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55-579: In Renaissance and Early Modern German architecture , a Lustschloss ( French : maison de plaisance , both meaning "pleasure palace") is a country house, château, or palace which served the private pleasure of its owner, and was seasonally inhabited as a respite from court ceremonies and state duties. In France, the Château de Madrid in the Bois de Boulogne , easily reached from Paris, arguably set an example, and Louis XIV similarly holidayed annually from

110-644: A cornice . There is a regular repetition of openings on each floor, and the centrally placed door is marked by a feature such as a balcony, or rusticated surround. An early and much copied prototype was the façade for the Palazzo Rucellai (1446 and 1451) in Florence with its three registers of pilasters . Roman and Greek orders of columns are used: Tuscan , Doric , Ionic , Corinthian and Composite . The orders can either be structural, supporting an arcade or architrave, or purely decorative, set against

165-510: A pediment and organised by a system of pilasters , arches and entablatures . The columns and windows show a progression towards the centre. One of the first true Renaissance façades was Pienza Cathedral (1459–62), which has been attributed to the Florentine architect Bernardo Gambarelli (known as Rossellino ) with Leone Battista Alberti perhaps having some responsibility in its design as well. Domestic buildings are often surmounted by

220-536: A mathematical order – linear perspective . Schloss Benrath The main building, the central corps de logis , for the Elector Palatine and his wife is flanked by two arched symmetrical wings, the maisons de cavalière , which originally housed the servants. They partially surround a circular pond, the Schlossweiher (palace pond), in the north. On the southside lies a long rectangular pond,

275-521: A question of practice, but also a matter for theoretical discussion. Printing played a large role in the dissemination of ideas. In the 15th century the courts of certain other Italian states became centres for spreading of Renaissance philosophy, art and architecture. In Mantua at the court of the Gonzaga , Alberti designed two churches, the Basilica of Sant'Andrea and San Sebastiano . Urbino

330-530: A section of entablature between the capital and the springing of the arch. Alberti was one of the first to use the arch on a monumental scale at the Basilica of Sant'Andrea, Mantua . Vaults do not have ribs. They are semi-circular or segmental and on a square plan, unlike the Gothic vault which is frequently rectangular. The barrel vault is returned to architectural vocabulary as at St. Andrea in Mantua. The dome

385-533: A sense of wealth. The Lustschloss was often located in a splendid castle park, mostly distinguished by especially extensive and valuable decorations. At the same time the rooms and drawing rooms became more intimate and more comfortable. Significant artists from their respective region would work on many of their paintings in the castle. Famous examples are the Grand Trianon and the Petit Trianon in

440-577: A triangular or segmental pediment. Openings that do not have doors are usually arched and frequently have a large or decorative keystone. Windows may be paired and set within a semi-circular arch. They may have square lintels and triangular or segmental pediments , which are often used alternately. Emblematic in this respect is the Palazzo Farnese in Rome, begun in 1517. In the Mannerist period

495-547: A wall in the form of pilasters. During the Renaissance, architects aimed to use columns, pilasters , and entablatures as an integrated system. One of the first buildings to use pilasters as an integrated system was in the Old Sacristy (1421–1440) by Brunelleschi. Arches are semi-circular or (in the Mannerist style) segmental. Arches are often used in arcades, supported on piers or columns with capitals. There may be

550-661: Is Sanssouci , which was originally established as a summer house, but over a period of time became the main residence of Frederick the Great of Prussia . Some famous German examples of a Lustschloss are Schloss Benrath in Düsseldorf and Schloss Favorite in Ludwigsburg . The Favorite pleasure palace in Mainz was destroyed during the siege of Mainz (1793) . Renaissance architecture Renaissance architecture

605-528: Is the Basilica of San Lorenzo, Florence by Filippo Brunelleschi (1377–1446). During the High Renaissance, concepts derived from classical antiquity were developed and used with greater confidence. The most representative architect is Donato Bramante (1444–1514), who expanded the applicability of classical architecture to contemporary buildings. His Tempietto di San Pietro in Montorio (1503)

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660-587: Is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of ancient Greek and Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture and neoclassical architecture . Developed first in Florence , with Filippo Brunelleschi as one of its innovators,

715-884: Is used frequently, both as a very large structural feature that is visible from the exterior, and also as a means of roofing smaller spaces where they are only visible internally. After the success of the dome in Brunelleschi's design for Florence Cathedral and its use in Bramante's plan for St. Peter's Basilica (1506) in Rome, the dome became an indispensable element in church architecture and later even for secular architecture, such as Palladio's Villa Rotonda . Roofs are fitted with flat or coffered ceilings. They are not left open as in Medieval architecture. They are frequently painted or decorated. Doors usually have square lintels. They may be set with in an arch or surmounted by

770-417: Is usually not the case in architectural history. The bleak economic conditions of the late 14th century did not produce buildings that are considered to be part of the Renaissance. As a result, the word Renaissance among architectural historians usually applies to the period 1400 to c.  1525 , or later in the case of non-Italian Renaissances. Historians often use the following designations: During

825-504: The Florence Baptistery and Pisa Cathedral . Italy had never fully adopted the Gothic style of architecture. Apart from Milan Cathedral , (influenced by French Rayonnant Gothic), few Italian churches show the emphasis on vertical, the clustered shafts, ornate tracery and complex ribbed vaulting that characterise Gothic in other parts of Europe. The presence, particularly in Rome, of ancient architectural remains showing

880-736: The Loggia and Odeo Cornaro in the garden of Alvise Cornaro . In southern Italy, Renaissance masters were called to Naples by Alfonso V of Aragon after his conquest of the Kingdom of Naples . The most notable examples of Renaissance architecture in that city are the Cappella Caracciolo , attributed to Bramante, and the Palazzo Orsini di Gravina , built by Gabriele d'Angelo between 1513 and 1549. The Classical orders were analysed and reconstructed to serve new purposes. While

935-558: The Museum for European Garden Art in the east wing and the Museum of Natural History in the west wing. It is surrounded by a Baroque square hunting park with two crossing diagonal alleys and a circular alley. 51°09′39″N 6°52′12″E  /  51.16083°N 6.87000°E  / 51.16083; 6.87000 This article about a palace in Germany is a stub . You can help Misplaced Pages by expanding it . This article about

990-517: The Palace of Versailles to his nearby Château de Marly , and more frequently used his Grand Trianon , to which the Petit Trianon was added in the following century. There is no common term for such houses in English, and the phenomenon developed especially in the smaller states of Germany, where the ruler was firmly based in one or two main palaces, as opposed to the much larger number available to

1045-614: The Palazzo Medici Riccardi (1444–1460) in Florence. Internal walls are smoothly plastered and surfaced with lime wash . For more formal spaces, internal surfaces are decorated with frescoes . Courses, mouldings and all decorative details are carved with great precision. Studying and mastering the details of the ancient Romans was one of the important aspects of Renaissance theory. The different orders each required different sets of details. Some architects were stricter in their use of classical details than others, but there

1100-621: The Palladian arch was employed, using a motif of a high semi-circular topped opening flanked with two lower square-topped openings. Windows are used to bring light into the building and in domestic architecture, to give views. Stained glass, although sometimes present, is not a feature. External walls are generally constructed of brick, rendered, or faced with stone in highly finished ashlar masonry, laid in straight courses. The corners of buildings are often emphasized by rusticated quoins . Basements and ground floors were often rusticated , as at

1155-697: The Quattrocento, sometimes known as the Early Renaissance, concepts of architectural order were explored and rules were formulated. The study of classical antiquity led in particular to the adoption of Classical detail and ornamentation. Space, as an element of architecture, was used differently than it was in the Middle Ages . Space was organised by proportional logic, its form and rhythm subject to geometry, rather than being created by intuition as in Medieval buildings. The prime example of this

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1210-576: The Sforza , the Castello Sforzesco was built. Venetian Renaissance architecture developed a particularly distinctive character because of local conditions. San Zaccaria received its Renaissance façade at the hands of Antonio Gambello and Mauro Codussi , begun in the 1480s. Giovanni Maria Falconetto , the Veronese architect-sculptor, introduced Renaissance architecture to Padua with

1265-469: The Spiegelweiher (mirror pond). From the predescant castle, which stood formerly in the mid of the long rectangular pond on the southside of the palace, is conserved only one of the servant wings, the so-called Alte Orangerie (Old Orangery ). The main building corps de logis is a museum with guided tours. Sometimes music concerts are also performed. The two wings house two museums since 2002:

1320-464: The 15th century. Conversely, there was no call for enormous sporting fixtures and public bath houses such as the Romans had built. The plans of Renaissance buildings have a square, symmetrical appearance in which proportions are usually based on a module. Within a church, the module is often the width of an aisle. The need to integrate the design of the plan with the façade was introduced as an issue in

1375-477: The Mannerist style was Michelangelo (1475–1564), who frequently used the giant order in his architecture, a large pilaster that stretches from the bottom to the top of a façade. He used this in his design for the Piazza del Campidoglio in Rome. Prior to the 20th century, the term Mannerism had negative connotations, but it is now used to describe the historical period in more general non-judgemental terms. As

1430-483: The Renaissance style quickly spread to other Italian cities. The style was carried to other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry , proportion , geometry and the regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture , of which many examples remained. Orderly arrangements of columns , pilasters and lintels , as well as

1485-403: The Renaissance view of architecture is Filippo Brunelleschi, (1377–1446). The underlying feature of the work of Brunelleschi was "order". In the early 15th century, Brunelleschi began to look at the world to see what the rules were that governed one's way of seeing. He observed that the way one sees regular structures such as the Florence Baptistery and the tiled pavement surrounding it follows

1540-617: The building are clearly Florentine in style, particularly the inner courtyard, but it is not known who the designer was. Ferrara , under the Este , was expanded in the late 15th century, with several new palaces being built such as the Palazzo dei Diamanti and Palazzo Schifanoia for Borso d'Este . In Milan , under the Visconti , the Certosa di Pavia was completed, and then later under

1595-512: The church, but by guilds representing the wealth and power of the city. Brunelleschi's dome at Florence Cathedral, more than any other building, belonged to the populace because the construction of each of the eight segments was achieved by a different quarter of the city. As in the Platonic Academy of Athens , it was seen by those of Humanist understanding that those people who had the benefit of wealth and education ought to promote

1650-616: The construction of the Lustschloss , to which often only certain circles of acquaintances were invited. Here its owners could withdraw with their family and relatives. The Lustschloss was above all a place for parties, dancing and music. It was also frequently used for literature and painting. This distinguished it from the main residence, which was often nearby. The latter served the state, in which etiquette had to be protected. The most popular architectural styles for these particular castles were Baroque and Rococo , which both displayed

1705-438: The course of the years, many aristocratic family seats grew into big estates; at the same time, the court ceremonial changed. Now, the prince stood more and more in the centre of a luxurious royal household that reached its zenith during the absolutism . The nobility surrounded themselves with artists, courtiers, envoys, servants and petitioners. Often the residences overflowed with guests. The desire for greater intimacy led to

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1760-455: The early Renaissance, Venice controlled sea trade over goods from the East. The large towns of Northern Italy were prosperous through trade with the rest of Europe, Genoa providing a seaport for the goods of France and Spain; Milan and Turin being centres of overland trade, and maintaining substantial metalworking industries. Trade brought wool from England to Florence, ideally located on

1815-770: The enormous Florence Cathedral dedicated to the Blessed Virgin Mary did no honour to the city under her patronage. However, as the technology and finance were found to complete it, the rising dome did credit not only to the Virgin Mary, its architect and the Church but also to the Signoria , the Guilds and the sectors of the city from which the manpower to construct it was drawn. The dome inspired further religious works in Florence. The development of printed books,

1870-551: The gardens of Versailles , the Château de Marly , and the Amalienburg in the Schlosspark of Nymphenburg . The name Lustschloss was often used interchangeably with the word Schloss , which is the general term for a palace, stately home or manor house. The purpose of a Lustschloss also changed – some were redeveloped over the years and were turned into palaces that took over representative tasks. An example of this

1925-559: The mid 15th century and gained momentum in the 16th century, reaching its peak in the Baroque period. The construction of the Sistine Chapel with its uniquely important decorations and the entire rebuilding of St. Peter's Basilica , one of Christendom's most significant churches, were part of this process. In the wealthy Republic of Florence , the impetus for church-building was more civic than spiritual. The unfinished state of

1980-425: The monarchies of England, France, and Spain (after Henry VIII 's prolific building, Elizabeth I of England had some 40 palaces, most now demolished). But Woodstock Palace seems to have had something of this role; the last monarch to use it was James I of England , in 1603, escaping the plague , which was another useful role these houses played. In France, it was mainly after the monarchy settled at Versailles that

2035-550: The need for them developed. In Italy the term villa covered them. Lustschloss is often loosely used interchangeably with Jagdschloss , for both served as non-formal residences, but a Jagdschloss was a hunting retreat and was usually used to host a ruler and his hunting party. At the beginning of the Renaissance , a desire for non-military residences arose amongst the nobility and they slowly left their old fortified castles or altered them into stately residences. In

2090-509: The new style of architecture spread out from Italy, most other European countries developed a sort of Proto-Renaissance style, before the construction of fully formulated Renaissance buildings. Each country in turn then grafted its own architectural traditions to the new style, so that Renaissance buildings across Europe are diversified by region. Within Italy the evolution of Renaissance architecture into Mannerism, with widely diverging tendencies in

2145-413: The obvious distinguishing features of Classical Roman architecture were adopted by Renaissance architects, the forms and purposes of buildings had changed over time, as had the structure of cities. Among the earliest buildings of the reborn Classicism were the type of churches that the Romans had never constructed. Neither were there models for the type of large city dwellings required by wealthy merchants of

2200-508: The ordered Classical style provided an inspiration to artists at a time when philosophy was also turning towards the Classical. In the 15th century, Florence and Venice extended their power through much of the area that surrounded them, making the movement of artists possible. This enabled Florence to have significant artistic influence in Milan , and through Milan, France . In 1377,

2255-641: The promotion of civil peace and order were seen as the marks of citizenship. This led to the building of structures such as Brunelleschi's Hospital of the Innocents with its elegant colonnade forming a link between the charitable building and the public square, and the Laurentian Library where the collection of books established by the Medici family could be consulted by scholars. Some major ecclesiastical building works were also commissioned, not by

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2310-626: The pursuit of learning and the creation of that which was beautiful. To this end, wealthy families—the Medici of Florence, the Gonzaga of Mantua, the Farnese in Rome, the Sforzas in Milan—gathered around them people of learning and ability, promoting the skills and creating employment for the most talented artists and architects of their day. During the Renaissance, architecture became not only

2365-590: The rediscovery of ancient writings, the expanding of political and trade contacts and the exploration of the world all increased knowledge and the desire for education. The reading of philosophies that were not based on Christian theology led to the development of humanism through which it was clear that while God had established and maintained order in the Universe, it was the role of Man to establish and maintain order in Society. Through humanism, civic pride and

2420-673: The return of the Pope from the Avignon Papacy and the re-establishment of the Papal court in Rome, brought wealth and importance to that city, as well as a renewal in the importance of the Pope in Italy, which was further strengthened by the Council of Constance in 1417. Successive Popes, especially Julius II , 1503–13, sought to extend the Papacy's temporal power throughout Italy. In

2475-651: The revival of interest in this period. Erwin Panofsky , Renaissance and Renascences in Western Art , (New York: Harper and Row, 1960) The Renaissance style was recognized by contemporaries in the term "all'antica" , or "in the ancient manner" (of the Romans). Historians often divide the Renaissance in Italy into three phases. Whereas art historians might talk of an Early Renaissance period, in which they include developments in 14th-century painting and sculpture, this

2530-535: The river for the production of fine cloth, the industry on which its wealth was founded. By dominating Pisa , Florence gained a seaport, and became the most powerful state in Tuscany. In this commercial climate, one family in particular turned their attention from trade to the lucrative business of money-lending. The Medici became the chief bankers to the princes of Europe, becoming virtually princes themselves as they did so, by reason of both wealth and influence. Along

2585-553: The trade routes, and thus offered some protection by commercial interest, moved not only goods but also artists, scientists and philosophers. The return of the Pope Gregory XI from Avignon in September 1377 and the resultant new emphasis on Rome as the center of Christian spirituality, brought about a surge in the building of churches in Rome such as had not taken place for nearly a thousand years. This commenced in

2640-538: The use of semicircular arches, hemispherical domes , niches and aediculae replaced the more complex proportional systems and irregular profiles of medieval buildings. The word "Renaissance" derives from the term rinascita , which means rebirth, first appeared in Giorgio Vasari 's Lives of the Most Excellent Painters, Sculptors, and Architects , 1550. Although the term Renaissance

2695-444: The work of Filippo Brunelleschi , but he was never able to carry this aspect of his work into fruition. The first building to demonstrate this was Basilica of Sant'Andrea, Mantua by Leone Battista Alberti . The development of the plan in secular architecture was to take place in the 16th century and culminated with the work of Palladio . Façades are symmetrical around their vertical axis. Church façades are generally surmounted by

2750-535: The work of Michelangelo , Giulio Romano and Andrea Palladio , led to the Baroque style in which the same architectural vocabulary was used for very different rhetoric. Outside Italy, Baroque architecture was more widespread and fully developed than the Renaissance style, with significant buildings as far afield as Mexico and the Philippines . Italy of the 15th century, and the city of Florence in particular,

2805-497: Was also a good deal of innovation in solving problems, especially at corners. Mouldings stand out around doors and windows rather than being recessed, as in Gothic architecture. Sculptured figures may be set in niches or placed on plinths. They are not integral to the building as in Medieval architecture. The leading architects of the Early Renaissance or Quattrocento were Filippo Brunelleschi , Michelozzo and Leon Battista Alberti . The person generally credited with bringing about

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2860-467: Was an important centre with the Ducal Palace being constructed for Federico da Montefeltro in the mid 15th century. The Duke employed Luciano Laurana from Dalmatia , renowned for his expertise at fortification. The design incorporates much of the earlier medieval building and includes an unusual turreted three-storeyed façade. Laurana was assisted by Francesco di Giorgio Martini. Later parts of

2915-504: Was directly inspired by circular Roman temples . He was, however, hardly a slave to the classical forms and it was his style that was to dominate Italian architecture in the 16th century. During the Mannerist period, architects experimented with using architectural forms to emphasize solid and spatial relationships. The Renaissance ideal of harmony gave way to freer and more imaginative rhythms. The best known architect associated with

2970-658: Was home to the Renaissance. It is in Florence that the new architectural style had its beginning, not slowly evolving in the way that Gothic grew out of Romanesque , but consciously brought to being by particular architects who sought to revive the order of a past " Golden Age ". The scholarly approach to the architecture of the ancient coincided with the general revival of learning. A number of factors were influential in bringing this about. Italian architects had always preferred forms that were clearly defined and structural members that expressed their purpose. Many Tuscan Romanesque buildings demonstrate these characteristics, as seen in

3025-720: Was used first by the French historian Jules Michelet , it was given its more lasting definition from the Swiss historian Jacob Burckhardt , whose book The Civilization of the Renaissance in Italy , 1860, was influential in the development of the modern interpretation of the Italian Renaissance . The folio of measured drawings Édifices de Rome moderne; ou, Recueil des palais, maisons, églises, couvents et autres monuments (The Buildings of Modern Rome), first published in 1840 by Paul Letarouilly, also played an important part in

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