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105-519: It was built in 1857, in the Classical Revival style, for Augustus Jacoby, an early pioneer who arrived in Arcata in 1850. He started in business by taking supplies to the local miners on pack animals . Jacoby operated a general store and a hotel. The Jacoby Building was built of brick and stone, and thus survived the 1875 fire that swept through the adjacent Arcata Plaza area. Jacoby sold

210-402: A Pompeian-inspired central figure. Empire fabrics are damasks with a blue or brown background, satins with a green, pink or purple background, velvets of the same colors, brooches broached with gold or silver, and cotton fabrics. All of these were used in interiors for curtains, for covering certain furniture, for cushions or upholstery (leather was also used for upholstery). All Empire ornament

315-707: A Western cultural movement in the decorative and visual arts , literature , theatre , music , and architecture that drew inspiration from the art and culture of classical antiquity . Neoclassicism was born in Rome , largely due to the writings of Johann Joachim Winckelmann during the rediscovery of Pompeii and Herculaneum . Its popularity expanded throughout Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with

420-524: A copy of the Athena Lemnia in a statue of which the head is located in Bologna and the body is at Dresden . Some 5th-century   BC torsos of Athena have been found at Athens. The torso of Athena in the École des Beaux-Arts at Paris, which has lost its head, gives some idea of what the original statue may have looked like. For the ancient Greeks, two works of Phidias far outshone all others:

525-454: A cup inscribed on the bottom "Φειδίου εἰμί" (Pheidíou eimí) – "I belong to Phidias"; literally: "of Phidias I am", were found here, just where Pausanias said the statue was constructed. The discovery has enabled archaeologists to re-create the techniques used to make the statue and confirm its date. By 1910, mathematician Mark Barr began using the Greek letter Phi ( φ ) as a symbol for

630-523: A dangerous territory of the Ottoman Empire , Neoclassicists' appreciation of Greek architecture was predominantly mediated through drawings and engravings which were subtly smoothed and regularized, "corrected" and "restored" monuments of Greece, not always consciously. The Empire style , a second phase of Neoclassicism in architecture and the decorative arts , had its cultural centre in Paris in

735-534: A direct parallel with the Augustan style of landscape design. The links are clearly seen in the work of Alexander Pope . The best surviving examples of Neoclassical English gardens are Chiswick House , Stowe House and Stourhead . In fashion, Neoclassicism influenced the much greater simplicity of women's dresses, and the long-lasting fashion for white, from well before the French Revolution, but it

840-603: A fresh influx of Greek architectural examples, seen through the medium of etchings and engravings, gave a new impetus to Neoclassicism, the Greek Revival . At the same time the Empire style was a more grandiose wave of Neoclassicism in architecture and the decorative arts. Mainly based on Imperial Roman styles, it originated in, and took its name from, the rule of Napoleon in the First French Empire, where it

945-426: A lack of ancient models, Neoclassical sculpture tended to suffer from an excess of them. Although examples of actual Greek sculpture of the " Classical Period " beginning in about 500 BC were then very few; the most highly regarded works were mostly Roman copies. The leading Neoclassical sculptors enjoyed huge reputations in their own day, but are now less regarded, with the exception of Jean-Antoine Houdon , whose work

1050-558: A lightness and grace, where Thorvaldsen is more severe; the difference is exemplified in their respective groups of the Three Graces . All these, and Flaxman, were still active in the 1820s, and Romanticism was slow to impact sculpture, where versions of Neoclassicism remained the dominant style for most of the 19th century. An early Neoclassicist in sculpture was the Swede Johan Tobias Sergel . John Flaxman

1155-460: A lock plate, etc. Like Louis XIV , Napoleon had a set of emblems unmistakably associated with his rule, most notably the eagle, the bee, stars, and the initials I (for Imperator ) and N (for Napoleon ), which were usually inscribed within an imperial laurel crown. Motifs used include: figures of Victory bearing palm branches, Greek dancers, nude and draped women, figures of antique chariots, winged putti , mascarons of Apollo , Hermes and

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1260-399: A long time, until the 20th century, although it coexisted in some short periods with other styles. Foreign architects and engineers were invited here since the first decade of the 19th century. Most of the architects that built during the beginning of the century were foreigners because Romanians did not have yet the instruction needed for designing buildings that were very different compared to

1365-592: A mature style that has an equivocal relationship with the main current of Neoclassicism, and many later diversions into Orientalism and the Troubadour style that are hard to distinguish from those of his unabashedly Romantic contemporaries, except by the primacy his works always give to drawing. He exhibited at the Salon for over 60 years, from 1802 into the beginnings of Impressionism , but his style, once formed, changed little. If Neoclassical painting suffered from

1470-573: A new French "national costume" at the request of the government during the height of the Revolutionary enthusiasm for changing everything in 1792, it included fairly tight leggings under a coat that stopped above the knee. A high proportion of well-to-do young men spent much of the key period in military service because of the French Revolutionary Wars , and military uniform, which began to emphasize jackets that were short at

1575-463: A similar structure to Louis XVI furniture . Besides the Adam style, when it comes to decorative arts, England is also known for the ceramic manufacturer Josiah Wedgwood (1730–1795), who established a pottery called Etruria. Wedgwood ware is made of a material called jasperware , a hard and fine-grained type of stoneware . Wedgwood vases are usually decorated with reliefs in two colours, in most cases

1680-450: A specifically Neoclassical approach, spelt out in his preface to the published score of Alceste (1769), which aimed to reform opera by removing ornamentation , increasing the role of the chorus in line with Greek tragedy , and using simpler unadorned melodic lines. The term "Neoclassical" was not invented until the mid-19th century, and at the time the style was described by such terms as "the true style", "reformed" and "revival"; what

1785-540: A substitute model, as Winckelmann recommended. The work of other artists, who could not easily be described as insipid, combined aspects of Romanticism with a generally Neoclassical style, and form part of the history of both movements. The German-Danish painter Asmus Jacob Carstens finished very few of the large mythological works that he planned, leaving mostly drawings and colour studies which often succeed in approaching Winckelmann's prescription of "noble simplicity and calm grandeur". Unlike Carstens' unrealized schemes,

1890-467: A trajectory from growth to maturity and then imitation or decadence that continues to have influence to the present day. Winckelmann believed that art should aim at "noble simplicity and calm grandeur", and praised the idealism of Greek art, in which he said we find "not only nature at its most beautiful but also something beyond nature, namely certain ideal forms of its beauty, which, as an ancient interpreter of Plato teaches us, come from images created by

1995-417: A variety of neo-Renaissance, Palladian and modernized, yet recognizably classical schools. They were led by architects born in the 1870s, who reached creative peak before World War I, like Ivan Fomin , Vladimir Shchuko and Ivan Zholtovsky . When the economy recovered in the 1920s, these architects and their followers continued working in primarily modernist environment; some (Zholtovsky) strictly followed

2100-414: A white background or a coloured one). Motifs were placed geometrically. The walls were covered in stuccos , wallpaper fabrics. Fireplace mantels were made of white marble, having caryatids at their corners, or other elements: obelisks , sphinxes , winged lions, and so on. Bronze objects were placed on their tops, including mantel clocks . The doors consisted of simple rectangular panels, decorated with

2205-467: Is based on the principles of simplicity and symmetry, which were seen as virtues of the arts of Ancient Rome and Ancient Greece , and drawn directly from 16th-century Renaissance Classicism . Each "neo"-classicism movement selects some models among the range of possible classics that are available to it, and ignores others. Between 1765 and 1830, Neoclassical proponents—writers, speakers, patrons, collectors, artists and sculptors—paid homage to an idea of

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2310-475: Is called Augustan literature . This, which had been dominant for several decades, was beginning to decline by the time Neoclassicism in the visual arts became fashionable. Though terms differ, the situation in French literature was similar. In music, the period saw the rise of classical music , and "Neoclassicism" is used of 20th-century developments . However, the operas of Christoph Willibald Gluck represented

2415-495: Is governed by a rigorous spirit of symmetry reminiscent of the Louis XIV style . Generally, the motifs on a piece's right and left sides correspond to one another in every detail; when they do not, the individual motifs themselves are entirely symmetrical in composition: antique heads with identical tresses falling onto each shoulder, frontal figures of Victory with symmetrically arrayed tunics, identical rosettes or swans flanking

2520-576: Is more classicizing in subject matter than in anything else. A fierce, but often very badly informed, dispute raged for decades over the relative merits of Greek and Roman art, with Winckelmann and his fellow Hellenists generally being on the winning side. It is hard to recapture the radical and exciting nature of early Neoclassical painting for contemporary audiences; it now strikes even those writers favourably inclined to it as "insipid" and "almost entirely uninteresting to us"—some of Kenneth Clark 's comments on Anton Raphael Mengs ' ambitious Parnassus at

2625-549: Is often credited as the main instigator of the Classical Greek sculptural design. Today, most critics and historians consider him one of the greatest of all ancient Greek sculptors. Of Phidias's life, little is known apart from his works. Although no original works exist that can be attributed to him with certainty, numerous Roman copies of varying degrees of fidelity are known to exist. The earliest of Phidias's works were dedications in memory of Marathon , celebrating

2730-432: Is the Știrbei Palace on Calea Victoriei ( Bucharest ), built around the year 1835, after the plans of French architect Michel Sanjouand . It received a new level in 1882, designed by Austrian architect Joseph Hartmann In 1905–1914 Russian architecture passed through a brief but influential period of Neoclassical revival ; the trend began with recreation of Empire style of Alexandrine period and quickly expanded into

2835-732: The Goût grec ("Greek style"), not a court style; when Louis XVI acceded to the throne in 1774, Marie Antoinette , his fashion-loving Queen, brought the Louis XVI style to court. However, there was no real attempt to employ the basic forms of Roman furniture until around the turn of the century, and furniture-makers were more likely to borrow from ancient architecture, just as silversmiths were more likely to take from ancient pottery and stone-carving than metalwork: "Designers and craftsmen ... seem to have taken an almost perverse pleasure in transferring motifs from one medium to another". From about 1800

2940-567: The Athena Parthenos , Phidias was accused of embezzlement. Specifically, he was charged with shortchanging the amount of gold that was supposed to be used for the statue and keeping the extra for himself. It seems that the charge was politically motivated – a result of his friendship with Pericles, who had many enemies in Athens. Phidias supposedly weighed the gold robe of the Athena Parthenos to prove his innocence, but

3045-656: The Gorgon , swans, lions, the heads of oxen, horses and wild beasts, butterflies, claws, winged chimeras , sphinxes , bucrania , sea horses, oak wreaths knotted by thin trailing ribbons, climbing grape vines, poppy rinceaux , rosettes , palm branches, and laurel. There's a lot of Greco-Roman ones: stiff and flat acanthus leaves, palmettes , cornucopias , beads, amphoras , tripods, imbricated disks, caduceuses of Mercury , vases, helmets, burning torches, winged trumpet players, and ancient musical instruments (tubas, rattles and especially lyres ). Despite their antique derivation,

3150-632: The Macchiaioli represented a break with the classical school, which came to an end as Italy unified (see Italian modern and contemporary art). Neoclassicism was the last Italian-born style, after the Renaissance and Baroque, to spread to all Western Art. During the 19th century, the predominant style in Wallachia and Moldavia , later the Kingdom of Romania , was Classicism which lasted for

3255-540: The Napoleonic era . Especially in architecture, but also in other fields, Neoclassicism remained a force long after the early 19th century, with periodic waves of revivalism into the 20th and even the 21st centuries, especially in the United States and Russia. Neoclassicism is a revival of the many styles and spirit of classic antiquity inspired directly from the classical period, which coincided and reflected

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3360-494: The Villa Albani , by the artist whom his friend Winckelmann described as "the greatest artist of his own, and perhaps of later times". The drawings, subsequently turned into prints , of John Flaxman used very simple line drawing (thought to be the purest classical medium ) and figures mostly in profile to depict The Odyssey and other subjects, and once "fired the artistic youth of Europe" but are now "neglected", while

3465-729: The etchings of Giovanni Battista Piranesi were numerous and profitable, and taken back by those making the Grand Tour to all parts of Europe. His main subject matter was the buildings and ruins of Rome, and he was more stimulated by the ancient than the modern. The somewhat disquieting atmosphere of many of his Vedute (views) becomes dominant in his series of 16 prints of Carceri d'invenzione ("Imaginary Prisons") whose "oppressive cyclopean architecture" conveys "dreams of fear and frustration". The Swiss-born Henry Fuseli spent most of his career in England, and while his fundamental style

3570-489: The fluting and triglyphs so prevalent under Louis XVI are abandoned. Egyptian Revival motifs are especially common at the beginning of the period: scarabs , lotus capitals , winged disks, obelisks, pyramids , figures wearing nemeses , caryatids en gaine supported by bare feet and with women Egyptian headdresses. Neoclassical architecture became widespread as a symbol of wealth and power in Germany, mostly in what

3675-412: The history paintings of Angelica Kauffman , mainly a portraitist, are described as having "an unctuous softness and tediousness" by Fritz Novotny . Rococo frivolity and Baroque movement had been stripped away but many artists struggled to put anything in their place, and in the absence of ancient examples for history painting, other than the Greek vases used by Flaxman, Raphael tended to be used as

3780-435: The 18th-century Age of Enlightenment , and continued into the early 19th century, eventually competing with Romanticism . In architecture, the style endured throughout the 19th, 20th, and into the 21st century. European Neoclassicism in the visual arts began c.  1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentation and asymmetry; Neoclassical architecture

3885-595: The 19th century, contrasted Neoclassicism. Whilst Neoclassicism was characterized by Greek and Roman-influenced styles, geometric lines and order, Gothic revival architecture placed an emphasis on medieval-looking buildings, often made to have a rustic, "romantic" appearance. It marks the transition from Rococo to Classicism. Unlike the Classicism of Louis XIV , which transformed ornaments into symbols, Louis XVI style represents them as realistic and natural as possible, i.e. laurel branches really are laurel branches, roses

3990-928: The Ancient World . Phidias also designed the statues of the goddess Athena on the Athenian Acropolis , namely the Athena Parthenos inside the Parthenon , and the Athena Promachos , a colossal bronze which stood between it and the Propylaea , a monumental gateway that served as the entrance to the Acropolis in Athens. Phidias was the son of Charmides of Athens. The ancients believed that his masters were Hegias and Ageladas . Plutarch discusses Phidias's friendship with

4095-615: The Empire marks its rapid decline and transformation back once more into a mere antique revival, drained of all the high-minded ideas and force of conviction that had inspired its masterpieces". An earlier phase of the style was called the Adam style in Great Britain. Neoclassicism continued to be a major force in academic art through the 19th century and beyond—a constant antithesis to Romanticism or Gothic revivals —, although from

4200-790: The Federal style, has developed completely in the 18th and early 19th centuries, which has flourished being influenced by Britannic taste. Under the impulse of Neoclassicism, architecture, interiors, and furniture have been created. The style, although it has numerous characteristics which differ from state to state, is unitary. The structures of architecture, interiors, and furniture are Classicist, and incorporate Baroque and Rococo influences. The shapes used include rectangles, ovals, and crescents. Stucco or wooden panels on walls and ceilings reproduce Classicist motifs. Furniture tend to be decorated with floral marquetry and bronze or brass inlays (sometimes gilded ). In England, Augustan literature had

4305-455: The Great 's lover, Count Grigory Orlov , designed by an Italian architect with a team of Italian stuccadori : only the isolated oval medallions like cameos and the bas-relief overdoors hint of Neoclassicism; the furnishings are fully Italian Rococo. A second Neoclassic wave, more severe, more studied (through the medium of engravings ) and more consciously archaeological, is associated with

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4410-577: The Greek statesman Pericles , recording that enemies of Pericles tried to attack him through Phidias – who was accused of stealing gold intended for the Parthenon's statue of Athena, and of impiously portraying himself and Pericles on the shield of the statue. The historical value of this account, as well as the legend about accusations against the 'Periclean circle', is debatable, but Aristophanes mentions an incident with Phidias around that time. Phidias

4515-483: The Greek victory. His first commission was a group of national heroes with Miltiades as a central figure. At Delphi he created a great group in bronze including the figures of Greek gods Apollo and Athena , several Attic heroes, and General Miltiades the Younger . On the Acropolis of Athens, Phidias constructed a colossal bronze statue of Athena, the Athena Promachos , which was visible far out at sea. Athena

4620-856: The Louis XIV style, and nature. Characteristic elements of the style: a torch crossed with a sheath with arrows, imbricated disks, guilloché , double bow-knots, smoking braziers, linear repetitions of small motifs ( rosettes , beads, oves), trophy or floral medallions hanging from a knotted ribbon, acanthus leaves, gadrooning , interlace, meanders , cornucopias , mascarons , Ancient urns, tripods, perfume burners, dolphins, ram and lion heads, chimeras , and gryphons . Greco-Roman architectural motifs are also heavily used: flutings , pilasters (fluted and unfluted), fluted balusters (twisted and straight), columns ( engaged and unengaged, sometimes replaced by caryathids ), volute corbels , triglyphs with guttae (in relief and trompe-l'œil ). Neoclassicism

4725-577: The Revolution, the court portraitist Louise Élisabeth Vigée Le Brun had held a Greek supper where the ladies wore plain white Grecian tunics. Shorter classical hairstyles, where possible with curls, were less controversial and very widely adopted, and hair was now uncovered even outdoors; except for evening dress, bonnets or other coverings had typically been worn even indoors before. Thin Greek-style ribbons or fillets were used to tie or decorate

4830-448: The Revolutionary period, and perhaps, like other exotic styles, as undress at home. But the styles worn in portraits by Juliette Récamier , Joséphine de Beauharnais , Thérésa Tallien and other Parisian trend-setters were for going-out in public as well. Seeing Mme Tallien at the opera, Talleyrand quipped that: " Il n'est pas possible de s'exposer plus somptueusement! " ("One could not be more sumptuously undressed"). In 1788, just before

4935-595: The Romanian tradition. Usually using Classicism, they started building together with Romanian artisans, usually prepared in foreign schools or academies. Romanian architects studied in Western European schools as well. One example is Alexandru Orăscu , one of the representatives of Neoclassicism in Romania. Classicism manifested both in religious and secular architecture. A good example of secular architecture

5040-896: The Ruins of Palmyra (1758) by Gavin Hamilton , the two gentleman antiquaries are shown in toga -like Arab robes. In Watson and the Shark (1778) by John Singleton Copley , the main figure could plausibly be shown nude, and the composition is such that of the eight other men shown, only one shows a single breeched leg prominently. However the Americans Copley and Benjamin West led the artists who successfully showed that trousers could be used in heroic scenes, with works like West's The Death of General Wolfe (1770) and Copley's The Death of Major Peirson, 6 January 1781 (1783), although

5145-540: The United States did not have a sculpture tradition of its own, save in the areas of tombstones, weathervanes and ship figureheads, the European Neoclassical manner was adopted there, and it was to hold sway for decades and is exemplified in the sculptures of Horatio Greenough , Harriet Hosmer , Hiram Powers , Randolph Rogers and William Henry Rinehart . Neoclassical art was traditional and new, historical and modern, conservative and progressive all at

5250-466: The advent of the Grand Tour , a fad of collecting antiquities began that laid the foundations of many great collections spreading a Neoclassical revival throughout Europe. "Neoclassicism" in each art implies a particular canon of a "classical" model. In English, the term "Neoclassicism" is used primarily of the visual arts; the similar movement in English literature , which began considerably earlier,

5355-472: The artistic generation associated with Phidias , but sculpture examples they actually embraced were more likely to be Roman copies of Hellenistic sculptures. They ignored both Archaic Greek art and the works of late antiquity . The discovery of ancient Palmyra 's "Rococo" art through engravings in Robert Wood 's The Ruins of Palmyra came as a revelation. With Greece largely unexplored and considered

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5460-499: The building From the second half of the 18th century through the 19th century, Italy went through a great deal of socio-economic changes, several foreign invasions and the turbulent Risorgimento, which resulted in Italian unification in 1861. Thus, Italian art went through a series of minor and major changes in style. Italian Neoclassicism was the earliest manifestation of the general period known as Neoclassicism and lasted more than

5565-641: The building to Alexander Brizard in 1880. A number of general stores operated out of the building, continuing to supply goods to mining camps in the Klamath and Trinity Mountains . Second and third floors were added in 1907 by architect Warren Porter Skillings. In 1963, the Jacoby Building became California Historical Landmark (CHL) #783. The building was added to the National Register of Historic Places (#82002179) in 1982. The building

5670-612: The classical canon, others (Fomin, Schuko, Ilya Golosov ) developed their own modernized styles. With the crackdown on architect's independence and official denial of modernism (1932), demonstrated by the international contest for the Palace of Soviets , Neoclassicism was instantly promoted as one of the choices in Stalinist architecture , although not the only choice. It coexisted with moderately modernist architecture of Boris Iofan , bordering with contemporary Art Deco (Schuko); again,

5775-400: The classical models. Neoclassicism and neo-Renaissance persisted in less demanding residential and office projects until 1955, when Nikita Khrushchev put an end to expensive Stalinist architecture. The Adam style was created by two brothers, Adam and James , who published in 1777 a volume of etchings with interior ornamentation. In the interior decoration made after Robert Adam's drawings,

5880-554: The colossal chryselephantine Statue of Zeus ( c.  432   BC), which was erected in the Temple of Zeus at Olympia , and the Athena Parthenos (lit. "Athena the Virgin"), a sculpture of the virgin goddess Athena, which was housed in the Parthenon in Athens. Both sculptures belong to about the middle of the 5th century BC. A number of replicas and works inspired by it, both ancient and modern, have been made. Upon completing

5985-451: The country and devoted himself to the highly distinctive "character heads" of bald figures pulling extreme facial expressions. Like Piranesi's Carceri , these enjoyed a great revival of interest during the age of psychoanalysis in the early 20th century. The Dutch Neoclassical sculptor Mathieu Kessels studied with Thorvaldsen and worked almost exclusively in Rome. Since prior to the 1830s

6090-869: The decorative arts, Neoclassicism is exemplified in Empire furniture made in Paris, London, New York, Berlin; in Biedermeier furniture made in Austria; in Karl Friedrich Schinkel 's museums in Berlin, Sir John Soane 's Bank of England in London and the newly built " United States Capitol " in Washington, D.C.; and in Josiah Wedgwood 's bas reliefs and "black basaltes" vases . The style

6195-545: The designs of Zholtovsky, Fomin and other old masters were easily replicated in remote towns under strict material rationing . Improvement of construction technology after World War II permitted Stalinist architects to venture into skyscraper construction, although stylistically these skyscrapers (including "exported" architecture of Palace of Culture and Science , Warsaw and the Shanghai International Convention Centre) share little with

6300-547: The developments in philosophy and other areas of the Age of Enlightenment, and was initially a reaction against the excesses of the preceding Rococo style. While the movement is often described as the opposed counterpart of Romanticism , this is a great over-simplification that tends not to be sustainable when specific artists or works are considered. The case of the supposed main champion of late Neoclassicism, Ingres , demonstrates this especially well. The revival can be traced to

6405-531: The disapproval of critics. Neoclassicism was strongest in architecture , sculpture and the decorative arts , where classical models in the same medium were relatively numerous and accessible; examples from ancient painting that demonstrated the qualities that Winckelmann's writing found in sculpture were and are lacking. Winckelmann was involved in the dissemination of knowledge of the first large Roman paintings to be discovered, at Pompeii and Herculaneum and, like most contemporaries except for Gavin Hamilton ,

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6510-567: The establishment of formal archaeology . The writings of Johann Joachim Winckelmann were important in shaping this movement in both architecture and the visual arts. His books Thoughts on the Imitation of Greek Works in Painting and Sculpture (1750) and Geschichte der Kunst des Alterthums ("History of Ancient Art", 1764) were the first to distinguish sharply between Ancient Greek and Roman art, and define periods within Greek art, tracing

6615-630: The figures being white and the background blue. On the American continent , architecture and interior decoration have been highly influenced by the styles developed in Europe. The French taste has highly marked its presence in the southern states (after the French Revolution some emigrants have moved here, and in Canada a big part of the population has French origins). The practical spirit and

6720-479: The front, giving a full view of tight-fitting trousers, was often worn when not on duty, and influenced civilian male styles. The trouser-problem had been recognised by artists as a barrier to creating contemporary history paintings ; like other elements of contemporary dress they were seen as irredeemably ugly and unheroic by many artists and critics. Various stratagems were used to avoid depicting them in modern scenes. In James Dawkins and Robert Wood Discovering

6825-467: The great works ordered by Greek statesman Pericles on the Acropolis . Ancient critics take a very high view of the merits of Phidias. They especially praise the ethos or permanent moral level of his works as compared with those of the later so called "pathetic" school. Both Pausanias and Plutarch mention works of his depicting the warlike Athena Areia . Demetrius calls his statues sublime, and at

6930-485: The hair instead. Very light and loose dresses, usually white and often with shockingly bare arms, rose sheer from the ankle to just below the bodice, where there was a strongly emphasized thin hem or tie round the body, often in a different colour. The shape is now often known as the Empire silhouette although it predates the First French Empire of Napoleon, but his first Empress Joséphine de Beauharnais

7035-596: The height of the Napoleonic Empire . In France, the first phase of Neoclassicism was expressed in the " Louis XVI style ", and the second in the styles called " Directoire " and Empire . The Rococo style remained popular in Italy until the Napoleonic regimes brought the new archaeological classicism, which was embraced as a political statement by young, progressive, urban Italians with republican leanings. In

7140-475: The late 19th century on it had often been considered anti-modern, or even reactionary, in influential critical circles. The centres of several European cities, notably Saint Petersburg and Munich , came to look much like museums of Neoclassical architecture. Gothic revival architecture (often linked with the Romantic cultural movement), a style originating in the 18th century which grew in popularity throughout

7245-444: The leader of French art, and after the French Revolution became a politician with control of much government patronage in art. He managed to retain his influence in the Napoleonic period, turning to frankly propagandistic works, but had to leave France for exile in Brussels at the Bourbon Restoration . David's many students included Jean-Auguste-Dominique Ingres , who saw himself as a classicist throughout his long career, despite

7350-487: The main figures of the period include Vittorio Alfieri , Giuseppe Parini , Vincenzo Monti and Ugo Foscolo , Giacomo Leopardi and Alessandro Manzoni (nephew of Cesare Beccaria ), who were also influenced by the French Enlightenment and German Romanticism. The virtuoso violinist Paganini and the operas of Rossini , Donnizetti , Bellini and, later, Verdi dominated the scene in Italian classical and romantic music. The art of Francesco Hayez and especially that of

7455-441: The material situation of the Americans at that time gave the interiors a typic atmosphere. All the American furniture, carpets, tableware, ceramic, and silverware, with all the European influences, and sometimes Islamic , Turkish or Asian , were made in conformity with the American norms, taste, and functional requirements. There have existed in the US a period of the Queen Anne style , and an Chippendale one. A style of its own,

7560-481: The mind alone". The theory was very far from new in Western art, but his emphasis on close copying of Greek models was: "The only way for us to become great or if this be possible, inimitable, is to imitate the ancients". The Industrial Revolution saw global transition of human economy towards more efficient and stable manufacturing processes. There was tremendous material advancement and increased prosperity. With

7665-496: The most classicizing interiors of the Baroque , or the most "Roman" rooms of William Kent were based on basilica and temple exterior architecture turned outside in, hence their often bombastic appearance to modern eyes: pedimented window frames turned into gilded mirrors, fireplaces topped with temple fronts. The new interiors sought to recreate an authentically Roman and genuinely interior vocabulary. Techniques employed in

7770-652: The notable figures of the Enlightenment, and travelled to America to produce a statue of George Washington , as well as busts of Thomas Jefferson , Benjamin Franklin and other founders of the new republic. Antonio Canova and the Dane Bertel Thorvaldsen were both based in Rome, and as well as portraits produced many ambitious life-size figures and groups; both represented the strongly idealizing tendency in Neoclassical sculpture. Canova has

7875-453: The occasional half circle or oval. Interior decor also honored this taste for rigor, with the result that flat surfaces and right angles returned to fashion. Ornament was used to mediate this severity, but it never interfered with basic lines and always was disposed symmetrically around a central axis. Even so, ébénistes often canted fore-angles to avoid excessive rigidity. The decorative motifs of Louis XVI style were inspired by antiquity ,

7980-538: The other national variants of neoclassicism. It developed in opposition to the Baroque style around c.  1750 and lasted until c.  1850 . Neoclassicism began around the period of the rediscovery of Pompeii and spread all over Europe as a generation of art students returned to their countries from the Grand Tour in Italy with rediscovered Greco-Roman ideals. It first centred in Rome where artists such as Antonio Canova and Jacques-Louis David were active in

8085-543: The pedimental statues of the Parthenon were not brought to Athens until 433-434   BC. It is therefore possible that most of sculptural decoration of the Parthenon was the work of Phidias's workshop including pupils of Phidias, such as Alcamenes and Agoracritus . According to Pausanias (1.28.2), the original bronze Athena Lemnia was created by Phidias ( c.  450–440   BC) for Athenians living on Lemnos . He described it as "the best of all Pheidias's works to see". Adolf Furtwängler suggested that he found

8190-514: The purest examples of the style were produced by Zholtovsky school that remained an isolated phenomena. The political intervention was a disaster for constructivist leaders yet was sincerely welcomed by architects of the classical schools. Neoclassicism was an easy choice for the Soviet Union since it did not rely on modern construction technologies ( steel frame or reinforced concrete ) and could be reproduced in traditional masonry . Thus

8295-441: The royal government, which David insisted on painting in Rome. David managed to combine an idealist style with drama and forcefulness. The central perspective is perpendicular to the picture plane, made more emphatic by the dim arcade behind, against which the heroic figures are disposed as in a frieze , with a hint of the artificial lighting and staging of opera , and the classical colouring of Nicolas Poussin . David rapidly became

8400-473: The same source of inspiration, classical antiquity. The Adam style emphasizes refined rectangular mirrors, framed like paintings (in frames with stylised leafs), or with a pediment above them, supporting an urn or a medallion. Another design of Adam mirrors is shaped like a Venetian window , with a big central mirror between two other thinner and longer ones. Another type of mirrors are the oval ones, usually decorated with festoons. The furniture in this style has

8505-586: The same time precise. In 447 BC, Pericles commissioned several sculptures for Athens from Phidias to celebrate the Greek victory against the Persians at the Battle of Marathon during the Greco-Persian Wars (490 BC). Pericles used some of the money from the maritime League of Delos , to rebuild and decorate Athens to celebrate this victory. Inscriptions prove that the marble blocks intended for

8610-455: The same time. Neoclassicism first gained influence in Britain and France, through a generation of French art students trained in Rome and influenced by the writings of Winckelmann, and it was quickly adopted by progressive circles in other countries such as Sweden , Poland and Russia . At first, classicizing decor was grafted onto familiar European forms, as in the interiors for Catherine

8715-444: The same, and so on. One of the main decorative principles is symmetry. In interiors, the colours used are very bright, including white, light grey, bright blue, pink, yellow, very light lilac, and gold. Excesses of ornamentation are avoided. The return to antiquity is synonymous with above all with a return to the straight lines: strict verticals and horizontals were the order of the day. Serpentine ones were no longer tolerated, save for

8820-589: The second half of the 18th century, before moving to Paris. Painters of Vedute , like Canaletto and Giovanni Paolo Panini , also enjoyed a huge success during the Grand Tour. Neoclassical architecture was inspired by the Renaissance works of Andrea Palladio and saw in Luigi Vanvitelli the main interpreters of the style. Classicist literature had a great impact on the Risorgimento movement:

8925-555: The shorter styles that finally despatched the use of wigs, and then white hair-powder, for younger men. The trouser had been the symbol of the barbarian to the Greeks and Romans, but outside the painter's or, especially, the sculptor's studio, few men were prepared to abandon it. Indeed, the period saw the triumph of the pure trouser, or pantaloon , over the culotte or knee-breeches of the Ancien Régime . Even when David designed

9030-457: The style included flatter, lighter motifs, sculpted in low frieze -like relief or painted in monotones en camaïeu ("like cameos"), isolated medallions or vases or busts or bucrania or other motifs, suspended on swags of laurel or ribbon, with slender arabesques against backgrounds, perhaps, of "Pompeiian red" or pale tints, or stone colors. The style in France was initially a Parisian style,

9135-576: The trouser was still being carefully avoided in The Raft of the Medusa , completed in 1819. Phidias Phidias or Pheidias ( / ˈ f ɪ d i ə s / ; Ancient Greek : Φειδίας , Pheidias ; c.  480  – c.  430 BC ) was an Ancient Greek sculptor , painter, and architect, active in the 5th century BC. His Statue of Zeus at Olympia was one of the Seven Wonders of

9240-704: The unfortunate wording on the CHL plaque, for years led to calls to remove both the statue and the plaque from the Plaza. Acts of vandalism were one of the reasons for a 2018 City Council vote to remove the statue, as well as the plaque. This article about a property in California on the National Register of Historic Places is a stub . You can help Misplaced Pages by expanding it . Classical Revival Neoclassicism , also spelled Neo-classicism , emerged as

9345-543: The walls, ceilings, doors, and any other surface, are divided into big panels: rectangular, round, square, with stuccos and Greco-Roman motifs at the edges. Ornaments used include festoons , pearls, egg-and-dart bands, medallions , and any other motifs used during the Classical antiquity (especially the Etruscan ones). Decorative fittings such as urn-shaped stone vases, gilded silverware, lamps, and stauettes all have

9450-590: Was also, or mainly, a sculptor, mostly producing severely classical reliefs that are comparable in style to his prints; he also designed and modelled Neoclassical ceramics for Josiah Wedgwood for several years. Johann Gottfried Schadow and his son Rudolph , one of the few Neoclassical sculptors to die young, were the leading German artists, with Franz Anton von Zauner in Austria. The late Baroque Austrian sculptor Franz Xaver Messerschmidt turned to Neoclassicism in mid-career, shortly before he appears to have suffered some kind of mental crisis, after which he retired to

9555-519: Was based on Neoclassical principles, his subjects and treatment more often reflected the "Gothic" strain of Romanticism , and sought to evoke drama and excitement. Neoclassicism in painting gained a new sense of direction with the sensational success of Jacques-Louis David 's Oath of the Horatii at the Paris Salon of 1785. Despite its evocation of republican virtues, this was a commission by

9660-505: Was influential in spreading it around Europe. A long rectangular shawl or wrap, very often plain red but with a decorated border in portraits, helped in colder weather, and was apparently laid around the midriff when seated—for which sprawling semi-recumbent postures were favoured. By the start of the 19th century, such styles had spread widely across Europe. Neoclassical fashion for men was far more problematic, and never really took off other than for hair, where it played an important role in

9765-686: Was intended to idealize Napoleon's leadership and the French state. The style corresponds to the more bourgeois Biedermeier style in the German-speaking lands, Federal style in the United States, the Regency style in Britain, and the Napoleon style in Sweden. According to the art historian Hugh Honour "so far from being, as is sometimes supposed, the culmination of the Neoclassical movement,

9870-684: Was international; Scots architect Charles Cameron created palatial Italianate interiors for the German-born Catherine the Great, in St. Petersburg, Russia. Indoors, Neoclassicism made a discovery of the genuine classic interior, inspired by the rediscoveries at Pompeii and Herculaneum . These had begun in the late 1740s, but only achieved a wide audience in the 1760s, with the first luxurious volumes of tightly controlled distribution of Le Antichità di Ercolano ( The Antiquities of Herculaneum ). The antiquities of Herculaneum showed that even

9975-401: Was mainly portraits, very often as busts, which do not sacrifice a strong impression of the sitter's personality to idealism. His style became more classical as his long career continued, and represents a rather smooth progression from Rococo charm to classical dignity. Unlike some Neoclassical sculptors he did not insist on his sitters wearing Roman dress, or being unclothed. He portrayed most of

10080-443: Was not until after it that thorough-going attempts to imitate ancient styles became fashionable in France, at least for women. Classical costumes had long been worn by fashionable ladies posing as some figure from Greek or Roman myth in a portrait (in particular there was a rash of such portraits of the young model Emma, Lady Hamilton from the 1780s), but such costumes were only worn for the portrait sitting and masquerade balls until

10185-510: Was of a somewhat archaic type; the bust of Zeus found at Otricoli , which used to be regarded as a copy of the head of the Olympian statue, is certainly more than a century later in style. A significant advancement in the knowledge of Phidias's working methodology came during 1954–58 with the excavation of the workshop at Olympia where he created the Statue of Zeus. Tools, terracotta molds and

10290-455: Was put to death by the Eleans after he completed the Statue of Zeus at Olympia for them. From the late 5th century BC, small copies of the statue of Zeus were found on coins from Elis, which give a general notion of the pose and the character of the head. The god was seated on a throne, every part of which was used for sculptural decoration. His body was of ivory, his robe of gold. His head

10395-540: Was regarded as being revived varying considerably. Ancient models were certainly very much involved, but the style could also be regarded as a revival of the Renaissance, and especially in France as a return to the more austere and noble Baroque of the age of Louis XIV , for which a considerable nostalgia had developed as France's dominant military and political position started a serious decline. Ingres 's coronation portrait of Napoleon even borrowed from Late Antique consular diptychs and their Carolingian revival, to

10500-518: Was representative for the new French society that exited the revolution , setting the tone in all life fields, including art. The Jacquard machine was invented during this period (which revolutionised the entire sewing system, manual until then). One of the dominant colours was red, decorated with gilt bronze . Bright colours were also used, including white, cream, violet, brown, blue, dark red, with little ornaments of gilt bronze. Interior architecture included wood panels decorated with gilt reliefs (on

10605-663: Was the goddess of wisdom and warriors and the protector of Athens. At Pellene in Achaea , and at Plataea , Phidias made two other statues of Athena, as well as a statue of the goddess Aphrodite in ivory and gold for the people of Elis. In antiquity , Phidias was celebrated for his statues in bronze and his chryselephantine works (statues made of gold and ivory). In the Hippias Major , Plato claims that Phidias seldom, if ever, executed works in marble unlike many sculptors of his time. Plutarch writes that he superintended

10710-485: Was then Prussia . Karl Friedrich Schinkel built many prominent buildings in this style, including the Altes Museum in Berlin. While the city remained dominated by Baroque city planning, his architecture and functional style provided the city with a distinctly neoclassical center. His Bauakademie is considered one of the forerunners of modern architecture due to its hithertofore relatively streamlined façade of

10815-409: Was then accused of impiously portraying himself and Pericles on the shield of the statue, which was apparently true. Plutarch records that Phidias was imprisoned and died in jail. Aristophanes 's play Peace ( c.  421 BC ) mentions an unfortunate incident involving Phidias, but little context is provided. According to Philochorus , as quoted by a scholiast on Aristophanes, Phidias

10920-649: Was unimpressed by them, citing Pliny the Younger 's comments on the decline of painting in his period. As for painting, Greek painting was utterly lost: Neoclassicist painters imaginatively revived it, partly through bas-relief friezes , mosaics and pottery painting, and partly through the examples of painting and decoration of the High Renaissance of Raphael 's generation, frescos in Nero 's Domus Aurea , Pompeii and Herculaneum, and through renewed admiration of Nicolas Poussin . Much "Neoclassical" painting

11025-790: Was used for shelter during conflicts with the Native American Wiyot tribe from 1858 through 1864, which included the 1860 Wiyot massacre . The CHL plaque controversially described the Jacoby Building as having "served periodically as a refuge in time of Indian troubles." The plaque was in one corner of the Arcata Plaza, a park across the street from the Jacoby Building. For years the Plaza also had an 8.5-foot bronze statue of President William McKinley (1843-1901), forged in San Francisco in 1906. McKinley's imperialist politics and hostility to Native Americans, as well as

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