposes other than visual depiction are
726-408: A church and admonished the other bishop that such images are "opposed [...] to our religion". Elsewhere in his Church History , Eusebius reports seeing what he took to be portraits of Jesus, Peter and Paul , and also mentions a bronze statue at Banias /Paneas under Mount Hermon, of which he wrote, "They say that this statue is an image of Jesus". Further, he relates that locals regarded
847-463: A different sort had to be prepared. Lastly, Eusebius wrote eulogies in praise of Constantine. To all this activity must be added numerous writings of a miscellaneous nature, addresses, letters, and the like, and exegetical works that extended over the whole of his life and that include both commentaries and an important treatise on the location of biblical place names and the distances between these cities. Pamphilus and Eusebius occupied themselves with
968-815: A feast day on February 29 according to the official calendar of Saints created by Corbishop Rajan Achen. Eusebius was long venerated in the Roman Catholic Church. Bishop J. B. Lightfoot writes in his entry for St. Eusebius in Henry Wace 's Dictionary of Christian Biography and Literature to the End of the Sixth Century AD, with an Account of Principal Sects and Heresies (1911) that "in the Martyrologium Romanum itself he held his place for centuries" and in "Gallican service-books
1089-510: A few conventional poses. Archangels bear a thin staff and sometimes a mirror. Colour plays an important role as well. Gold represents the radiance of Heaven; red, divine life. Blue is the colour of human life, white is the Uncreated Light of God, only used for resurrection and transfiguration of Christ. In icons of Jesus and Mary, Jesus wears red undergarment with a blue outer garment (representing God becoming human) and Mary wears
1210-488: A great deal of which Origen knew of firsthand from his extensive travels, from the library and writings of Origen. On his deathbed, Origen had made a bequest of his private library to the Christian community in the city. Together with the books of his patron Ambrosius , Origen's library (including the original manuscripts of his works ) formed the core of the collection that Pamphilus established. Pamphilus also managed
1331-530: A letter to Jesus at Jerusalem, asking Jesus to come and heal him of an illness. This version of the Abgar story does not mention an image. A later account found in the Syriac Doctrine of Addai ( c. 400? ) mentions a painted image of Jesus in the story. Even later, in the 6th-century account given by Evagrius Scholasticus , the painted image transforms into an image that miraculously appeared on
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#17327874799681452-447: A miracle in which Saint Plato of Ankyra appeared to a Christian in a dream. The saint was recognized because the young man had often seen his portrait. This recognition of a religious apparition from likeness to an image was also a characteristic of pagan pious accounts of appearances of gods to humans, and was a regular topos in hagiography. One critical recipient of a vision from Saint Demetrius of Thessaloniki apparently specified that
1573-528: A natural progression for the image of Christ, the King of Heaven and Earth, to be paid similar veneration as that given to the earthly Roman emperor. However, the Orthodox, Eastern Catholics, and other groups insist on explicitly distinguishing the veneration of icons from the worship of idols by pagans. (See further below on the doctrine of veneration as opposed to worship.) After adoption of Christianity as
1694-639: A part of church tradition. Thus accounts such as that of the miraculous "image not made by hands", and the weeping and moving "Mother of God of the Sign" of Novgorod are accepted as fact: "Church Tradition tells us, for example, of the existence of an Icon of the Savior during His lifetime (the 'Icon-Made-Without-Hands') and of Icons of the Most-Holy Theotokos [Mary] immediately after Him." Eastern Orthodoxy further teaches that "a clear understanding of
1815-468: A phrase often rendered into Latin as " in hoc signo vinces ". In a dream that night "the Christ of God appeared to him with the sign which had appeared in the sky, and urged him to make himself a copy of the sign which had appeared in the sky, and to use this as a protection against the attacks of the enemy." Eusebius relates that this happened "on a campaign he [Constantine] was conducting somewhere". It
1936-563: A religious image or symbol on the reverse , usually an image of Christ for larger denominations, with the head of the Emperor on the obverse, reinforcing the bond of the state and the divine order. The tradition of acheiropoieta ( ἀχειροποίητα , literally 'not-made-by-hand') accrued to icons that are alleged to have come into existence miraculously, not by a human painter. Such images functioned as powerful relics as well as icons, and their images were naturally seen as authoritative as to
2057-468: A revelatory dream on the eve of battle. Eusebius's work of that time, his Church History , also makes no mention of the vision. The Arch of Constantine, constructed in AD 315, neither depicts a vision nor any Christian insignia in its depiction of the battle. In his posthumous biography of Constantine, Eusebius agrees with Lactantius that Constantine received instructions in a dream to apply a Christian symbol as
2178-405: A school that was similar to (or perhaps a re-establishment of ) that of Origen. He was compared to Demetrius of Phalerum —as well as to another (evidently, learnèd) scholar by the name of "Pisistratus" —for Pamphilus had gathered Bibles "from all parts of the world". Like his model Origen, Pamphilus maintained close contact with his students. Eusebius, in his history of the persecutions, alludes to
2299-587: A synoptical table so that it might be easier to find the pericopes that belong together. These canon tables or "Eusebian canons" remained in use throughout the Middle Ages, and illuminated manuscript versions are important for the study of early medieval art, as they are the most elaborately decorated pages of many Gospel books . Eusebius detailed in Epistula ad Carpianum how to use his canons. The Chronicle ( Παντοδαπὴ Ἱστορία ( Pantodape historia ))
2420-585: A time labored in behalf of the Arian heresy, coming to the council of Nicæa, inspired by the Holy Spirit, followed the decision of the Fathers, and thereafter up to the time of his death lived in a most holy manner in the orthodox faith. Lesson 2 . He was, moreover, very zealous in the study of the sacred Scriptures, and along with Pamphilus the martyr was a most diligent investigator of sacred literature. At
2541-523: A towel when Christ pressed the cloth to his wet face. Further legends relate that the cloth remained in Edessa until the 10th century, when it was taken by General John Kourkouas to Constantinople . It went missing in 1204 when Crusaders sacked Constantinople, but by then numerous copies had firmly established its iconic type. The 4th-century Christian Aelius Lampridius produced the earliest known written records of Christian images treated like icons (in
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#17327874799682662-605: A universal calendar of events from the Creation to, again, Eusebius's own time. He completed the first editions of the Ecclesiastical History and Chronicle before 300. Eusebius succeeded Agapius as Bishop of Caesarea soon after 313 and was called on by Arius who had been excommunicated by his bishop Alexander of Alexandria . An episcopal council in Caesarea pronounced Arius blameless. Eusebius enjoyed
2783-539: A very exact, but reverse mirror image of the original circular icon that was made in the 5th century and brought to Rome, where it has remained until the present. In later tradition the number of icons of Mary attributed to Luke greatly multiplied. The Salus Populi Romani , the Theotokos of Vladimir , the Theotokos Iverskaya of Mount Athos , the Theotokos of Tikhvin , the Theotokos of Smolensk and
2904-415: A whole, but it has been preserved almost completely in parts. It contained: Of the life of Pamphilus, only a fragment survives. A work on the martyrs of Palestine in the time of Diocletian was composed after 311; numerous fragments are scattered in legendaries which have yet to be collected. The life of Constantine was compiled after the death of the emperor and the election of his sons as Augusti (337). It
3025-604: A work ' Quaestiones ad Stephanum et Marinum , On the Differences of the Gospels (including solutions). This was written for the purpose of harmonizing the contradictions in the reports of the different Evangelists. This work was recently (2011) translated into the English language by David J. Miller and Adam C. McCollum and was published under the name Eusebius of Caesarea: Gospel Problems and Solutions . The original work
3146-575: A work that has since been lost. Eusebius's own surviving works probably only represent a small portion of his total output. Beyond notices in his extant writings, the major sources are the 5th-century ecclesiastical historians Socrates , Sozomen , and Theodoret , and the 4th-century Christian author Jerome . There are assorted notices of his activities in the writings of his contemporaries Athanasius , Arius , Eusebius of Nicomedia , and Alexander of Alexandria . Eusebius's pupil, Eusebius of Emesa , provides some incidental information. Most scholars date
3267-542: Is a religious work of art, most commonly a painting , in the cultures of the Eastern Orthodox , Oriental Orthodox , and Catholic churches. The most common subjects include Jesus , Mary , saints , and angels . Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most of the religious images in a variety of artistic media produced by Eastern Christianity , including narrative scenes, usually from
3388-505: Is also proclaimed in the language of colors". Eusebius of Caesarea Eusebius of Caesarea ( c. AD 260/265 – 30 May AD 339), also known as Eusebius Pamphilius , was a Greek Syro-Palestinian historian of Christianity , exegete , and Christian polemicist . In about AD 314 he became the bishop of Caesarea Maritima in the Roman province of Syria Palaestina . Together with Pamphilus , Eusebius
3509-522: Is divided into two parts. The first part, the Chronography ( Χρονογραφία ( Chronographia )), gives an epitome of universal history from the sources, arranged according to nations. The second part, the Canons ( Χρονικοὶ Κανόνες ( Chronikoi kanones )), furnishes a synchronism of the historical material in parallel columns, the equivalent of a parallel timeline. The work as a whole has been lost in
3630-459: Is good which is according to nature. Every rational soul has naturally a good free-will, formed for the choice of what is good. But when a man acts wrongly, nature is not to be blamed; for what is wrong, takes place not according to nature, but contrary to nature, it being the work of choice, and not of nature. A letter Eusebius is supposed to have written to Constantine 's daughter Constantina , refusing to fulfill her request for images of Christ,
3751-575: Is in a context attributed to the 5th century that the first mention of an image of Mary painted from life appears, though earlier paintings on catacomb walls bear resemblance to modern icons of Mary. Theodorus Lector , in his 6th-century History of the Church 1:1 stated that Eudokia (wife of emperor Theodosius II , d. 460) sent an image of the " Mother of God " named Icon of the Hodegetria from Jerusalem to Pulcheria , daughter of Arcadius ,
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3872-588: Is more a rhetorical eulogy on the emperor than a history but is of great value on account of numerous documents incorporated into it. To the class of apologetic and dogmatic works belong: A number of writings, belonging in this category, have been entirely lost. All of the exegetical works of Eusebius have suffered damage in transmission. The majority of them are known to us only from long portions quoted in Byzantine catena-commentaries. However these portions are very extensive. Extant are: Eusebius also wrote
3993-403: Is no century between the fourth and the eighth in which there is not some evidence of opposition to images even within the Church". Nonetheless, popular favor for icons guaranteed their continued existence, while no systematic apologia for or against icons, or doctrinal authorization or condemnation of icons yet existed. The use of icons was seriously challenged by Byzantine Imperial authority in
4114-474: Is simple and mundane: Christians lacked land and capital. Art requires both. As soon as they began to acquire land and capital, Christians began to experiment with their own distinctive forms of art". Aside from the legend that Pilate had made an image of Christ, the 4th-century Eusebius of Caesarea , in his Church History , provides a more substantial reference to a "first" icon of Jesus. He relates that King Abgar of Edessa (died c. 50 CE ) sent
4235-643: Is that homoousios came straight from Constantine's Hermetic background. As can be clearly seen in the Poimandres , and even more clearly in an inscription mentioned exclusively in the Theosophia , in the theological language of Egyptian paganism the word homoousios meant that the Nous-Father and the Logos-Son, who are two distinct beings, share the same perfection of the divine nature. However,
4356-499: Is the cause of all beings. But he is not merely a cause; in him everything good is included, from him all life originates, and he is the source of all virtue. God sent Christ into the world that it may partake of the blessings included in the essence of God. Eusebius expressly distinguishes the Son as distinct from Father as a ray is also distinct from its source the sun. Eusebius held that men were sinners by their own free choice and not by
4477-452: Is there any evidence of a normal, well-established Christian use of the term homoousios in its strictly Trinitarian meaning. Having once excluded any relationship of the Nicene homoousios with the Christian tradition, it becomes legitimate to propose a new explanation, based on an analysis of two pagan documents which have so far never been taken into account. The main thesis of this paper
4598-419: Is unclear from Eusebius's description whether the shields were marked with a Christian cross or with a chi-rho , a staurogram , or another similar symbol. The Latin text De mortibus persecutorum contains an early account of the 28 October 312 Battle of the Milvian Bridge written by Lactantius probably in 313, the year following the battle. Lactantius does not mention a vision in the sky but describes
4719-467: Is worst, deserving of blame and punishment, because he has by his own motion neglected the natural law, and becoming the origin and fountain of wickedness, and misusing himself, not from any extraneous necessity, but from free will and judgment. The fault is in him who chooses, not in God. For God has not made nature or the substance of the soul bad; for he who is good can make nothing but what is good. Everything
4840-499: The Apostle John discovers that one of his followers has had a portrait made of him, and is venerating it: [John] went into the bedchamber, and saw the portrait of an old man crowned with garlands, and lamps and altars set before it. And he called him and said: Lycomedes, what do you mean by this matter of the portrait? Can it be one of thy gods that is painted here? For I see that you are still living in heathen fashion. Later in
4961-579: The Black Madonna of Częstochowa are examples, and another is in the cathedral on St Thomas Mount , which is believed to be one of the seven painted by Luke the Evangelist and brought to India by Thomas the Apostle . Ethiopia has at least seven more. Bissera V. Pentcheva concludes, "The myth [of Luke painting an icon] was invented in order to support the legitimacy of icon veneration during
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5082-518: The Gospel of Matthew ; and many of Origen's own writings. Marginal comments in extant manuscripts note that Pamphilus and his friends and pupils, including Eusebius, corrected and revised much of the biblical text in their library. Their efforts made the hexaplaric Septuagint text increasingly popular in Syria and Palestine. Soon after joining Pamphilus's school, Eusebius started helping his master expand
5203-638: The Iconoclastic controversy " (8th and 9th centuries, much later than most art historians put it). According to Reformed Baptist pastor John Carpenter, by claiming the existence of a portrait of the Theotokos painted during her lifetime by the evangelist Luke, the iconodules "fabricated evidence for the apostolic origins and divine approval of images." In the period before and during the Iconoclastic Controversy , stories attributing
5324-491: The Palladium (protective image) , the Palladium (classical antiquity) , the acheiropoieta , and various "folk" traditions associated with folk religion . Of these various forms the oldest tradition dates back to before the Christian era among the ancient Greeks. The various "folk" traditions are more poorly documented and often are associated with local folk narratives of uncertain origin. In English, since around 1600,
5445-725: The textual criticism of the Septuagint text of the Old Testament and especially of the New Testament . An edition of the Septuagint seems to have been already prepared by Origen , which, according to Jerome , was revised and circulated by Eusebius and Pamphilus. For an easier survey of the material of the four Evangelists, Eusebius divided his edition of the New Testament into paragraphs and provided it with
5566-460: The 2nd century. In the icons of Eastern Orthodoxy, and of the early Medieval West, very little room is made for artistic license. Almost everything within the image has a symbolic aspect. Christ, the saints, and the angels all have halos. Angels (and often John the Baptist ) have wings because they are messengers. Figures have consistent facial appearances, hold attributes personal to them, and use
5687-470: The 8th century identifies Luke the Evangelist as the first icon painter, but this might not reflect historical facts. A general assumption that early Christianity was generally aniconic , opposed to religious imagery in both theory and practice until about 200, has been challenged by Paul Corby Finney's analysis of early Christian writing and material remains (1994). His assumption distinguishes three different sources of attitudes affecting early Christians on
5808-615: The 8th century. Though by this time opposition to images was strongly entrenched in Judaism and Islam, attribution of the impetus toward an iconoclastic movement in Eastern Orthodoxy to Muslims or Jews "seems to have been highly exaggerated, both by contemporaries and by modern scholars". Though significant in the history of religious doctrine, the Byzantine controversy over images is not seen as of primary importance in Byzantine history; "[f]ew historians still hold it to have been
5929-468: The Bible or the lives of saints. Icons are most commonly painted on wood panels with egg tempera , but they may also be cast in metal or carved in stone or embroidered on cloth or done in mosaic or fresco work or printed on paper or metal, etc. Comparable images from Western Christianity may be classified as "icons", although "iconic" may also be used to describe the static style of a devotional image. In
6050-516: The Christ child and it is this composite icon that became the one historically known as the Hodegetria. She further states another tradition that when the last Latin Emperor of Constantinople, Baldwin II , fled Constantinople in 1261 he took this original circular portion of the icon with him. This remained in the possession of the Angevin dynasty who had it inserted into a much larger image of Mary and
6171-485: The Christ child, which is presently enshrined above the high altar of the Benedictine Abbey church of Montevergine . This icon was subjected to repeated repainting over the subsequent centuries, so that it is difficult to determine what the original image of Mary's face would have looked like. Guarducci states that in 1950 an ancient image of Mary at the Church of Santa Francesca Romana was determined to be
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#17327874799686292-483: The Gnostic Carpocratians : They also possess images, some of them painted, and others formed from different kinds of material; while they maintain that a likeness of Christ was made by Pilate at that time when Jesus lived among them. They crown these images, and set them up along with the images of the philosophers of the world that is to say, with the images of Pythagoras, and Plato, and Aristotle, and
6413-488: The Greek god of healing, but the description of the standing figure and the woman kneeling in supplication precisely matches images found on coins depicting the bearded emperor Hadrian ( r. 117–138 ) reaching out to a female figure—symbolizing a province —kneeling before him. When asked by Constantia (Emperor Constantine 's half-sister) for an image of Jesus, Eusebius denied the request, replying: "To depict purely
6534-425: The Greek language, the term for icon painting uses the same word as for "writing", and Orthodox sources often translate it into English as icon writing . Eastern Orthodox tradition holds that the production of Christian images dates back to the very early days of Christianity , and that it has been a continuous tradition since then. Modern academic art history considers that, while images may have existed earlier,
6655-636: The Roman Empire probably saw the use of Christian images become very widespread among the faithful, though with great differences from pagan habits. Robin Lane Fox states "By the early fifth century, we know of the ownership of private icons of saints; by c. 480–500 , we can be sure that the inside of a saint's shrine would be adorned with images and votive portraits, a practice which had probably begun earlier." When Constantine himself ( r. 306–337 ) apparently converted to Christianity,
6776-613: The Western church. Palladia were processed around the walls of besieged cities and sometimes carried into battle. The Eastern Orthodox view of the origin of icons is generally quite different from that of most secular scholars and from some in contemporary Roman Catholic circles: "The Orthodox Church maintains and teaches that the sacred image has existed from the beginning of Christianity", Léonid Ouspensky has written. Accounts that some non-Orthodox writers consider legendary are accepted as history within Eastern Orthodoxy, because they are
6897-517: The birth of Eusebius to some point between AD 260 and 265. He was most likely born in or around Caesarea Maritima . Nothing is known about his parents. He was baptized and instructed in the city, and lived in Syria Palaestina in 296, when Diocletian 's army passed through the region (in the Life of Constantine , Eusebius recalls seeing Constantine traveling with the army). Eusebius
7018-399: The contention. Through the activities of the theologian Origen (185/6–254) and the school of his follower Pamphilus (later 3rd century – 309), Caesarea became a center of Christian learning. Origen was largely responsible for the collection of usage information, or which churches were using which gospels, regarding the texts which became the New Testament . The information used to create
7139-456: The council evidently did not force the insertion of the word and instead adopted a text related to the confession of Jerusalem. The role of Constantine remained uncertain during the council. Alternate views have suggested that Gibbon's dismissal of Eusebius is inappropriate: While many have shared Burckhardt's assessment, particularly with reference to the Life of Constantine , others, while not pretending to extol his merits, have acknowledged
7260-530: The creation of icons to the New Testament period greatly increased, with several apostles and even Mary herself believed to have acted as the artist or commissioner of images (also embroidered in the case of Mary). There was a continuing opposition to images and their misuse within Christianity from very early times. "Whenever images threatened to gain undue influence within the church, theologians have sought to strip them of their power". Further, "there
7381-403: The days of the prophets of old, would take place at the coming of the Christ, which I will presently shew to have been fulfilled as never before in accordance with the predictions" ( Demonstratio Evangelica VIII). From a dogmatic point of view, Eusebius is related in his views to Origen . Like Origen, he started from the fundamental thought of the absolute sovereignty ( monarchia ) of God. God
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#17327874799687502-537: The earliest depictions of Christ, Mary and saints therefore comes from wall-paintings, mosaics and some carvings. They are realistic in appearance, in contrast to the later stylization. They are broadly similar in style, though often much superior in quality, to the mummy portraits done in wax ( encaustic ) and found at Fayyum in Egypt. As can be judged from such items, the first depictions of Jesus were generic, rather than portrait images, generally representing him as
7623-503: The early church due to Eusebius's access to materials now lost. Eusebius's Life of Constantine ( Vita Constantini ) is a eulogy or panegyric , and therefore its style and selection of facts are affected by its purpose, rendering it inadequate as a continuation of the Church History. As the historian Socrates Scholasticus said, at the opening of his history which was designed as a continuation of Eusebius, "Also in writing
7744-517: The elements a few Christian writers criticized in pagan art—the ability to imitate life. The writers mostly criticized pagan works of art for pointing to false gods, thus encouraging idolatry. Statues in the round were avoided as being too close to the principal artistic focus of pagan cult practices, as they have continued to be (with some small-scale exceptions) throughout the history of Eastern Christianity . Nilus of Sinai ( d. c. 430 ), in his Letter to Heliodorus Silentiarius , records
7865-507: The emperor himself had recounted to him that some time between the death of his father – the augustus Constantius – and his final battle against his rival Maxentius as augustus in the West, Constantine experienced a vision in which he and his soldiers beheld a Christian symbol, "a cross-shaped trophy formed from light", above the sun at midday. Attached to the symbol was the phrase "by this conquer" ( ἐν τούτῳ νίκα , en toútōi níka ),
7986-467: The fact that many of the Caesarean martyrs lived together, presumably under Pamphilus. Soon after Pamphilus settled in Caesarea ( c. 280s), he began teaching Eusebius, who was then somewhere between twenty and twenty-five. Because of his close relationship with his schoolmaster, Eusebius was sometimes called Eusebius Pamphili : "Eusebius, son of Pamphilus". The name may also indicate that Eusebius
8107-722: The favor of the Emperor Constantine . Because of this he was called upon to present the creed of his own church to the 318 attendees of the Council of Nicaea in 325. However, the anti-Arian creed from Palestine prevailed, becoming the basis for the Nicene Creed . The theological views of Arius, that taught the subordination of the Son to the Father , continued to be controversial. Eustathius of Antioch strongly opposed
8228-528: The first part of Eusebius's Chronicle , of which only a few fragments exist in Greek, has been preserved entirely in Armenian , though with lacunae. The Chronicle as preserved extends to the year 325. In his Church History or Ecclesiastical History , Eusebius wrote the first surviving history of the Christian Church as a chronologically ordered account, based on earlier sources, complete from
8349-459: The following year, he was again summoned before a synod in Tyre at which Eusebius of Caesarea presided. Athanasius, foreseeing the result, went to Constantinople to bring his cause before the Emperor. Constantine called the bishops to his court, among them Eusebius. Athanasius was condemned and exiled at the end of 335. Eusebius remained in the Emperor's favour throughout this time and more than once
8470-596: The former category he includes evidence of Eusebius in several martyrologies and being entitled "Blessed" dating back to Victorius of Aquitaine . Valois includes both Usuardus and Notker , who list his feast as June 21 in the Roman Martyrology, and a Gallican breviary is included for June 21 that reads as follows: Of the holy Eusebius, bishop and confessor. Lesson 1 . Eusebius, bishop of Cæsarea in Palestine, on account of his friendship with Pamphilus
8591-546: The former emperor and father of Theodosius II. The image was specified to have been "painted by the Apostle Luke ." Margherita Guarducci relates a tradition that the original icon of Mary attributed to Luke, sent by Eudokia to Pulcheria from Palestine, was a large circular icon only of her head. When the icon arrived in Constantinople it was fitted in as the head into a very large rectangular icon of her holding
8712-532: The greatest issue of the period". The Iconoclastic period began when images were banned by Emperor Leo III the Isaurian sometime between 726 and 730. Under his son Constantine V , a council forbidding image veneration was held at Hieria near Constantinople in 754. Image veneration was later reinstated by the Empress Regent Irene , under whom another council was held reversing the decisions of
8833-456: The growing influence of Origen 's theology as the root of Arianism . Eusebius, an admirer of Origen, was reproached by Eustathius for deviating from the Nicene faith. Eusebius prevailed and Eustathius was deposed at a synod in Antioch . However, Athanasius of Alexandria became a more powerful opponent and in 334 he was summoned before a synod in Caesarea (which he refused to attend). In
8954-445: The historian is commemorated as a saint." However, Lightfoot notes that in "the revision of this Martyrology under Gregory XIII his name was struck out, and Eusebius of Samosata was substituted, under the mistaken idea that Caesarea had been substituted for Samosata by a mistake." The Roman Catholic author Henri Valois includes in his translations on Eusebius's writings testimonies of ancient authors in favor and against Eusebius; in
9075-480: The human form of Christ before its transformation, on the other hand, is to break the commandment of God and to fall into pagan error." Hence Jaroslav Pelikan calls Eusebius "the father of iconoclasm". After the emperor Constantine I extended official toleration of Christianity within the Roman Empire in 313, huge numbers of pagans became converts. This period of the Historiography of Christianization of
9196-555: The illiterate faithful during most of the history of Christendom . Thus, icons are words in painting; they refer to the history of salvation and to its manifestation in concrete persons. In the Orthodox Church, "icons have always been understood as a visible gospel, as a testimony to the great things given man by God the incarnate Logos". In the Council of 860 it was stated that "all that is uttered in words written in syllables
9317-444: The image as a memorial of the healing of the woman with an issue of blood by Jesus (Luke 8:43–48), because it depicted a standing man wearing a double cloak and with arm outstretched, and a woman kneeling before him with arms reaching out as if in supplication. John Francis Wilson suggests the possibility that this refers to a pagan bronze statue whose true identity had been forgotten. Some have thought it to represent Aesculapius ,
9438-526: The importance of Icons" was part of the church from its very beginning, and has never changed, although explanations of their importance may have developed over time. This is because icon painting is rooted in the theology of the Incarnation (Christ being the eikon of God) which did not change, though its subsequent clarification within the Church occurred over the period of the first seven Ecumenical Councils. Icons also served as tools of edification for
9559-445: The irreplaceable value of his works which may principally reside in the copious quotations that they contain from other sources, often lost. The earliest recorded feast day of Eusebius is found in the earliest known Syrian Martyrology dating to the year 411 translated by William Wright . The Martyrology lists his feast day as May 30. Eusebius continues to be venerated as a Saint by the modern-day Syrian Orthodox Church as well, with
9680-515: The issue: "first that humans could have a direct vision of God; second that they could not; and, third, that although humans could see God they were best advised not to look, and were strictly forbidden to represent what they had seen". These derived respectively from Greek and Near Eastern pagan religions, from Ancient Greek philosophy, and from the Jewish tradition and the Old Testament. Of
9801-482: The late-fourth-century Easter Letter , which declared accepted Christian writings, was probably based on the Ecclesiastical History [HE] of Eusebius of Caesarea, wherein he uses the information passed on to him by Origen to create both his list at HE 3:25 and Origen's list at HE 6:25. Eusebius got his information about what texts were accepted by the third-century churches throughout the known world,
9922-502: The library's collections and broaden access to its resources. At about this time Eusebius compiled a Collection of Ancient Martyrdoms , presumably for use as a general reference tool. In the 290s, Eusebius began work on his most important work, the Ecclesiastical History , a narrative history of the Church and Christian community from the Apostolic Age to Eusebius's own time. At about the same time, he worked on his Chronicle ,
10043-461: The life of Constantine, this same author has but slightly treated of matters regarding Arius , being more intent on the rhetorical finish of his composition and the praises of the emperor than on an accurate statement of facts." The work was unfinished at Eusebius's death. Some scholars have questioned the Eusebian authorship of this work. Writing after Constantine had died, Eusebius claimed that
10164-403: The local populations and their oral traditions. Gradually, paintings of Jesus took on characteristics of portrait images. At this time the manner of depicting Jesus was not yet uniform, and there was some controversy over which of the two most common icons was to be favored. The first or "Semitic" form showed Jesus with short and "frizzy" hair; the second showed a bearded Jesus with hair parted in
10285-406: The majority of his subjects remained pagans. The Roman Imperial cult of the divinity of the emperor, expressed through the traditional burning of candles and the offering of incense to the emperor's image, was tolerated for a period because it would have been politically dangerous to attempt to suppress it. In the 5th century the courts of justice and municipal buildings of the empire still honoured
10406-406: The martyr, took from him the surname of Pamphili; inasmuch as along with this same Pamphilus he was a most diligent investigator of sacred literature. The man indeed is very worthy of being remembered in these times, both for his skill in many things, and for his wonderful genius, and by both Gentiles and Christians he was held distinguished and most noble among philosophers. This man, after having for
10527-454: The martyrs of his own time and the past, and this led him to the history of the whole Church and finally to the history of the world, which, to him, was only a preparation for ecclesiastical history. Then followed the time of the Arian controversies, and dogmatic questions came into the foreground. Christianity at last found recognition by the State; and this brought new problems – apologies of
10648-411: The middle, the manner in which the god Zeus was depicted. Theodorus Lector remarked that of the two, the one with short and frizzy hair was "more authentic". To support his assertion, he relates a story (excerpted by John of Damascus) that a pagan commissioned to paint an image of Jesus used the "Zeus" form instead of the "Semitic" form, and that as punishment his hands withered. Though their development
10769-569: The nation famous, firstly the kingship, secondly that of prophet, and lastly the high priesthood. The prophecies said that the abolition and complete destruction of all these three together would be the sign of the presence of the Christ. And that the proofs that the times had come, would lie in the ceasing of the Mosaic worship, the desolation of Jerusalem and its Temple, and the subjection of the whole Jewish race to its enemies. ...The holy oracles foretold that all these changes, which had not been made in
10890-485: The necessity of their natures. Eusebius said: The Creator of all things has impressed a natural law upon the soul of every man, as an assistant and ally in his conduct, pointing out to him the right way by this law; but, by the free liberty with which he is endowed, making the choice of what is best worthy of praise and acceptance, he has acted rightly, not by force, but from his own free-will, when he had it in his power to act otherwise, As, again, making him who chooses what
11011-480: The only permissible Roman state religion under Theodosius I , Christian art began to change not only in quality and sophistication, but also in nature. This was in no small part due to Christians being free for the first time to express their faith openly without persecution from the state, in addition to the faith spreading to the non-poor segments of society. Paintings of martyrs and their feats began to appear, and early writers commented on their lifelike effect, one of
11132-470: The original Greek, but it may be reconstructed from later chronographists of the Byzantine school who made excerpts from the work, especially George Syncellus . The tables of the second part have been completely preserved in a Latin translation by Jerome, and both parts are still extant in an Armenian translation. The loss of the Greek originals has given the Armenian translation a special importance; thus,
11253-521: The painstaking labor of original research. Hence, much has been preserved, quoted by Eusebius, which otherwise would have been lost. The literary productions of Eusebius reflect on the whole the course of his life. At first, he occupied himself with works on biblical criticism under the influence of Pamphilus and probably of Dorotheus of Tyre of the School of Antioch . Afterward, the persecutions under Diocletian and Galerius directed his attention to
11374-646: The passage John says, "But this that you have now done is childish and imperfect: you have drawn a dead likeness of the dead." At least some of the hierarchy of the Christian churches still strictly opposed icons in the early 4th century. At the Spanish non-ecumenical Synod of Elvira ( c. 305 ) bishops concluded, "Pictures are not to be placed in churches, so that they do not become objects of worship and adoration". Bishop Epiphanius of Salamis , wrote his letter 51 to John, Bishop of Jerusalem ( c. 394 ) in which he recounted how he tore down an image in
11495-400: The performance of miracles". Cyril Mango writes, "In the post-Justinianic period the icon assumes an ever increasing role in popular devotion, and there is a proliferation of miracle stories connected with icons, some of them rather shocking to our eyes". However, the earlier references by Eusebius and Irenaeus indicate veneration of images and reported miracles associated with them as early as
11616-571: The period of the Apostles to his own epoch. The time scheme correlated the history with the reigns of the Roman Emperors, and the scope was broad. Included were the bishops and other teachers of the Church, Christian relations with the Jews and those deemed heretical, and the Christian martyrs through 324. Although its accuracy and biases have been questioned, it remains an important source on
11737-579: The portrait of the reigning emperor in this way. In 425 Philostorgius , an allegedly Arian Christian, charged the Orthodox Christians in Constantinople with idolatry because they still honored the image of the emperor Constantine the Great in this way. Dix notes that this occurred more than a century before the first extant reference to a similar honouring of the image of Jesus or of his apostles or saints known today, but that it would seem
11858-416: The previous iconoclast council and taking its title as Seventh Ecumenical Council . The council anathemized all who hold to iconoclasm, i.e. those who held that veneration of images constitutes idolatry. Then the ban was enforced again by Leo V in 815. Finally, icon veneration was decisively restored by Empress Regent Theodora in 843 at the Council of Constantinople . From then on all Byzantine coins had
11979-517: The question of the appropriateness of images. Since then, icons have had a great continuity of style and subject, far greater than in the icons of the Western church . At the same time there have been change and development. Pre-Christian religions had produced and used art works. Statues and paintings of various gods and deities were regularly worshiped and venerated. It is unclear when Christians took up such activities. Christian tradition dating from
12100-625: The reign of Constantine (336). Most of Eusebius's letters are lost. His letters to Carpianus and Flacillus exist complete. Fragments of a letter to the empress Constantia also exists. Eusebius is fairly unusual in his preterist , or fulfilled, eschatological view. Saying "the Holy Scriptures foretell that there will be unmistakable signs of the Coming of Christ. Now there were among the Hebrews three outstanding offices of dignity, which made
12221-459: The rest. They have also other modes of honouring these images, after the same manner of the Gentiles [pagans]. On the other hand, Irenaeus does not speak critically of icons or portraits in a general sense—only of certain gnostic sectarians' use of icons. Another criticism of image veneration appears in the non-canonical 2nd-century Acts of John (generally considered a gnostic work), in which
12342-556: The saint resembled the "more ancient" images of him—presumably the 7th-century mosaics still in Hagios Demetrios . Another, an African bishop, had been rescued from Arab slavery by a young soldier called Demetrios, who told him to go to his house in Thessaloniki. Having discovered that most young soldiers in the city seemed to be called Demetrios, he gave up and went to the largest church in the city, to find his rescuer on
12463-720: The same time he has written many things, but especially the following books: The Præparatio Evangelica, the Ecclesiastical History, Against Porphyry, a very bitter enemy of the Christians; he has also composed Six Apologies in Behalf of Origen, a Life of Pamphilus the Martyr, from whom on account of friendship he took his surname, in three books; likewise very learned Commentaries on the hundred and fifty Psalms. Lesson 3 . Moreover, as we read, after having ascertained
12584-426: The sufferings of many holy martyrs in all the provinces, and the lives of confessors and virgins, he has written concerning these saints twenty books; while on account of these books therefore, and especially on account of his Præparatio Evangelica, he was held most distinguished among the Gentiles, because of his love of truth he contemned the ancestral worship of the gods. He has written also a Chronicle, extending from
12705-575: The three, Finney concludes that "overall, Israel's aversion to sacred images influenced early Christianity considerably less than the Greek philosophical tradition of invisible deity apophatically defined", so placing less emphasis on the Jewish background of most of the first Christians than most traditional accounts. Finney suggests that "the reasons for the non-appearance of Christian art before 200 have nothing to do with principled aversion to art, with other-worldliness, or with anti-materialism. The truth
12826-627: The title of Church Father ), he produced the Ecclesiastical History , On the Life of Pamphilus , the Chronicle and On the Martyrs . He also produced a biographical work on Constantine the Great , the first Christian Roman emperor , who was Augustus between AD 306 and AD 337. Little is known about the life of Eusebius. His successor at the See of Caesarea, Acacius , wrote a Life of Eusebius ,
12947-492: The tradition can be traced back only as far as the 3rd century, and that the images which survive from Early Christian art often differ greatly from later ones. The icons of later centuries can be linked, often closely, to images from the 5th century onwards, though very few of these survive. Widespread destruction of images occurred during the Byzantine Iconoclasm of 726–842, although this did settle permanently
13068-431: The true appearance of the subject: naturally and especially because of the reluctance to accept mere human productions as embodying anything of the divine, a commonplace of Christian deprecation of man-made " idols ". Like icons believed to be painted directly from the live subject, they therefore acted as important references for other images in the tradition. Beside the developed legend of the mandylion or Image of Edessa
13189-413: The wall. During this period the church began to discourage all non-religious human images—the Emperor and donor figures counting as religious. This became largely effective, so that most of the population would only ever see religious images and those of the ruling class. The word icon referred to any and all images, not just religious ones, but there was barely a need for a separate word for these. It
13310-489: The word homoousios ( consubstantial ) "was inserted in the Nicene Creed solely by the personal order of Constantine." According to Eusebius of Caesarea, the word homoousios was inserted in the Nicene Creed solely by the personal order of Constantine. But this statement is highly problematic. It is very difficult to explain the seeming paradoxical fact that this word, along with the explanation given by Constantine,
13431-563: The word palladium has been used figuratively to mean anything believed to provide protection or safety, and in particular in Christian contexts a sacred relic or icon believed to have a protective role in military contexts for a whole city, people or nation. Such beliefs first become prominent in the Eastern Churches in the period after the reign of the Byzantine Emperor Justinian I , and later spread to
13552-407: The works of Plato and to an extensive range of later philosophic works, largely from Middle Platonists from Philo to the late 2nd century. Whatever its secular contents, the primary aim of Origen and Pamphilus's school was to promote sacred learning. The library's biblical and theological contents were more impressive: Origen's Hexapla and Tetrapla ; a copy of the original Aramaic version of
13673-611: Was a scholar of the biblical canon and is regarded as one of the most learned Christians during late antiquity . He wrote the Demonstrations of the Gospel , Preparations for the Gospel and On Discrepancies between the Gospels , studies of the biblical text. His work Onomasticon is an early geographical lexicon of places in the Holy Land mentioned in the Bible. As "Father of Church History " (not to be confused with
13794-401: Was accepted by the "Arian" Eusebius, whereas it has left no traces at all in the works of his opponents, the leaders of the anti-Arian party such as Alexander of Alexandria , Ossius of Cordova , Marcellus of Ancyra , and Eustathius of Antioch , who are usually considered Constantine's theological advisers and the strongest supporters of the council. Neither before nor during Constantine's time
13915-474: Was also translated into Syriac , and lengthy quotations exist in a catena in that language, and also in Arabic catenas. Eusebius also wrote treatises on the biblical past; these three treatises have been lost. They were: The addresses and sermons of Eusebius are mostly lost, but some have been preserved, e.g., a sermon on the consecration of the church in Tyre and an address on the thirtieth anniversary of
14036-671: Was exonerated with the explicit approval of the Emperor Constantine. After the Emperor's death ( c. 337 ), Eusebius wrote the Life of Constantine , an important historical work because of eyewitness accounts and the use of primary sources. Of the extensive literary activity of Eusebius, a relatively large portion has been preserved. Although posterity suspected him of Arianism , Eusebius had made himself indispensable by his method of authorship; his comprehensive and careful excerpts from original sources saved his successors
14157-447: Was gradual, it is possible to date the full-blown appearance and general ecclesiastical (as opposed to simply popular or local) acceptance of Christian images as venerated and miracle-working objects to the 6th century, when, as Hans Belting writes, "we first hear of the church's use of religious images". "As we reach the second half of the sixth century, we find that images are attracting direct veneration and some of them are credited with
14278-528: Was made presbyter by Agapius of Caesarea . Some, like theologian and ecclesiastical historian John Henry Newman , understand Eusebius's statement that he had heard Dorotheus of Tyre "expound the Scriptures wisely in the Church" to indicate that Eusebius was Dorotheus's pupil while the priest was resident in Antioch; others, like the scholar D. S. Wallace-Hadrill, deem the phrase too ambiguous to support
14399-508: Was made Pamphilus' heir. Pamphilus gave Eusebius a strong admiration for the thought of Origen. Neither Pamphilus nor Eusebius knew Origen personally; Pamphilus probably picked up Origenist ideas during his studies under Pierius (nicknamed "Origen Junior" ) in Alexandria. Eusebius's Preparation for the Gospel bears witness to the literary tastes of Origen: Eusebius quotes no comedy, tragedy, or lyric poetry, but makes reference to all
14520-726: Was quoted in the decrees (now lost) of the Iconoclast Council of Hieria in 754, and later quoted in part in the rebuttal of the Hieria decrees in the Second Council of Nicaea of 787, now the only source from which some of the text is known. The authenticity or authorship of the letter remains uncertain. In the June 2002 issue of the Church History journal, Pier Franco Beatrice reports that Eusebius testified that
14641-668: Was the tale of the Veil of Veronica , whose very name signifies "true icon" or "true image", the fear of a "false image" remaining strong. Although there are earlier records of their use, no panel icons earlier than the few from the 6th century preserved at the Greek Orthodox Saint Catherine's Monastery in Egypt survive, as the other examples in Rome have all been drastically over-painted. The surviving evidence for
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