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164-419: Gian Lorenzo (or Gianlorenzo ) Bernini ( UK : / b ɛər ˈ n iː n i / , US : / b ər ˈ -/ ; Italian: [ˈdʒan loˈrɛntso berˈniːni] ; Italian Giovanni Lorenzo ; 7 December 1598 – 28 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating

328-524: A vivarium there and also in 173 by Commodus . Inscriptions from between the 2nd and 3rd centuries from a cemetery near the Roman harbour prove the presence of classiari , sailors from the navy, and also of a noble class. They also tell of the number and type of ships which were detachments of the fleets of Ravenna and of Misenum. In 251 Pope Cornelius was imprisoned in Centumcellae during

492-576: A West Germanic language that originated from the Anglo-Frisian dialects brought to Britain by Germanic settlers from various parts of what is now northwest Germany and the northern Netherlands. The resident population at this time was generally speaking Common Brittonic —the insular variety of Continental Celtic , which was influenced by the Roman occupation. This group of languages ( Welsh , Cornish , Cumbric ) cohabited alongside English into

656-580: A Ripa , whose façade was designed by Bernini's disciple, Mattia de' Rossi . In his last two years, Bernini also carved (supposedly for Queen Christina ) the bust of the Savior (Basilica of San Sebastiano fuori le Mura , Rome) and supervised the restoration of the historic Palazzo della Cancelleria , a direct commission from Pope Innocent XI. The latter commission is an outstanding confirmation of both Bernini's continuing professional reputation and good health of mind and body even in advanced old age, inasmuch as

820-537: A bust of her (now in the Bargello, Florence) during the height of their romance. However, at some point, Costanza began at the same time an affair also with Bernini's younger brother, Luigi , who was Bernini's right-hand man in his studio. When Bernini found out about Costanza and his brother, in a fit of mad fury, he chased Luigi through the streets of Rome and into the basilica of Santa Maria Maggiore, almost ending his life. To punish his unfaithful mistress, Bernini had

984-559: A century as Received Pronunciation (RP). However, due to language evolution and changing social trends, some linguists argue that RP is losing prestige or has been replaced by another accent, one that the linguist Geoff Lindsey for instance calls Standard Southern British English. Others suggest that more regionally-oriented standard accents are emerging in England. Even in Scotland and Northern Ireland, RP exerts little influence in

1148-410: A certain degree of freedom from the mindset and mores of Counter-Reformation Roman Catholicism. Under the patronage of the extravagantly wealthy and most powerful Cardinal Scipione Borghese, the young Bernini rapidly rose to prominence as a sculptor. Among his early works for the cardinal, as an assistant in his father's workshop, would have been small contributions to decorative pieces for the garden of

1312-478: A convict prison, and the arsenal , designed by Bernini , was built by Alexander VII . Major cruise lines start and end their cruises at this location, and others stop for shore excursion days to visit Rome and the Vatican , ninety minutes away. Civitavecchia experiences a hot-summer Mediterranean climate ( Köppen climate classification Csa ). The Port of Civitavecchia , also known as "Port of Rome ",

1476-508: A greater movement, normally [əʊ], [əʉ] or [əɨ]. Dropping a morphological grammatical number , in collective nouns , is stronger in British English than North American English. This is to treat them as plural when once grammatically singular, a perceived natural number prevails, especially when applying to institutional nouns and groups of people. The noun 'police', for example, undergoes this treatment: Police are investigating

1640-505: A heavy ancient obelisk placed over a void created by a cavelike rock formation placed in the centre of an ocean of exotic sea creatures. Bernini continued to receive commissions from Pope Innocent X and other senior members of Rome's clergy and aristocracy, as well as from exalted patrons outside of Rome, such as Francesco d'Este . Recovering quickly from the humiliation of the bell towers, Bernini's boundless creativity continued as before. New types of funerary monument were designed, such as, in

1804-406: A lesser class or social status and often discounted or considered of a low intelligence. Another contribution to the standardisation of British English was the introduction of the printing press to England in the mid-15th century. In doing so, William Caxton enabled a common language and spelling to be dispersed among the entirety of England at a much faster rate. Samuel Johnson's A Dictionary of

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1968-481: A magnificent world capital by means of systematic, bold (and costly) urban planning. In so doing, he brought to fruition the long, slow recreation of the urban glory of Rome—the deliberate campaign for the " renovatio Romae "—that had begun in the fifteenth century under the Renaissance popes. Over the course of his pontificate, Alexander commissioned many large-scale architectural changes in the city—indeed, some of

2132-571: A member of his court to serve as Bernini's translator, tourist guide, and overall companion, Paul Fréart de Chantelou , who kept a Journal of Bernini's visit that records much of Bernini's behaviour and utterances in Paris. The writer Charles Perrault , who was serving at this time as an assistant to the French Controller-General of Finances Jean-Baptiste Colbert , also provided a first-hand account of Bernini's visit. Bernini

2296-412: A minuscule percentage have survived from what must have been a great multitude. The single largest sub-group of his sculptural production is represented by his portrait busts (either free-standing or incorporated into larger funerary monuments), mostly of his papal patrons or other ecclesiastical personages, as well as those few secular potentates who could afford the extraordinary expense of commissioning

2460-476: A portrait from Bernini (e.g., King Louis XIV , 1665, Palace of Versailles). Other large groups are represented by his religious works – statues of Biblical figures, angels, saints of the church, the crucified Christ, etc. – and his mythological figures either free-standing (such as his earliest masterpieces in the Galleria Borghese, Rome) or serving as ornaments in his complex fountain designs (such as

2624-659: A process called T-glottalisation . National media, being based in London, have seen the glottal stop spreading more widely than it once was in word endings, not being heard as "no [ʔ] " and bottle of water being heard as "bo [ʔ] le of wa [ʔ] er". It is still stigmatised when used at the beginning and central positions, such as later , while often has all but regained /t/ . Other consonants subject to this usage in Cockney English are p , as in pa [ʔ] er and k as in ba [ʔ] er. In most areas of England and Wales, outside

2788-520: A regional accent or dialect. However, about 2% of Britons speak with an accent called Received Pronunciation (also called "the King's English", "Oxford English" and " BBC English" ), that is essentially region-less. It derives from a mixture of the Midlands and Southern dialects spoken in London in the early modern period. It is frequently used as a model for teaching English to foreign learners. In

2952-403: A sculptor. He was trained from his earliest youth in that profession by his sculptor father, Pietro. The most recent and most comprehensive catalogue raisonné of his works of sculpture compiled by Maria Grazia Bernardini ( Bernini: Catalogo delle sculture ; Turin: Allemandi, 2022, 2 vols.) comprises 143 entries (not including those of debated attribution): they span Bernini's entire productive life,

3116-438: A semi-prostrate position with her mouth open and her legs splayed-apart, her wimple coming undone, with prominently displayed bare feet (Discalced Carmelites , for modesty, always wore sandals with heavy stockings) and with the seraph "undressing" her by (unnecessarily) parting her mantle to penetrate her heart with his arrow. Matters of decorum aside, Bernini's Teresa was still an artistic tour de force that incorporates all of

3280-754: A servant go to the house of Costanza, where the servant slashed her face several times with a razor. The servant was later jailed, while Costanza herself was jailed for adultery. Bernini himself was exonerated by the pope, even though he had committed a crime in ordering the face-slashing. Soon after, in May 1639, at age forty-one, Bernini wed a twenty-two-year-old Roman woman, Caterina Tezio, in an arranged marriage, under orders from Pope Urban. She had eleven children, including youngest son Domenico Bernini , who would later be his father's first biographer. After his never-repeated episode of stalking and disfigurement by proxy, in his subsequent marriage Bernini turned more sincerely to

3444-509: A third. McMurray and Till were subsequently both executed by the United States Army by hanging five months later. Civitavecchia is today a major cruise and ferry port , the main starting point for sea connection from central Italy to Sardinia , Sicily , Tunis and Barcelona . Fishing has a secondary importance. The city is also the seat of two thermal power stations . The conversion of one of them to coal has raised

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3608-615: A traditional genre upon which his influence left an enduring mark, often copied by subsequent artists. Indeed, Bernini's final and most original tomb monument, the Tomb of Pope Alexander VII , in St. Peter's Basilica, represents, according to Erwin Panofsky , the very pinnacle of European funerary art, whose creative inventiveness subsequent artists could not hope to surpass. Despite this busy engagement with large works of public architecture, Bernini

3772-567: A wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he designed secular buildings, churches, chapels, and public squares, as well as massive works combining both architecture and sculpture, especially elaborate public fountains and funerary monuments and a whole series of temporary structures (in stucco and wood) for funerals and festivals. His broad technical versatility, boundless compositional inventiveness and sheer skill in manipulating marble ensured that he would be considered

3936-412: A worthy successor of Michelangelo , far outshining other sculptors of his generation. His talent extended beyond the confines of sculpture to a consideration of the setting in which it would be situated; his ability to synthesize sculpture, painting, and architecture into a coherent conceptual and visual whole has been termed by the late art historian Irving Lavin the "unity of the visual arts". Bernini

4100-725: Is also due to London-centric influences. Examples of R-dropping are car and sugar , where the R is not pronounced. British dialects differ on the extent of diphthongisation of long vowels, with southern varieties extensively turning them into diphthongs, and with northern dialects normally preserving many of them. As a comparison, North American varieties could be said to be in-between. Long vowels /iː/ and /uː/ are usually preserved, and in several areas also /oː/ and /eː/, as in go and say (unlike other varieties of English, that change them to [oʊ] and [eɪ] respectively). Some areas go as far as not diphthongising medieval /iː/ and /uː/, that give rise to modern /aɪ/ and /aʊ/; that is, for example, in

4264-650: Is an important hub for the maritime transport in Italy, for goods and passengers. Part of the " Motorways of the Sea ", it is linked to several Mediterranean ports and represents one of the main links between Italian mainland to Sardinia . Civitavecchia railway station , opened in 1859, is the western terminus of the Rome–Civitavecchia railway , which forms part of the Pisa–Livorno–Rome railway . A short line linking

4428-447: Is based on British English, but has more influence from American English , often grouped together due to their close proximity. British English, for example, is the closest English to Indian English, but Indian English has extra vocabulary and some English words are assigned different meanings. Civitavecchia The harbour is formed by two piers and a breakwater on which stands a lighthouse. The whole territory of Civitavecchia

4592-473: Is dotted with the remains of Etruscan tombs and it is likely that in the centre of the current city a small Etruscan settlement thrived. The Etruscan necropolis of Mattonara, not far from the Molinari factory, is almost certainly from the 7th - 6th century BC and was most likely connected with the nearby necropolis of Scaglia. An ancient port formed by small parallel basins capable of accommodating single vessels

4756-795: Is included in style guides issued by various publishers including The Times newspaper, the Oxford University Press and the Cambridge University Press . The Oxford University Press guidelines were originally drafted as a single broadsheet page by Horace Henry Hart, and were at the time (1893) the first guide of their type in English; they were gradually expanded and eventually published, first as Hart's Rules , and in 2002 as part of The Oxford Manual of Style . Comparable in authority and stature to The Chicago Manual of Style for published American English ,

4920-477: Is often noted by art historians, as iconic of the Baroque concern for representing fleeting movement in static artworks. To Rudolf Wittkower the "beholder feels that in the twinkle of an eye not only might the expression and attitude change but also the folds of the casually arranged mantle". Other marble portraits in this period include that of Costanza Bonarelli unusual in its more personal, intimate nature. (At

5084-417: Is reported to have remarked, "It is a great fortune for you, O Cavaliere, to see Cardinal Maffeo Barberini made pope, but our fortune is even greater to have Cavalier Bernini alive in our pontificate." Although he did not fare as well during the reign (1644–55) of Innocent X , under Innocent's successor, Alexander VII (reigned 1655–67), Bernini once again gained pre-eminent artistic domination and continued in

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5248-720: Is the Bust of Louis XIV although he also contributed a great deal to the execution of the Christ Child Playing with a Nail marble relief (now in the Louvre) by his son Paolo as a gift to Queen Maria Theresa . Back in Rome, Bernini created a monumental equestrian statue of Louis XIV ; when it finally reached Paris (in 1685, five years after the artist's death), the French king found it extremely repugnant and wanted it destroyed; it

5412-521: Is the only remaining Tower of four large Roman round towers that served as beacons around the ancient harbour. Remains of warehouses can be seen between the large basin and the inner harbour (darsena), still used during the Middle Ages. A section of the Via Aurelia running along the harbour, 6 m wide and at a depth of 3 m, was excavated. Some of the Roman city wall is visible in the basement of

5576-470: Is to Bernini that is due the lion's share of responsibility for the final and enduring aesthetic appearance and emotional impact of St. Peter's. He was also allowed to continue to work on Urban VIII's tomb, despite Innocent's antipathy for the Barberini. A few months after completing Urban's tomb, in 1648 Bernini won (through furtive manoeuvring with the complicity of the pope's sister-in-law Donna Olimpia )

5740-547: The Chambers Dictionary , and the Collins Dictionary record actual usage rather than attempting to prescribe it. In addition, vocabulary and usage change with time; words are freely borrowed from other languages and other varieties of English, and neologisms are frequent. For historical reasons dating back to the rise of London in the ninth century, the form of language spoken in London and

5904-592: The Baroque style of sculpture . As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theatre: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for

6068-670: The Dukes of Devonshire . Other projects in Paris suffered a similar fate, such as Bernini's plans for the Bourbon funerary chapel in the cathedral of Saint Denis and the main altar of the Church of Val de Grâce (done at the request of its patron the Queen Mother), as well as his idea for a fountain for Saint-Cloud, the estate of King Louis's brother, Philippe. With the exception of Chantelou, Bernini failed to forge significant friendships at

6232-658: The East Midlands became standard English within the Court, and ultimately became the basis for generally accepted use in the law, government, literature and education in Britain. The standardisation of British English is thought to be from both dialect levelling and a thought of social superiority. Speaking in the Standard dialect created class distinctions; those who did not speak the standard English would be considered of

6396-576: The English language in England , or, more broadly, to the collective dialects of English throughout the British Isles taken as a single umbrella variety, for instance additionally incorporating Scottish English , Welsh English , and Northern Irish English . Tom McArthur in the Oxford Guide to World English acknowledges that British English shares "all the ambiguities and tensions [with]

6560-553: The Madonna and Child, Carmelite Church of Saint Joseph, Paris). A further category contains those works commissioned from Bernini and fully credited to his workshop, but represent neither his direct design nor execution, only his signature stylistic inspiration (such as several of the angels on the Ponte Sant’ Angelo refurbished by Bernini, and all of the saints atop the two arms of the portico of Saint Peter's Square). In general,

6724-493: The Royal Spanish Academy with Spanish. Standard British English differs notably in certain vocabulary, grammar, and pronunciation features from standard American English and certain other standard English varieties around the world. British and American spelling also differ in minor ways. The accent, or pronunciation system, of standard British English, based in southeastern England, has been known for over

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6888-544: The Saint Longinus (1629–38, St. Peter's Basilica, Rome). The majority are in marble, with other works being in bronze (most notably his various papal portrait busts and the monumental statues adorning his Baldacchino (1624–33) and Cathedra Petri (1656–66) in St. Peter's Basilica. In virtually all cases, Bernini first produced numerous clay models as preparation for the final product; these models are now treasured as works of art in themselves, though, regrettably, only

7052-490: The Scots language or Scottish Gaelic ). Each group includes a range of dialects, some markedly different from others. The various British dialects also differ in the words that they have borrowed from other languages. Around the middle of the 15th century, there were points where within the 5 major dialects there were almost 500 ways to spell the word though . Following its last major survey of English Dialects (1949–1950),

7216-573: The University of Leeds has started work on a new project. In May 2007 the Arts and Humanities Research Council awarded a grant to Leeds to study British regional dialects. The team are sifting through a large collection of examples of regional slang words and phrases turned up by the "Voices project" run by the BBC , in which they invited the public to send in examples of English still spoken throughout

7380-650: The Villa Borghese , such as perhaps The Allegory of Autumn (formerly in the Hester Diamond collection in New York). Another small garden ornament work (in the Galleria Borghese since Bernini's lifetime), The Goat Amalthea with the Infant Jupiter and a Faun , was from 1926 until 2022 generally considered by scholars to be the earliest work executed entirely by the young Bernini himself, despite

7544-610: The West Country and other near-by counties of the UK, the consonant R is not pronounced if not followed by a vowel, lengthening the preceding vowel instead. This phenomenon is known as non-rhoticity . In these same areas, a tendency exists to insert an R between a word ending in a vowel and a next word beginning with a vowel. This is called the intrusive R . It could be understood as a merger, in that words that once ended in an R and words that did not are no longer treated differently. This

7708-540: The piazza and colonnades in front of St. Peter's Basilica and the interior decoration of the basilica. Among his secular works are a number of Roman palaces: following the death of Carlo Maderno , he took over the supervision of the building works at the Palazzo Barberini from 1630 on which he worked with Francesco Borromini ; the Palazzo Ludovisi (now Palazzo Montecitorio , started 1650); and

7872-594: The "unified work of art". The central focus of the Cornaro Chapel is the Ecstasy of Saint Teresa , depicting the so-called "transverberation" of the Spanish nun and saint-mystic, Teresa of Avila. Bernini presents the spectator with a theatrically vivid portrait, in gleaming white marble, of the swooning Teresa and the quietly smiling angel, who delicately grips the arrow piercing the saint's heart. On either side of

8036-629: The 21st century. RP, while long established as the standard English accent around the globe due to the spread of the British Empire , is distinct from the standard English pronunciation in some parts of the world; most prominently, RP notably contrasts with standard North American accents. In the 21st century, dictionaries like the Oxford English Dictionary , the Longman Dictionary of Contemporary English ,

8200-559: The Bernini family's later and larger home on Via del Corso, to which they moved in the early nineteenth century, now known as the Palazzo Manfroni-Bernini.) Bernini lived at No. 11 (extensively remodelled in the 19th century), where his working studio was located, as well as a large collection of works of art, his own and those of other artists. It is imagined that it must have been galling for Bernini to witness through

8364-548: The Church of Santa Maria sopra Minerva , the seemingly floating medallion, hovering in the air as it were, for the deceased nun Maria Raggi , while chapels he designed, such as the Raimondi Chapel in the church of San Pietro in Montorio , illustrated how Bernini could use hidden lighting to help suggest divine intervention within the narratives he was depicting and to add a dramatically theatrical "spotlight" to enhance

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8528-836: The English Language (1755) was a large step in the English-language spelling reform , where the purification of language focused on standardising both speech and spelling. By the early 20th century, British authors had produced numerous books intended as guides to English grammar and usage, a few of which achieved sufficient acclaim to have remained in print for long periods and to have been reissued in new editions after some decades. These include, most notably of all, Fowler's Modern English Usage and The Complete Plain Words by Sir Ernest Gowers . Detailed guidance on many aspects of writing British English for publication

8692-572: The Fountain of the Four Rivers, 1647–51, Piazza Navona, Rome). Bernini's vast sculptural output can also be categorized according to the degree to which Bernini himself contributed to both the design and execution of the final product: to wit, some works are entirely of his own design and execution; others, of his design and partial but still substantial execution; while others of his design but with little or no actual execution by Bernini (such as

8856-714: The Fraternity of the Banner in the Piazza Leandra. Remains of an aqueduct and a large cistern, possibly part of Trajan's villa, are preserved. North of the city at Ficoncella are the Terme Taurine baths frequented by Romans and still popular with the Civitavecchiesi. The modern name stems from the common fig plants among the various pools. Also at Ficoncella nearby are the baths of Aquae Tauri from

9020-634: The French court. His frequent negative comments on various aspects of French culture, especially its art and architecture, did not go down well, particularly in juxtaposition to his praise for the art and architecture of Italy (especially Rome); he said that a painting by Guido Reni , the Annunciation altarpiece (then in the Carmelite convent, now the Louvre Museum), was "alone worth half of Paris." The sole work remaining from his time in Paris

9184-613: The Germanic schwein ) is the animal in the field bred by the occupied Anglo-Saxons and pork (like the French porc ) is the animal at the table eaten by the occupying Normans. Another example is the Anglo-Saxon cu meaning cow, and the French bœuf meaning beef. Cohabitation with the Scandinavians resulted in a significant grammatical simplification and lexical enrichment of the Anglo-Frisian core of English;

9348-653: The Goths and the Byzantines. It became part of the Papal States in 728 and Pope Gregory III refortified Centumcellae. As the port was raided by the Saracens in 813–814, 828, 846 and finally in 876, a new settlement in a more secure place was therefore built by order of Pope Leo IV as soon as 854. In the meantime, however, the inhabitants returned to the old town by the shore in 889 and rebuilt it, giving it

9512-621: The Oxford Manual is a fairly exhaustive standard for published British English that writers can turn to in the absence of specific guidance from their publishing house. British English is the basis of, and very similar to, Commonwealth English . Commonwealth English is English as spoken and written in the Commonwealth countries , though often with some local variation. This includes English spoken in Australia , Malta , New Zealand , Nigeria , and South Africa . It also includes South Asian English used in South Asia, in English varieties in Southeast Asia , and in parts of Africa. Canadian English

9676-416: The Palazzo Chigi (now Palazzo Chigi-Odescalchi , started 1664). His first architectural projects were the creation of the new façade and refurbishment of the interior of the church of Santa Bibiana (1624–26) and the St. Peter's Baldachin (1624–33), the bronze columned canopy over the high altar of St. Peter's basilica. In 1629, and before the baldachin was complete, Urban VIII put him in charge of all

9840-421: The Pamphili years and never losing his status as "Architect of St. Peter's," after Innocent's death in 1655 Bernini regained a major role in the decoration of the basilica with the Pope Alexander VII Chigi , leading to his design of the piazza and colonnade in front of St. Peter's. Further significant works by Bernini at the Vatican include the Scala Regia (1663–66), the monumental grand stairway entrance to

10004-406: The Pamphilj commission for the prestigious Four Rivers Fountain on Piazza Navona, marking the end of his disgrace and the beginning a yet another glorious chapter in his life. If there had been doubts over Bernini's position as Rome's preeminent artist, they were definitively removed by the unqualified success of the marvellously delightful and technically ingenious Four Rivers Fountain, featuring

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10168-435: The Pamphilj family in the early years of the new papacy, Bernini did not lose his former positions granted to him by previous popes. Innocent X maintained Bernini in all of the official roles given to him by Urban, including his most prestigious one as "Architect of St. Peter's." Under Bernini's design and direction, work continued on decorating the massive, recently completed but still entirely unadorned nave of St. Peter's, with

10332-404: The Savior (1615–16, New York, private collection). Sometime after the arrival of the Bernini family in Rome, word about the great talent of the boy Gian Lorenzo spread throughout the city and he soon caught the attention of Cardinal Scipione Borghese , nephew to the reigning pope, Paul V, who spoke of the boy genius to his uncle. Bernini was therefore presented before Pope Paul V, curious to see if

10496-599: The South East, there are significantly different accents; the Cockney accent spoken by some East Londoners is strikingly different from Received Pronunciation (RP). Cockney rhyming slang can be (and was initially intended to be) difficult for outsiders to understand, although the extent of its use is often somewhat exaggerated. Londoners speak with a mixture of accents, depending on ethnicity, neighbourhood, class, age, upbringing, and sundry other factors. Estuary English has been gaining prominence in recent decades: it has some features of RP and some of Cockney. Immigrants to

10660-399: The Spanish cleric, Pedro Foix Montoya). By the time he was twenty-two, Bernini was considered talented enough to have been given a commission for a papal portrait, the Bust of Pope Paul V , now in the J. Paul Getty Museum . Bernini's reputation, however, was definitively established by four masterpieces, executed between 1619 and 1625, all now displayed in the Galleria Borghese in Rome. To

10824-424: The Terme Taurine baths and the large cistern nearby are likely to have been included. Pliny was summoned by Trajan to his villa there for an exceptional meeting there of the consilium principis (advisory council) which normally took place in Rome, and which indicates the status of the villa as an imperial residence. The villa was also used later by the young Marcus Aurelius , probably in the years 140-145 who built

10988-463: The UK in recent decades have brought many more languages to the country and particularly to London. Surveys started in 1979 by the Inner London Education Authority discovered over 125 languages being spoken domestically by the families of the inner city's schoolchildren. Notably Multicultural London English , a sociolect that emerged in the late 20th century spoken mainly by young, working-class people in multicultural parts of London . Since

11152-458: The United Kingdom , as well as within the countries themselves. The major divisions are normally classified as English English (or English as spoken in England (which is itself broadly grouped into Southern English , West Country , East and West Midlands English and Northern English ), Northern Irish English (in Northern Ireland), Welsh English (not to be confused with the Welsh language ), and Scottish English (not to be confused with

11316-421: The Vatican Palace, and the Cathedra Petri , the Chair of Saint Peter, in the apse of St. Peter's, in addition to the Chapel of the Blessed Sacrament in the nave. British English British English (abbreviations: BrE , en-GB , and BE ) is the set of varieties of the English language native to the United Kingdom of Great Britain and Northern Ireland . More narrowly, it can refer specifically to

11480-401: The Vatican Palace, was slightly less ostentatious in appearance but still taxed Bernini's creative powers (employing, for example, clever tricks of optical illusion) to create a seemingly uniform, totally functional, but nonetheless regally impressive stairway to connect two irregular buildings within an even more irregular space. Not all works during this era were on such a large scale. Indeed,

11644-402: The West Scottish accent. Phonological features characteristic of British English revolve around the pronunciation of the letter R, as well as the dental plosive T and some diphthongs specific to this dialect. Once regarded as a Cockney feature, in a number of forms of spoken British English, /t/ has become commonly realised as a glottal stop [ʔ] when it is in the intervocalic position, in

11808-592: The addition of Maderno's nave and facade and finally re-consecrated by Pope Urban VIII on 18 November 1626, after 100 years of planning and building. Within the basilica he was responsible for the Baldacchino , the decoration of the four piers under the cupola, the Cathedra Petri or Chair of St. Peter in the apse, the Tomb of Countess Matilda of Tuscany , the chapel of the Blessed Sacrament in

11972-500: The addition of elaborate multi-coloured marble flooring, marble facing on the walls and pilasters, and scores of stuccoed statues and reliefs. It is not without reason that Pope Alexander VII once quipped, 'If one were to remove from Saint Peter's everything that had been made by the Cavalier Bernini, that temple would be stripped bare.' Indeed, given all of his many and various works within the basilica over several decades, it

12136-474: The adjective little is predominant elsewhere. Nevertheless, there is a meaningful degree of uniformity in written English within the United Kingdom, and this could be described by the term British English . The forms of spoken English, however, vary considerably more than in most other areas of the world where English is spoken and so a uniform concept of British English is more difficult to apply to

12300-574: The already constructed foundations for Bernini's Louvre addition were inaugurated in October 1665 in an elaborate ceremony, with both Bernini and King Louis in attendance). It is often stated in the scholarship on Bernini that his Louvre designs were turned down because Louis and his finance minister Jean-Baptiste Colbert considered them too Italianate or too Baroque in style. In fact, as Franco Mormando points out, "aesthetics are never mentioned in any of [the] ... surviving memos" by Colbert or any of

12464-488: The anniversary of his birth, a simple plaque and small bust was affixed to the face of his home on the Via della Mercede, proclaiming "Here lived and died Gianlorenzo Bernini, a sovereign of art, before whom reverently bowed popes, princes, and a multitude of peoples." In the late 1630s, Bernini had an affair with a married woman named Costanza (wife of his workshop assistant, Matteo Bonucelli, also called Bonarelli) and sculpted

12628-445: The art historian Rudolf Wittkower these four works— Aeneas, Anchises, and Ascanius (1619), The Rape of Proserpina (1621–22), Apollo and Daphne (1622–1625), and David (1623–24)—"inaugurated a new era in the history of European sculpture." It is a view repeated by other scholars, such as Howard Hibbard who proclaimed that, in all of the seventeenth century, "there were no sculptors or architects comparable to Bernini." Adapting

12792-447: The artist's elaborate plan, under Clement, for a new apse for the basilica of Santa Maria Maggiore came to an unpleasant end in the midst of public uproar over its cost and the destruction of ancient mosaics that it entailed. The last two popes of Bernini's life, Clement X and Innocent XI , were both not especially close or sympathetic to Bernini and not particularly interested in financing works of art and architecture, especially given

12956-641: The artistic advisors at the French court. The explicit reasons for the rejections were utilitarian, namely, on the level of physical security and comfort (e.g., location of the latrines). It is also indisputable that there was an interpersonal conflict between Bernini and the young French king, each one feeling insufficiently respected by the other. Though his design for the Louvre went unbuilt, it circulated widely throughout Europe by means of engravings and its direct influence can be seen in subsequent stately residences such as Chatsworth House , Derbyshire, England, seat of

13120-453: The attribution to Bernini completely, on the basis of both stylistic, technical, and historical (documentary) grounds. Instead, among Bernini's earliest and securely documented work is his collaboration on his father's commission of February 1618 from Cardinal Maffeo Barberini to create four marble putti for the Barberini family chapel in the church of Sant'Andrea della Valle , the contract stipulating that his son Gian Lorenzo would assist in

13284-488: The award of the grant in 2007, Leeds University stated: that they were "very pleased"—and indeed, "well chuffed"—at receiving their generous grant. He could, of course, have been "bostin" if he had come from the Black Country , or if he was a Scouser he would have been well "made up" over so many spondoolicks, because as a Geordie might say, £460,000 is a "canny load of chink". Most people in Britain speak with

13448-408: The burning Troy ; the instant that Pluto finally grasps the hunted Persephone ; the precise moment that Apollo sees his beloved Daphne begin her transformation into a tree. They are transitory but dramatic powerful moments in each story. Bernini's David is another stirring example of this. Michelangelo's motionless, idealized David shows the subject holding a rock in one hand and a sling in

13612-570: The chapel the artist places (in what can only strike the viewer as theatre boxes), portraits in relief of various members of the Cornaro family—the Venetian family memorialized in the chapel, including Cardinal Federico Cornaro who commissioned the chapel from Bernini—who are in animated conversation among themselves, presumably about the event taking place before them. The result is a complex but subtly orchestrated architectural environment providing

13776-779: The church of Santa Maria Assunta (1662–65) in the town of Ariccia with its circular outline, rounded dome and three-arched portico, reminiscent of the Pantheon. In Santa Maria Assunta, as in his church of St. Thomas of Villanova in Castelgandolfo (1658–61), Bernini completely eschewed the rich polychrome marble decoration dramatically seen in Sant'Andrea and the Cornaro Chapel in Santa Maria della Vittoria, in favour of an essentially white, somewhat stark interior, albeit still much adorned with stucco work and painted altarpieces. At

13940-485: The classical grandeur of Renaissance sculpture and the dynamic energy of the Mannerist period, Bernini forged a new, distinctly Baroque conception for religious and historical sculpture, powerfully imbued with dramatic realism, stirring emotion and dynamic, theatrical compositions. Bernini's early sculpture groups and portraits manifest "a command of the human form in motion and a technical sophistication rivalled only by

14104-510: The commission Bernini received to build the church of Sant'Andrea al Quirinale for the Jesuits was relatively modest in physical size (though great in its interior chromatic splendour), which Bernini executed completely free of charge. Sant'Andrea shared with Piazza San Pietro—unlike the complex geometries of his rival Francesco Borromini —a focus on basic geometric shapes, circles, and ovals to create spiritually intense spaces. He also designed

14268-468: The continent and to the many non-Italian students of architecture who made long pilgrimages to Rome from all corners of Europe to study and be inspired by the ancient and modern masters, Bernini among them. Bernini's architectural works include sacred and secular buildings and sometimes their urban settings and interiors. He made adjustments to existing buildings and designed new constructions. Among his most well-known works are St. Peter's Square (1656–67),

14432-622: The country. The BBC Voices project also collected hundreds of news articles about how the British speak English from swearing through to items on language schools. This information will also be collated and analysed by Johnson's team both for content and for where it was reported. "Perhaps the most remarkable finding in the Voices study is that the English language is as diverse as ever, despite our increased mobility and constant exposure to other accents and dialects through TV and radio". When discussing

14596-421: The death of Carlo Maderno . From then on, Bernini's work and artistic vision would be placed at the symbolic heart of Rome. Bernini's artistic pre-eminence under Urban VIII (and later under Alexander VII) meant he was able to secure the most important commissions in the Rome of his day, namely, the various massive embellishment projects of the newly finished St. Peter's Basilica , completed under Pope Paul V with

14760-562: The disastrous conditions of the papal treasury. The most important commission by Bernini, executed entirely by him in just six months in 1674, under Clement X was the statue of the Blessed Ludovica Albertoni , another nun-mystic. The work, reminiscent of Bernini's Ecstasy of Saint Teresa, is located in the chapel dedicated to Ludovica remodelled under Bernini's supervision in the Trastevere church of San Francesco

14924-414: The disastrous project of the new bell towers for St. Peter's basilica, designed and supervised entirely by Bernini. The infamous bell tower affair was to be the biggest failure of his career, both professionally and financially. In 1636, eager to finally finish the exterior of St. Peter's, Pope Urban had ordered Bernini to design and build the two, long-intended bell towers for its facade: the foundations of

15088-428: The distinction of being only one of two artists (the other is Pietro da Cortona ) to be the proprietor of his own large palatial (though not sumptuous) residence, furnished as well with its own water supply. Bernini refurbished and expanded the existing palazzo on the Via della Mercede site, at what are now Nos. 11 and 12. (The building is sometimes referred to as "Palazzo Bernini", but that title more properly pertains to

15252-399: The earlier Etruscan and early Roman settlement. A larger building of 160x100 m enclosed the baths and is being excavated. The massive Forte Michelangelo was first commissioned from Donato Bramante by Pope Julius II , to defend the port of Rome . The upper part of the "maschio" tower, however, was designed by Michelangelo , whose name is generally applied to the fortress. Pius IV added

15416-459: The early 21st century). "Quite simply", writes one art historian, "nothing like it had ever been seen before". Soon after the completion of the Baldacchino, Bernini undertook the whole-scale embellishment of the four massive piers at the crossing of the basilica (i.e., the structures supporting the cupola) including, most notably, four colossal, theatrically dramatic statues. Among the latter is

15580-452: The end of April 1665, and still considered the most important artist in Rome, if indeed not in all of Europe, Bernini was forced by political pressure (from both the French court and Pope Alexander VII) to travel to Paris to work for King Louis XIV , who required an architect to complete work on the royal palace of the Louvre . Bernini would remain in Paris until mid-October. Louis XIV assigned

15744-472: The execution of the statues. Also dating to 1618 is a letter by Maffeo Barberini in Rome to his brother Carlo in Florence, which mentions that he (Maffeo) was thinking of asking the young Gian Lorenzo to finish one of the statues left incomplete by Michelangelo, then in possession of Michelangelo's grandnephew which Maffeo was hoping to purchase, a remarkable attestation of the great skill that the young Bernini

15908-416: The extensive villa of Trajan which was nearby. The harbour was probably built by Trajan's favourite architect, Apollodorus of Damascus (who also built the harbour of Ancona ). The town was also known as Centum Cellae and was developed from the same time. Trajan's sumptuous villa pulcherrima (most beautiful, according to Pliny ) must have been built at the same time but traces have yet to be found, although

16072-428: The fact that it is never mentioned in any of the contemporary sources, except for a late reference (1675) as a Bernini work by Joachim von Sandrart, a German visitor to Rome, an attribution that was given no credence until the twentieth century. Indeed, the official 2022 Catalogo generale (vol. 1, Sculture moderne , cat. 41) of the Galleria Borghese, edited by Anna Coliva (former director of the gallery) formally removes

16236-488: The first securely attributed work dating to 1610-1612 (the marble portrait bust of Bishop Giovanni Battista Santoni, for his tomb monument in Rome's Santa Prassede) and the last to 1679 (the marble Salvator Mundi bust, Basilica of San Sebastian fuori le Mura, Rome). These many works range in size from small garden pieces of his earliest years (e.g., the Boy with a Dragon , 1617, Getty Museum, Los Angeles) to colossal works such as

16400-434: The greatest sculptors of classical antiquity." Moreover, Bernini possessed the ability to depict highly dramatic narratives with characters showing intense psychological states, but also to organize large-scale sculptural works that convey a magnificent grandeur. Unlike sculptures done by his predecessors, these focus on specific points of narrative tension in the stories they are trying to tell: Aeneas and his family fleeing

16564-400: The honorific rank of 'Cavaliere,' the title with which for the rest of his life the artist was habitually referred. In 1623 came the ascent to the papal throne of his aforementioned friend and former tutor, Cardinal Maffeo Barberini, as Pope Urban VIII , and henceforth (until Urban's death in 1644) Bernini enjoyed near monopolistic patronage from the Barberini pope and family. The new Pope Urban

16728-458: The idea of two different morphemes, one that causes the double negation, and one that is used for the point or the verb. Standard English in the United Kingdom, as in other English-speaking nations, is widely enforced in schools and by social norms for formal contexts but not by any singular authority; for instance, there is no institution equivalent to the Académie française with French or

16892-420: The larger story at work: Daphne's wide open mouth in fear and astonishment, David biting his lip in determined concentration, or Proserpina desperately struggling to free herself. This is shown by how Bernini portrays her braids coming undone which reveals her emotional distress. In addition to portraying psychological realism, they show a greater concern for representing physical details. The tousled hair of Pluto,

17056-523: The last southern Midlands accent to use the broad "a" in words like bath or grass (i.e. barth or grarss ). Conversely crass or plastic use a slender "a". A few miles northwest in Leicestershire the slender "a" becomes more widespread generally. In the town of Corby , five miles (8 km) north, one can find Corbyite which, unlike the Kettering accent, is largely influenced by

17220-518: The later Norman occupation led to the grafting onto that Germanic core of a more elaborate layer of words from the Romance branch of the European languages. This Norman influence entered English largely through the courts and government. Thus, English developed into a "borrowing" language of great flexibility and with a huge vocabulary . Dialects and accents vary amongst the four countries of

17384-619: The main focus of the space. One of the most accomplished and celebrated works to come from Bernini's hand in this period was the Cornaro Family Chapel in the small Carmelite church of Santa Maria della Vittoria, Rome . The Cornaro Chapel (inaugurated in 1651) showcased Bernini's ability to integrate sculpture, architecture, fresco, stucco, and lighting into "a marvellous whole" ( bel composto , to use early biographer Filippo Baldinucci's term to describe his approach to architecture) and thus create what scholar Irving Lavin has called

17548-406: The majestic St. Longinus executed by Bernini himself (the other three are by other contemporary sculptors François Duquesnoy , Francesco Mochi , and Bernini's disciple, Andrea Bolgi ). In the basilica Bernini also began work on the tomb for Urban VIII, completed only after Urban's death in 1644, one in a long, distinguished series of tombs and funerary monuments for which Bernini is famous and

17712-457: The mass internal migration to Northamptonshire in the 1940s and given its position between several major accent regions, it has become a source of various accent developments. In Northampton the older accent has been influenced by overspill Londoners. There is an accent known locally as the Kettering accent, which is a transitional accent between the East Midlands and East Anglian . It is

17876-482: The meticulous investigation conducted in 1680 under Pope Innocent XI . Nonetheless, Bernini's opponents in Rome succeeded in seriously damaging the reputation of Urban's artist and in persuading Pope Innocent to order (in February 1646) the complete demolition of both towers, to Bernini's great humiliation and indeed financial detriment (in the form of a substantial fine for the failure of the work). After this, one of

18040-463: The modern period, but due to their remoteness from the Germanic languages , influence on English was notably limited . However, the degree of influence remains debated, and it has recently been argued that its grammatical influence accounts for the substantial innovations noted between English and the other West Germanic languages. Initially, Old English was a diverse group of dialects, reflecting

18204-462: The more prestigious the commission, and the earlier the commission in his career, the greater is Bernini's role in both design and execution, though notable exceptions exist to both of these general rules. Although his formal professional training was as sculptor and his entrance into the field of architecture not of his own volition but that of Pope Urban VIII, Bernini had by the end of his life reached what has proven to be his enduring status as one of

18368-441: The most influential architects of seventeenth-century Europe. He was certainly one of the most prolific over the many decades of his long, active life. Despite the fact that he rarely left the city of Rome and that all of his works of architecture were confined to the limits of the papal capital or to nearby towns, Bernini's influence was indeed European-wide: this is thanks both to the many engravings that disseminated his ideas across

18532-512: The most significant ones in the city's recent history and for years to come—choosing Bernini as his principal collaborator (though other architects, especially Pietro da Cortona , were also involved). Thus did commence another extraordinarily prolific and successful chapter in Bernini's career. Bernini's major commissions during this period include St. Peter's Square . In a previously broad, irregular, and completely unstructured space, he created two massive semi-circular colonnades, each row of which

18696-554: The multiple forms of visual art and technique that Bernini had at his disposal, including hidden lighting, thin gilded beams, recessive architectural space, secret lens, and over twenty diverse types of colored marble: these all combine to create the final artwork—"a perfected, highly dramatic and deeply satisfying seamless ensemble". Upon his accession to the Chair of St Peter, Pope Alexander VII Chigi (reigned 1655–1667) began to implement his extremely ambitious plan to transform Rome into

18860-589: The name Civitas Vetus . The Popes gave the settlement as a fief to several local lords, including the Count Ranieri of Civitacastellana and the Abbey of Farfa , and the Di Vico, who held Centumcellae in 1431. In that year, pope Eugene IV sent an army under cardinal Giovanni Vitelleschi and several condottieri ( Niccolò Fortebraccio , Ranuccio Farnese and Menicuccio dell'Aquila among them) to recapture

19024-463: The ongoing architectural works in the basilica, bestowing upon him the official rank of "Architect of St. Peter's." However, Bernini fell out of favour during the papacy of Innocent X Pamphili because of that pope's already-mentioned animosity towards the Barberini (and hence towards their clients including Bernini) and the above-described failure of the bell towers designed and built by Bernini for St. Peter's Basilica. Never wholly without patronage during

19188-403: The other, contemplating the battle; similarly immobile versions by other Renaissance artists, including Donatello 's, show the subject in his triumph after the battle with Goliath . Bernini illustrates David during his active combat with the giant, as he twists his body to catapult toward Goliath. To emphasize these moments and to ensure that they were appreciated by the viewer, Bernini designed

19352-404: The papal art collection, director of the papal foundry at Castel Sant'Angelo , commissioner of the fountains of Piazza Navona ". Such positions gave Bernini the opportunity to demonstrate his versatile skills throughout the city. To great protest from older, experienced master architects, he, with virtually no architectural training to his name, was appointed "Architect of St Peter's" in 1629, upon

19516-508: The papal treasury had been exhausted by the disastrous Wars of Castro . Knowing that Bernini could no longer depend on the protection of a favourable pope, his enemies (especially Francesco Borromini ) raised a great alarm over the cracks, predicting a disaster for the whole basilica and placing the blame entirely on Bernini. The subsequent investigations, in fact, revealed the cause of the cracks as Maderno's defective foundations and not Bernini's elaborate design, an exoneration later confirmed by

19680-404: The persecutions of Decius and his successor Trebonianus Gallus and died there in 253. In the 4th and 5th centuries the city and port became even more prosperous and busy, as Rutilius Namatianus described it in 414 as it became an important port of Rome due to the silting of Ostia . In the 530s, Centumcellae was a Byzantine stronghold and until 553 the city suffered in the wars between

19844-536: The place, which, after the payment of 4,000 florins, became thenceforth a full Papal possession, led by a vicar and a treasurer. The place became a free port under Pope Innocent XII in 1696 and by the modern era was the main port of Rome . The French Empire occupied it in 1806. The French novelist Stendhal served as consul for a time in Civitavecchia. On 16 April 1859 the Rome and Civitavecchia railway

20008-547: The pliant flesh of Proserpina , or the forest of leaves beginning to envelop Daphne all demonstrate Bernini's exactitude and delight for representing complex real world textures in marble form. In 1621 Pope Paul V Borghese was succeeded on the throne of St. Peter by another admiring friend of Bernini's, Cardinal Alessandro Ludovisi, who became Pope Gregory XV : although his reign was very short (he died in 1623), Pope Gregory commissioned portraits of himself (both in marble and bronze) by Bernini. The pontiff also bestowed upon Bernini

20172-404: The pope had chosen him over any number of talented younger architects plentiful in Rome, for this prestigious and most difficult assignment since, as his son Domenico points out, "deterioration of the palace had advanced to such an extent that the threat of its imminent collapse was quite apparent." Shortly after the completion of the latter project, Bernini died in his home on 28 November 1680 and

20336-472: The population's protests, as it is feared it could create heavy pollution. The modern inner harbour (darsena) rests on ancient foundations many of which can be seen and whose shape is still very much the same as it was in Trajan's time. It had a curved breakwater on the southern side and a straight one to the north with arches to reduce the waves which still exist. The Torre di Lazzaretto  [ it ]

20500-562: The powerful Duke of Modena , Charles I of England and his wife, Queen Henrietta Maria . The bust of Charles I was produced in Rome from a triple portrait (oil on canvas) executed by Van Dyck , that survives today in the British Royal Collection. The bust of Charles was lost in the Whitehall Palace fire of 1698 (though its design is known through contemporary copies and drawings) and that of Henrietta Maria

20664-466: The practice of his faith, according to his early official biographers. Luigi, however, once again brought scandal to his family in 1670 by raping a young Bernini workshop assistant at the construction site of the 'Constantine' memorial in St. Peter's Basilica. During his lifetime Bernini lived in various residences throughout the city: principal among them, a palazzo right across from Santa Maria Maggiore and still extant at Via Liberiana 24, while his father

20828-544: The present day and have become indelible icons of the splendour of the papal precincts. Within the hitherto unadorned apse of the basilica, the Cathedra Petri , the symbolic throne of St Peter, was rearranged as a monumental gilded bronze extravagance that matched the Baldacchino created earlier in the century. Bernini's complete reconstruction of the Scala Regia , the stately papal stairway between St. Peters's and

20992-432: The rare failures of his career, Bernini retreated into himself: according to his son, Domenico . his subsequent unfinished statue of 1647, Truth Unveiled by Time , was intended to be his self-consoling commentary on this affair, expressing his faith that eventually Time would reveal the actual Truth behind the story and exonerate him fully, as indeed did occur. Although he received no personal commissions from Innocent or

21156-404: The right nave, and the decoration (floor, walls and arches) of the new nave. The Baldacchino immediately became the visual centrepiece of the basilica. Designed as a massive spiraling gilded bronze canopy over the tomb of St Peter, Bernini's four-columned creation reached nearly 30 m (98 ft) from the ground and cost around 200,000 Roman scudi (about 8 million US dollars in the currency of

21320-434: The sculptures with a specific viewpoint in mind, though he sculpted them fully in the round. Their original placements within the Villa Borghese were against walls so that the viewers' first view was the dramatic moment of the narrative. The result of such an approach is to invest the sculptures with greater psychological energy. The viewer finds it easier to gauge the state of mind of the characters and therefore understands

21484-512: The so-called Damned Soul and Blessed Soul of circa 1619, two small marble busts which may have been influenced by a set of prints by Pieter de Jode I or Karel van Mallery , but which were in fact unambiguously catalogued in the inventory of their first documented owner, Fernando de Botinete y Acevedo, as depicting a nymph and a satyr, a commonly paired duo in ancient sculpture (they were not commissioned by nor ever belonged to either Scipione Borghese or, as most scholarship erroneously claims,

21648-531: The spiritual context (a heavenly setting with a hidden source of light) that suggests to viewers the ultimate nature of this miraculous event. Nonetheless, during Bernini's lifetime and in the centuries following till this very day, Bernini's Saint Teresa has been accused of crossing a line of decency by sexualizing the visual depiction of the saint's experience, to a degree that no artist, before or after Bernini, dared to do: in depicting her at an impossibly young chronological age, as an idealized delicate beauty, in

21812-461: The spoken language. Globally, countries that are former British colonies or members of the Commonwealth tend to follow British English, as is the case for English used by European Union institutions. In China, both British English and American English are taught. The UK government actively teaches and promotes English around the world and operates in over 200 countries . English is

21976-474: The stories about Gian Lorenzo's talent were true. The boy improvised a sketch of Saint Paul for the marvelling pope, and this was the beginning of the pope's attention on this young talent. Once he was brought to Rome, he rarely left its walls, except (much against his will) for a five-month stay in Paris in the service of King Louis XIV and brief trips to nearby towns (including Civitavecchia , Tivoli and Castelgandolfo ), mostly for work-related reasons. Rome

22140-429: The successive pontificate to be held in high regard by Clement IX during his short reign (1667–69). Under Urban VIII's patronage, Bernini's horizons rapidly and widely broadened: he was not just producing sculpture for private residences, but playing the most significant artistic (and engineering) role on the city stage, as sculptor, architect, and urban planner. His official appointments also testify to this—"curator of

22304-603: The theft of work tools worth £500 from a van at the Sprucefield park and ride car park in Lisburn. A football team can be treated likewise: Arsenal have lost just one of 20 home Premier League matches against Manchester City. This tendency can be observed in texts produced already in the 19th century. For example, Jane Austen , a British author, writes in Chapter 4 of Pride and Prejudice , published in 1813: All

22468-561: The time of the sculpting of the portrait, Bernini was having an affair with Costanza , wife of one of his assistants, sculptor, Matteo.) Indeed, it would appear to be the first marble portrait of a non-aristocratic woman by a major artist in European history. Beginning in the late 1630s, now known in Europe as one of the most accomplished portraitists in marble, Bernini also began to receive royal commissions from outside Rome, for subjects such as Cardinal Richelieu of France, Francesco I d'Este

22632-511: The town center to the harbour survived until the early 2000s. It counted two stations: Civitavecchia Marittima, serving the port, and Civitavecchia Viale della Vittoria. Civitavecchia is served by the A12 , an unconnected motorway linking Rome to Genoa and by the State highway SS1 Via Aurelia , which also links the two stretches. The town is also interested by a project regarding a new motorway,

22796-403: The traditional accent of Newcastle upon Tyne , 'out' will sound as 'oot', and in parts of Scotland and North-West England, 'my' will be pronounced as 'me'. Long vowels /iː/ and /uː/ are diphthongised to [ɪi] and [ʊu] respectively (or, more technically, [ʏʉ], with a raised tongue), so that ee and oo in feed and food are pronounced with a movement. The diphthong [oʊ] is also pronounced with

22960-547: The training of his son Gian Lorenzo. Several extant works, dating circa 1615–1620, are by general scholarly consensus, collaborative efforts by both father and son: they include the Faun Teased by Putti (c. 1615, Metropolitan Museum , NYC), Boy with a Dragon (c. 1616–17, Getty Museum , Los Angeles), the Aldobrandini Four Seasons (c. 1620, private collection), and the recently discovered Bust of

23124-496: The two towers had already been designed and constructed (namely, the last bays at either extremity of the facade) by Carlo Maderno (architect of the nave and the façade) decades earlier. Once the first tower was finished in 1641, cracks began to appear in the façade but, curiously enough, work nonetheless continued on the second tower and the first storey was completed. Despite the presence of the cracks, work only stopped in July 1642 once

23288-750: The varied origins of the Anglo-Saxon kingdoms of England. One of these dialects, Late West Saxon , eventually came to dominate. The original Old English was then influenced by two waves of invasion: the first was by speakers of the Scandinavian branch of the Germanic family, who settled in parts of Britain in the eighth and ninth centuries; the second was the Normans in the 11th century, who spoke Old Norman and ultimately developed an English variety of this called Anglo-Norman . These two invasions caused English to become "mixed" to some degree (though it

23452-473: The various surfaces involved: human flesh, hair, fabric of varying type, metal, etc. These portraits included a number of busts of Urban VIII himself, the family bust of Francesco Barberini and most notably, the Two Busts of Scipione Borghese —the second of which had been rapidly created by Bernini once a flaw had been found in the marble of the first. The transitory nature of the expression on Scipione's face

23616-478: The windows of his dwelling the construction of the tower and dome of Sant'Andrea delle Fratte by his rival, Borromini and also the demolition of the chapel that he, Bernini, had designed at the Collegio di Propaganda Fide, which was later replaced by Borromini's chapel in 1660 (because the Collegio required a much larger chapel), but there is no documentation of this belief. The construction of Sant'Andrea, however,

23780-402: The word 'British' and as a result can be used and interpreted in two ways, more broadly or more narrowly, within a range of blurring and ambiguity". Variations exist in formal (both written and spoken) English in the United Kingdom. For example, the adjective wee is almost exclusively used in parts of Scotland, north-east England, Northern Ireland, Ireland, and occasionally Yorkshire , whereas

23944-568: The world are good and agreeable in your eyes. However, in Chapter 16, the grammatical number is used. The world is blinded by his fortune and consequence. Some dialects of British English use negative concords, also known as double negatives . Rather than changing a word or using a positive, words like nobody, not, nothing, and never would be used in the same sentence. While this does not occur in Standard English, it does occur in non-standard dialects. The double negation follows

24108-644: Was Pope Paul V , who after first attesting to the boy Bernini's talent, famously remarked, 'This child will be the Michelangelo of his age,' later repeating that prophecy to Cardinal Maffeo Barberini (the future Pope Urban VIII ), as Domenico Bernini reports in his biography of his father. In 1606 his father received a papal commission (to contribute a marble relief to the Cappella Paolina of Santa Maria Maggiore ) and so moved from Naples to Rome, taking his entire family with him and continuing in earnest

24272-436: Was Bernini's city: "You are made for Rome," said Pope Urban VIII to him, "and Rome for you." It was in this world of 17th-century Rome and the international religious-political power which resided there that Bernini created his greatest works. Bernini's works are therefore often characterized as perfect expressions of the spirit of the assertive, triumphal but self-defensive Counter Reformation Catholic Church. Certainly, Bernini

24436-682: Was a man of his times and deeply religious (at least later in life), but he and his artistic production should not be reduced simply to instruments of the papacy and its political-doctrinal programs, an impression that is at times communicated by the works of the three most eminent Bernini scholars of the previous generation, Rudolf Wittkower , Howard Hibbard , and Irving Lavin . As Tomaso Montanari 's recent revisionist monograph, La libertà di Bernini (Turin: Einaudi, 2016) argues and Franco Mormando 's anti-hagiographic biography, Bernini: His Life and His Rome (Chicago: University of Chicago Press, 2011), illustrates, Bernini and his artistic vision maintained

24600-527: Was already believed to possess. Although the Michelangelo statue-completion commission came to nought, the young Bernini was shortly thereafter (in 1619) commissioned to repair and complete a famous work of antiquity, the Sleeping Hermaphroditus owned by Cardinal Scipione Borghese ( Galleria Borghese , Rome) and later (circa 1622) restored the so-called Ludovisi Ares ( Museo Nazionale Romano , Rome). Also dating to this early period are

24764-533: Was born on 7 December 1598 in Naples to Angelica Galante, a Neapolitan, and Mannerist sculptor Pietro Bernini , originally from Florence . He was the sixth of their thirteen children. Gian Lorenzo Bernini was "recognized as a prodigy when he was only eight years old, [and] he was consistently encouraged by his father, Pietro. His precocity earned him the admiration and favour of powerful patrons who hailed him as 'the Michelangelo of his century'”. More specifically, it

24928-488: Was buried, with little public fanfare, in the simple, unadorned Bernini family vault, along with his parents, in the Basilica of Santa Maria Maggiore . Though an elaborate funerary monument had once been planned (documented by a single extant sketch of circa 1670 by disciple Ludovico Gimignani ), it was never built and Bernini remained with no permanent public acknowledgement of his life and career in Rome until 1898 when, on

25092-466: Was completed by Bernini's close disciple, Mattia de Rossi and it contains (to this day) the marble originals of two of Bernini's own angels executed by the master for the Ponte Sant'Angelo. Although he proved during his long lifetime to be a uomo universale , truly accomplished in so many areas of artistic production like Michelangelo and Leonardo da Vinci before him, Bernini was first and foremost

25256-616: Was completely in harmony with the pre-existing buildings and added to the majesty of the basilica. Often likened to two arms reaching out from the church to embrace the waiting crowd, Bernini's creation extended the symbolic greatness of the Vatican area, creating an emotionally thrilling and "exhilarating expanse" that was, architecturally, an "unequivocal success". Elsewhere within the Vatican, Bernini created systematic rearrangements and majestic embellishment of either empty or aesthetically undistinguished spaces that exist as he designed them to

25420-457: Was formed of four simple white Doric columns. This resulted in an oval shape that formed an inclusive arena within which any gathering of citizens, pilgrims and visitors could witness the appearance of the pope—either as he appeared on the loggia on the façade of St Peter's or at the traditional window of the neighbouring Palazzo Vaticano, to the right of the square. In addition to being logistically efficient for carriages and crowds, Bernini's design

25584-575: Was greatly enlarged by the Emperor Trajan at the beginning of the 2nd century and known as Centum Cellae thereafter probably due to the many vaulted "cells" forming the harbour wall some of which can still be seen. The first occurrence of the name Centum Cellae is from a letter by Pliny the Younger in AD 107. It has been suggested that the name could instead refer to the centum ("hundred") halls of

25748-478: Was instead re-carved into a representation of the ancient Roman hero Marcus Curtius . Bernini remained physically and mentally vigorous and active in his profession until just two weeks before his death which came as a result of a stroke. The pontificate of his old friend, Clement IX , was too short (barely two years) to accomplish more than the dramatic refurbishment by Bernini of the Ponte Sant'Angelo , while

25912-422: Was never a truly mixed language in the strictest sense of the word; mixed languages arise from the cohabitation of speakers of different languages, who develop a hybrid tongue for basic communication). The more idiomatic, concrete and descriptive English is, the more it is from Anglo-Saxon origins. The more intellectual and abstract English is, the more it contains Latin and French influences, e.g. swine (like

26076-492: Was not undertaken due to the outbreak of the English Civil War . In 1644, with the death of Pope Urban with whom Bernini had been so intimately connected and the ascent to power of the fierce Barberini-enemy Pope Innocent X Pamphilj , Bernini's career suffered a major, unprecedented eclipse, which was to last four years. This had not only to do with Innocent's anti-Barberini politics but also with Bernini's role in

26240-612: Was opened for service. The Papal troops opened the gates of the fortress to the Italian general Nino Bixio in 1870. This permanently removed the port from papal control. During World War II , the Allies launched several bombing raids against Civitavecchia, which damaged the city and inflicted several civilian casualties. On June 27, 1944, two American soldiers from the 379th Port Battalion , Fred A. McMurray and Louis Till , allegedly raped two Italian women in Civitavecchia and murdered

26404-488: Was popular among the crowds who gathered wherever he stopped, which led him to compare his itinerary to the travelling exhibition of an elephant. On his walks in Paris the streets were lined with admiring crowds too. But things soon turned sour. Bernini presented finished designs for the east front (i.e., the all-important principal facade of the entire palace) of the Louvre, which were ultimately rejected, albeit not formally until 1667, well after his departure from Paris (indeed,

26568-436: Was still able to devote himself to his sculpture, especially portraits in marble, but also large statues such as the life-size Saint Bibiana (1624, Church of Santa Bibiana , Rome). Bernini's portraits show his ever-increasing ability to capture the utterly distinctive personal characteristics of his sitters, as well as his ability to achieve in cold white marble almost painterly-like effects that render with convincing realism

26732-487: Was still alive; after his father died in 1629, Bernini moved the clan to the long-ago-demolished Santa Marta neighbourhood behind the apse of St. Peter's Basilica, which afforded him more convenient access to the Vatican Foundry and to his working studio also on the Vatican site. In 1639, Bernini bought property on the corner of the Via della Mercede and the Via del Collegio di Propaganda Fide in Rome. This gave him

26896-539: Was still visible at the end of the 19th century near Forte Michelangelo. An Etruscan settlement on the hill of Ficoncella can still be seen. The first baths of the settlement were built there before 70 BC, and known by the Romans as Aquae Tauri. The nearby monumental baths at Terme Taurine were built originally in the Roman Republican era, possibly by Titus Statilius Taurus , prefect of Rome. The harbour

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