137-528: Music hall is a type of British theatrical entertainment that was most popular from the early Victorian era , beginning around 1850, through the Great War . It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous music hall entertainment and subsequent, more respectable variety entertainment differ. Music hall involved
274-549: A feminist movement developed. Parental authority was seen as important, but children were given legal protections against abuse and neglect for the first time towards the end of the period. Access to education increased rapidly during the 19th century. State-funded schools were established in England and Wales for the first time. Education became compulsory for pre-teenaged children in England, Scotland and Wales. Literacy rates increased rapidly, and had become nearly universal by
411-618: A "highly fashionable Dance, recently introduced at her Majesty 's and the Nobility's private soirees". On 28 December 1852, an advertisement in The Times promoted a publication that included "the new dance recently introduced with such distinguished success at the Court balls" and contained "the original music and a full explanation of the figures by Mons. E. Coulon". Eugene Coulton was a dance-master of international renown. In January 1853,
548-476: A "mulberry bush": All around the mulberry bush The monkey chased the weasel; The monkey thought it was all in fun... Pop! goes the weasel. Or the standard United States version had this line. All around the cobbler's bench The monkey chased the weasel; The monkey thought it was all in fun... Pop! goes the weasel. In 1994, the American Folklife Center documented a version of
685-541: A cinema. The building was badly damaged in the Second World War, and was demolished in 1950. In 1867, he acquired a public house in Villiers Street named "The Arches", under the arches of the elevated railway line leading to Charing Cross station. He opened it as another music hall, known as " Gatti's-in-The-Arches ". After his death his family continued to operate the music hall, known for a period as
822-604: A democracy. The political legacy of the reform movement was to link the nonconformists (part of the evangelical movement) in England and Wales with the Liberal Party . This continued until the First World War . The Presbyterians played a similar role as a religious voice for reform in Scotland. Religion was politically controversial during this era, with Nonconformists pushing for the disestablishment of
959-455: A fashion among employers for providing welfare services to their workers, led to relative social stability. The Chartist movement for working-class men to be given the right to vote, which had been prominent in the early Victorian period, dissipated. Government involvement in the economy was limited. Only in the post-World War II period , around a century later, did the country experience substantial economic growth again. But whilst industry
1096-512: A large hall with tables at which drink was served, changed to that of a drink-free auditorium . The acceptance of music hall as a legitimate cultural form was established by the first Royal Variety Performance before King George V during 1912 at the Palace Theatre. However, consistent with this new respectability the best-known music hall entertainer of the time, Marie Lloyd , was not invited, being deemed too "saucy" for presentation to
1233-445: A major employer and industry in their own right. Expected standards of personal conduct changed in around the first half of the 19th century, with good manners and self-restraint becoming much more common. Historians have suggested various contributing factors, such as Britain's major conflicts with France during the early 19th century, meaning that the distracting temptations of sinful behaviour had to be avoided in order to focus on
1370-552: A military recruitment drive. In the guise of characters like 'Tommy in the Trench' and 'Jack Tar Home from Sea', Tilley performed songs such as "The army of today's all right" and "Jolly Good Luck to the Girl who Loves a Soldier". This is how she got the nickname Britain's best recruiting sergeant – young men were sometimes asked to join the army on stage during her show. She also performed in hospitals and sold war bonds . Her husband
1507-443: A mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts. Originating in saloon bars within pubs during the 1830s, music hall entertainment became increasingly popular with audiences. So much so, that during
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#17327761710971644-635: A music hall song consists of a series of verses sung by the performer alone, and a repeated chorus which carries the principal melody, and in which the audience is encouraged to join. Victorian era In the history of the United Kingdom and the British Empire , the Victorian era was the reign of Queen Victoria , from 20 June 1837 until her death on 22 January 1901. Slightly different definitions are sometimes used. The era followed
1781-439: A period between the 1860s and 1880s subject to spot compulsory examinations for sexually transmitted infections , and detainment if they were found to be infected. This caused a great deal of resentment among women in general due to the principle underlying the checks, that women had to be controlled in order to be safe for sexual use by men, and the checks were opposed by some of the earliest feminist campaigning. Pop goes
1918-430: A rise in prosecutions for illegal sodomy in the middle of the 19th century. Male sexuality became a favourite subject of medical researchers' study. For the first time, all male homosexual acts were outlawed. Concern about sexual exploitation of adolescent girls increased during the period, especially following the white slavery scandal , which contributed to the increasing of the age of consent from 13 to 16 . At
2055-546: A role in economic life but exploitation of their labour became especially intense during the Victorian era. Children were put to work in a wide range of occupations, but particularly associated with this period are factories. Employing children had advantages, as they were cheap, had limited ability to resist harsh working conditions, and could enter spaces too small for adults. Some accounts exist of happy upbringings involving child labour, but conditions were generally poor. Pay
2192-831: A separate bar-room. Major music halls were based around London. Early examples included: the Canterbury Music Hall in Lambeth , Wilton's Music Hall in Tower Hamlets , and The Middlesex in Drury Lane , otherwise known as the Old Mo. By the mid-19th century, the halls cried out for many new and catchy songs. As a result professional songwriters were enlisted to provide the music for a plethora of star performers, such as Marie Lloyd , Dan Leno , Little Tich , and George Leybourne . All manner of other entertainment
2329-548: A show called La Revue Nègre at the Théâtre des Champs-Élysées . She became an immediate success for her erotic dancing , and for appearing practically nude on stage. After a successful tour of Europe, she returned to France to star at the Folies Bergère . Baker performed the 'Danse sauvage,' wearing a costume consisting of a skirt made of a string of artificial bananas. The music-halls suffered growing hardships in
2466-573: A substantial part of the metropolis... In big, once handsome houses, thirty or more people of all ages may inhabit a single room Hunger and poor diet was a common aspect of life across the UK in the Victorian period, especially in the 1840s, but the mass starvation seen in the Great Famine in Ireland was unique. Levels of poverty fell significantly during the 19th century from as much as two thirds of
2603-475: A symbol of the British Empire. Queen Victoria died on 22 January 1901. The Victorian era saw a rapidly growing middle class who became an important cultural influence, to a significant extent replacing the aristocracy as British society's dominant class. A distinctive middle-class lifestyle developed that influenced what society valued as a whole. Increased importance was placed on the value of
2740-687: A time when job options for women were limited and generally low-paying, some women, particularly those without familial support, took to prostitution to support themselves. Attitudes in public life and among the general population to prostitution varied. Evidence about prostitutes' situation also varies. One contemporary study argues that the trade was a short-term stepping stone to a different lifestyle for many women, while another, more recent study argues they were subject to physical abuse, financial exploitation, state persecution, and difficult working conditions. Due to worries about venereal disease , especially among soldiers, women suspected of prostitution were for
2877-474: A well-known pawn establishment in the 1850s. In this Cockney interpretation, "weasel" is Cockney rhyming slang for "weasel and stoat" meaning "coat". Thus, to "pop the weasel" meant to pawn your coat. However, one author notes that the Cockney rhyming slang "weasel and stoat" was not used until the 1930s. Another early source says weasel was slang for silver-plate cups and dishes or anything of value that
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#17327761710973014-461: A wide range of new inventions. This led Great Britain to become the foremost industrial and trading nation of the time. Historians have characterised the mid-Victorian era (1850–1870) as Britain's 'Golden Years', with national income per person increasing by half. This prosperity was driven by increased industrialisation, especially in textiles and machinery, along with exports to the empire and elsewhere. The positive economic conditions, as well as
3151-569: A wide-ranging change to the electoral system of England and Wales . Definitions that purport a distinct sensibility or politics to the era have also created scepticism about the worth of the label 'Victorian', though there have also been defences of it. Michael Sadleir was insistent that "in truth, the Victorian period is three periods, and not one". He distinguished early Victorianism—the socially and politically unsettled period from 1837 to 1850 —and late Victorianism (from 1880 onwards), with its new waves of aestheticism and imperialism , from
3288-491: Is dying, and with it, a significant part of England. Some of the heart of England has gone; something that once belonged to everyone, for this was truly a folk art. Moss Empires , the largest British music hall chain, closed the majority of its theatres in 1960, closely followed by the death of music hall stalwart Max Miller in 1963, prompting one contemporary to write that: "Music-halls ... died this afternoon when they buried Max Miller". Miller himself had sometimes said that
3425-477: Is named as the arranger of the music. Adding support to Coulon's role is an advertisement from a dance teacher, Madame Catarina St. Louin, offering lessons in the "latest and most fashionable dances, including "Pop goes the Weasel","La Tempéte", and "Coulon's Quadrille", by permission of M. Eugène Coulon, as lately introduced by him at Her Majesty's and the Nobility's Balls". The Jullien & Co. publication with
3562-456: Is now called classical music was somewhat undeveloped compared to parts of Europe but did have significant support. Photography became an increasingly accessible and popular part of everyday life. Many sports were introduced or popularised during the Victorian era. They became important to male identity. Examples included cricket , football , rugby , tennis and cycling . The idea of women participating in sport did not fit well with
3699-645: The Bath Chronicle featured an advertisement from dance master, Mr. T. B. Moutrie, for "instruction in the highly fashionable dances" including "Pop Goes the Weasel" . Sheet music dated 1853 at the British Library describes it as "An Old English Dance, as performed at Her Majesty's & The Nobilities Balls, with the Original Music". Also In 1853, American sheet music referred to it as "an old English Dance lately revived". Originally,
3836-481: The Southern Literary Messenger published a new verse: Queen Victoria's very sick, Prince Albert's got the measles. The children have the whooping cough, And pop! Goes the weasel. In New York in 1901, the opening lines were, "All around the chicken coop / The possum chased the weasel." By the mid-20th century, the standard United States version had replaced the "cobbler's bench" with
3973-726: The Alhambra (1866), the first to be called a music hall, and the Olympia (1893). The Printania (1903) was a music-garden, open only in summer, with a theater, restaurant, circus, and horse-racing. Older theaters also transformed themselves into music halls, including the Bobino (1873), the Bataclan (1864), and the Alcazar (1858). At the beginning, music halls offered dance reviews, theater and songs, but gradually songs and singers became
4110-545: The Champs-Élysées , was frequented by the upper and lower classes alike. He persuaded her to sing despite her extreme nervousness. Leplée taught her the basics of stage presence and told her to wear a black dress, which became her trademark apparel. Leplée ran an intense publicity campaign leading up to her opening night, attracting the presence of many celebrities, including Maurice Chevalier. Her nightclub appearance led to her first two records produced that same year, and
4247-530: The Church of England . Nonconformists comprised about half of church attendees in England in 1851, and gradually the legal discrimination that had been established against them outside of Scotland was removed. Legal restrictions on Roman Catholics were also largely removed . The number of Catholics grew in Great Britain due to conversions and immigration from Ireland . Secularism and doubts about
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4384-713: The City Road in east London. According to John Hollingshead , proprietor of the Gaiety Theatre, London (originally the Strand Music Hall), this establishment was "the father and mother, the dry and wet nurse of the Music Hall". Later known as the Grecian Theatre, it was here that Marie Lloyd made her début at the age of 14 in 1884. It is still famous because of an English nursery rhyme, with
4521-748: The Coal Hole in The Strand , the Cyder Cellars in Maiden Lane, Covent Garden and the Mogul Saloon in Drury Lane . The music hall as we know it developed from such establishments during the 1850s and were built in and on the grounds of public houses. Such establishments were distinguished from theatres by the fact that in a music hall you would be seated at a table in the auditorium and could drink alcohol and smoke tobacco whilst watching
4658-613: The Cremorne Gardens . These latter became subject to urban development and became fewer and less popular. From the mid-19th century music halls spread to the provincial cities, such as Bristol. The saloon was a room where for an admission fee or a greater price at the bar, singing, dancing, drama or comedy was performed. The most famous London saloon of the early days was the Grecian Saloon , established in 1825, at The Eagle (a former tea-garden), 2 Shepherdess Walk, off
4795-585: The Durham Regatta . By December 1852, "Pop Goes The Weasel" was a popular social dance in England. A ball held in Ipswich on 13 December 1852 ended with "a country dance, entitled 'Pop Goes the Weasel', one of the most mirth inspiring dances which can well be imagined." On 24 December 1852, an ad in the Birmingham Journal offered lessons in the "Pop Goes The Weasel" dance, described as
4932-755: The Georgian era and preceded the Edwardian era , and its later half overlaps with the first part of the Belle Époque era of continental Europe. Various liberalising political reforms took place in the UK, including expanding the electoral franchise. The Great Famine caused mass death in Ireland early in the period. The British Empire had relatively peaceful relations with the other great powers . It participated in various military conflicts mainly against minor powers. The British Empire expanded during this period and
5069-597: The Metropolitan Board of Works and London County Council , and because of commercial competition between popular large suburban halls and the smaller venues, which put the latter out of business. A few of the UK's music halls have survived and have retained many of their original features. Among the best examples are: A new era of variety theatre was developed by the rebuilding of the London Pavilion in 1885. Contemporary accounts noted: Hitherto
5206-666: The Palace Theatre of Varieties , managed by Charles Morton . Denied by the newly created LCC permission to construct the promenade, which was such a popular feature of the Empire and Alhambra, the Palace compensated in the way of adult entertainment by featuring apparently nude women in tableaux vivants , though the concerned LCC hastened to reassure patrons that the girls who featured in these displays were actually wearing flesh-toned body stockings and were not naked at all. One of
5343-570: The Pax Britannica , was a time of relatively peaceful relations between the world's great powers . This is particularly true of Britain's interactions with the others. The only war in which the British Empire fought against another major power was the Crimean War , from 1853 to 1856. There were various revolts and violent conflicts within the British Empire, and Britain participated in wars against minor powers. It also took part in
5480-525: The 'Old Mo', it was built on the site of the Mogul Saloon. Later converted into a theatre it was demolished in 1965. The New London Theatre stands on its site. Several large music halls were built in the East End . These included the London Music Hall, otherwise known as The Shoreditch Empire, 95–99 Shoreditch High Street , (1856–1935). This theatre was rebuilt during 1894 by Frank Matcham ,
5617-587: The 'workshop of the world', Britain was uniquely advanced in technology in the mid-19th century. Engineering, having developed into a profession in the 18th century, gained new profile and prestige in this period. The Victorian era saw methods of communication and transportation develop significantly. In 1837, William Fothergill Cooke and Charles Wheatstone invented the first telegraph system . This system, which used electrical currents to transmit coded messages, quickly spread across Britain, appearing in every town and post office. A worldwide network developed towards
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5754-424: The 1850s a distinct musical style. Subject matter became more contemporary and humorous, and accompaniment was provided by larger house-orchestras, as increasing affluence gave the lower classes more access to commercial entertainment, and to a wider range of musical instruments, including the piano. The consequent change in musical taste from traditional to more professional forms of entertainment, arose in response to
5891-403: The 1850s some public houses were demolished, and specialised music hall theatres developed in their place. These theatres were designed chiefly so that people could consume food and alcohol and smoke tobacco in the auditorium while the entertainment took place, with the cheapest seats located in the gallery. This differed from the conventional type of theatre, which seats the audience in stalls with
6028-587: The 1880s, sanitation was inadequate in areas such as water supply and disposal of sewage. This all had a negative effect on health, especially that of the impoverished young. For instance, of the babies born in Liverpool in 1851, only 45 per cent survived to age 20. It had been hoped that there would be a rapid improvement following the Public Baths and Wash-houses Act 1846. This was the first legislation to empower local authorities in England and Wales to fund
6165-576: The 1930s. The Olympia was converted into a movie theater, and others closed. Others however continued to thrive. In 1937 and 1930, the Casino de Paris presented shows with Maurice Chevalier , who had already achieved success as an actor and singer in Hollywood . In 1935, a twenty-year old singer named Édith Piaf was discovered in the Pigalle by nightclub owner Louis Leplée , whose club, Le Gerny, off
6302-413: The 19th century and germ theory was developed for the first time. Doctors became more specialised and the number of hospitals grew. The overall number of deaths fell by about 20%. The life expectancy of women increased from around 42 to 55 and 40 to 56 for men. In spite of this, the mortality rate fell only marginally, from 20.8 per thousand in 1850 to 18.2 by the end of the century. Urbanisation aided
6439-550: The 19th century for the first time in history, improved nutrition, and a lower overall mortality rate. Ireland's population shrank significantly, mostly due to emigration and the Great Famine. The professionalisation of scientific study began in parts of Europe following the French Revolution but was slow to reach Britain. William Whewell coined the term 'scientist' in 1833 to refer to those who studied what
6576-454: The Bible. A variety of reading materials grew in popularity during the period, including novels, women's magazines, children's literature, and newspapers. Much literature, including chapbooks , was distributed on the street. Music was also very popular, with genres such as folk music , broadsides , music halls , brass bands , theater music and choral music having mass appeal. What
6713-490: The British Empire, reform included rapid expansion, the complete abolition of slavery in the African possessions and the end of transportation of convicts to Australia . Restrictions on colonial trade were loosened and responsible (i.e. semi-autonomous) government was introduced in some territories. Throughout most of the 19th century Britain was the most powerful country in the world. The period from 1815 to 1914 , known as
6850-614: The Casino de Paris in 1895, and continued to appear regularly in the 1920s and 1930s at the Folies Bergère , Moulin Rouge and Eldorado. Her risqué routines captivated Paris, and she became one of the most highly-paid and popular French entertainers of her time. One of the most popular entertainers in Paris during the period was the American singer Josephine Baker . Baker sailed to Paris, France. She first arrived in Paris in 1925 to perform in
6987-471: The Eagle, That's the way the money goes , Pop! Goes the weasel. Every night when I go out, The monkey's on the table, Take a stick and knock it off, Pop! Goes the weasel. A penny for a spool of thread A penny for a needle, That's the way the money goes, Pop! Goes the weasel. All around the cobbler's bench The monkey chased the weasel; The monkey thought 'twas all in fun, Pop! Goes
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#17327761710977124-599: The Hungerford or Gatti's Hungerford Palace of Varieties. It became a cinema in 1910, and the Players' Theatre in 1946. By 1865, there were 32 music halls in London seating between 500 and 5,000 people plus an unknown, but large, number of smaller venues. Numbers peaked in 1878, with 78 large music halls in the metropolis and 300 smaller venues. Thereafter numbers declined due to stricter licensing restrictions imposed by
7261-553: The Origin of Species (1859), which sought to explain biological evolution by natural selection, gained a high profile in the public consciousness. Simplified (and at times inaccurate) popular science was increasingly distributed through a variety of publications which caused tension with the professionals. There were significant advances in various fields of research, including statistics , elasticity , refrigeration , natural history , electromagnetism , and logic . Known as
7398-408: The Victorian era covers the duration of Victoria's reign as Queen of the United Kingdom of Great Britain and Ireland , from her accession on 20 June 1837—after the death of her uncle, William IV —until her death on 22 January 1901, after which she was succeeded by her eldest son, Edward VII . Her reign lasted 63 years and seven months, a longer period than any of her predecessors. The term 'Victorian'
7535-420: The Victorian heyday: mid-Victorianism, 1851 to 1879. He saw the latter period as characterised by a distinctive mixture of prosperity, domestic prudery , and complacency —what G. M. Trevelyan called the 'mid-Victorian decades of quiet politics and roaring prosperity'. The Reform Act , which made various changes to the electoral system including expanding the franchise, had been passed in 1832. The franchise
7672-638: The Victorian view of femininity, but their involvement did increase as the period progressed. For the middle classes, many leisure activities such as table games could be done in the home while domestic holidays to rural locations such as the Lake District and Scottish Highlands were increasingly practical. The working classes had their own culture separate from that of their richer counterparts, various cheaper forms of entertainment and recreational activities provided by philanthropy . Trips to resorts such as Blackpool were increasingly popular towards
7809-537: The Weasel", and from the title should be a comical affair". That Frenchman was probably either Eugené Coulon or Louis-Antoine Jullien , as four days later in The Times, London, music publishers Jullien & Co. advertised "Pop goes the Weasel: the new dance recently introduced ...is now published with the original music and a full explanation of the figures, by Mons. E. Coulon." In a later advertisement George Thompson
7946-451: The West." The rapid growth in the urban population included the new industrial and manufacturing cities, as well as service centres such as Edinburgh and London. Private renting from housing landlords was the dominant tenure. P. Kemp says this was usually of advantage to tenants. Overcrowding was a major problem with seven or eight people frequently sleeping in a single room. Until at least
8083-504: The accuracy of the Old Testament grew among people with higher levels of education. Northern English and Scottish academics tended to be more religiously conservative, whilst agnosticism and even atheism (though its promotion was illegal) gained appeal among academics in the south. Historians refer to a 'Victorian Crisis of Faith', a period when religious views had to readjust to accommodate new scientific knowledge and criticism of
8220-673: The architect of the Hackney Empire . Another in this area was the Royal Cambridge Music Hall, 136 Commercial Street (1864–1936). Designed by William Finch Hill (the designer of the Britannia theatre in nearby Hoxton), it was rebuilt after a fire in 1898. The construction of Weston's Music Hall , High Holborn (1857), built up on the site of the Six Cans and Punch Bowl Tavern by the licensed victualler of
8357-410: The attention of an often jaded and unruly urban audience. In America, from the 1840s, Stephen Foster had reinvigorated folk song with the admixture of Negro spiritual to produce a new type of popular song. Songs like " Old Folks at Home " (1851) and " Oh, Dem Golden Slippers " (James Bland, 1879]) spread round the globe, taking with them the idiom and appurtenances of the minstrel song. Typically,
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#17327761710978494-411: The basis for welfare provision into the 20th century. While many people were prone to vices, not least alcoholism, historian Bernard A. Cook argues that the main reason for 19th century poverty was that typical wages for much of the population were simply too low. Barely enough to provide a subsistence living in good times, let alone save up for bad. Improvements were made over time to housing along with
8631-518: The beginning of her career. Competition from movies and television largely brought an end to the Paris music hall. However, a few still flourish, with tourists as their primary audience. Major music halls include the Folies-Bergere , Crazy Horse Saloon , Casino de Paris , Olympia , and Moulin Rouge . The musical forms most associated with music hall evolved in part from traditional folk song and songs written for popular drama, becoming by
8768-413: The building of public baths and wash houses but, since the act was only permissive rather than mandatory, improvement was slow. Conditions were particularly bad in London, where the population rose sharply and poorly maintained, overcrowded dwellings became slum housing. Kellow Chesney wrote of the situation: Hideous slums, some of them acres wide, some no more than crannies of obscure misery, make up
8905-489: The children in school; in 1840 only about 20 per cent of the children in London had any schooling. By the 1850s, around half of the children in England and Wales were in school (not including Sunday school ). From the 1833 Factory Act onwards, attempts were made to get child labourers into part time education, though this was often difficult to achieve. Only in the 1870s and 1880s did children begin to be compelled into school. Work continued to inhibit children's schooling into
9042-459: The dance as either a rhyme or the lyrics of another song dating to the 1600s. Regardless, there are many different versions of the lyrics . In England, most versions share the basic verse: Half a pound of tuppenny rice, Half a pound of treacle . That's the way the money goes, Pop! Goes the weasel . The most common additional verses are: Up and down the City Road, In and out
9179-446: The dance was an instrumental jig except for the refrain "pop goes the weasel" which was sung or shouted as one pair of dancers moved under the arms of the other dancers. The British Library's 1853 tune is very similar to that used today but the only lyrics are "pop goes the weasel". The Library of Congress has similar sheet music with an arrangement by James W. Porter in 1853. Like its British counterpart, its only lyrics are "pop goes
9316-415: The dancers to this jig, the spinner's weasel revolves, but to measure the thread or yarn produced on a spinning wheel. Forty revolutions of most weasels produce eighty yards (73 m) of yarn or a skein. The weasel's wooden gears are designed to make a popping sound after the 40th revolution to tell the spinner that the skein is completed. Iona and Peter Opie observed that no one seemed to know what
9453-567: The diplomatic struggles of the Great Game and the Scramble for Africa . In 1840, Queen Victoria married her German cousin Prince Albert of Saxe-Coburg and Gotha . The couple had nine children, who themselves married into various royal families, and the queen thus became known as the 'grandmother of Europe'. In 1861, Albert died. Victoria went into mourning and withdrew from public life for ten years. In 1871, with republican sentiments growing in Britain, she began to return to public life. In her later years, her popularity soared as she became
9590-401: The early 20th century. 19th-century Britain saw a huge population increase accompanied by rapid urbanisation stimulated by the Industrial Revolution. In the 1901 census , more than three out of every four people were classified as living in an urban area, compared to one in five a century earlier. Historian Richard A. Soloway wrote that "Great Britain had become the most urbanized country in
9727-424: The end of period. Initially the industrial revolution increased working hours, but over the course of the 19th century a variety of political and economic changes caused them to fall back down to and in some cases below pre-industrial levels, creating more time for leisure. Before the Industrial Revolution, daily life had changed little for hundreds of years. The 19th century saw rapid technological development with
9864-453: The end of the century. Private education for wealthier children, boys and more gradually girls, became more formalised over the course of the century. The growing middle class and strong evangelical movement placed great emphasis on a respectable and moral code of behaviour. This included features such as charity, personal responsibility, controlled habits, child discipline and self-criticism. As well as personal improvement, importance
10001-470: The end of the century. In 1876, an American patented the telephone . A little over a decade later, 26,000 telephones were in service in Britain. Multiple switchboards were installed in every major town and city. Guglielmo Marconi developed early radio broadcasting at the end of the period. The railways were important economically in the Victorian era, allowing goods, raw materials, and people to be moved around, stimulating trade and industry. They were also
10138-516: The family, and the idea that marriage should be based on romantic love gained popularity. A clear separation was established between the home and the workplace, which had often not been the case before. The home was seen as a private environment, where housewives provided their husbands with a respite from the troubles of the outside world. Within this ideal, women were expected to focus on domestic matters and to rely on men as breadwinners. Women had limited legal rights in most areas of life, and
10275-414: The first time. Whilst some attempts were made to improve living conditions, slum housing and disease remained a severe problem. The period saw significant scientific and technological development. Britain was advanced in industry and engineering in particular, but somewhat undeveloped in art and education. Great Britain's population increased rapidly, while Ireland's fell sharply. In the strictest sense,
10412-498: The form of variety, and many music hall performers failed to make the transition. They were deemed old-fashioned, and with the closure of many halls, music hall entertainment ceased and modern-day variety began. Music-halls had their origins in 18th century London. They grew with the entertainment provided in the new style saloon bars of pubs during the 1830s. These venues replaced earlier semi-rural amusements provided by fairs and suburban pleasure gardens such as Vauxhall Gardens and
10549-425: The genre would die with him. Many music hall performers, unable to find work, fell into poverty; some did not even have a home, having spent their working lives living in digs between performances. Stage and film musicals, however, continued to be influenced by the music hall idiom, including Oliver! , Dr Dolittle and My Fair Lady . The BBC series The Good Old Days , which ran for thirty years, recreated
10686-560: The gramophone damaged its popularity greatly. It now had to compete with jazz , swing and big band dance music. Licensing restrictions also changed its character. In 1914, the London County Council (LCC) enacted that drinking be banished from the auditorium into a separate bar and, during 1923, the separate bar was abolished by parliamentary decree. The exemption of the theatres from this latter act prompted some critics to denounce this legislation as an attempt to deprive
10823-594: The grandest of these new halls was the Coliseum Theatre built by Oswald Stoll in 1904 at the bottom of St Martin's Lane . This was followed by the London Palladium (1910) in Argyll Street . Both were designed by the prolific Frank Matcham . As music hall grew in popularity and respectability, and as the licensing authorities exercised ever firmer regulation, the original arrangement of
10960-608: The halls had borne unmistakeable evidence of their origins, but the last vestiges of their old connections were now thrown aside, and they emerged in all the splendour of their new-born glory. The highest efforts of the architect, the designer and the decorator were enlisted in their service, and the gaudy and tawdry music hall of the past gave way to the resplendent "theatre of varieties" of the present day, with its classic exterior of marble and freestone, its lavishly appointed auditorium and its elegant and luxurious foyers and promenades brilliantly illuminated by myriad electric lights One of
11097-554: The inside and back, Four Bars – and down outside to the other end of the line, Four Bars, which finishes the Figure – The next couple follows, &c. &c. By 1854, Louis S. D. Rees "changed completely" the arrangement with "easy & brilliant variations". A modern music historian notes, "This bravura version introduces the theme as a jig, as in the original, but the variations are in 2/4 and 4/4, much better for showing off fast fingerwork. No dancing to this one!" The popular dance
11234-418: The late 19th century, the nursery rhyme was used with a British children's game similar to musical chairs . The players sing the first verse while dancing around rings. There is always one ring less than the number of players. When the "pop goes the weasel" line is reached, the players rush to secure a ring. The player that fails to secure a ring is eliminated as a "weasel". There are succeeding rounds until
11371-556: The main attraction. Paris music halls all faced stiff competition in the interwar period from the most popular new form of entertainment, the cinema . They responded by offering more complex and lavish shows. In 1911, the Olympia had introduced the giant stairway as a set for its productions, an idea copied by other music halls. Gaby Deslys rose in popularity and created, with her dance partner Harry Pilcer , her most famous dance The Gaby Glide . The singer Mistinguett made her debut
11508-447: The main demands, including a minimum wage and maximum working week for musicians. Several music hall entertainers such as Marie Dainton , Marie Lloyd , Arthur Roberts , Joe Elvin and Gus Elen were strong advocates of the strike, though they themselves earned enough not to be concerned personally in a material sense. Lloyd explained her advocacy: We (the stars) can dictate our own terms. We are fighting not for ourselves, but for
11645-420: The management of sewage and water eventually giving the UK the most advanced system of public health protection anywhere in the world. The quality and safety of household lighting improved over the period with oil lamps becoming the norm in the early 1860s, gas lighting in the 1890s and electric lights beginning to appear in the homes of the richest by the end of the period. Medicine advanced rapidly during
11782-518: The mid-1950s, rock and roll , whose performers initially topped music hall bills, attracted a young audience who had little interest in the music hall acts, while driving the older audience away. The final demise was competition from television, which grew popular after the Queen's coronation was televised. Some music halls tried to retain an audience by putting on striptease acts. In 1957, the playwright John Osborne delivered this elegy: The music hall
11919-444: The middle of the 19th century to 'diminished cruelty to animals, criminals, lunatics, and children (in that order)'. Legal restrictions were placed on cruelty to animals. Restrictions were placed on the working hours of child labourers in the 1830s and 1840s. Further interventions took place throughout the century to increase the level of child protection. Use of the death penalty also decreased. Crime rates fell significantly in
12056-494: The middle- and working-classes a role in politics. However, all women and a large minority of men remained outside the system into the early 20th century. Cities were given greater political autonomy and the labour movement was legalised. From 1845 to 1852, the Potato Famine caused mass starvation, disease and death in Ireland, sparking large-scale emigration. The Corn Laws were repealed in response to this. Across
12193-589: The monarchy. The development of syndicates controlling a number of theatres, such as the Stoll circuit, increased tensions between employees and employers. On 22 January 1907, a dispute between artists, stage hands and managers of the Holborn Empire worsened. Strikes in other London and suburban halls followed, organised by the Variety Artistes' Federation. The strike lasted for almost two weeks and
12330-507: The most famous of these new palaces of pleasure in the West End was the Empire, Leicester Square , built as a theatre in 1884 but acquiring a music hall licence in 1887. Like the nearby Alhambra this theatre appealed to the men of leisure by featuring alluring ballet dancers, and had a notorious promenade which was the resort of courtesans. Another spectacular example of the new variety theatre
12467-527: The music hall for the modern audience, and the Paul Daniels Magic Show allowed several speciality acts a television presence from 1979 to 1994. Aimed at a younger audience, but still owing a lot to the music hall heritage, was the late-1970s’ television series, The Muppet Show . The music hall was first imported into France in its British form in 1862, but under the French law protecting
12604-474: The new roles women were taking in society. Possibly the most notorious of music hall songs from the First World War was " Oh! It's a lovely war " ( 1917 ), popularised by male impersonator Ella Shields . Music hall continued during the interwar period , no longer the single dominant form of popular entertainment in Britain. The improvement of cinema, the development of radio, and the cheapening of
12741-416: The nineteenth century, the first purpose-built music halls were being built in London. The halls created a demand for new and catchy popular songs, that could no longer be met from the traditional folk song repertoire. Professional songwriters were enlisted to fill the gap. The emergence of a distinct music hall style can be credited to a fusion of musical influences. Music hall songs needed to gain and hold
12878-470: The oldest known source that pairs the name to this tune. Miller and Beacham's music was a variation of "The Haymakers", a tune dating back to the 1700s. Gow's Repository of the Dance Music of Scotland (1799 to 1820), included "The Haymakers" as a country dance or jig. One modern expert believes the tune, like most jigs, originated in the 1600s. In June 1852, the boat Pop Goes The Weasel competed in
13015-430: The original music arranged by George Thompson is the oldest known music for the dance. In it Coulon described Pop goes the Weasel "as a very old and a very animated English dance that has lately been revived among the higher classes of society", and as his instructions were soon copied by other music publishers, with and without attribution, he appears to have been the authority for the dance. The lyrics may have predated
13152-417: The other. The halls had recovered by the start of the First World War and were used to stage charity events in aid of the war effort. Music hall entertainment continued after the war, but became less popular due to upcoming jazz , swing , and big-band dance music acts. Licensing restrictions had also changed, and drinking was banned from the auditorium. A new type of music hall entertainment had arrived, in
13289-569: The phrase meant at the height of the dance craze in the 1850s. It may just be a nonsensical phrase. However, one further explanation links the lyrics of the popular nursery rhyme to the East London colloquial dialect of the 1800’s, known as “Cockney Rhyming Slang”. In this dialect “weasel” relates to “weasel and stoat”, or coat, and “pop” relates the “pop shop” or pawnbrokers shop. The rhyme describes someone running short of money purchasing rice and treacle (metaphor for life’s essentials); “that’s
13426-466: The poorer members of the profession, earning thirty shillings to £3 a week. For this they have to do double turns, and now matinées have been added as well. These poor things have been compelled to submit to unfair terms of employment, and I mean to back up the federation in whatever steps are taken. World War I may have been the high-water mark of music hall popularity. The artists and composers threw themselves into rallying public support and enthusiasm for
13563-514: The population in 1800 to less than a third by 1901. However, 1890s studies suggested that almost 10% of the urban population lived in a state of desperation lacking the food necessary to maintain basic physical functions. Attitudes towards the poor were often unsympathetic and they were frequently blamed for their situation. In that spirit, the Poor Law Amendment Act 1834 had been deliberately designed to punish them and would remain
13700-557: The premises, Henry Weston, signalled that the West End was fruitful territory for the music hall. During 1906 it was rebuilt as a variety theatre and renamed as the Holborn Empire . It was closed as a result of German action in the Blitz on the night of 11–12 May 1941 and the building was pulled down in 1960. Significant West End music halls include: Other large suburban music halls included: A noted music hall entrepreneur of this time
13837-473: The rapid industrialisation and urbanisation of previously rural populations during the Industrial Revolution . The newly created urban communities, cut off from their cultural roots, required new and readily accessible forms of entertainment. Music halls were originally tavern rooms which provided entertainment, in the form of music and speciality acts, for their patrons. By the middle years of
13974-405: The second half of the 19th century. Sociologist Christie Davies linked this change to attempts to morally educate the population, especially at Sunday schools . Contrary to popular belief, Victorian society understood that both men and women enjoyed copulation . Chastity was expected of women, whilst attitudes to male sexual behaviour were more relaxed. The development of police forces led to
14111-416: The second verse says that visiting the Eagle causes one's money to vanish, necessitating a trip up the City Road to Uncle [the pawn shop] to raise some cash." Today, The Eagle has the lyrics to this verse painted on a plaque on its façade. In the third verse, the monkey may relate to a drinking vessel. In the 19th century, sailors referred to the glazed jugs used in public houses as "monkey". A "stick"
14248-489: The show. In a theatre, by contrast, the audience was seated in stalls and there was a separate bar-room. An exception to this rule was the Britannia Theatre , Hoxton (1841) which somehow managed to evade this regulation and served drinks to its customers. Though a theatre rather than a music hall, this establishment later hosted music-hall variety acts. The establishment often regarded as the first true music hall
14385-489: The slang use of the word for money worries, as in "monkey on your back". To be chased by the monkey could mean having money troubles—one way out was to pawn your coat. It also might refer to the actual animal, commonly associated with the organ grinders who played this jig. With some versions and interpretations of the lyrics, "pop goes the weasel" is said to be erotic or ribald, including a crude metaphor for sexual intercourse. In her autobiographical novel Little House in
14522-493: The somewhat mysterious lyrics: Up and down the City Road In and out The Eagle That's the way the money goes Pop goes the weasel . Another famous "song and supper" room of this period was Evans Music-and-Supper Rooms , 43 King Street, Covent Garden , established in the 1840s by W.H. Evans. This venue was also known as 'Evans Late Joys' – Joy being the name of the previous owner. Other song and supper rooms included
14659-416: The song as "street music" on the level of "negro tunes", saying it was "contagious and pestilent". In another newsletter, the society wrote, "Worst of all.. almost every species of ribaldry and low wit has been rendered into rhyme to suit it." In 1856, a letter to The Morning Post read, "For many months, everybody has been bored to death with the eternal grinding of this ditty on street." Since at least
14796-418: The song with sixteen verses. There has been much speculation about the meaning of the phrase and song title, "Pop Goes the Weasel". Some say a weasel is a tailor's flat iron, silver-plate dishes, a dead animal , a hatter's tool, or a spinner's weasel . One writer notes, "Weasels do pop their heads up when disturbed and it is quite plausible that this was the source of the name of the dance." Just like
14933-402: The spread of diseases and squalid living conditions in many places exacerbated the problem. The population of England, Scotland and Wales grew rapidly during the 19th century. Various factors are considered contributary to this, including a rising fertility rate (though it was falling by the end of the period), the lack of a catastrophic pandemic or famine in the island of Great Britain during
15070-476: The state theatres, performers could not wear costumes or recite dialogue, something only allowed in theaters. When the law changed in 1867, the Paris music hall flourished, and a half-dozen new halls opened, offering acrobats, singers, dancers, magicians, and trained animals. The first Paris music hall built specially for that purpose was the Folies-Bergere (1869); it was followed by the Moulin Rouge (1889),
15207-494: The time, one pound of rice pudding cost twopence (pronounced tuppence). Treacle is a delicious gooey syrup used as a topper to sweeten the rice pudding. A modern writer notes, it was "the cheapest and nastiest food" available to London's poor. Some lyrics in the British version may originate with Cockney slang and rhyming slang . In the mid-19th century, "pop" was a well-known slang term for pawning something—and City Road had
15344-402: The war effort, and the evangelical movement's push for moral improvement. There is evidence that the expected standards of moral behaviour were reflected in action as well as rhetoric across all classes of society. For instance, an analysis suggested that less than 5% of working class couples cohabited before marriage. Historian Harold Perkin argued that the change in moral standards led by
15481-521: The war effort. Patriotic music hall compositions such as "Keep the Home Fires Burning" ( 1914 ), "Pack up Your Troubles" ( 1915 ), " It's a Long Way to Tipperary " ( 1914 ) and " We Don't Want to Lose You (But We Think You Ought To Go) " ( 1914 ), were sung by music hall audiences, and sometimes by soldiers in the trenches. Many songs promoted recruitment ("All the boys in khaki get the nice girls", 1915); others satirised particular elements of
15618-567: The war experience. "What did you do in the Great war, Daddy" ( 1919 ) criticised profiteers and slackers; Vesta Tilley 's "I've got a bit of a blighty one" ( 1916 ) showed a soldier delighted to have a wound just serious enough to be sent home. The rhymes give a sense of grim humour ("When they wipe my face with sponges / and they feed me on blancmanges / I'm glad I've got a bit of a blighty one"). Tilley became more popular than ever during this time, when she and her husband, Walter de Frece , managed
15755-537: The way the money goes”. Subsequently, this forces them to sell (pop) their coat (weasel) to the pawnbroker (pop shop). Whilst speculative, this explanation does create a credible scenario that contextualises the peculiar phrase within a coherent narrative. Further, this would also relate the rhyme to day to day hardships of industrial Britain in a way that could be highly relatable and light hearted; running short of money and having to sell one’s coat. The first verse refers to "tuppenny rice" and "treacle" which are food. At
15892-399: The weasel " Pop! Goes the Weasel " ( Roud 5249) is a traditional English and American song, a country dance, nursery rhyme , and singing game that emerged in the mid-19th century. It is commonly used in jack-in-the-box toys and for ice cream trucks . In the early 1850s, Miller and Beacham of Baltimore published sheet music for "Pop goes the Weasel for Fun and Frolic". This is
16029-580: The weasel". Porter's version also describes the dance as taught at Mr. Sheldon's Academy in Philadelphia : FIGURES: Form in Two Lines – Top Couple Ballaneez, Four Bars – then Gallop down inside and back, Four Bars – take the next Lady, Hands Round Four Bars – then Two Bars back and (while all Sing Pop goes the Weasel) pass her under your arms to her Place – Repeat with the lady's Partner then Gallop down
16166-573: The weasel. When the song crossed the Atlantic in the 1850s, the British lyrics were still changing. In the United States, the most common lyrics are different and may have a separate origin. The following lyrics were printed in Boston in 1858: All around the cobbler's house, The monkey chased the people. And after them in double haste, Pop! goes the weasel. The March 1860 issue of
16303-479: The winner secures the last ring. In America, the tune became a standard in minstrel shows , featuring additional verses that frequently covered politics. Charley Twigg published his minstrel show arrangement in 1855 with the refrain "Pop goes de weasel.". On 24 December 1852, the newspaper, the Gloucester Journal reported "A new dance has been introduced by a Frenchman—it is called "Pop goes
16440-587: The working classes of their pleasures, as a form of social control, whilst sparing the supposedly more responsible upper classes who patronised the theatres (though this could be due to the licensing restrictions brought about due to the Defence of the Realm Act 1914 , which also applied to public houses). Even so, the music hall gave rise to such major stars as George Formby , Gracie Fields , Max Miller , Will Hay , and Flanagan and Allen during this period. In
16577-544: Was Carlo Gatti who built a music hall, known as Gatti's, at Hungerford Market in 1857. He sold the music hall to South Eastern Railway in 1862, and the site became Charing Cross railway station . With the proceeds from selling his first music hall, Gatti acquired a restaurant in Westminster Bridge Road , opposite The Canterbury music hall. He converted the restaurant into a second Gatti's music hall, known as "Gatti's-in-the-Road", in 1865. It later became
16714-514: Was knighted in 1919 for his own services to the war effort, and Tilley became Lady de Frece. Once the reality of war began to sink home, the recruiting songs all but disappeared – the Greatest Hits collection for 1915 published by top music publisher Francis and Day contains no recruitment songs. After conscription was brought in 1916, songs dealing with the war spoke mostly of the desire to return home. Many also expressed anxiety about
16851-421: Was a shot of alcohol such as rum or brandy. To "knock it off" meant to knock it back—or to drink it. The night out drinking used up all the money, conveyed in the lyrics "that's the way the money goes." The fourth verse relates to a tailor and clothing. Purchasing thread and needles may refer to paying for the items needed to work. The meaning of the fifth verse is more elusive. Here, "monkey" may refer to
16988-534: Was expanded again by the Second Reform Act in 1867. The Third Reform Act in 1884 introduced a general principle of one vote per household. All these acts and others simplified the electoral system and reduced corruption. Historian Bruce L Kinzer describes these reforms as putting the United Kingdom on the path towards becoming a democracy. The traditional aristocratic ruling class attempted to maintain as much influence as possible while gradually allowing
17125-485: Was generally then known as natural philosophy, but it took a while to catch on. Having been previously dominated by amateurs with a separate income, the Royal Society admitted only professionals from 1847 onwards. The British biologist Thomas Henry Huxley indicated in 1852 that it remained difficult to earn a living as a scientist alone. Scientific knowledge and debates such as that about Charles Darwin 's On
17262-448: Was given to social reform. Utilitarianism was another philosophy that saw itself as based on science rather than on morality, but also emphasised social progress. An alliance formed between these two ideological strands. The reformers emphasised causes such as improving the conditions of women and children, giving police reform priority over harsh punishment to prevent crime, religious equality, and political reform in order to establish
17399-473: Was in contemporaneous usage to describe the era. The era can also be understood in a more extensive sense—the 'long Victorian era'—as a period that possessed sensibilities and characteristics distinct from the periods adjacent to it, in which case it is sometimes dated to begin before Victoria's accession—typically from the passage of or agitation for (during the 1830s) the Reform Act 1832 , which introduced
17536-531: Was known as the Music Hall War . It became extremely well known, and was advocated enthusiastically by the main spokesmen of the trade union and Labour movement – Ben Tillett and Keir Hardie for example. Picket lines were organized outside the theatres by the artistes, while in the provinces theatre management attempted to oblige artistes to sign a document promising never to join a trade union. The strike ended in arbitration, which satisfied most of
17673-401: Was low, punishments severe, work was dangerous and disrupted children's development (often leaving them too tired to play even in their free time). Early labour could do lifelong harm; even in the 1960s and '70s, the elderly people of industrial towns were noted for their often unusually short stature, deformed physiques, and diseases associated with unhealthy working conditions. Reformers wanted
17810-484: Was of then unprecedented size. It was further extended in 1859, later rebuilt as a variety theatre and finally destroyed by German bombing in 1942. The Canterbury Hall became a model for music halls in other cities too, such as the Bristol Canterbury, which was built in 1850s as the first purpose-built music hall in the city. Another early music hall was The Middlesex, Drury Lane (1851). Popularly known as
17947-429: Was pawnable. In 1905, The London Globe and The New York Times published a story saying that a "weasel" was a coin purse made of weasel skin that closed with a "snap". The "Eagle" on City Road in the song's second verse may refer to a famous pub in London. The Eagle Tavern was on City Road , rebuilt as a music hall in 1825, and rebuilt in 1901 as a public house called The Eagle. As one writer concludes, "So
18084-527: Was performed on stage and in stage and dance halls. By late 1854, lyrics were added to the well-known tune, with the first singing performance possibly at the Grecian Theatre. In 1855, The National Society for Promoting the Education of the Poor in England and Wales wrote that the song, commonly played by hand–organs on the streets, had "senseless words". In their monthly newsletter, the society referred to
18221-458: Was performed: male and female impersonators, lions comiques , mime artists and impressionists, trampoline acts, and comic pianists (such as John Orlando Parry and George Grossmith ) were just a few of the many types of entertainments the audiences could expect to find over the next forty years. The Music Hall Strike of 1907 was an important industrial conflict. It was a dispute between artists and stage hands on one hand, and theatre managers on
18358-677: Was the Canterbury , 143 Westminster Bridge Road , Lambeth built by Charles Morton , afterwards dubbed "the Father of the Halls", on the site of a skittle alley next to his pub, the Canterbury Tavern. It opened on 17 May 1852 and was described by the musician and author Benny Green as being "the most significant date in all the history of music hall". The hall looked like most contemporary pub concert rooms, but its replacement in 1854
18495-669: Was the Tivoli in the Strand built 1888–90 in an eclectic neo-Romanesque style with Baroque and Moorish-Indian embellishments. " The Tivoli " became a brand name for music-halls all over the British Empire. During 1892, the Royal English Opera House, which had been a financial failure in Shaftesbury Avenue , applied for a music hall licence and was converted by Walter Emden into a grand music hall and renamed
18632-468: Was the predominant power in the world. Victorian society valued a high standard of personal conduct across all sections of society. The emphasis on morality gave impetus to social reform but also placed restrictions on certain groups' liberty. Prosperity rose during the period, but debilitating undernutrition persisted. Literacy and childhood education became near universal in Great Britain for
18769-432: Was well developed, education and the arts were mediocre. Wage rates continued to improve in the later 19th century: real wages (after taking inflation into account) were 65 per cent higher in 1901 compared to 1871. Much of the money was saved, as the number of depositors in savings banks rose from 430,000 in 1831 to 5.2 million in 1887, and their deposits from £14 million to over £90 million. Children had always played
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