Misplaced Pages

Miau

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.

Literary realism is a literary genre , part of the broader realism in arts , that attempts to represent subject-matter truthfully, avoiding speculative fiction and supernatural elements . It originated with the realist art movement that began with mid- nineteenth-century French literature ( Stendhal ) and Russian literature ( Alexander Pushkin ). Literary realism attempts to represent familiar things as they are. Realist authors chose to depict every day and banal activities and experiences.

#54945

143-518: Miau is a realist novel by Spanish writer Benito Pérez Galdós , released in 1888. It tells a story about a lower-middle class family of Madrid in the 19th century. The main character is Ramón Villaamil, an ex-employee from the Ministry of Economy and Finance. He lives with his wife doña Pura, his sister-in-law Milagros, his daughter Abelarda, his grandson Luis Cadalso, and his detestable son-in-law Víctor Cadalso. Víctor's wife, Luisa Villaamil, who

286-489: A pastoral conception of a more "authentic" European past with a highly critical view of recent social changes, including urbanization , brought about by the Industrial Revolution . Romanticism lionized the achievements of "heroic" individuals—especially artists, who began to be represented as cultural leaders (one Romantic luminary, Percy Bysshe Shelley , described poets as the "unacknowledged legislators of

429-660: A centre of German Romanticism, where writers and poets such as Clemens Brentano , Achim von Arnim , and Joseph Freiherr von Eichendorff ( Aus dem Leben eines Taugenichts ) met regularly in literary circles. Important motifs in German Romanticism are travelling, nature, for example the German Forest , and Germanic myths . The later German Romanticism of, for example E. T. A. Hoffmann 's Der Sandmann ( The Sandman ), 1817, and Joseph Freiherr von Eichendorff 's Das Marmorbild ( The Marble Statue ), 1819,

572-629: A collection of versified folk tales, in 1806–1808. The first collection of Grimms' Fairy Tales by the Brothers Grimm was published in 1812. Unlike the much later work of Hans Christian Andersen , who was publishing his invented tales in Danish from 1835, these German works were at least mainly based on collected folk tales , and the Grimms remained true to the style of the telling in their early editions, though later rewriting some parts. One of

715-684: A complicated history. By the 18th century, European languages—notably German, French and Slavic languages—were using the term "Roman" in the sense of the English word " novel ", i.e. a work of popular narrative fiction. This usage derived from the term "Romance languages" , which referred to vernacular (or popular) language in contrast to formal Latin . Most such novels took the form of " chivalric romance ", tales of adventure, devotion and honour. The founders of Romanticism, critics (and brothers) August Wilhelm Schlegel and Friedrich Schlegel , began to speak of romantische Poesie ("romantic poetry") in

858-428: A considerable number always had, or developed, a wide range of conservative views, and nationalism was in many countries strongly associated with Romanticism, as discussed in detail below. In philosophy and the history of ideas, Romanticism was seen by Isaiah Berlin as disrupting for over a century the classic Western traditions of rationality and the idea of moral absolutes and agreed values, leading "to something like

1001-612: A defence of religion and the medieval spirit ( Génie du christianisme , 1802), and finally in the 1830s and 1840s his enormous autobiography Mémoires d'Outre-Tombe ("Memoirs from beyond the grave"). After the Bourbon Restoration , French Romanticism developed in the lively world of Parisian theatre , with productions of Shakespeare , Schiller (in France a key Romantic author), and adaptations of Scott and Byron alongside French authors, several of whom began to write in

1144-482: A distinct national identity and began to enjoy an international reputation. Allan Ramsay (1686–1758) laid the foundations of a reawakening of interest in older Scottish literature, as well as leading the trend for pastoral poetry, helping to develop the Habbie stanza as a poetic form . James Macpherson (1736–1796) was the first Scottish poet to gain an international reputation. Claiming to have found poetry written by

1287-529: A dramatist, with his play on the life of the English poet Chatterton (1835) perhaps his best work. George Sand was a central figure of the Parisian literary scene, famous both for her novels and criticism and her affairs with Chopin and several others; she too was inspired by the theatre, and wrote works to be staged at her private estate . French Romantic poets of the 1830s to 1850s include Alfred de Musset , Gérard de Nerval , Alphonse de Lamartine and

1430-745: A drug addict who drifts in and out of her life. A sub-set of realism emerged in Australia's literary scene known as "dirty realism", typically written by "new, young authors" who examined "gritty, dirty, real existences", of lower-income young people, whose lives revolve around a nihilistic pursuit of casual sex , recreational drug use and alcohol , which are used to escape boredom . Examples of dirty-realism include Andrew McGahan 's Praise (1992), Christos Tsiolkas 's Loaded (1995), Justine Ettler 's The River Ophelia (1995) and Brendan Cowell 's How It Feels (2010), although many of these, including their predecessor Monkey Grip , are now labelled with

1573-499: A focus on everyday (middle-class) drama, ordinary speech, and dull settings. Realism and naturalism diverge chiefly on the degree of choice that characters have: while naturalism believes in the overall strength of external forces over internal decisions, realism asserts the power of the individual to choose (see A Doll's House ). Russia's first professional playwright, Aleksey Pisemsky , along with novelists Fyodor Dostoevsky and Leo Tolstoy ( The Power of Darkness (1886)), began

SECTION 10

#1732798353055

1716-606: A genre coined in 1995 as " grunge lit ". Ian Watt in The Rise of the Novel (1957) saw the novel as originating in the early 18th-century and he argued that the novel's 'novelty' was its 'formal realism': the idea 'that the novel is a full and authentic report of human experience'. His examples are novelists Daniel Defoe , Samuel Richardson and Henry Fielding . Watt argued that the novel's concern with realistically described relations between ordinary individuals, ran parallel to

1859-520: A large audience. Later in the 19th century George Eliot 's (1819–1880) Middlemarch: A Study of Provincial Life (1871–72), described by novelists Martin Amis and Julian Barnes as the greatest novel in the English language, is a work of realism. Through the voices and opinions of different characters the reader becomes aware of important issues of the day, including the Reform Bill of 1832,

2002-612: A longing for the unbounded and the indefinable, for perpetual movement and change, an effort to return to the forgotten sources of life, a passionate effort at self-assertion both individual and collective, a search after means of expressing an unappeasable yearning for unattainable goals". Romantic artists also shared a strong belief in the importance and inspirational qualities of Nature. Romantics were distrustful of cities and social conventions. They deplored Restoration and Enlightenment Era artists who were largely concerned with depicting and critiquing social relations, thereby neglecting

2145-648: A man who, ironically, falls from materialistic fortune by his own mistakes. One of the earliest examples of realism was Josiah Gilbert Holland’s second novel, Miss Gilbert’s Career, published “a full decade before any of the so-called pioneer American realistic novelists begin to publish.“ The 1860 novel “anticipated these much abler and more penetrating realists.“ This includes Samuel Clemens (1835–1910), better known by his pen name of Mark Twain , author of Adventures of Huckleberry Finn (1884), and Stephen Crane (1871–1900). Twain's style, based on vigorous, realistic, colloquial American speech, gave American writers

2288-460: A more organic relationship between humans and their environment. This idealization contrasted sharply with the values of their contemporary industrial society, which they considered alienating for its economic materialism and environmental degradation . The movement's illustration of the Middle Ages was a central theme in debates, with allegations that Romanticist portrayals often overlooked

2431-563: A new appreciation of their national voice. Twain was the first major author to come from the interior of the country, and he captured its distinctive, humorous slang and iconoclasm. For Twain and other American writers of the late 19th century, realism was not merely a literary technique: It was a way of speaking truth and exploding worn-out conventions. Crane was primarily a journalist who also wrote fiction, essays, poetry, and plays. Crane saw life at its rawest, in slums and on battlefields. His haunting Civil War novel, The Red Badge of Courage ,

2574-528: A new importance to experiences of sympathy , awe , wonder , and terror , in part by naturalizing such emotions as responses to the "beautiful" and the "sublime". Romantics stressed the nobility of folk art and ancient cultural practices, but also championed radical politics , unconventional behavior, and authentic spontaneity. In contrast to the rationalism and classicism of the Enlightenment , Romanticism revived medievalism and juxtaposed

2717-408: A novel by Laurence Sterne (1759–1767), introduced a whimsical version of the anti-rational sentimental novel to the English literary public. An early German influence came from Johann Wolfgang von Goethe , whose 1774 novel The Sorrows of Young Werther had young men throughout Europe emulating its protagonist, a young artist with a very sensitive and passionate temperament. At that time Germany

2860-494: A result, naturalistic writers were frequently criticized for focusing too much on human vice and misery. Verismo (from Italian vero , meaning 'true, real') was an Italian literary movement which aimed to describe reality. Its main representatives were Giovanni Verga and Luigi Capuana , regarded as the authors of a " manifesto " of the genre. Among other exponents were Matilde Serao and 1926 Nobel Prize winner Grazia Deledda (see main article for more). Protagonists of

3003-442: A sense, Émile Zola , whose naturalism is often regarded as an offshoot of realism. Theatrical realism was a general movement in 19th-century theatre from the time period of 1870–1960 that developed a set of dramatic and theatrical conventions with the aim of bringing a greater fidelity of real life to texts and performances. Part of a broader artistic movement , it shared many stylistic choices with naturalism , including

SECTION 20

#1732798353055

3146-413: A style of social realism . Its protagonists usually could be described as angry young men, and it often depicted the domestic situations of working-class Britons living in cramped rented accommodation and spending their off-hours drinking in grimy pubs , to explore social issues and political controversies. The films, plays and novels employing this style are set frequently in poorer industrial areas in

3289-638: A tradition of psychological realism in Russia which culminated with the establishment of the Moscow Art Theatre by Constantin Stanislavski and Vladimir Nemirovich-Danchenko . Their ground-breaking productions of the plays of Anton Chekhov in turn influenced Maxim Gorky and Mikhail Bulgakov . Stanislavski went on to develop his 'system' , a form of actor training that is particularly suited to psychological realism. 19th-century realism

3432-583: A very typical view, and about 1830, perhaps a little later than some other critics. Others have proposed 1780–1830. In other fields and other countries the period denominated as Romantic can be considerably different; musical Romanticism , for example, is generally regarded as only having ceased as a major artistic force as late as 1910, but in an extreme extension the Four Last Songs of Richard Strauss are described stylistically as "Late Romantic" and were composed in 1946–1948. However, in most fields

3575-450: A young man, who soon deserts her. When her self-righteous mother rejects her, Maggie becomes a prostitute to survive but soon dies. Crane's earthy subject matter and his objective, scientific style, devoid of moralizing, earmark Maggie as a naturalist work. Other later American realists are John Steinbeck , Frank Norris , Theodore Dreiser , Upton Sinclair , Jack London , Edith Wharton and Henry James . Honoré de Balzac (1799–1850)

3718-476: Is Esther Waters (1894), was also influenced by the naturalism of Zola. William Dean Howells (1837–1920) was the first American author to bring a realist aesthetic to the literature of the United States. His stories of middle and upper class life set in the 1880s and 1890s are highly regarded among scholars of American fiction. His most popular novel, The Rise of Silas Lapham (1885), depicts

3861-434: Is a writing style or sub-genre of realistic fiction centered around historical events and time periods. In historical realism, the structure and context of a text is usually solely derived from a real historical event or time period. As a consequence of this, many texts that fall under this category are philosophical by nature. In the early nineteenth century, there was growing impetus to establish an Australian culture that

4004-513: Is apparent in the fantastic The Temptation of Saint Anthony (final version published 1874) and the baroque and exotic scenes of ancient Carthage in Salammbô (1862). In German literature , 19th-century realism developed under the name of "Poetic Realism" or "Bourgeois Realism," and major figures include Theodor Fontane , Gustav Freytag , Gottfried Keller , Wilhelm Raabe , Adalbert Stifter , and Theodor Storm . In Italian literature ,

4147-485: Is cited as an influence for current nature conservation efforts. The majority of film scores from the Golden Age of Hollywood were written in the lush orchestral Romantic style, and this genre of orchestral cinematic music is still often seen in films of the 21st century. The philosophical underpinnings of the movement have influenced modern political theory, both among liberals and conservatives . Romanticism

4290-649: Is closely connected to the development of modern drama, which, as Martin Harrison explains, "is usually said to have begun in the early 1870s" with the "middle-period" work of the Norwegian dramatist Henrik Ibsen . Ibsen's realistic drama in prose has been "enormously influential." In opera , verismo refers to a post-Romantic Italian tradition that sought to incorporate the naturalism of Émile Zola and Henrik Ibsen. It included realistic – sometimes sordid or violent – depictions of contemporary everyday life, especially

4433-553: Is considered mere reportage , not art, and based on naïve metaphysics . Romanticism Romanticism (also known as the Romantic movement or Romantic era ) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjectivity , imagination , and appreciation of nature in society and culture in response to

Miau - Misplaced Pages Continue

4576-469: Is dead, was the mother of Luis. Miau is the Spanish onomatopoeia for the sound made by cats, but it also stands for: M oralidad, I ncome tax, A duanas y U nificación de la deuda ( morality , income tax , customs and unification of the debt ), the four main ideas of Villaamil to improve the ministry administration. The work was "ignored or lightly regarded by the writer's contemporaries," and it

4719-445: Is most evident in the aesthetics of romanticism, where the notion of eternal models, a Platonic vision of ideal beauty, which the artist seeks to convey, however imperfectly, on canvas or in sound, is replaced by a passionate belief in spiritual freedom, individual creativity. The painter, the poet, the composer do not hold up a mirror to nature, however ideal, but invent; they do not imitate (the doctrine of mimesis), but create not merely

4862-651: Is now most highly regarded for his short lyrics and his generally unromantic prose writings, especially his letters, and his unfinished satire Don Juan . Unlike many Romantics, Byron's widely publicised personal life appeared to match his work, and his death at 36 in 1824 from disease when helping the Greek War of Independence appeared from a distance to be a suitably Romantic end, entrenching his legend. Keats in 1821 and Shelley in 1822 both died in Italy, Blake (at almost 70) in 1827, and Coleridge largely ceased to write in

5005-469: Is often called "romantic originality". The translator and prominent Romantic August Wilhelm Schlegel argued in his Lectures on Dramatic Arts and Letters that the most valuable quality of human nature is its tendency to diverge and diversify. According to Isaiah Berlin , Romanticism embodied "a new and restless spirit, seeking violently to burst through old and cramping forms, a nervous preoccupation with perpetually changing inner states of consciousness,

5148-618: Is possible. However, the changes were gradual since the social realism tradition was so ingrained into the psyche of the Soviet literati that even dissidents followed the habits of this type of composition, rarely straying from its formal and ideological mold. The Soviet socialist realism did not exactly emerge on the very day it was promulgated in the Soviet Union in 1932 by way of a decree that abolished independent writers' organizations. This movement had existed for at least fifteen years and

5291-414: Is seen as tantamount to complicity in a creating a process wherein "the artefactual nature of reality is overlooked or even concealed." According to Catherine Gallagher , realistic fiction invariably undermines, in practice, the ideology it purports to exemplify because if appearances were self-sufficient, there would probably be no need for novels. This can be demonstrated in literary naturalism's focus in

5434-443: Is the most prominent representative of 19th-century realism in fiction through the inclusion of specific detail and recurring characters. His La Comédie humaine , a vast collection of nearly 100 novels, was the most ambitious scheme ever devised by a writer of fiction—nothing less than a complete contemporary history of his countrymen. Realism is also an important aspect of the works of Alexandre Dumas, fils (1824–1895). Many of

5577-555: Is the reference for the modern notion of " romanticization " and the act of "romanticizing" something. For most of the Western world, Romanticism was at its peak from approximately 1800 to 1850. The first Romantic ideas arose from an earlier German Counter-Enlightenment movement called Sturm und Drang (German: "Storm and Stress"). This movement directly criticized the Enlightenment's position that humans can fully comprehend

5720-415: Is the usage of a language which coincides with the characters' social condition and their level of education: therefore, if the protagonists of the story are e.g., peasants, they will use a popular, lowbrow language; middle class characters will speak in a higher, more raffinate way. The works often present terms deriving from vernaculars and regional Italian , especially Sicilian . Historical realism

5863-853: The Ancien Régime , and the French Revolution had been more of an inspiration to foreign writers than those experiencing it at first-hand. The first major figure was François-René de Chateaubriand , an aristocrat who had remained a royalist throughout the Revolution, and returned to France from exile in England and America under Napoleon, with whose regime he had an uneasy relationship. His writings, all in prose, included some fiction, such as his influential novella of exile René (1802), which anticipated Byron in its alienated hero, but mostly contemporary history and politics, his travels,

Miau - Misplaced Pages Continue

6006-464: The Age of Enlightenment and the Industrial Revolution . Romanticists rejected the social conventions of the time in favour of a moral outlook known as individualism . They argued that passion and intuition were crucial to understanding the world, and that beauty is more than merely an affair of form , but rather something that evokes a strong emotional response. With this philosophical foundation,

6149-638: The Crusades that he had researched to a degree that was new in literature. In contrast to Germany, Romanticism in English literature had little connection with nationalism, and the Romantics were often regarded with suspicion for the sympathy many felt for the ideals of the French Revolution , whose collapse and replacement with the dictatorship of Napoleon was, as elsewhere in Europe, a shock to

6292-461: The Grand Guignol at the end of the century. Aleksis Kivi (1834–1872), known today as the "national author of Finland", wrote his only novel The Seven Brothers (1870), which was strongly influenced by Cervantes , and which received at time a very negative reception from critics because its contemporary descriptions of the life of a Finnish peasants in an unadorned realism, long before

6435-545: The Lake Poets were widely regarded as a marginal group of radicals, though they were supported by the critic and writer William Hazlitt and others. In contrast, Lord Byron and Walter Scott achieved enormous fame and influence throughout Europe with works exploiting the violence and drama of their exotic and historical settings; Goethe called Byron "undoubtedly the greatest genius of our century". Scott achieved immediate success with his long narrative poem The Lay of

6578-655: The North of England , and use the rough-hewn speaking accents and slang heard in those regions. The film It Always Rains on Sunday (1947) is a precursor of the genre, and the John Osborne play Look Back in Anger (1956) is thought of as the first of the genre. The gritty love-triangle of Look Back in Anger , for example, takes place in a cramped, one-room flat in the English Midlands . The conventions of

6721-460: The national poet of Scotland and a major influence on the Romantic movement. His poem (and song) " Auld Lang Syne " is often sung at Hogmanay (the last day of the year), and " Scots Wha Hae " served for a long time as an unofficial national anthem of the country. Scott began as a poet and also collected and published Scottish ballads. His first prose work, Waverley in 1814, is often called

6864-572: The supernatural / occult and human psychology . Romanticism tended to regard satire as something unworthy of serious attention, a view still influential today. The Romantic movement in literature was preceded by the Enlightenment and succeeded by Realism . The precursors of Romanticism in English poetry go back to the middle of the 18th century, including figures such as Joseph Warton (headmaster at Winchester College ) and his brother Thomas Warton , Professor of Poetry at Oxford University . Joseph maintained that invention and imagination were

7007-513: The working class . By World War I , Romanticism was overshadowed by new cultural, social, and political movements, many of them hostile to the perceived illusions and preoccupations of the Romantics. However, Romanticism has had a lasting impact on Western civilization, and many works of art, music, and literature that embody the Romantic ideals have been made after the end of the Romantic Era. The movement's advocacy for nature appreciation

7150-730: The "romantic harp" and "classic lyre", but in 1820 Byron could still write, perhaps slightly disingenuously, It is only from the 1820s that Romanticism certainly knew itself by its name, and in 1824 the Académie française took the wholly ineffective step of issuing a decree condemning it in literature. The period typically called Romantic varies greatly between different countries and different artistic media or areas of thought. Margaret Drabble described it in literature as taking place "roughly between 1770 and 1848", and few dates much earlier than 1770 will be found. In English literature, M. H. Abrams placed it between 1789, or 1798, this latter

7293-479: The 1790s, contrasting it with "classic" but in terms of spirit rather than merely dating. Friedrich Schlegel wrote in his 1800 essay Gespräch über die Poesie ("Dialogue on Poetry"): The modern sense of the term spread more widely in France by its persistent use by Germaine de Staël in her De l'Allemagne (1813), recounting her travels in Germany. In England Wordsworth wrote in a preface to his poems of 1815 of

SECTION 50

#1732798353055

7436-406: The 1820s. Wordsworth was by 1820 respectable and highly regarded, holding a government sinecure , but wrote relatively little. In the discussion of English literature, the Romantic period is often regarded as finishing around the 1820s, or sometimes even earlier, although many authors of the succeeding decades were no less committed to Romantic values. The most significant novelist in English during

7579-427: The 1850s, after the 1848 Revolution . The realist painters rejected Romanticism , which had come to dominate French literature and art, with roots in the late 18th century. Realism as a movement in literature was a post-1848 phenomenon, according to its first theorist Jules-Français Champfleury. It aims to reproduce " objective reality ", and focuses on showing every day, quotidian activities and life, primarily among

7722-601: The French retreat from Moscow in 1812, fantasies of heroism and adventure had little appeal for him, and like Goya he is often seen as a forerunner of Realism. His most important works are Le Rouge et le Noir ( The Red and the Black , 1830) and La Chartreuse de Parme ( The Charterhouse of Parma , 1839). Romanticism in Poland is often taken to begin with the publication of Adam Mickiewicz 's first poems in 1822, and end with

7865-517: The Introduction to The Human Comedy (1842) Balzac "claims that poetic creation and scientific creation are closely related activities, manifesting the tendency of realists towards taking over scientific methods". The artists of realism used the achievements of contemporary science, the strictness and precision of the scientific method, in order to understand reality. The positivist spirit in science presupposes feeling contempt towards metaphysics,

8008-616: The Last Minstrel in 1805, followed by the full epic poem Marmion in 1808. Both were set in the distant Scottish past, already evoked in Ossian ; Romanticism and Scotland were to have a long and fruitful partnership. Byron had equal success with the first part of Childe Harold's Pilgrimage in 1812, followed by four "Turkish tales", all in the form of long poems, starting with The Giaour in 1813, drawing from his Grand Tour , which had reached Ottoman Europe, and orientalizing

8151-482: The Romantic ideal, stressing depth of emotion in art and music while showcasing technical mastery in a mature Romantic style. By the time of World War I , though, the cultural and artistic climate had changed to such a degree that Romanticism essentially dispersed into subsequent movements. The final Late Romanticist figures to maintain the Romantic ideals died in the 1940s. Though they were still widely respected, they were seen as anachronisms at that point. Romanticism

8294-436: The Romantic interest in folk literature, but neither had a fully Romantic approach to life or their work. Though they have modern critical champions such as György Lukács , Scott's novels are today more likely to be experienced in the form of the many operas that composers continued to base on them over the following decades, such as Donizetti 's Lucia di Lammermoor and Vincenzo Bellini 's I puritani (both 1835). Byron

8437-472: The Romantic period is said to be over by about 1850, or earlier. The early period of the Romantic era was a time of war, with the French Revolution (1789–1799) followed by the Napoleonic Wars until 1815. These wars, along with the political and social turmoil that went along with them, served as the background for Romanticism. The key generation of French Romantics born between 1795 and 1805 had, in

8580-539: The Romanticists elevated several key themes to which they were deeply committed: a reverence for nature and the supernatural , an idealization of the past as a nobler era , a fascination with the exotic and the mysterious , and a celebration of the heroic and the sublime . The Romanticist movement had a particular fondness for the Middle Ages , which to them represented an era of chivalry , heroism, and

8723-435: The United States during the late nineteenth century on the larger forces that determine the lives of its characters, as depicted in agricultural machines portrayed as immense and terrible, shredding "entangled" human bodies without compunction. The machines were used as a metaphor , but the metaphor contributed to the perception that such narratives were more like myth than reality. There are also critics who fault realism in

SECTION 60

#1732798353055

8866-560: The absence of a fixed definition. The argument is that there is no pure form of realism and the position that it is almost impossible to find literature that is not in fact realist, at least to some extent while, and that whenever one searches for pure realism, it vanishes. J.P. Stern countered this position when he maintained that this "looseness" or "untidiness" makes the term indispensable in common and literary discourse alike. Others also dismiss it as obvious and simple-minded while denying realistic aesthetic, branding as pretentious since it

9009-710: The ancient bard Ossian , he published translations that acquired international popularity, being proclaimed as a Celtic equivalent of the Classical epics . Fingal , written in 1762, was speedily translated into many European languages, and its appreciation of natural beauty and treatment of the ancient legend has been credited more than any single work with bringing about the Romantic movement in European, and especially in German literature, through its influence on Johann Gottfried von Herder and Johann Wolfgang von Goethe . It

9152-416: The article's talk page . Literary realism Broadly defined as "the representation of reality", realism in the arts is the attempt to represent subject matter truthfully, without artificiality and avoiding artistic conventions, as well as implausible, exotic and supernatural elements. Realism has been prevalent in the arts at many periods, and is in large part a matter of technique and training, and

9295-458: The artist, who can in turn represent this 'reality' faithfully. As literary critic Ian Watt states in The Rise of the Novel , modern realism "begins from the position that truth can be discovered by the individual through the senses" and as such "it has its origins in Descartes and Locke , and received its first full formulation by Thomas Reid in the middle of the eighteenth century." In

9438-520: The avoidance of stylization. In the visual arts, illusionistic realism is the accurate depiction of lifeforms, perspective, and the details of light and colour. Realist works of art may emphasize the ugly or sordid, such as works of social realism , regionalism , or kitchen sink realism . There have been various realism movements in the arts, such as the opera style of verismo , literary realism, theatrical realism and Italian neorealist cinema . The realism art movement in painting began in France in

9581-448: The beginning of a tradition of resistance to Enlightenment rationalism—a "Counter-Enlightenment"— to be associated most closely with German Romanticism . Another early definition comes from Charles Baudelaire : "Romanticism is precisely situated neither in choice of subject nor exact truth, but in the way of feeling." The end of the Romantic era is marked in some areas by a new style of Realism , which affected literature, especially

9724-483: The beginnings of the railways, and the state of contemporary medical science. Middlemarch also shows the deeply reactionary mindset within a settled community facing the prospect of what to many is unwelcome social, political and technological change. While George Gissing (1857–1903), author of New Grub Street (1891), amongst many other works, has traditionally been viewed as a naturalist, mainly influenced by Émile Zola , Jacob Korg has suggested that George Eliot

9867-486: The best known works, which became a paradigm of the French Romantic movement. The preface to his unperformed play Cromwell gives an important manifesto of French Romanticism, stating that "there are no rules, or models". The career of Prosper Mérimée followed a similar pattern; he is now best known as the originator of the story of Carmen , with his novella published 1845. Alfred de Vigny remains best known as

10010-478: The brothers, Jacob , published in 1835 Deutsche Mythologie , a long academic work on Germanic mythology. Another strain is exemplified by Schiller's highly emotional language and the depiction of physical violence in his play The Robbers of 1781. In English literature , the key figures of the Romantic movement are considered to be the group of poets including William Wordsworth , Samuel Taylor Coleridge , John Keats , Lord Byron , Percy Bysshe Shelley and

10153-418: The chief qualities of a poet. The Scottish poet James Macpherson influenced the early development of Romanticism with the international success of his Ossian cycle of poems published in 1762, inspiring both Goethe and the young Walter Scott . Thomas Chatterton is generally considered the first Romantic poet in English. Both Chatterton and Macpherson's work involved elements of fraud, as what they claimed

10296-707: The crushing of the January Uprising of 1863 against the Russians. It was strongly marked by interest in Polish history. Polish Romanticism revived the old "Sarmatism" traditions of the szlachta or Polish nobility. Old traditions and customs were revived and portrayed in a positive light in the Polish messianic movement and in works of great Polish poets such as Adam Mickiewicz ( Pan Tadeusz ), Juliusz Słowacki and Zygmunt Krasiński . This close connection between Polish Romanticism and Polish history became one of

10439-399: The cult of the fact, experiment and proof, confidence in science and the progress that it brings, as well as striving to give a scientific form to studying social and moral phenomena." In the late 18th century Romanticism was a revolt against the aristocratic social and political norms of the previous Age of Reason and a reaction against the scientific rationalization of nature found in

10582-437: The defining qualities of the literature of Polish Romanticism period, differentiating it from that of other countries. They had not suffered the loss of national statehood as was the case with Poland. Influenced by the general spirit and main ideas of European Romanticism, the literature of Polish Romanticism is unique, as many scholars have pointed out, in having developed largely outside of Poland and in its emphatic focus upon

10725-524: The difficulty of defining Romanticism in his seminal article "On the Discrimination of Romanticisms" in his Essays in the History of Ideas (1948); some scholars see Romanticism as essentially continuous with the present, some like Robert Hughes see in it the inaugural moment of modernity , while writers of the 19th Century such as Chateaubriand , Novalis and Samuel Taylor Coleridge saw it as

10868-603: The dominant philosophy of the 18th century, as well as a reaction to the Industrial Revolution . It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education and the natural sciences . 19th-century realism was in its turn a reaction to Romanticism, and for this reason it is also commonly derogatorily referred to as traditional or "bourgeois realism". However, not all writers of Victorian literature produced works of realism. The rigidities, conventions, and other limitations of Victorian realism prompted in their turn

11011-417: The downsides of medieval life. The consensus is that Romanticism peaked from 1800 until 1850. However, a "Late Romantic" period and " Neoromantic " revivals are also discussed. These extensions of the movement are characterized by a resistance to the increasingly experimental and abstract forms that culminated in modern art , and the deconstruction of traditional tonal harmony in music. They continued

11154-664: The early nineteenth century, caused Edinburgh to emerge as the cultural capital of Britain and become central to a wider formation of a "British Isles nationalism". Scottish "national drama" emerged in the early 1800s, as plays with specifically Scottish themes began to dominate the Scottish stage. Theatres had been discouraged by the Church of Scotland and fears of Jacobite assemblies. In the later eighteenth century, many plays were written for and performed by small amateur companies and were not published and so most have been lost. Towards

11297-444: The end of the century there were " closet dramas ", primarily designed to be read, rather than performed, including work by Scott, Hogg, Galt and Joanna Baillie (1762–1851), often influenced by the ballad tradition and Gothic Romanticism. Romanticism was relatively late in developing in French literature , more so than in the visual arts. The 18th-century precursor to Romanticism, the cult of sensibility, had become associated with

11440-499: The everyday conditions of the working classes and the poor, and who are critical of the social structures that maintain these conditions. While the movement's artistic styles vary from nation to nation, it almost always uses a form of descriptive or critical realism. Kitchen sink realism (or kitchen sink drama) is a term coined to describe a British cultural movement that developed in the late 1950s and early 1960s in theatre , art , novels , film and television plays , which used

11583-414: The exotic and historical settings pioneered by the Romantics, but experimentation with form and technique was generally reduced, often replaced with meticulous technique, as in the poems of Tennyson or many paintings. If not realist, late 19th-century art was often extremely detailed, and pride was taken in adding authentic details in a way that earlier Romantics did not trouble with. Many Romantic ideas about

11726-620: The fields of intellectual history and literary history throughout the 20th century, without any great measure of consensus emerging. That it was part of the Counter-Enlightenment , a reaction against the Age of Enlightenment , is generally accepted in current scholarship. Its relationship to the French Revolution , which began in 1789 in the very early stages of the period, is clearly important, but highly variable depending on geography and individual reactions. Most Romantics can be said to be broadly progressive in their views, but

11869-499: The first historical novel. It launched a highly successful career, with other historical novels such as Rob Roy (1817), The Heart of Midlothian (1818) and Ivanhoe (1820). Scott probably did more than any other figure to define and popularise Scottish cultural identity in the nineteenth century. Other major literary figures connected with Romanticism include the poets and novelists James Hogg (1770–1835), Allan Cunningham (1784–1842) and John Galt (1779–1839). Scotland

12012-409: The flamboyant Théophile Gautier , whose prolific output in various forms continued until his death in 1872. Stendhal is today probably the most highly regarded French novelist of the period, but he stands in a complex relation with Romanticism, and is notable for his penetrating psychological insight into his characters and his realism, qualities rarely prominent in Romantic fiction. As a survivor of

12155-402: The genre have continued into the 2000s, finding expression in such television shows as Coronation Street and EastEnders . In art, "Kitchen Sink School" was a term used by critic David Sylvester to describe painters who depicted social realist –type scenes of domestic life. Socialist realism is the official Soviet art form that was institutionalized by Joseph Stalin in 1934 and

12298-399: The genre were often (yet not always) poor, disadvantaged and scarcely educated people, who struggled against adversities. They often came from popular environments and their lifestyle was challenged by the progress that society was experiencing in the late 19th century; such characters usually could not adapt themselves to that progress. Other times, the protagonists were Bourgeois . Verismo

12441-478: The idea that we do not often understand what is real correctly. To present reality, we draw on what is "real" according to how we remember it as well as how we experience it. However, remembered or experienced reality does not always correspond to what the truth is. Instead, we often obtain a distorted version of it that is only related to what is out there or how things really are. Realism is criticized for its supposed inability to address this challenge and such failure

12584-505: The ideals and achievements of French revolutionaries. A confluence of circumstances led to Romanticism's decline in the mid-19th century, including (but not limited to) the rise of Realism and Naturalism , Charles Darwin 's publishing of the Origin of Species , the transition from widespread revolution in Europe to a more conservative climate, and a shift in public consciousness to the immediate impact of technology and urbanization on

12727-454: The imagination of born artists followed instinctively when these individuals were, so to speak, "left alone" during the creative process. These "natural laws" could support a wide range of different formal approaches: as many, perhaps, as there were individuals making personally meaningful works of art. Many Romantics believed that works of artistic genius were created " ex nihilo ", "from nothing", without recourse to existing models. This idea

12870-495: The late 1820s. Cliques of pro- and anti-Romantics developed, and productions were often accompanied by raucous vocalizing by the two sides, including the shouted assertion by one theatregoer in 1822 that "Shakespeare, c'est l'aide-de-camp de Wellington" ("Shakespeare is Wellington 's aide-de-camp "). Alexandre Dumas began as a dramatist, with a series of successes beginning with Henri III et sa cour (1829) before turning to novels that were mostly historical adventures somewhat in

13013-488: The life of rural dwellers, including bullock drivers , squatters and itinerant travellers, in southern New South Wales and Victoria , during the 1880s. Catherine Helen Spence 's Clara Morison (1854), which detailed a Scottish woman's immigration to Adelaide, South Australia , in a time when many people were leaving the freely settled state of South Australia to claim fortunes in the gold rushes of Victoria and New South Wales. The burgeoning literary concept that Australia

13156-456: The life of the lower classes. In France in addition to melodramas , popular and bourgeois theater in the mid-century turned to realism in the "well-made" bourgeois farces of Eugène Marin Labiche and the moral dramas of Émile Augier . Critics of realism cite that depicting reality is not often realistic, with some observers calling it "imaginary" or "project[ed]". This argument is based on

13299-521: The lives of the poor in his native Lake District , or his feelings about nature—which he more fully developed in his long poem The Prelude , never published in his lifetime. The longest poem in the volume was Coleridge's The Rime of the Ancient Mariner , which showed the Gothic side of English Romanticism, and the exotic settings that many works featured. In the period when they were writing,

13442-444: The manner of Scott, most famously The Three Musketeers and The Count of Monte Cristo , both of 1844. Victor Hugo published as a poet in the 1820s before achieving success on the stage with Hernani —a historical drama in a quasi-Shakespearean style that had famously riotous performances on its first run in 1830. Like Dumas, Hugo is best known for his novels, and was already writing The Hunchback of Notre-Dame (1831), one of

13585-408: The means but the goals that they pursue; these goals represent the self-expression of the artist's own unique, inner vision, to set aside which in response to the demands of some "external" voice—church, state, public opinion, family friends, arbiters of taste—is an act of betrayal of what alone justifies their existence for those who are in any sense creative. Arthur Lovejoy attempted to demonstrate

13728-433: The melting away of the very notion of objective truth", and hence not only to nationalism, but also fascism and totalitarianism , with a gradual recovery coming only after World War II. For the Romantics, Berlin says, in the realm of ethics, politics, aesthetics it was the authenticity and sincerity of the pursuit of inner goals that mattered; this applied equally to individuals and groups—states, nations, movements. This

13871-526: The mid-century the undoubtedly Romantic novels of the Yorkshire -based Brontë family appeared, most notably Charlotte 's Jane Eyre and Emily 's Wuthering Heights , both published in 1847, which also introduced more Gothic themes. While these two novels were written and published after the Romantic period is said to have ended, their novels were heavily influenced by Romantic literature they had read as children. Byron, Keats, and Shelley all wrote for

14014-511: The middle- or lower-class society, without romantic idealization or dramatization. It may be regarded as the general attempt to depict subjects as they are considered to exist in third person objective reality , without embellishment or interpretation and "in accordance with secular, empirical rules." As such, the approach inherently implies a belief that such reality is ontologically independent of man's conceptual schemes, linguistic practices and beliefs, and thus can be known (or knowable) to

14157-405: The more general development of philosophical realism, middle-class economic individualism and Puritan individualism. He also claims that the form addressed the interests and capacities of the new middle-class reading public and the new book trade evolving in response to them. As tradesmen themselves, Defoe and Richardson had only to 'consult their own standards' to know that their work would appeal to

14300-607: The movement. Though his novels celebrated Scottish identity and history, Scott was politically a firm Unionist, but admitted to Jacobite sympathies. Several Romantics spent much time abroad, and a famous stay on Lake Geneva with Byron and Shelley in 1816 produced the hugely influential novel Frankenstein by Shelley's wife-to-be Mary Shelley and the novella The Vampyre by Byron's doctor John William Polidori . The lyrics of Robert Burns in Scotland, and Thomas Moore from Ireland, reflected in different ways their countries and

14443-436: The much older William Blake , followed later by the isolated figure of John Clare ; also such novelists as Walter Scott from Scotland and Mary Shelley , and the essayists William Hazlitt and Charles Lamb . The publication in 1798 of Lyrical Ballads , with many of the finest poems by Wordsworth and Coleridge, is often held to mark the start of the movement. The majority of the poems were by Wordsworth, and many dealt with

14586-557: The nature and purpose of art, above all the pre-eminent importance of originality, remained important for later generations, and often underlie modern views, despite opposition from theorists. In literature, Romanticism found recurrent themes in the evocation or criticism of the past, the cult of " sensibility " with its emphasis on women and children, the isolation of the artist or narrator, and respect for nature. Furthermore, several romantic authors, such as Edgar Allan Poe , Charles Maturin and Nathaniel Hawthorne , based their writings on

14729-414: The novel and drama, painting, and even music, through Verismo opera. This movement was led by France, with Balzac and Flaubert in literature and Courbet in painting; Stendhal and Goya were important precursors of Realism in their respective media. However, Romantic styles, now often representing the established and safe style against which Realists rebelled, continued to flourish in many fields for

14872-407: The novels in this period, including Balzac's, were published in newspapers in serial form , and the immensely popular realist "roman feuilleton" tended to specialize in portraying the hidden side of urban life (crime, police spies, criminal slang), as in the novels of Eugène Sue . Similar tendencies appeared in the theatrical melodramas of the period and, in an even more lurid and gruesome light, in

15015-422: The peak Romantic period, other than Walter Scott, was Jane Austen , whose essentially conservative world-view had little in common with her Romantic contemporaries, retaining a strong belief in decorum and social rules, though critics such as Claudia L. Johnson have detected tremors under the surface of many works, such as Northanger Abbey (1817), Mansfield Park (1814) and Persuasion (1817). But around

15158-417: The poet then "recollect[s] in tranquility", enabling the poet to find a suitably unique form for representing such feelings. The Romantics never doubted that emotionally motivated art would find suitable, harmonious modes for expressing its vital content—if, that is, the artist steered clear of moribund conventions and distracting precedents. Samuel Taylor Coleridge and others thought there were natural laws

15301-451: The reader to identify the protagonists with the poets themselves." This quality in Romantic literature, in turn, influenced the approach and reception of works in other media; it has seeped into everything from critical evaluations of individual style in painting, fashion, and music, to the auteur movement in modern filmmaking. The group of words with the root "Roman" in the various European languages, such as "romance" and "Romanesque", has

15444-647: The realism genre developed a detached description of the social and economic conditions of people in their time and environment. Major figures of Italian Verismo include Luigi Capuana , Giovanni Verga , Federico De Roberto , Matilde Serao , Salvatore Di Giacomo , and Grazia Deledda , who in 1926 received the Nobel Prize for Literature . Later realist writers included Fyodor Dostoevsky , Leo Tolstoy , Benito Pérez Galdós , Guy de Maupassant , Anton Chekhov , Leopoldo Alas (Clarín) , Machado de Assis , Eça de Queiroz , Henryk Sienkiewicz , Bolesław Prus and, in

15587-399: The relationship between people and Nature. Romantics generally believed a close connection with Nature was beneficial for human beings, especially for individuals who broke off from society in order to encounter the natural world by themselves. Romantic literature was frequently written in a distinctive, personal "voice". As critic M. H. Abrams has observed, "much of romantic poetry invited

15730-484: The rest of the century and beyond. In music such works from after about 1850 are referred to by some writers as "Late Romantic" and by others as "Neoromantic" or "Postromantic", but other fields do not usually use these terms; in English literature and painting the convenient term "Victorian" avoids having to characterise the period further. In northern Europe, the Early Romantic visionary optimism and belief that

15873-407: The revolt of modernism . Starting around 1900, the driving motive of modernist literature was the criticism of the 19th-century bourgeois social order and world view, which was countered with an antirationalist, antirealist and antibourgeois program. Social realism is an international art movement that includes the work of painters, printmakers, photographers and filmmakers who draw attention to

16016-528: The stage, but with little success in England, with Shelley's The Cenci perhaps the best work produced, though that was not played in a public theatre in England until a century after his death. Byron's plays, along with dramatizations of his poems and Scott's novels, were much more popular on the Continent, and especially in France, and through these versions several were turned into operas, many still performed today. If contemporary poets had little success on

16159-563: The stage, the period was a legendary one for performances of Shakespeare , and went some way to restoring his original texts and removing the Augustan "improvements" to them. The greatest actor of the period, Edmund Kean , restored the tragic ending to King Lear ; Coleridge said that "Seeing him act was like reading Shakespeare by flashes of lightning." Although after union with England in 1707 Scotland increasingly adopted English language and wider cultural norms, its literature developed

16302-424: The themes of the Gothic novel in verse. These featured different variations of the " Byronic hero ", and his own life contributed a further version. Scott meanwhile was effectively inventing the historical novel , beginning in 1814 with Waverley , set in the 1745 Jacobite rising , which was a highly profitable success, followed by over 20 further Waverley Novels over the next 17 years, with settings going back to

16445-550: The twentieth century, as the working-class community of Sydney proliferated, the focus was shifted from the bush archetype to a more urban, inner-city setting: William Lane 's The Working Man's Paradise (1892), Christina Stead 's Seven Poor Men of Sydney (1934) and Ruth Park 's The Harp in the South (1948) all depicted the harsh, gritty reality of working class Sydney. Patrick White 's novels Tree of Man (1955) and Voss (1957) fared particularly well and in 1973 White

16588-426: The underlying forces (e.g., the environment or heredity) influencing the actions of its subjects. Naturalistic works often include supposed sordid subject matter, for example, Émile Zola 's frank treatment of sexuality , as well as pervasive pessimism. Naturalistic works tend to focus on the darker aspects of life, including poverty, racism , violence, prejudice, disease, corruption, prostitution , and filth. As

16731-527: The visual arts, music, and literature; it also had a major impact on historiography , education, chess , social sciences , and the natural sciences . Romanticism had a significant and complex effect on politics: Romantic thinking influenced conservatism , liberalism , radicalism , and nationalism . Romanticism prioritized the artist's unique, individual imagination above the strictures of classical form. The movement emphasized intense emotion as an authentic source of aesthetic experience. It granted

16874-499: The way it supposedly defines itself as a reaction to the excesses of literary genres such as Romanticism and the Gothic – those that focus on the exotic, sentimental, and sensational narratives. Some scholars began to call this an impulse to contradict so that in the end, the limit that it imposes on itself leads to "either the representation of verifiable and objective truth or the merely relative, some partial, subjective truth, therefore no truth at all." There are also critics who cite

17017-500: The way their characters act. This does not happen in Verismo: in fact, Verist authors such as Giovanni Verga usually believe that reality cannot be changed through literature, so they do not make any comment on their characters and tend to distance themselves from the narration, by adopting an objective, non-intrusive perspective (yet the authors somehow manage to let the readers understand their point of view). A typical feature of Verismo

17160-422: The words of one of their number, Alfred de Vigny , been "conceived between battles, attended school to the rolling of drums". According to Jacques Barzun , there were three generations of Romantic artists. The first emerged in the 1790s and 1800s, the second in the 1820s, and the third later in the century. The more precise characterization and specific definition of Romanticism has been the subject of debate in

17303-412: The work achieved the status of a national novel. Gustave Flaubert 's (1821–1880) acclaimed novels Madame Bovary (1857), which reveals the tragic consequences of romanticism on the wife of a provincial doctor, and Sentimental Education (1869) represent perhaps the highest stages in the development of French realism. Flaubert also wrote other works in an entirely different style and his romanticism

17446-486: The world through rationality alone, suggesting that intuition and emotion are key components of insight and understanding. Published in 1774, " The Sorrows of Young Werther " by Johann Wolfgang von Goethe began to shape the Romanticist movement and its ideals. The events and ideologies of the French Revolution were also direct influences on the movement; many early Romantics throughout Europe sympathized with

17589-427: The world was in the process of great change and improvement had largely vanished, and some art became more conventionally political and polemical as its creators engaged polemically with the world as it was. Elsewhere, including in very different ways the United States and Russia, feelings that great change was underway or just about to come were still possible. Displays of intense emotion in art remained prominent, as did

17732-539: The world" in his " Defence of Poetry "). Romanticism placed the highest importance on the freedom of the artists to authentically express their sentiments and ideas. Romantics like the German painter Caspar David Friedrich believed that an artist's emotions should dictate their formal approach; Friedrich went as far as declaring that "the artist's feeling is his law". The Romantic poet William Wordsworth , thinking along similar lines, wrote that poetry should begin with "the spontaneous overflow of powerful feelings", which

17875-401: Was a complex movement with a variety of viewpoints that permeated Western civilization across the globe. The movement and its opposing ideologies mutually shaped each other over time. After its end, Romantic thought and art exerted a sweeping influence on art and music , speculative fiction , philosophy , politics , and environmentalism that has endured to the present day. The movement

18018-695: Was a greater influence. Other novelists, such as Arnold Bennett (1867–1931) and Anglo-Irishman George Moore (1852–1933), consciously imitated the French realists. Bennett's most famous works are the Clayhanger trilogy (1910–18) and The Old Wives' Tale (1908). These books draw on his experience of life in the Staffordshire Potteries , an industrial area encompassing the six towns that now make up Stoke-on-Trent in Staffordshire , England. George Moore, whose most famous work

18161-481: Was a mainly unorganized literary movement that sought to depict believable everyday reality , as opposed to such movements as Romanticism or Surrealism , in which subjects may receive highly symbolic, idealistic or even supernatural treatment. Naturalism was an outgrowth of literary realism, influenced by Charles Darwin 's theory of evolution. Whereas realism seeks only to describe subjects as they really are, naturalism also attempts to determine "scientifically"

18304-555: Was a multitude of small separate states, and Goethe's works would have a seminal influence in developing a unifying sense of nationalism . Another philosophic influence came from the German idealism of Johann Gottlieb Fichte and Friedrich Schelling , making Jena (where Fichte lived, as well as Schelling, Hegel , Schiller and the brothers Schlegel ) a centre for early German Romanticism (see Jena Romanticism ). Important writers were Ludwig Tieck , Novalis , Heinrich von Kleist and Friedrich Hölderlin . Heidelberg later became

18447-600: Was a rejection of, according to what the Sydney Bulletin called in 1881 a "romantic identity" of the country. Most of the earliest writing in the colony was not literature in the most recent international sense, but rather journals and documentations of expeditions and environments, although literary style and preconceptions entered into the journal writing. Oftentimes in early Australian literature, romanticism and realism co-existed, as exemplified by Joseph Furphy 's Such Is Life (1897)–a fictional account of

18590-460: Was also popularised in France by figures that included Napoleon . Eventually it became clear that the poems were not direct translations from Scottish Gaelic , but flowery adaptations made to suit the aesthetic expectations of his audience. Robert Burns (1759–96) and Walter Scott (1771–1832) were highly influenced by the Ossian cycle. Burns, an Ayrshire poet and lyricist, is widely regarded as

18733-437: Was also the location of two of the most important literary magazines of the era, The Edinburgh Review (founded in 1802) and Blackwood's Magazine (founded in 1817), which had a major impact on the development of British literature and drama in the era of Romanticism. Ian Duncan and Alex Benchimol suggest that publications like the novels of Scott and these magazines were part of a highly dynamic Scottish Romanticism that by

18876-456: Was an extension of another, more distant country, was beginning to infiltrate into writing: "[those] who have at last understood the significance of Australian history as a transplanting of stocks and the sending down of roots in a new soil". Henry Handel Richardson , author of post- Federation novels such as Maurice Guest (1908) and The Getting of Wisdom (1910), was said to have been heavily influenced by French and Scandinavian realism. In

19019-546: Was awarded the Nobel Prize in Literature . A new kind of literary realism emerged in the late twentieth century, helmed by Helen Garner 's Monkey Grip (1977) which revolutionised contemporary fiction in Australia, though it has since emerged that the novel was diaristic and based on Garner's own experiences. Monkey Grip concerns itself with a single-mother living in a succession of Melbourne share-houses, as she navigates her increasingly obsessive relationship with

19162-399: Was characterized by its emphasis on emotion and individualism as well as the glorification of the past and nature, preferring the medieval over the classical. Romanticism was partly a reaction to the Industrial Revolution , and the prevailing ideology of the Age of Enlightenment , especially the scientific rationalization of Nature. The movement's ideals were embodied most strongly in

19305-455: Was darker in its motifs and has gothic elements. The significance to Romanticism of childhood innocence, the importance of imagination, and racial theories all combined to give an unprecedented importance to folk literature , non-classical mythology and children's literature , above all in Germany. Brentano and von Arnim were significant literary figures who together published Des Knaben Wunderhorn ("The Boy's Magic Horn" or cornucopia ),

19448-474: Was earlier literature that they had discovered or compiled was, in fact, entirely their own work. The Gothic novel , beginning with Horace Walpole 's The Castle of Otranto (1764), was an important precursor of one strain of Romanticism, with a delight in horror and threat, and exotic picturesque settings, matched in Walpole's case by his role in the early revival of Gothic architecture . Tristram Shandy ,

19591-619: Was first seen during the Bolshevik Revolution . The 1934 declaration only formalized its canonical formulation through the speeches of the Andrei Zhdanov , the representative of the Party's Central Committee. The official definition of socialist realism has been criticized for its conflicting framework. While the concept itself is simple, discerning scholars struggle in reconciling its elements. According to Peter Kenez, "it

19734-457: Was impossible to reconcile the teleological requirement with realistic presentation," further stressing that "the world could either be depicted as it was or as it should be according to theory, but the two are obviously not the same." Naturalism was a literary movement or tendency from the 1880s to 1930s that used detailed realism to suggest that social conditions, heredity , and environment had inescapable force in shaping human character. It

19877-431: Was inspired by French Naturalism, but differed from it in a significant way: in fact, Naturalist authors were more optimistic and believed that literature could have an influence on society and its development, therefore conceived the writer's role as charged with moral responsibilities and this is reflected in their works, which usually present comments by the authors and digressions where they express their opinion about

20020-463: Was later adopted by allied Communist parties worldwide. This form of realism held that successful art depicts and glorifies the proletariat 's struggle toward socialist progress. The Statute of the Union of Soviet Writers in 1934 stated that socialist realism The strict adherence to the above tenets, however, began to crumble after the death of Stalin when writers started expanding the limits of what

20163-408: Was not until Robert J. Weber published The Miau Manuscript of Benito Pérez Galdós: A Critical Study in 1964 that significant academic attention was drawn to the work, resulting in a "critical explosion" of interest and analysis. This article about an 1880s novel is a stub . You can help Misplaced Pages by expanding it . See guidelines for writing about novels . Further suggestions might be found on

20306-633: Was published to great acclaim in 1895, but he barely had time to bask in the attention before he died, at 28, having neglected his health. He has enjoyed continued success ever since—as a champion of the common man, a realist, and a symbolist. Crane's Maggie: A Girl of the Streets (1893), is one of the best, if not the earliest, naturalistic American novel. It is the harrowing story of a poor, sensitive young girl whose uneducated, alcoholic parents utterly fail her. In love, and eager to escape her violent home life, she allows herself to be seduced into living with

20449-711: Was separate from its English Colonial beginnings. Common artistic motifs and characters that were represented in Australian realism were the Australian Outback , known simply as "the bush", in its harsh and volatile beauty, the British settlers, the Indigenous Australian , the squatter and the digger —although some of these bordered into a more mythic territory in much of Australia's art scene. A significant portion of Australia's early realism

#54945