Misplaced Pages

#295704

132-554: Vrana Palace ( Bulgarian : Дворец "Врана" , romanized :  Dvorets "Vrana" ; formerly Враня ; Vranya ) is a royal palace, on the outskirts of Sofia , the capital of Bulgaria . It is today the official residence of former royal family of Bulgaria . While the Royal Palace in the centre of Sofia (today the National Art Gallery and National Ethnographic Museum ) served representative purposes and

264-551: A Calvinist society, and the decline of religious painting in the 18th and 19th centuries all over Europe combined with Romanticism to give landscapes a much greater and more prestigious place in 19th-century art than they had assumed before. In England, landscapes had initially been mostly backgrounds to portraits, typically suggesting the parks or estates of a landowner, though mostly painted in London by an artist who had never visited his sitter's rolling acres. The English tradition

396-545: A topographical view . Such views, extremely common as prints in the West, are often seen as inferior to fine art landscapes, although the distinction is not always meaningful; similar prejudices existed in Chinese art, where literati painting usually depicted imaginary views, while professional artists painted real views. The word "landscape" entered the modern English language as landskip (variously spelt), an anglicization of

528-652: A triptych by Gerard David , dated to "about 1510–15", are the earliest from the Low Countries , and possibly in Europe. At the same time Joachim Patinir in the Netherlands developed the " world landscape " a style of panoramic landscape with small figures and using a high aerial viewpoint, that remained influential for a century, being used and perfected by Pieter Brueghel the Elder . The Italian development of

660-557: A background of dense trees in the Palace of the Popes, Avignon are probably a unique survival of what was a common subject. Several frescos of gardens have survived from Roman houses like the Villa of Livia . During the 14th century Giotto di Bondone and his followers began to acknowledge nature in their work, increasingly introducing elements of the landscape as the background setting for

792-501: A cinema hall and tea halls, the second storey is where the apartments are located, and the third one used to be allocated to the servants and the court. In 1918 Vrana passed from Tsar Ferdinand to Boris III . Here he faced the new government after the military coup on 9 June 1923. In August 1943, it became the property of Simeon II. The main palace was bombed by the RAF in 1943–1944 during World War II , and, after being partially damaged, it

924-489: A competition. These were closer to Chinese shan shui, but still fully coloured. Many more pure landscape subjects survive from the 15th century onwards; several key artists are Zen Buddhist clergy, and worked in a monochrome style with greater emphasis on brush strokes in the Chinese manner. Some schools adopted a less refined style, with smaller views giving greater emphasis to the foreground. A type of image that had an enduring appeal for Japanese artists, and came to be called

1056-532: A consonant and are feminine, as well as nouns that end in –а/–я (most of which are feminine, too) use –та. Nouns that end in –е/–о use –то. The plural definite article is –те for all nouns except for those whose plural form ends in –а/–я; these get –та instead. When postfixed to adjectives the definite articles are –ят/–я for masculine gender (again, with the longer form being reserved for grammatical subjects), –та for feminine gender, –то for neuter gender, and –те for plural. Both groups agree in gender and number with

1188-528: A dialect continuum, and there is no well-defined boundary where one language ends and the other begins. Within the limits of the Republic of North Macedonia a strong separate Macedonian identity has emerged since the Second World War, even though there still are a small number of citizens who identify their language as Bulgarian. Beyond the borders of North Macedonia, the situation is more fluid, and

1320-487: A factor in the popularity of Dutch 17th-century landscape painting and in the 19th century, as other nations attempted to develop distinctive national schools of painting, the attempt to express the special nature of the landscape of the homeland became a general tendency. In Russia, as in America, the gigantic size of paintings was itself a nationalist statement. In Poland the main representatives of landscape painting, in

1452-496: A gold sky populated not only by God and angels, but also a flying bird. A coastal scene in the Turin-Milan Hours has a sky overcast with carefully observed clouds. In woodcuts a large blank space can cause the paper to sag during printing, so Dürer and other artists often include clouds or squiggles representing birds to avoid this. The monochrome Chinese tradition has used ink on silk or paper since its inception, with

SECTION 10

#1732772736296

1584-476: A greater emphasis (with a great deal of Romantic exaggeration) on the raw, even terrifying power of nature. Frederic Edwin Church , a student of Cole, synthesized the ideas of his contemporaries with those of European Old Masters and the writings of John Ruskin and Alexander von Humboldt to become the foremost American landscape painter of the century. The best examples of Canadian landscape art can be found in

1716-421: A highly sophisticated aesthetic much earlier than those in the West; the karensansui or Japanese dry garden of Zen Buddhism takes the garden even closer to being a work of sculpture, representing a highly abstracted landscape. Japanese art initially adapted Chinese styles to reflect their interest in narrative themes in art, with scenes set in landscapes mixing with those showing palace or city scenes using

1848-528: A large number of amateur painters, many following the popular systems found in the books of Alexander Cozens and others. By the beginning of the 19th century the English artists with the highest modern reputations were mostly dedicated landscape painters, showing the wide range of Romantic interpretations of the English landscape found in the works of John Constable , J. M. W. Turner and Samuel Palmer . However all these had difficulty establishing themselves in

1980-660: A low position in the accepted hierarchy of genres , in East Asia the classic Chinese mountain-water ink painting was traditionally the most prestigious form of visual art. Aesthetic theories in both regions gave the highest status to the works seen to require the most imagination from the artist. In the West this was history painting , but in East Asia it was the imaginary landscape, where famous practitioners were, at least in theory, amateur literati , including several emperors of both China and Japan. They were often also poets whose lines and images illustrated each other. However, in

2112-502: A middle ground between the macrodialects. It allows palatalizaton only before central and back vowels and only partial reduction of / a / and / ɔ / . Reduction of / ɛ / , consonant palatalisation before front vowels and depalatalization of palatalized consonants before central and back vowels is strongly discouraged and labelled as provincial. Bulgarian has six vowel phonemes, but at least eight distinct phones can be distinguished when reduced allophones are taken into consideration. There

2244-446: A much smaller group of irregular nouns with zero ending which define tangible objects or concepts ( кръв /krɤf/ 'blood', кост /kɔst/ 'bone', вечер /ˈvɛtʃɛr/ 'evening', нощ /nɔʃt/ 'night'). There are also some commonly used words that end in a vowel and yet are masculine: баща 'father', дядо 'grandfather', чичо / вуйчо 'uncle', and others. The plural forms of the nouns do not express their gender as clearly as

2376-490: A number of phraseological units and sayings. The major exception are vocative forms, which are still in use for masculine (with the endings -е, -о and -ю) and feminine nouns (-[ь/й]о and -е) in the singular. In modern Bulgarian, definiteness is expressed by a definite article which is postfixed to the noun, much like in the Scandinavian languages or Romanian (indefinite: човек , 'person'; definite: човек ът , "

2508-536: A particular commission such as Cornelis de Man 's view of Smeerenburg in 1639. Compositional formulae using elements like the repoussoir were evolved which remain influential in modern photography and painting, notably by Poussin and Claude Lorrain , both French artists living in 17th century Rome and painting largely classical subject-matter, or Biblical scenes set in the same landscapes. Unlike their Dutch contemporaries, Italian and French landscape artists still most often wanted to keep their classification within

2640-496: A poet; mostly only copies of his works survive. From the 10th century onwards an increasing number of original paintings survive, and the best works of the Song dynasty (960–1279) Southern School remain among the most highly regarded in what has been an uninterrupted tradition to the present day. Chinese convention valued the paintings of the amateur scholar-gentleman , often a poet as well, over those produced by professionals, though

2772-531: A special count form in –а/–я , which stems from the Proto-Slavonic dual : два/три стола ('two/three chairs') versus тези столове ('these chairs'); cf. feminine две/три/тези книги ('two/three/these books') and neuter две/три/тези легла ('two/three/these beds'). However, a recently developed language norm requires that count forms should only be used with masculine nouns that do not denote persons. Thus, двама/трима ученици ('two/three students')

SECTION 20

#1732772736296

2904-633: A strong sense of place, but the emphasis is on individual plant forms and human and animal figures rather than the overall landscape setting. The frescos from the Tomb of Nebamun , now in the British Museum (c. 1350 BC), are a famous example. For a coherent depiction of a whole landscape, some rough system of perspective, or scaling for distance, is needed, and this seems from literary evidence to have first been developed in Ancient Greece in

3036-802: A thorough system of graphical perspective was now known all over Europe, which allowed large and complex views to be painted very effectively. Landscapes were idealized, mostly reflecting a pastoral ideal drawn from classical poetry which was first fully expressed by Giorgione and the young Titian , and remained associated above all with hilly wooded Italian landscape, which was depicted by artists from Northern Europe who had never visited Italy, just as plain-dwelling literati in China and Japan painted vertiginous mountains. Though often young artists were encouraged to visit Italy to experience Italian light , many Northern European artists could make their living selling Italianate landscapes without ever bothering to make

3168-635: Is " Ye lena Yankovich" ( Йелена Янкович ). Until the period immediately following the Second World War , all Bulgarian and the majority of foreign linguists referred to the South Slavic dialect continuum spanning the area of modern Bulgaria, North Macedonia and parts of Northern Greece as a group of Bulgarian dialects. In contrast, Serbian sources tended to label them "south Serbian" dialects. Some local naming conventions included bolgárski , bugárski and so forth. The codifiers of

3300-482: Is a long tradition of the appreciation of " viewing stones" – naturally formed boulders, typically limestone from the banks of mountain rivers that has been eroded into fantastic shapes, were transported to the courtyards and gardens of the literati. Probably associated with these is the tradition of carving much smaller boulders of jade or some other semi-precious stone into the shape of a mountain, including tiny figures of monks or sages. Chinese gardens also developed

3432-427: Is a normal and enduring part of our spiritual activity" In Clark's analysis, underlying European ways to convert the complexity of landscape to an idea were four fundamental approaches: the acceptance of descriptive symbols, a curiosity about the facts of nature, the creation of fantasy to allay deep-rooted fears of nature, and the belief in a Golden Age of harmony and order, which might be retrieved. The 18th century

3564-647: Is also a significant Bulgarian diaspora abroad. One of the main historically established communities are the Bessarabian Bulgarians , whose settlement in the Bessarabia region of nowadays Moldova and Ukraine dates mostly to the early 19th century. There were 134,000 Bulgarian speakers in Ukraine at the 2001 census, 41,800 in Moldova as of the 2014 census (of which 15,300 were habitual users of

3696-838: Is an Eastern South Slavic language spoken in Southeast Europe , primarily in Bulgaria . It is the language of the Bulgarians . Along with the closely related Macedonian language (collectively forming the East South Slavic languages ), it is a member of the Balkan sprachbund and South Slavic dialect continuum of the Indo-European language family . The two languages have several characteristics that set them apart from all other Slavic languages , including

3828-496: Is based on a general consensus reached by all major Bulgarian linguists in the 1930s and 1940s. In turn, the 39-consonant model was launched in the beginning of the 1950s under the influence of the ideas of Russian linguist Nikolai Trubetzkoy . Despite frequent objections, the support of the Bulgarian Academy of Sciences has ensured Trubetzkoy's model virtual monopoly in state-issued phonologies and grammars since

3960-433: Is common in all modern Slavic languages (e.g. Czech medv ě d /ˈmɛdvjɛt/ "bear", Polish p ię ć /pʲɛ̃tɕ/ "five", Serbo-Croatian je len /jělen/ "deer", Ukrainian нема є /nemájɛ/ "there is not   ...", Macedonian пишува ње /piʃuvaɲʲɛ/ "writing", etc.), as well as some Western Bulgarian dialectal forms – e.g. ора̀н’е /oˈraɲʲɛ/ (standard Bulgarian: оране /oˈranɛ/ , "ploughing"), however it

4092-405: Is currently no consensus on the number of Bulgarian consonants, with one school of thought advocating for the existence of only 22 consonant phonemes and another one claiming that there are not fewer than 39 consonant phonemes. The main bone of contention is how to treat palatalized consonants : as separate phonemes or as allophones of their respective plain counterparts. The 22-consonant model

Vrana Palace - Misplaced Pages Continue

4224-482: Is fairly close to the viewer, and there are few distant views. Normally all landscape images show narrative scenes with figures, but there are a few drawn pure landscape scenes in albums. Hindu painting had long set scenes amid lush vegetation, as many of the stories depicted demanded. Mughal painting combined this and the Persian style, and in miniatures of royal hunts often depicted wide landscapes. Scenes set during

4356-526: Is inside the city proper. There is a large park and two buildings, the first one built in 1904 as a two-story hunting lodge commissioned to Georgi Fingov , and the second constructed mainly between 1909 and 1914 as a palace, both with money from the state budget. The earliest building in the complex, the hunting lodge, has been described architecturally as an "exquisite interpretation of the Plovdiv baroque with Viennese decorative elements". Three rooms of

4488-817: Is mainly split into two broad dialect areas, based on the different reflexes of the Proto-Slavic yat vowel (Ѣ). This split, which occurred at some point during the Middle Ages, led to the development of Bulgaria's: The literary language norm, which is generally based on the Eastern dialects, also has the Eastern alternating reflex of yat . However, it has not incorporated the general Eastern umlaut of all synchronic or even historic "ya" sounds into "e" before front vowels – e.g. поляна ( polyana ) vs. полени ( poleni ) "meadow – meadows" or even жаба ( zhaba ) vs. жеби ( zhebi ) "frog – frogs", even though it co-occurs with

4620-479: Is not represented in standard Bulgarian speech or writing. Even where /jɛ/ occurs in other Slavic words, in Standard Bulgarian it is usually transcribed and pronounced as pure /ɛ/ – e.g. Boris Yeltsin is "Eltsin" ( Борис Елцин ), Yekaterinburg is "Ekaterinburg" ( Екатеринбург ) and Sarajevo is "Saraevo" ( Сараево ), although – because of the stress and the beginning of the word – Jelena Janković

4752-478: Is one more to describe a general category of unwitnessed events – the inferential (преизказно /prɛˈiskɐzno/ ) mood. However, most contemporary Bulgarian linguists usually exclude the subjunctive mood and the inferential mood from the list of Bulgarian moods (thus placing the number of Bulgarian moods at a total of 3: indicative, imperative and conditional) and do not consider them to be moods but view them as verbial morphosyntactic constructs or separate gramemes of

4884-401: Is perceived as more correct than двама/трима ученика , while the distinction is retained in cases such as два/три молива ('two/three pencils') versus тези моливи ('these pencils'). Cases exist only in the personal and some other pronouns (as they do in many other modern Indo-European languages ), with nominative , accusative , dative and vocative forms. Vestiges are present in

5016-409: Is preferred, which is shown full of animals and plants which are carefully and individually depicted, as are rock formations. The particular convention of the elevated viewpoint that developed in the tradition fills most of the vertical format picture spaces with the landscape, though clouds are also typically shown in the sky, shown in a curling convention drawn from Chinese art. Usually, everything seen

5148-464: Is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism . Landscape views in art may be entirely imaginary, or copied from reality with varying degrees of accuracy. If the primary purpose of a picture is to depict an actual, specific place, especially including buildings prominently, it is called

5280-476: Is still in use. In terms of architecture, the Vrana Palace combines Byzantine influences, Bulgarian National Revival traditions, Art Nouveau and French classicism . The Karelian Hall is a gift from Alexander III of Russia , and all of its furniture (the table, the chairs and the dressing table) are made of Karelian birch by master woodworkers specially sent from Russia. The first storey also has

5412-418: Is that mutable parts of speech vary grammatically, whereas the immutable ones do not change, regardless of their use. The five classes of mutables are: nouns , adjectives , numerals , pronouns and verbs . Syntactically, the first four of these form the group of the noun or the nominal group. The immutables are: adverbs , prepositions , conjunctions , particles and interjections . Verbs and adverbs form

Vrana Palace - Misplaced Pages Continue

5544-652: Is the Service of Saint Cyril from Skopje (Скопски миней), a 13th-century Middle Bulgarian manuscript from northern Macedonia according to which St. Cyril preached with "Bulgarian" books among the Moravian Slavs. The first mention of the language as the "Bulgarian language" instead of the "Slavonic language" comes in the work of the Greek clergy of the Archbishopric of Ohrid in the 11th century, for example in

5676-399: Is used, and the choice between them is partly determined by their ending in singular and partly influenced by gender; in addition, irregular declension and alternative plural forms are common. Words ending in –а/–я (which are usually feminine) generally have the plural ending –и , upon dropping of the singular ending. Of nouns ending in a consonant, the feminine ones also use –и , whereas

5808-551: The Balkan language area (mostly grammatically) and later also by Turkish , which was the official language of the Ottoman Empire , in the form of the Ottoman Turkish language , mostly lexically. The damaskin texts mark the transition from Middle Bulgarian to New Bulgarian, which was standardized in the 19th century. As a national revival occurred toward the end of the period of Ottoman rule (mostly during

5940-714: The Bulgarian Empire introduced the Glagolitic alphabet which was devised by the Saints Cyril and Methodius in the 850s. The Glagolitic alphabet was gradually superseded in later centuries by the Cyrillic script , developed around the Preslav Literary School , Bulgaria in the late 9th century. Several Cyrillic alphabets with 28 to 44 letters were used in the beginning and the middle of

6072-563: The Dutch landschap , around the start of the 17th century, purely as a term for works of art, with its first use as a word for a painting in 1598. Within a few decades it was used to describe vistas in poetry, and eventually as a term for real views. However, the cognate term landscaef or landskipe for a cleared patch of land had existed in Old English , though it is not recorded from Middle English . The earliest forms of art around

6204-488: The Euxinograd Palace near Varna was a summer residence, Vrana was the palace where the royal family of Bulgaria spent most of their time. Vrana Palace is situated at an elevation of 571 m. It includes the site of Chardakli farm, where there was a bridge which featured in the liberation of Sofia . The extensive lot was bought by Tsar Ferdinand I in 1898 and was situated just outside Sofia whereas nowadays

6336-575: The Greek hagiography of Clement of Ohrid by Theophylact of Ohrid (late 11th century). During the Middle Bulgarian period, the language underwent dramatic changes, losing the Slavonic case system , but preserving the rich verb system (while the development was exactly the opposite in other Slavic languages) and developing a definite article. It was influenced by its non-Slavic neighbors in

6468-480: The Han dynasty onwards, with surviving examples mostly in stone or clay reliefs from tombs, which are presumed to follow the prevailing styles in painting, no doubt without capturing the full effect of the original paintings. The exact status of the later copies of reputed works by famous painters (many of whom are recorded in literature) before the 10th century is unclear. One example is a famous 8th-century painting from

6600-463: The Hellenistic period, although no large-scale examples survive. More ancient Roman landscapes survive, from the 1st century BCE onwards, especially frescos of landscapes decorating rooms that have been preserved at archaeological sites of Pompeii , Herculaneum and elsewhere, and mosaics . The Chinese ink painting tradition of shan shui ("mountain-water"), or "pure" landscape, in which

6732-671: The Labours of the Months such as those in the Très Riches Heures du Duc de Berry , which conventionally showed small genre figures in increasingly large landscape settings. A particular advance is shown in the less well-known Turin-Milan Hours , now largely destroyed by fire, whose developments were reflected in Early Netherlandish painting for the rest of the century. The artist known as "Hand G", probably one of

SECTION 50

#1732772736296

6864-579: The Le Môle peak in The Miraculous Draught of Fishes by Konrad Witz (1444) is often cited as the first Western rural landscape to show a specific scene. The landscape studies by Dürer clearly represent actual scenes, which can be identified in many cases, and were at least partly made on the spot; the drawings by Fra Bartolomeo also seem clearly sketched from nature. Dürer's finished works seem generally to use invented landscapes, although

6996-557: The Utrecht Psalter ; the last reworking of this source, in an early Gothic version, reduces the previously extensive landscapes to a few trees filling gaps in the composition, with no sense of overall space. A revival in interest in nature initially mainly manifested itself in depictions of small gardens such as the Hortus Conclusus or those in millefleur tapestries. The frescos of figures at work or play in front of

7128-541: The Van Eyck brothers, was especially successful in reproducing effects of light and in a natural-seeming progression from the foreground to the distant view. This was something other artists were to find difficult for a century or more, often solving the problem by showing a landscape background from over the top of a parapet or window-sill, as if from a considerable height. Landscape backgrounds for various types of painting became increasingly prominent and skillful during

7260-803: The accession of Bulgaria to the European Union on 1 January 2007, Cyrillic became the third official script of the European Union , following the Latin and Greek scripts . Bulgarian possesses a phonology similar to that of the rest of the South Slavic languages, notably lacking Serbo-Croatian's phonemic vowel length and tones and alveo-palatal affricates. There is a general dichotomy between Eastern and Western dialects, with Eastern ones featuring consonant palatalization before front vowels ( / ɛ / and / i / ) and substantial vowel reduction of

7392-461: The hierarchy of genres as history painting by including small figures to represent a scene from classical mythology or the Bible. Salvator Rosa gave picturesque excitement to his landscapes by showing wilder Southern Italian country, often populated by banditi . Dutch Golden Age painting of the 17th century saw the dramatic growth of landscape painting, in which many artists specialized, and

7524-401: The monsoon rains, with dark clouds and flashes of lightning, are popular. Later, influence from European prints is evident. Most early landscapes are clearly imaginary, although from very early on townscape views are clearly intended to represent actual cities, with varying degrees of accuracy. Various techniques were used to simulate the randomness of natural forms in invented compositions:

7656-445: The person") or to the first nominal constituent of definite noun phrases (indefinite: добър човек , 'a good person'; definite: добри ят човек , " the good person"). There are four singular definite articles. Again, the choice between them is largely determined by the noun's ending in the singular. Nouns that end in a consonant and are masculine use –ът/–ят, when they are grammatical subjects , and –а/–я elsewhere. Nouns that end in

7788-649: The " Big Excursion " of 1989. The language is also represented among the diaspora in Western Europe and North America, which has been steadily growing since the 1990s. Countries with significant numbers of speakers include Germany , Spain , Italy , the United Kingdom (38,500 speakers in England and Wales as of 2011), France , the United States , and Canada (19,100 in 2011). The language

7920-534: The "Japanese style", is in fact first found in China. This combines one or more large birds, animals or trees in the foreground, typically to one side in a horizontal composition, with a wider landscape beyond, often only covering portions of the background. Later versions of this style often dispensed with a landscape background altogether. The ukiyo-e style that developed from the 16th century onwards, first in painting and then in coloured woodblock prints that were cheap and widely available, initially concentrated on

8052-427: The "armies of amateurs" who also painted. Leading artists included John Robert Cozens , Francis Towne , Thomas Girtin , Michael Angelo Rooker , William Pars , Thomas Hearne , and John Warwick Smith , all in the late 18th century, and John Glover , Joseph Mallord William Turner , John Varley , John Sell Cotman , Anthony Copley Fielding , Samuel Palmer in the early 19th. The Romantic movement intensified

SECTION 60

#1732772736296

8184-476: The 15th century. The period around the end of the 15th century saw pure landscape drawings and watercolours from Leonardo da Vinci , Albrecht Dürer , Fra Bartolomeo and others, but pure landscape subjects in painting and printmaking , still small, were first produced by Albrecht Altdorfer and others of the German Danube School in the early 16th century. However, the outsides of the wings of

8316-549: The 1830s Jean-Baptiste-Camille Corot and other painters in the Barbizon School established a French landscape tradition that would become the most influential in Europe for a century, with the Impressionists and Post-Impressionists for the first time making landscape painting the main source of general stylistic innovation across all types of painting. The nationalism of the new United Provinces had been

8448-401: The 1870s, followed by the portable "box easel ", that painting en plein air became widely practiced. A curtain of mountains at the back of the landscape is standard in wide Roman views and even more so in Chinese landscapes. Relatively little space is given to the sky in early works in either tradition; the Chinese often used mist or clouds between mountains, and also sometimes show clouds in

8580-625: The 1960s. However, its reception abroad has been lukewarm, with a number of authors either calling the model into question or outright rejecting it. Thus, the Handbook of the International Phonetic Association only lists 22 consonants in Bulgarian's consonant inventory . The parts of speech in Bulgarian are divided in ten types, which are categorized in two broad classes: mutable and immutable. The difference

8712-464: The 19th century during the efforts on the codification of Modern Bulgarian until an alphabet with 32 letters, proposed by Marin Drinov , gained prominence in the 1870s. The alphabet of Marin Drinov was used until the orthographic reform of 1945, when the letters yat (uppercase Ѣ, lowercase ѣ) and yus (uppercase Ѫ, lowercase ѫ) were removed from its alphabet, reducing the number of letters to 30. With

8844-461: The 19th century), a modern Bulgarian literary language gradually emerged that drew heavily on Church Slavonic/Old Bulgarian (and to some extent on literary Russian , which had preserved many lexical items from Church Slavonic) and later reduced the number of Turkish and other Balkan loans. Today one difference between Bulgarian dialects in the country and literary spoken Bulgarian is the significant presence of Old Bulgarian words and even word forms in

8976-570: The 20th century, but was often classed as a lower form of art than an imagined landscape. Landscapes in watercolour on paper became a distinct specialism, above all in England, where a particular tradition of talented artists who only, or almost entirely, painted landscape watercolours developed, as it did not in other countries. These were very often real views, though sometimes the compositions were adjusted for artistic effect. The paintings sold relatively cheaply, but were far quicker to produce. These professionals could augment their income by training

9108-554: The Imperial collection, titled The Emperor Ming Huang traveling in Shu . This shows the entourage riding through vertiginous mountains of the type typical of later paintings, but is in full colour "producing an overall pattern that is almost Persian", in what was evidently a popular and fashionable court style. The decisive shift to a monochrome landscape style, almost devoid of figures, is attributed to Wang Wei (699–759), also famous as

9240-639: The Low Countries either continued with the world landscape or followed the new mode presented by the Small Landscapes. The popularity of exotic landscape scenes can be seen in the success of the painter Frans Post , who spent the rest of his life painting Brazilian landscapes after a trip there in 1636–1644. Other painters who never crossed the Alps could make money selling Rhineland landscapes, and still others for constructing fantasy scenes for

9372-487: The Vrana Park include V. Georgiev, K. Baykushev, Jules Locheau, Johann Kellerer, Anton Kraus, Alaricus Delmard and Wilhelm Schacht . The park includes a lake and several rock gardens . The palace, along with the other properties given back to Simeon II, has been the subject of much controversy in the Bulgarian media and society in the 2000s, as many argue they are in fact supposed to be public property. Since June 2013,

9504-509: The West, history painting came to require an extensive landscape background where appropriate, so the theory did not entirely work against the development of landscape painting – for several centuries landscapes were regularly promoted to the status of history painting by the addition of small figures to make a narrative scene, typically religious or mythological. In early Western medieval art interest in landscape disappears almost entirely, kept alive only in copies of Late Antique works such as

9636-696: The action of the figures in their paintings. Early in the 15th century, landscape painting was established as a genre in Europe, as a setting for human activity, often expressed in a religious subject, such as the themes of the Rest on the Flight into Egypt , the Journey of the Magi , or Saint Jerome in the Desert . Luxury illuminated manuscripts were very important in the early development of landscape, especially series of

9768-523: The art of the world", and owes its special character to the Taoist (Daoist) tradition in Chinese culture. William Watson notes that "It has been said that the role of landscape art in Chinese painting corresponds to that of the nude in the west, as a theme unvarying in itself, but made the vehicle of infinite nuances of vision and feeling". There are increasingly sophisticated landscape backgrounds to figure subjects showing hunting, farming or animals from

9900-543: The classic artists from the distant past, from which Chinese painters tended to draw their inspiration. Painting was initially fully coloured, often brightly so, and the landscape never overwhelms the figures who are often rather oversized. The scene from the Biography of the Priest Ippen illustrated below is from a scroll that in full measures 37.8 cm × 802.0 cm, for only one of twelve scrolls illustrating

10032-412: The completion of the action of the verb and form past perfective (aorist) forms; imperfective ones are neutral with regard to it and form past imperfective forms. Most Bulgarian verbs can be grouped in perfective-imperfective pairs (imperfective/perfective: идвам/дойда "come", пристигам/пристигна "arrive"). Perfective verbs can be usually formed from imperfective ones by suffixation or prefixation, but

10164-402: The contemporary art market, which still preferred history paintings and portraits. In Europe, as John Ruskin said, and Sir Kenneth Clark confirmed, landscape painting was the "chief artistic creation of the nineteenth century", and "the dominant art", with the result that in the following period people were "apt to assume that the appreciation of natural beauty and the painting of landscape

10296-536: The convention of the Eight Views . A different style, produced by workshops of professional court artists, painted official views of Imperial tours and ceremonies, with the primary emphasis on highly detailed scenes of crowded cities and grand ceremonials from a high viewpoint. These were painted on scrolls of enormous length in bright colour (example below). Chinese sculpture also achieves the difficult feat of creating effective landscapes in three dimensions. There

10428-536: The countryside; under his teaching the "painters proliferated and took advantage of the new railway system to explore the furthest corners of the nation's topography." In the United States, the Hudson River School , prominent in the middle to late 19th century, is probably the best-known native development in landscape art. These painters created works of mammoth scale that attempted to capture

10560-579: The development of extremely subtle realist techniques for depicting light and weather. There are different styles and periods, and sub-genres of marine and animal painting, as well as a distinct style of Italianate landscape. Most Dutch landscapes were relatively small, but landscapes in Flemish Baroque painting , still usually peopled, were often very large, above all in the series of works that Peter Paul Rubens painted for his own houses. Landscape prints were also popular, with those of Rembrandt and

10692-564: The eastern dialects prevailed, and in 1899 the Bulgarian Ministry of Education officially codified a standard Bulgarian language based on the Drinov-Ivanchev orthography. Bulgarian is the official language of Bulgaria , where it is used in all spheres of public life. As of 2011, it is spoken as a first language by about 6   million people in the country, or about four out of every five Bulgarian citizens. There

10824-439: The elimination of case declension , the development of a suffixed definite article , and the lack of a verb infinitive . They retain and have further developed the Proto-Slavic verb system (albeit analytically). One such major development is the innovation of evidential verb forms to encode for the source of information: witnessed, inferred, or reported. It is the official language of Bulgaria , and since 2007 has been among

10956-429: The epic scope of the landscapes that inspired them. The work of Thomas Cole , the school's generally acknowledged founder, has much in common with the philosophical ideals of European landscape paintings – a kind of secular faith in the spiritual benefits to be gained from the contemplation of natural beauty. Some of the later Hudson River School artists, such as Albert Bierstadt , created less comforting works that placed

11088-406: The example illustrated, to bridge the gap between a foreground scene with figures and a distant panoramic vista, a persistent problem for landscape artists. The Chinese style generally showed only a distant view, or used dead ground or mist to avoid that difficulty. A major contrast between landscape painting in the West and East Asia has been that while in the West until the 19th century it occupied

11220-523: The existing interest in landscape art, and remote and wild landscapes, which had been one recurring element in earlier landscape art, now became more prominent. The German Caspar David Friedrich had a distinctive style, influenced by his Danish training , where a distinct national style, drawing on the Dutch 17th-century example, had developed. To this he added a quasi-mystical Romanticism. French painters were slower to develop landscape painting, but from about

11352-688: The experimental works of Hercules Seghers usually considered the finest. The Dutch tended to make smaller paintings for smaller houses. Some Dutch landscape specialties named in period inventories include the Batalje , or battle-scene; the Maneschijntje , or moonlight scene; the Bosjes , or woodland scene; the Boederijtje , or farm scene, and the Dorpje or village scene. Though not named at

11484-403: The former royal park, arranged in 1903 by Ferdinand, to be opened to the public. Simeon moved with his wife Margarita into the renovated old hunting lodge in spring 2001. As of 2015, the 0.968-square-kilometre park is opened to the public. The park is home to over 400 plant species and has been declared a national monument of landscape architecture . Among the landscape artists who have worked on

11616-544: The group of the verb or the verbal group. Nouns and adjectives have the categories grammatical gender , number , case (only vocative ) and definiteness in Bulgarian. Adjectives and adjectival pronouns agree with nouns in number and gender. Pronouns have gender and number and retain (as in nearly all Indo-European languages ) a more significant part of the case system. There are three grammatical genders in Bulgarian: masculine , feminine and neuter . The gender of

11748-489: The historical yat vowel or at least root vowels displaying the ya – e alternation. The letter was used in each occurrence of such a root, regardless of the actual pronunciation of the vowel: thus, both ml ya ko and ml e kar were spelled with (Ѣ). Among other things, this was seen as a way to "reconcile" the Western and the Eastern dialects and maintain language unity at a time when much of Bulgaria's Western dialect area

11880-517: The human figure, individually and in groups. But from the late 18th century landscape ukiyo-e developed under Hokusai and Hiroshige to become much the best known type of Japanese landscape art. Though there are some landscape elements in earlier art, the landscape tradition of the Persian miniature really begins in the Ilkhanid period, largely under Chinese influence. Rocky mountainous country

12012-725: The language), and presumably a significant proportion of the 13,200 ethnic Bulgarians residing in neighbouring Transnistria in 2016. Another community abroad are the Banat Bulgarians , who migrated in the 17th century to the Banat region now split between Romania, Serbia and Hungary. They speak the Banat Bulgarian dialect , which has had its own written standard and a historically important literary tradition. There are Bulgarian speakers in neighbouring countries as well. The regional dialects of Bulgarian and Macedonian form

12144-576: The language, but its pronunciation is in many respects a compromise between East and West Bulgarian (see especially the phonetic sections below). Following the efforts of some figures of the National awakening of Bulgaria (most notably Neofit Rilski and Ivan Bogorov ), there had been many attempts to codify a standard Bulgarian language; however, there was much argument surrounding the choice of norms. Between 1835 and 1878 more than 25 proposals were put forward and "linguistic chaos" ensued. Eventually

12276-409: The latter. Russian loans are distinguished from Old Bulgarian ones on the basis of the presence of specifically Russian phonetic changes, as in оборот (turnover, rev), непонятен (incomprehensible), ядро (nucleus) and others. Many other loans from French, English and the classical languages have subsequently entered the language as well. Modern Bulgarian was based essentially on the Eastern dialects of

12408-489: The life of a Buddhist monk; like their Western counterparts, monasteries and temples commissioned many such works, and these have had a better chance of survival than courtly equivalents. Even rarer are survivals of landscape byōbu folding screens and hanging scrolls , which seem to have common in court circles – the Tale of Genji has an episode where members of the court produce the best paintings from their collections for

12540-481: The literary norm regarding the yat vowel, many people living in Western Bulgaria, including the capital Sofia , will fail to observe its rules. While the norm requires the realizations vidyal vs. videli (he has seen; they have seen), some natives of Western Bulgaria will preserve their local dialect pronunciation with "e" for all instances of "yat" (e.g. videl , videli ). Others, attempting to adhere to

12672-475: The low vowels / ɛ / , / ɔ / and / a / in unstressed position, sometimes leading to neutralisation between / ɛ / and / i / , / ɔ / and / u / , and / a / and / ɤ / . Both patterns have partial parallels in Russian, leading to partially similar sounds. In turn, the Western dialects generally do not have any allophonic palatalization and exhibit minor, if any, vowel reduction. Standard Bulgarian keeps

12804-399: The masculine ones usually have –и for polysyllables and –ове for monosyllables (however, exceptions are especially common in this group). Nouns ending in –о/–е (most of which are neuter) mostly use the suffixes –а, –я (both of which require the dropping of the singular endings) and –та . With cardinal numbers and related words such as няколко ('several'), masculine nouns use

12936-437: The medieval advice of Cennino Cennini to copy ragged crags from small rough rocks was apparently followed by both Poussin and Thomas Gainsborough , while Degas copied cloud forms from a crumpled handkerchief held up against the light. The system of Alexander Cozens used random ink blots to give the basic shape of an invented landscape, to be elaborated by the artist. The distinctive background view across Lake Geneva to

13068-477: The most significant exception from the above are the relatively numerous nouns that end in a consonant and yet are feminine: these comprise, firstly, a large group of nouns with zero ending expressing quality, degree or an abstraction, including all nouns ending on –ост/–ест -{ost/est} ( мъдрост /ˈmɤdrost/ 'wisdom', низост /ˈnizost/ 'vileness', прелест /ˈprɛlɛst/ 'loveliness', болест /ˈbɔlɛst/ 'sickness', любов /ljuˈbɔf/ 'love'), and secondly,

13200-572: The newspaper Makedoniya : "Such an artificial assembly of written language is something impossible, unattainable and never heard of." After 1944 the People's Republic of Bulgaria and the Socialist Federal Republic of Yugoslavia began a policy of making Macedonia into the connecting link for the establishment of a new Balkan Federative Republic and stimulating here a development of distinct Macedonian consciousness. With

13332-447: The norm, will actually use the "ya" sound even in cases where the standard language has "e" (e.g. vidyal , vidyali ). The latter hypercorrection is called свръхякане ( svrah-yakane ≈"over- ya -ing"). Bulgarian is the only Slavic language whose literary standard does not naturally contain the iotated e /jɛ/ (or its variant, e after a palatalized consonant /ʲɛ/ , except in non-Slavic foreign-loaned words). This sound combination

13464-659: The noun can largely be inferred from its ending: nouns ending in a consonant ("zero ending") are generally masculine (for example, град /ɡrat/ 'city', син /sin/ 'son', мъж /mɤʃ/ 'man'; those ending in –а/–я (-a/-ya) ( жена /ʒɛˈna/ 'woman', дъщеря /dɐʃtɛrˈja/ 'daughter', улица /ˈulitsɐ/ 'street') are normally feminine; and nouns ending in –е, –о are almost always neuter ( дете /dɛˈtɛ/ 'child', езеро /ˈɛzɛro/ 'lake'), as are those rare words (usually loanwords) that end in –и, –у, and –ю ( цунами /tsuˈnami/ ' tsunami ', табу /tɐˈbu/ 'taboo', меню /mɛˈnju/ 'menu'). Perhaps

13596-994: The noun they are appended to. They may also take the definite article as explained above. Pronouns may vary in gender, number, and definiteness, and are the only parts of speech that have retained case inflections. Three cases are exhibited by some groups of pronouns – nominative, accusative and dative. The distinguishable types of pronouns include the following: personal, relative, reflexive, interrogative, negative, indefinitive, summative and possessive. A Bulgarian verb has many distinct forms, as it varies in person, number, voice, aspect, mood, tense and in some cases gender. Finite verbal forms are simple or compound and agree with subjects in person (first, second and third) and number (singular, plural). In addition to that, past compound forms using participles vary in gender (masculine, feminine, neuter) and voice (active and passive) as well as aspect (perfective/aorist and imperfective). Bulgarian verbs express lexical aspect : perfective verbs signify

13728-473: The official languages of the European Union . It is also spoken by the Bulgarian historical communities in North Macedonia , Ukraine , Moldova , Serbia , Romania , Hungary , Albania and Greece . One can divide the development of the Bulgarian language into several periods. Bulgarian was the first Slavic language attested in writing. As Slavic linguistic unity lasted into late antiquity,

13860-470: The oldest manuscripts initially referred to this language as ѧзꙑкъ словѣньскъ, "the Slavic language". In the Middle Bulgarian period this name was gradually replaced by the name ѧзꙑкъ блъгарьскъ, the "Bulgarian language". In some cases, this name was used not only with regard to the contemporary Middle Bulgarian language of the copyist but also to the period of Old Bulgarian. A most notable example of anachronism

13992-609: The only sign of human life is usually a sage, or a glimpse of his hut, uses sophisticated landscape backgrounds to figure subjects, and landscape art of this period retains a classic and much-imitated status within the Chinese tradition. Both the Roman and Chinese traditions typically show grand panoramas of imaginary landscapes, generally backed with a range of spectacular mountains – in China often with waterfalls and in Rome often including sea, lakes or rivers. These were frequently used, as in

14124-479: The park has been opened to the public on weekends. The special public transport bus X50, which only runs on weekends during the park's opening hours, connects the palace with Eagles' Bridge . The Park: The Palace Crypt: Bulgarian language Rup Moesian Bulgarian ( / b ʌ l ˈ ɡ ɛər i ə n / , / b ʊ l ˈ -/ bu(u)l- GAIR -ee-ən ; български език , bŭlgarski ezik , pronounced [ˈbɤɫɡɐrski] )

14256-429: The past pluperfect subjunctive. Perfect constructions use a single auxiliary "be". The traditional interpretation is that in addition to the four moods (наклонения /nəkloˈnɛnijɐ/ ) shared by most other European languages – indicative (изявително, /izʲəˈvitɛɫno/ ) imperative (повелително /poveˈlitelno/ ), subjunctive ( подчинително /pottʃiˈnitɛɫno/ ) and conditional (условно, /oˈsɫɔvno/ ) – in Bulgarian there

14388-604: The pockets of speakers of the related regional dialects in Albania and in Greece variously identify their language as Macedonian or as Bulgarian. In Serbia , there were 13,300 speakers as of 2011, mainly concentrated in the so-called Western Outlands along the border with Bulgaria. Bulgarian is also spoken in Turkey: natively by Pomaks , and as a second language by many Bulgarian Turks who emigrated from Bulgaria, mostly during

14520-704: The proclamation of the Socialist Republic of Macedonia as part of the Yugoslav federation, the new authorities also started measures that would overcome the pro-Bulgarian feeling among parts of its population and in 1945 a separate Macedonian language was codified. After 1958, when the pressure from Moscow decreased, Sofia reverted to the view that the Macedonian language did not exist as a separate language. Nowadays, Bulgarian and Greek linguists, as well as some linguists from other countries, still consider

14652-466: The resultant verb often deviates in meaning from the original. In the pair examples above, aspect is stem-specific and therefore there is no difference in meaning. In Bulgarian, there is also grammatical aspect . Three grammatical aspects are distinguishable: neutral, perfect and pluperfect. The neutral aspect comprises the three simple tenses and the future tense. The pluperfect is manifest in tenses that use double or triple auxiliary "be" participles like

14784-455: The same high view point, cutting away roofs as necessary. These appeared in the very long yamato-e scrolls of scenes illustrating the Tale of Genji and other subjects, mostly from the 12th and 13th centuries. The concept of the gentleman-amateur painter had little resonance in feudal Japan, where artists were generally professionals with a strong bond to their master and his school, rather than

14916-699: The second part of the 19th century, were Maksymilian Gierymski , Józef Chełmoński and Stanisław Masłowski In Spain, the main promoter of the genre was the Belgium-born painter Carlos de Haes , one of the most active landscape professors at the Academy of Fine Arts of San Fernando in Madrid since 1857. After studying with the great Flemish landscape masters, he developed his technique to paint outdoors. Back in Spain, Haes took his students with him to paint in

15048-525: The singular ones, but may also provide some clues to it: the ending –и (-i) is more likely to be used with a masculine or feminine noun ( факти /ˈfakti/ 'facts', болести /ˈbɔlɛsti/ 'sicknesses'), while one in –а/–я belongs more often to a neuter noun ( езера /ɛzɛˈra/ 'lakes'). Also, the plural ending –ове /ovɛ/ occurs only in masculine nouns. Two numbers are distinguished in Bulgarian– singular and plural . A variety of plural suffixes

15180-531: The situation was more complex than that. If they include any figures, they are very often such persons, or sages, contemplating the mountains. Famous works have accumulated numbers of red "appreciation seals" , and often poems added by later owners – the Qianlong Emperor (1711–1799) was a prolific adder of his own poems, following earlier Emperors. The shan shui tradition was never intended to represent actual locations, even when named after them, as in

15312-451: The sky far earlier than Western artists, who initially mainly use clouds as supports or covers for divine figures or heaven. Both panel paintings and miniatures in manuscripts usually had a patterned or gold "sky" or background above the horizon until about 1400, but frescos by Giotto and other Italian artists had long shown plain blue skies. The single surviving altarpiece from Melchior Broederlam , completed for Champmol in 1399, has

15444-483: The spectacular bird's-eye view in his engraving Nemesis shows an actual view in the Alps , with additional elements. Several landscapists are known to have made drawings and watercolour sketches from nature, but the evidence for early oil painting being done outside is limited. The Pre-Raphaelite Brotherhood made special efforts in this direction, but it was not until the introduction of ready-mixed oil paints in tubes in

15576-428: The standard Bulgarian language, however, did not wish to make any allowances for a pluricentric "Bulgaro-Macedonian" compromise. In 1870 Marin Drinov , who played a decisive role in the standardization of the Bulgarian language, rejected the proposal of Parteniy Zografski and Kuzman Shapkarev for a mixed eastern and western Bulgarian/Macedonian foundation of the standard Bulgarian language, stating in his article in

15708-553: The three-storey palace commissioned to the noted architect Nikola Lazarov were later furnished in the Baroque style, one in the style of the Austrian royal palaces and one in a Bulgarian national style, while the study was designed in a Venetian style. The palace features a carved wooden ceiling, oak wainscoting , built-in metal plates and Delftware . The interior columns are made of Carrara marble and an old Schindler lift

15840-567: The time as a specific genre, the popularity of Roman ruins inspired many Dutch landscape painters of the period to paint the ruins of their own region, such as monasteries and churches ruined after the Beeldenstorm . Jacob van Ruisdael is considered the most versatile of all Dutch Golden Age landscape painters. The popularity of landscapes in the Netherlands was in part a reflection of the virtual disappearance of religious painting in

15972-573: The trip. Indeed, certain styles were so popular that they became formulas that could be copied again and again. The publication in Antwerp in 1559 and 1561 of two series of a total of 48 prints (the Small Landscapes ) after drawings by an anonymous artist referred to as the Master of the Small Landscapes signaled a shift away from the imaginary, distant landscapes with religious content of

16104-484: The various Macedonian dialects as part of the broader Bulgarian pluricentric dialectal continuum . Outside Bulgaria and Greece, Macedonian is generally considered an autonomous language within the South Slavic dialect continuum. Sociolinguists agree that the question whether Macedonian is a dialect of Bulgarian or a language is a political one and cannot be resolved on a purely linguistic basis, because dialect continua do not allow for either/or judgements. In 886 AD,

16236-535: The verb class. The possible existence of a few other moods has been discussed in the literature. Most Bulgarian school grammars teach the traditional view of 4 Bulgarian moods (as described above, but excluding the subjunctive and including the inferential). There are three grammatically distinctive positions in time – present, past and future – which combine with aspect and mood to produce a number of formations. Normally, in grammar books these formations are viewed as separate tenses – i. e. "past imperfect" would mean that

16368-405: The verb is in past tense, in the imperfective aspect, and in the indicative mood (since no other mood is shown). There are more than 40 different tenses across Bulgarian's two aspects and five moods. Landscape art Two main traditions spring from Western painting and Chinese art , going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art

16500-517: The works of the Group of Seven , prominent in the 1920s. Although certainly less dominant in the period after World War I, many significant artists still painted landscapes in the wide variety of styles exemplified by Edvard Munch , Georgia O'Keeffe , Charles E. Burchfield , Neil Welliver , Alex Katz , Milton Avery , Peter Doig , Andrew Wyeth , David Hockney and Sidney Nolan . Landscape painting has been called "China's greatest contribution to

16632-461: The world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included. The earliest "pure landscapes" with no human figures are frescos from Minoan art of around 1500 BCE. Hunting scenes, especially those set in the enclosed vista of the reed beds of the Nile Delta from Ancient Egypt, can give

16764-437: The world landscape towards close-up renderings at eye-level of identifiable country estates and villages populated with figures engaged in daily activities. By abandoning the panoramic viewpoint of the world landscape and focusing on the humble, rural and even topographical, the Small Landscapes set the stage for Netherlandish landscape painting in the 17th century. After the publication of the Small Landscapes, landscape artists in

16896-461: The yat alternation in almost all Eastern dialects that have it (except a few dialects along the yat border, e.g. in the Pleven region). More examples of the yat umlaut in the literary language are: Until 1945, Bulgarian orthography did not reveal this alternation and used the original Old Slavic Cyrillic letter yat (Ѣ), which was commonly called двойно е ( dvoyno e ) at the time, to express

17028-470: Was also a great age for the topographical print, depicting more or less accurately a real view in a way that landscape painting rarely did. Initially these were mostly centred on a building, but over the course of the century, with the growth of the Romantic movement pure landscapes became more common. The topographical print, often intended to be framed and hung on a wall, remained a very popular medium into

17160-430: Was controlled by Serbia and Greece , but there were still hopes and occasional attempts to recover it. With the 1945 orthographic reform, this letter was abolished and the present spelling was introduced, reflecting the alternation in pronunciation. This had implications for some grammatical constructions: Sometimes, with the changes, words began to be spelled as other words with different meanings, e.g.: In spite of

17292-489: Was founded by Anthony van Dyck and other mostly Flemish artists working in England, but in the 18th century the works of Claude Lorrain were keenly collected and influenced not only paintings of landscapes, but the English landscape gardens of Capability Brown and others. In the 18th century, watercolour painting, mostly of landscapes, became an English specialty, with both a buoyant market for professional works, and

17424-632: Was subsequently restored in 1947. After the abolition of the monarchy, Vrana was taken by the communists and became a residence of Georgi Dimitrov . After the fall of the communist regime, Vrana was returned to the last tsar, Simeon Saxe-Coburg-Gotha and his sister Princess Maria Luisa, by the Constitutional Court of Bulgaria in June 1998, and the park was donated by the royal family to the city of Sofia in October 1999, making it possible for

#295704